The July/August 2022 issue of Gay & Lesbian Review is focused on “The Lure of the Sea” and includes essays such as “A New England Romance: Harvard Prof F.O. Matthiessen and Artist Russell Cheney in Love,” by Andrew Holleran, “Sex and Gender in Native America” by Vernon Rosario, “Paul Cadmus’ Art of Cruising” by Ignacio Darnaude, “The Sea and Sexual Freedom: From Typee to Bully Budd, Melville Longed for Something Lost at Sea” by Rolando Jorif, “A Dab of Tar on a Sailor’s Posteriors” by William Benemann, and “The Fastest Woman of Her Day: Joe Carstairs Raced Speedboats in the 1920’s – and Often Won” by Martin Duberman. The publication also features reviews of recent publications as well as poetry, guest opinions, and artwork. Most article intros can be read online with subscribers having access to full content.
The Ukrainian cities of Odesa and Kharkiv take the spotlight in World Literature Today’s latest city issue, in which poets, novelists, playwrights, artists, journalists, editors, photographers, translators, and culture workers offer glimpses into their daily lives since the Russian invasion of February 2022. Other highlights include essays and fiction from Austria, Belarus, Chile, Colombia, Nigeria, South Africa, and the US; poetry from Peru, Portugal, and the US; lively interviews with Ben Okri and Maša Kolanović; recommended reading lists; as well as reviews of new books by Isabel Allende, Elena Ferrante, Mohsin Hamid, and dozens more. With the latest issue, WLT remains an indispensable guide to the best in international literature
The Blue Collar Review is a quarterly journal of poetry and prose published by Partisan Press with the mission “to expand and promote a progressive working class vision of culture that inspires us and that moves us forward as a class.”
The editors comment: “Poems in this collection focus on poverty, labor struggles, and on the devaluing of, and impact on, children in our corrupt corporate oligarchy. Children suffer inordinately from the criminal irresponsibility of political opportunism and arrogant class disregard. . . Violence driven by bigotry is a continuing foundational American reality. . . The scapegoating and targeting of people based on perceived differences is meant to divide us, diverting the focus of our frustration and rage from those who perpetrate vicious, unrelenting injustice upon us to our class brothers and sisters. Added to the targets of hate are Trans and gender non-binary people. As a class, our struggle demands transcending such prejudices and creating our own justice rooted in our common issues and interests.”
These poems, then, “exists to make us more aware of the commonality or our shared class experience and to strengthen the social solidarity we need to have a voice and to create authentic democracy.” Readers can find sample poems on the Blue Collar Review website along with submission and subscription information.
Reckoning is a nonprofit, annual journal of creative writing on environmental justice, with this newest issue, edited by Aïcha Martine Thiam and Gabriela Santiago, addressing the intersection between social upheaval and environmental change. The publication features poetry, essays, fiction, and art by Zuzanna Kwiecien, Francesca Gabrielle Hurtado, Russell Nichols, Tom Barlow, Nicasio Andres Reed, Nicholas Clute, Cislyn Smith, Nancy Lynée Woo, Tim Fab-Eme, E.G. Condé, Ken Poyner, Daria Kholyavka, Sofia Ezdina, Avra Margariti, Grace Wagner, Sigrid Marianne Gayangos, Kola Heyward-Rotimi, Scott T. Hutchison, Nicole Bade, Susan Tacent, Jessica McDermott, paulo da costa, Ellie Milne-Brown, Amanda Ilozumba Otitochukwu, Charlotte Kim, Rebecca Bratten Weiss, Amirah Al Wassif, Brianna Cunliffe, Jacob Budenz, Miriam Navarro Prieto, Wen-yi Lee, Mari Ness, Takayuki Ino, Rumi Kaneko, Preston Grassmann, Jesse Nee-Vogelman, Al Simmons, Laura Adrienne Brady, Prashanth Srivatsa, Taylor Jones and Luke Elliott.
Carolyn Kuebler’s introduction to the newest issue of New England Review (43.2) is a thoughtful reflection on the place of domesticity, travel, and tourism as it is reflected through the eyes of writers and interpreted by readers. The Editor’s Note along with several pieces from this issue are available to read online here. Kuebler also comments on the special feature, “Polyglot And Multinational: Lebanese Writers In Beirut And Beyond”: “The section in fact was born out of guest editor Marilyn Hacker’s desire to go someplace new, to know it more deeply, to feel the heat and rain and to hear voices in cafés. It began with her fascination and curiosity about the Lebanese writers whose works she’d read and translated and culminates here in something altogether uncategorizable.” In addition, this issue includes Poetry by Tomaž Šalamun, Gillian Osborne, Victoria Chang, Analicia Sotelo, Justin Jannise, Corey Van Landingham, Carmen Giménez, Steven Duong, and Tiana Clark; Fiction by Nandini Dhar, David Ryan, A. E. Kulze, Christine Sneed, Roy Kesey, and Kosiso Ugwueze; Nonfiction by Marianne Boruch, Maud Casey, Ben Miller, Sarah Fawn Montgomery, and Richard Harding Davis.
What happens when a high school student in love with writing since the third grade grows into a climate activist who believes in empowering her fellow youth? The answer is The Earth Chronicles, a student-led environmental newspaper that focuses on youth voices for climate action and awareness about our planet. Julianne Park and her brother, Aiden Park, both Dougherty Valley High School students, say they started The Earth Chronicles during the pandemic “when the wildfires raged across California and near our homes. We were scared and we saw fear on the faces of our friends and family. But we decided to turn this around. Our goal is to spread awareness and educate people about what is happening on our planet. Through writing, we want to empower students to fight climate change in their own unique ways and equip them with the tools they need for the future.”
The Louisville Review, Number 91, Spring 2022, after being supported for 45 years by higher educational institutions is now an independent publication. As Editor Sena Jeter Naslund shares in the Editor’s Note, her home has become the new “home” of The Louisville Review – a home “haunted” by the ghost of little-known poet Madison Cawein, who lived there over 100 years ago, and who published a poem that contained the phrase “waste land” – inspiring the more likely known T.S. Eliot’s work, “The Waste Land.” And so, Sena tells readers, “it pays off to read small literary mags, as well as to publish in them. . . And it pays off to SUBSCRIBE to them, for many reasons, but also so that you won’t miss out on some important trigger to your own imagination.” Here! Here!
The newest issue of The Louisville Review features ample imagination starters, with Poetry by Mary Ann Samyn, Adrian Blevins, Adam Tavel, Kyle D. Craig, Diamond Forde, Ann Pedone, Rachel Whalen, Kevin McLellan, Christopher Howell, Roy Bentley, Gabriel Welsch, Clay Cantrell, James Hejna, Rolly Kent, Alamgir Hashmi, Jack Ridl, Don Bogen, and Michael Mark. Fiction – which, get this, is “arranged to spotlight the progressive ages of the various protagonists” – ! – by Jane Ogburn Dorfman, Dennis Hurley, Patricia Dutt, Rebecca Bernard, Edward Jackson, John Sims Jeter, S. A. Griffin, and Marguerite Alley. And my all-time favorite section, “Cornerstone,” featuringing work by writers K-12: Saanvi Mundra, Kay Lee, Jiayi Shao, Haile Espin, Henry Phoel, Bravery Grace Boes, Alexander Miller, Matteo Tremaine Pavlenko, and Emma Catherine Hoff.
NewPages receives many wonderful literary magazine and alternative magazine titles each month to share with our readers. You can read more about some of these titles by clicking on the “New Mag Issues” tag under “Popular Topics.” If you are a publication looking to be listed here or featured on our blog and social media, please contact us!
Alaska Quarterly Review, Spring/Summer 2022 The American Poetry Review, July/August 2022 Arkansas Review, 53.1 Bellingham Review, 84 Blue Collar Review, Spring 2022 Brick, 109 Brilliant Flash Fiction, June 2022 Carve, Summer 2022 The Cincinnati Review, 19.1 Cleaver, Summer 2022 Cream City Review, 46.1 Cutleaf, 2.14 The Dillydoun Review, June 2022 Driftwood Press, 9.2 Event, 51.1 Five Points, 21.2 Freefall, Spring 2022 Gay & Lesbian Review, July-August 2022 Good River Review, 3 Hamilton Arts & Letters, 15.1 The Hollins Critic, June 2022 Image 112 In These Times, July 2022 Inch, Summer 2022 Kenyon Review, July/August 2022 The Lake, July 2022 The Louisville Review, Spring 2022 The Malahat Review, 218 The Missouri Review, Spring 2022 New England Review, Summer 2022 Notre Dame Review, Winter/Spring 2022 Off the Coast, Summer 2022 One Story, 290 Otis Nebula, 17 Pembroke Magazine, 54 Poetry, July/August 2022 Prairie Schooner, Fall 2021 Reckoning, 6 Room, 45.2 Ruminate, Spring/Summer 2022 Salamander, Spring/Summer 2022 The Shore, 14 Sleet, Summer 2022 Superpresent, Summer 2022 Thema, Summer 2022 The Tiger Moth Review, 8 World Literature Today, July/August 2022 The Woven Tale Press, July 2022 Writing Disorder, Summer 2022 Yellow Medicine Review, Spring 2022
The newest issue of EVENT print publication of poetry and prose features their 2021 Non-Fiction Contest finalists with introductory commentary by Judge David A. Robertson, who writes, “in the end, that’s what writing stories is all about: connecting. You connect with your readers. They connect with something within themselves or to each other.” The winning entries: 1st Place “Penance” by Cayenne Bradley; 2nd Place “All My Love, Alex” by Vicki McLeod; 3rd Place“One Route, Over and Over” by Nicole Boyce. Also included in this issue is Poetry by Matsuki Masutani, Julian Gunn, Russell Thornton, Laurie D. Graham, Vincent McGillivray, Mark O. Goodwin, Zoe Landale, Kate Marshall Flaherty, Dan MacIsaac, J.G. Chayko, and Erin Kirsh; Fiction by Brian Moore, Joel Fishbane, and Adrian Markle; and numerous reviews of poetry, fiction, and nonfiction. The next deadline for EVENT‘s 2022 Non-Fiction Contest is October 15. More details on their website here.
Driftwood Press will be switching to an annual anthology structure, so this is the final “biannual” issue for readers to enjoy. The latest short stories “Winged,” “Sore Vexed,” and “The Great Fall” show off the versatility of Driftwood Press like no other issue: readers are moved from a war-torn country to a Norweigian countryside, then to a global pandemic of missing memories. This issue also includes numerous poems investigating the paranormal, gun violence, familial strife, and more.
Driftwood Press also offers readers interviews with most of their contributors, with this issue featuring Chad Gusler, Caroline Bock, Kate Griffin, Daisuke Shen, Samantha Padgett, Emily DeMaio Newton, Danae Younge, Kindall Fredricks, Roben Gow, Danielle Shorr, Laura Goldin, Adriana Stimola, Kelly Gray, Amanda Hartzell, Austin Sanchez-Moran, Daniel Ferreira, and Amanda Ngo and Kendall Krantz, and additional works by Maxime Cousineau-Pérusse, Triin Paja, and Sofia Sears.
Summer Sleet 2022 is now online! It’s a beautiful, especially moving edition featuring student poets from Thunder Mountain and Yaakoosge Daakahidi high schools in Juneau, Alaska, in a “By Invitation Only” category. David Buck, Nakima Budke, Joseph Cavanaugh, Elizabeth Djajalie, and Savanna Tisher offer readers a view of the Alaskan landscape and what it means to “be from” this vast northern community. Summer Sleet 2022 also hosts Poetry by Samir Atassi, Nancy Botkin, Jack Chielli, E.J. Evans, Marsha Foss, Scott Gardner, Mom’s Dementia, Paul Ilechko, Kathryn Kysar, Debbie Laffin, John Palen, Joan Roger, Dan Sicoli, Suzanne Swanson, Matthew A. Toll, Cody Triplett, Jay Wittenberg; Creative Nonfiction by Mary Casey Diana, Mariana Navarrete, Anthony J. Mohr; Fiction by Vicki Addesso, Scott Gardner, Mike Herndon, Jerry Kivelä; and a fun section called “Irregulars” with unique contributions from Melanie Alberts, Kathryn Kysar, Mary Lewis, Colette Parris, Holly Pelesky, Edwina Shaw, Tee, and T. Wallace. Sleet is free to read online, and Sleet is currently open for submissions until August 31, 2022. All work, all topics welcome with a special theme for the winter edition: TATTOOS. Visit their website for more information.
In this issue you’ll find nuggets of contentment as authors share stories of disability and the connections they experience with those who travel this journey with them. A pioneer in its field, Kaleidoscope magazine publishes literature and artwork that creatively explore the experience of disability. Submit your best work to us today! Visit our website or view our flyer for more information.
Rolling submission deadline. Divot Poetry wants to read your poems for Issues 5 and 6. We value fresh imagery and startling ways to describe the human condition. See our submission guidelines for full information. We look forward to reading your poetry; you inspire us. View flyer or visit website to learn more.
Otis Nebula Editor Andrea Perkins writes that the newest issue (#17) “features the work of thirteen writers ranging from the deeply established to one who is debuting in our ‘pages.’ We also invited our contributors to participate in the creation of an ‘otis,’ which is a linked poem form generated by a simple prompt.” Eleven contributors collaborated, “donating” seed words for each other, the editors chipping in, so that each writer had twelve words to incorporate. Otis Nebula provides full guidelines for this form on their site here. Otis Nebula is a digital magazine with all issues available for free online. Contributors to Issue 17 include Peter Cole Friedman, Nathaniel Kennon Perkins, J.D. Nelson, Cameron Morse, Andrew Haley, Maria Berardi, Jennifer Ruth Jackson, Ken Meisel, Martine van Bijlert, Rebecca Pyle, Mark DeCarteret, Julia Wendell, and Chey Chesser.
The Missouri Review Spring 2022 issue (45.1) features the 2021 Jeffrey E. Smith Editors’ Prize Winners: Alix Christie (fiction), Matthew Wamser (essay), Jennifer Perrine (poetry), as well as a special feature with Michale Millner on the Jack Kerouac Archive and a portfolio of artwork by Kristine Somerville in full color, “Boxed In: The Art of Assemblage.” The issue also includes Poetry from Kelli Russell Agodon and David Moolten, Fiction from Joy Baglio, John Fulton, and Peter Mountford, Essays by Susan Neville and William Roebuck, plus: “America’s Left Bank: Jessie Tarbox Beal’s Greenwich Village Photographs.”
The July 2022 issue of The Lake online poetry magazine is now available and features Frank De Canio, Agnieszka Filipek, Jeff Gallagher, Kasha Martin Gauthier, Sarah James, Yvonne Higgins Leach, Beth Mcdonogh, Mark Parsons, Tim Taylor, and Rodney Wood. There are also reviews of George Bilgere’s Central Air and Peter Roberts’ Night Owling, and “One Poem Reviews,” which is one poem from a collection to help writers get the word out about their publications. This month features works by Joanne Durham, Estill Pollock, Susan Taylor, and Melody Wang.
The July 2022 issue of The Woven Tale Press Literary and Fine Art Magazine promises “haunting portraiture, the surreal, architectural mixed media, poetry, fiction, and more!” The Woven Tale Press “strives to grow the online presence of noteworthy writers and visual artists” and encourages readers to visit contributors’ websites. Featured this month are works by Simon Berson, Ann-Marie Brown, billy cancel, Brut Carniollus, Lawrence F. Farrar, Chuck Fischer, David Mason, Robert Garner McBrearty, David Provan, Carolyn Schlam, and Elizabeth Searle. Readers can subscribe for free email delivery and view the publication online. Cover image by Carolyn Schlam.
The Tiger Moth Review Editor Esther Vincent Xueming’s introduction to Issue 8 begins: “This issue celebrates life. // This issue celebrates love. // This issue celebrates joy. // This issue celebrates and sings of the light that continues to shine on endlessly, even after death. This issue celebrates the infinity of time, of love as bending time. This issue chooses to celebrate death as a transition from the physical into the spiritual, as a carrying on rather than an ending of.” Fully online, The Tiger Moth Review features art and literature “that engages with nature, culture, the environment, and ecology.” To carry out this celebration and engagement are works by a global cast of contributors:
The July/August issue of Poetry Magazine is guest-edited by Esther Belin, a Diné (Navajo) multimedia artist and writer, and is dedicated to the topic of Land Acknowledgments. In the “Dear Reader” introduction, she writes:
“One of the biggest take backs is the re-territorializing of language. In this issue, quite a number of Indigenous writers are expanding poetics, resuscitating tribal languages, refashioning the English language with tribal meter, rhythm, and sound. I hope more than a few readers will understand the significance of this feat. Little more than fifty years ago, many of these writers would have been overlooked, misunderstood, or questioned about the legitimacy of their poetics. This volume acknowledges the history of racism and privilege in how access to publishing has been extended and the selection process of those eventually published. This volume acknowledges that the represented writers merely hint at the momentum of literary sovereignty occurring in Indian country, in addition to Indigenous writers throughout the globe.”
Writers included in this seminal issue are Allison Akootchook Warden, Manny Loley, Beth Piatote, Dean Rader, Abigail Chabitnoy, Valerie Wallace, Elise Paschen, Gabriel Dunsmith, Anthony Cody, Max Early, Franklin K.R. Cline, Michael Thompson, Megha Rao, Jayant Kashyap, Hao Guang Tse, Micaela Merryman, Halee Kirkwood, Ariana Benson, Arthur Sze, Michelle Whitstone, Tina Deschenie, Majda Gama, Ibe Liebenberg, Carol Moldaw, Toni Giselle Stuart, Jake Skeets, Laura Da’, Jay Wieners, Yvonne, Jennifer Militello, Krysten Hill, Jessica Kim, Khải Đơn, Yaccaira Salvatierra, Bai Juyi, Tim Tim Cheng, and Adedayo Agarau. There is also an interview with Arthur Sze. Poetry Magazine and its many wonderful resources are free online.
Superpresent magazine of the arts Summer 2022 issue is themed “Signs and Symbols,” and the editors comment that “works selected seem both grounded and abstract. Some of the works are mysterious and some surprisingly direct.” Most assuredly, there is a lot to choose from to enjoy, with works from over fifty contributors – prose, poetry, art – and the ever-cool film section with links/QR codes to a unique selection of short art films. Superpresent is available to download as a PDF or by subscription, mailed four times per year.
The June 2022 issue of Brilliant Flash Fiction online literary magazine offers readers a variety of subjects to choose from. Just check out this lineup of stories that adhere to the ‘not more than 1000-word” limit: “Gorilla vs Dogs” by David M. Rubin; “Brown Bear, Brown Bear” by Lauren Voeltz; “Good Neighbors” by Tim Frank; “Far Enough” by Sai Shriram; “Act One, Scene Five” by Rajiv Moté; “My Whole Life” by Elizabeth Kerlikowske; “Love” by Ernesto B. Reyes; “Whiskey” by Sam Selvaggio; “Hockey Night, 1963” by Debra Bennett; and “Wherein the Labyrinth the Fridge Lie” by Nic Arico. It just seems there has to be a story in here for every reader. Check it out today, and if you’ve got your own story to share, BFF is open year-round and is a paying market.
Editor-in-Chief of Bellingham Review since 2015, Susanne Paola Antonetta has announced she will be stepping down from her role to focus more on her own writing and perhaps even start her own small press. She writes, “I’m thrilled to be passing along the editorship to Jane Wong,” poet and nonfiction writer whose most recent book is How to Not Be Afraid of Everything (Alice James Press, 2021). Closing out her final issue, Susanne writes, “Literature may not fix our problems, but it fixes us to one another. It allows us to see that the view from another’s space in this world is both akin to ours and radically different [. . . ] each word is an invitation to a longed-for dialogue, on both ends.”
Offering ways to connect in this newest issue of Bellingham Review are the 2021 Contest Winners: Keya Mitra for fiction, Lisa Nikolidakis for nonfiction, and Andrea Hollander for poetry. Also featured is Fiction by Farha Mukri and Marc Vincenz, Nonfiction by Gordon W. Mennenga, L.I. Henley, and “Critical Conversation” by Denise Duhamel & Julie Marie Wade, Poetry by Darius Atefat-Peckham, G.C. Waldrep, Robert Cording, Stacy Boe Miller, Mira Rosenthal, and Martha Silano, Hybrid works by Lissa Batista and Suzanne Manizza Roszak. Cover photo by Susan Bennerstrom.
The 2022 Red Wheelbarrow Poetry Prize closes to entries on July 31! This year’s judge is Juan Felipe Herrera. The winner will receive $1,000, their poem printed on a letterpress broadside, and publication in Red Wheelbarrow Literary Magazine. Learn more about this year’s contest by stopping by their ad in the NewPages Classifieds.
The newest issue of Cleaver, the online “cutting-edge art and literary” journal with work from a mix of established and emerging voices features Short Stories by Rebecca Ackermann, Nathan Willis, Mariana Sabino, Lara Markstein, Maggie Mumford, Gemini Wahhaj; Poetry by Mitchell Untch, Sadie Shorr-Parks, Mateo Perez Lara, Mimi Yang, Alex Wells Shapiro, Matt Thomas; Flash Fiction and Nonfiction by Meg Pokrass, Timothy Boudreau, Rosemary Jones, Tess Kelly, Jamie Nielsen, Will Musgrove, Russell Barajas, Francine Witte, Damian Dressick; Creative Nonfiction by Deb Fenwick, Luisa Luo, Peter DeMarco; and “War and Peace 2.0: A Visual Memoir” by Emily Steinberg, Visual Narrative Editor at Cleaver, and “To What Survived” sculpture portfolio by Mario Loprete. This issue’s cover design is by Karen Rile. Cleaver also has daily features an advice column, essays on craft, interviews, comix, and book reviews. The Cleaver Summer Lightning Flash contest is also still open for submissions until August 1.
The Summer 2022 issue of Carve “Honest Fiction” has a lot to offer readers to fill out the lazy days of summer reading: Fiction from Jason Ferris, Seher Fatema Vora, Patrick J. Zhou, and Susannah Rickards.; Poetry from Dan Wiencek, Sarah Dickenson Snyder, Stacey Forbes, and David Greenspan; “Deline/Accept” with Josh Rolnick; “One to Watch” with Matthew Vollmer by Kira Homsher; Interviews by the editors and reading committee; and Illustrations from Carve‘s resident artist, Justin Burks.
THEMA is a theme-related journal with three goals: to provide a stimulating forum for established and emerging literary and visual artists; to serve as source material and inspiration for teachers of creative writing; and to provide readers with a unique and entertaining collection of stories, poems, art and photography. The theme for this newest issue is “Watch the birdie!” and it inspired works from Brenda Robert, Anne Dalziel Patton, Patrick Cabello Hansel, Laine M. Harrington, DS Maolalai, Lynda Fox, Peter Venable, Julieanna Blackwell, Robert Ronnow, Margaret Pearce, Kenneth Chamlee, Martins Deep, R. David Bowlus, Pamela Hobart Carter, HB Salzer, Christine Duncan, Larry Lefkowitz, E. P. Fisher, Michele Ivy Davis, Lynda Fox, William L. Ramsey, Brenda Robert, Jeanie Greensfelder, George Michael Brown, and Juliane McAdam. Forthcoming themes include “So, THAT’S why” (deadline November 1, 2022) and “Help from a stranger” (deadline March 1, 2023).
The just-released summer issue of The Shore online poetry magazine of cutting, strange, and daring work from new and established poets alike is glistening with powerful work! In it is hot new poetry by Flourish Joshua, Aron Wander, James Kelly Quigley, KJ Li, Meghan Sterling, Alyx Chandler, Derek N Otsuji, Robert Fanning, Siobhan Jean-Charles, Ariel Machell, V. Batyko, Marcy Rae Henry, Hannah Riffell, Anne Taylor, Lily Beaumont, Jennifer Martelli, Lisa Trudeau, Kimberly Kralowec, Laura Vitcova, John MacNeill Miller, Aaron Magloire, Abdulkareem Abdulkareem, Molly Tenenbaum, Joseph Housley, Kayla Rutledge, Samuel Burt, Chris Kingsley, James Owens, Alexandre Ferrere, Urvashi Bahuguna, Amanda Roth, Jory Michelson, Miceala Morano, Seth Leeper, Michael Lauchlan, Summer Smith, Mary Lou Buschi, Jack B Bedell, Adam Gianforaco and Robert Beveridge. It also features amazing art by Roger McChargue.
Writing Disorder online literary quarterly is on a mission to showcase new and emerging writers – particularly those in writing programs – as well as established writers. For readers, that means this newest issue offers a great blend of curated Fiction by Jennifer Benningfield, Don Donato, Jane Frances Gilles, Cecilia Kennedy, Steve Levandoski, Ed Peaco, Isabelle Stillman; Poetry by Ali Asadollahi, Christine Horner, Susan Jennifer Polese, RE DRUM cadre, M.A. Schaffner, Glen Vecchione; Nonfiction by Thomas Backer, Paul Garson, Graeme Hunter, Sara Watkins; and Art by Derek Art. Swing by and check it out, free and accessible online.
Interim is open to submission for its 2022 print issue through September 1. They are interested in work devoted to music that isn’t so much “about” music, but rather “enacts or composes” it. See their ad in the NewPages Classifieds for more information.
The biannual online journal of poetry and art, Off the Coast means to provide a space for diverse and marginalized voices. This issue takes its name, “To the Forest Between Trees” from a line in Laura King’s poem “Not the World I Was Born Into,” combined with art by Dylan LaVallee to create the cover. Other works included in this issue come from Diana Donovan, Mary Ann Larkin, Hannah Grady, Elder Gideon, Becky Kennedy, Laura Schulkind, Mike Cohen, Joel Ferdon, Joel Fry, Kathleen Gunton, Simon Perchik, James Miller, Laura Schulkind, Russell Rowland, Margaret B. Ingraham, James Dewey, David McCann, Judith Fox, M. Nasorri Pavone, and a translation from Ivan de Monbrison.
I curate the NewPages Publications for Young Writers Guide, and as much as I do this to provide a resource for young readers, writers, teachers, and parents, we could all benefit from spending some time reading the voices of young people. I was distracted from my work (a regular occurrence here, as you can imagine) when I came across “My Parents Are Anti-Vaxxers” by an anonymous contributor to YouthComm Magazine. In it, the author recounts how shocked they were when their parents went down the Facebook “Covid hoax” rabbit hole, declined vaccinations even in the face of losing a job/income, and then what they put their children through when one parent contracted the virus and declined medical care. The plaintive yet matter-of-fact style in which the author presents their perspective is frustrating to read, even heartbreaking, “It has made me question the people that I idolized growing up. The people that I believed, in my childhood innocence, could do no wrong.” Yet there is some consolation, “This experience has taught me a lot about the complexities of humans. It’s hard to accept that we can be good people and still go down the wrong paths. That things aren’t always simply black and white, though it’d be easier if they were.” And the final resolution, “But I’ve learned other people can provide guidance when your parents can’t.” It’s a sad commentary on the kind of division this experience created, and that we see continue among family, friends, and communities. It’s tough to imagine these youth experiencing the need to break away from their parents’ ideologies, but at the same time, encouraging that they (and we all) may be better off as adults as a result.
Youth Communication offers short, nonfiction stories and related lessons to help students improve their reading and writing skills, and improve the social and emotional skills that support school success. They provide workshops and publications, including Represent Magazine: Stories by Teens in Foster Care.
The newest issue of Cutleaf online literary journal from EastOver Press is now live In this issue, Robert Fanning attempts to translate distance into love in three poems beginning with “Snow and Roses.” Patricia Foster considers what it means to start a conversation with strangers in “The Boys.” And, in Casey Pycior’s expertly crafted story “O’er the Ramparts,” readers are introduced to a man, Kent, who struggles with everything: job, marriage, parenting. And compounding this struggle are a new neighbor, a video game, and the launching of fireworks. This issue features turn-of-the-century hypnotism posters from The Donaldson Lithographing Co. based in Newport, Kentucky.
Hamilton Arts & Letters 15.1 is “The Candian Chapbook Issue” guest-edited by Jim Johnston and Shane Neilson, and it is not enough to just name names here, but check out some of these titles to get a much better idea of the content:
“Chapbooks as Living Art: An Interview with Cameron Anstee, Ashley Obscura and Adèle Barclay”; Interviewed by David Ly
“MANIFESTO: Visual Poetry for Women” and “Coda for Women Making Visual Poetries” by Dani Spinosa
“A Perspective on Poetry Chapbooks, 1999-2021” by Jason Dewinetz
“The Alfred Gustav Press: WHEN I MAKE A CHAPBOOK” by David Zieroth
“In Praise of the Mayfly: A Survey of Canadian Micropresses Part 2” by Jim Johnstone
And a section of several videos from the Ontario D/deaf/HoH, Disabled, Mad and Neuroatypical Poetics Festival held in April 2022.
Other contributors to this issue include Jim Johnstone, Shane Neilson, Adam Lawrence, David Zieroth, Dewinetz, Monica Plant, Gillian Dunks, Astra Papachristodoulou, sophie anne edwards, Robert Colman, Tanya Adèle Koehnke, Violet Arenburg, Sarah Cavar, Diane Wiener, Sarah de Leeuw, and George Elliot Clarke.
HA&L is free to read online as well as in print by subscription.
The Spring/Summer 2022 Alaska Quarterly Review was ‘slightly’ delayed due to what are now typical supply chain issues compounded with a cyber-attack – as in “you can’t make this stuff up,” but nothing, and I mean no thing will stop great literature from getting into the hands of the people! This issue is primed and ready for your beach bag or summer vacay getaway with Stories by Andrew Porter, Mark Jacobs, Molly McNett, Paulette K Fire, Jessi Lewis, Karen Nicoletti, Cary Holladay, William Weitzel; Essays by Heather Lende, Allison Field Bell, Joyce Dehli; Poetry by Patricia Hooper, Michael Waters, Kelli Russel Agodon, Jane Zwart, Laura Foley, Teresa Ott, Chloe Honum, Francesca Bell, W J Herbert, Eloise Klein Healy, Martha Silano, Kate Lebo, Jody Winer, Olena Kalytiak Davis, Anne Coray, Kathleen A Wakefield, Susan O’Dell Underwood, Vivian Faith Prescott, Francine Merasty, Allison Albino, Andrew Koch, Mike Seid, Huan He, Donald Platt, Maria Zoccola, Mercedes Lawry, Didi Jackson, AE Hines, and Jane Hirshfield,
NewPages welcomes Chicago Young Writers Review to the scene, “a space uniquely created with the K-8 students in mind” says founder Daria Volkova. A native Chicagoan, Volkova wanted to preserve Chicago’s influence on her as a dynamic, diverse, multiethnic and multicultural city in their organization’s name. “We encourage young authors from all backgrounds to submit their work. In fact, we’ve had the most enthusiastic response from the communities of color and immigrant communities in and around Chicago. We also wanted the name to speak to our mission. There is an abundance of literary magazines for older writers, but there are less accessible spaces for the younger kids with whom we work. By including the ‘young writers’ within our name, we are stating exactly what we are and who we were made for. We are a playground (forgive the pun) for young creators to gain confidence in their work and blossom into stronger readers, thinkers, and writers.”
Boasting a twenty-year publication run, Salamander hails from the English Department at Suffolk University in Boston. This newest issue features poetry from over 50 authors, including Akhim Yuseff Cabey, Kelly Weber, Keith Leonard, John Sibley Williams, Robbie Gamble, J.P. White, Jane Zwart, Mag Gabbert, Luiza Flynn-Goodlett, Mel McCuin, Kassy Lee, Eliza Browning, Shannon Elizabeth Hardwick, Ahimsa Timoteo Bodhrán, Anthony Borruso, Luke Patterson, Alina Stefanescu, Rita Feinstein; Fiction by Bergita Bugarija, Megan Peck Shub, Anita Trimbur, Jade Song, Julialicia Case; and Creative Nonfiction by Rochelle Hurt and aureleo sans. Cover art by Wes Holloway (in addition to a full-color portfolio inside).
The newest issue of The Malahat Review features their Open Season Award Winners, which includes both their works as well as an interview with each Kaitlin Debicki (poetry), Sara Mang (fiction), and Bahar Orang (nonfiction) – all winning works and interviews can be read online. The rest of the issue is chock full of great works, with Poetry by Ronna Bloom, Laura Cok, Francesca Schulz-Bianco, Carolyn Smart, Joan Rivard (online and includes an interview), T. Liem, Katherine Alexandra Harvey, Jamie Evan Kitts, Bill Howell, Aaron Tucker, Steve Noyes, Eric Wang, Domenica Martinello, Judith Taylor; Fiction by Suzannah Windsor, Jeff Noh, Jaime Burnet; and Creative Nonfiction by Kate Gies, Shauna Andrews, Ellise Ramos (online and includes an interview), and Ian Clay Sewall. Cover art by Emily Hermant.
The newest issue of Good River Review, the biannual online literary journal of the School of Creative and Professional Writing at Spalding University, is available to read online. In between issues, Good River Review regularly features book reviews, interviews, essays on the practice of writing, along with literary news.
In addition to the poetry and prose selected for this issue, Editor in Chief Kathleen Driskell shares that the issue “closes with two essays on the writing life from our new anthology Creativity & Compassion: Spalding Writers Celebrate 20 Years. Faculty member in Writing for Children and Young Adults Beth Bauman offers her thoughts ‘On Crafting Surprise in Fiction,’ and Bruce Marshall Romans, faculty member in Writing for TV, Screen, and Stage, shares his essay ‘On Fear.'” Works are also included from authors Tommy Dean, Jessy Easton, Michael Henson, Crystal Wilkinson, Dmitry Blizniuk, Akhim Yuseff Cabey, Alexander Etheridge, Julia Gibson, January Gill O’Neil, Julia Koets, Andrew Najberg, Tatiana Retivov, F. Daniel Rzicznek, and Fernando Valverde (trans. by Carolyn Forché).
Terrain.org invites participants to attend an online conversation between acclaimed environmental writers and activists Sandra Steingraber and Taylor Brorby. In this event, noted environmental author and activist Sandra Steingraber is in conversation with Taylor Brorby about his debut memoir, Boys and Oil: Growing Up Gay in a Fractured Land. This conversation is sponsored by Terrain.org, with Zoom hosting provided by the University of Arizona, Monday, June 27, 2022, 5 p.m. PT / 6 MT / 7 CT / 8 ET. Registration is free.
The newest issue of The Dillydoun Review has a genre for everyone, perfect for your summer beach or favorite park bench reading. Just stay in the shade as you enjoy Short Stories by Soidenet Gue, Michael McGuire, Max Talley; Flash Fiction by Atom Cheung, Alice Orr, Kylee Webb; Poetry by Tobi Alfier, Jeffrey Dreiblatt, Jess Levens, Lilian McCarthy, Laura Ann Reed, Patrick Wilcox; Prose Poetry by Glenn Armstrong, Emily Kingery, Preeti Talwai; Nonfiction by Shannon Barbour, Matthew William Jeng-Zhe Seaton; Flash Nonfiction by Amanda Barnett, Giuseppina Iacono Lobo, James Morena, Sarahmarie Specht-Bird, and Guinotte Wise. All free to read online – so head on over today!
Published online biannually out of the Arkansas Writers’ MFA Program at the University of Central Arkansas, Arkana accepts works “from the whole universe at large” and seeks “inclusive art that asks questions, explores mystery, and works to make visible the marginalized, the overlooked, and those whose voices have been silenced.” Fulfilling this expectation, Arkana Issue 12 includes fiction by Zachary Johnson, Andrena Zawinski, and Erin Townsend; creative nonfiction by Melissent Zumwalt and Molly Wadzeck Kraus; poetry by Talya Jankovits, Aliah Jocelyn, Neha Rayamajhi, Lauren Scharhag, Leticia Priebe Rocha, Dante Di Stefano, and Saramanda Swigart; and interviews with Elizabeth Rush and Kai Coggin.
Originally founded in 1779 as “GlassWorks in the Woods,” Glassworks is a publication of the MA in Writing program at Rowan University in Glassboro, NJ, publishing both free-access online and print copy for purchase. Glassworks Issue 24 features artwork by Guilherme Bergamini, Rachel Coyne, Elinora Lord, and Leah Oates; fiction by Charlie Beckerman, Marco Etheridge, and Garth Robinson; nonfiction by Cole Brayfield and Cheryl Skory Suma; and poetry by Jared Beloff, Joel Best, Susana H. Case, Jessica de Koninck, Iris A. Law, Sharon Lopez Mooney, Toti O’Brien, Susan Chock Salgy, Kira Stevens, Denise Utt, Austin Veldman, and Cynthia Ventresca. Glassworks’ reading period is August 15 – December 15 for submissions in artwork, fiction, creative nonfiction, poetry, flash, and hybrid forms. There is no fee to submit through November 30 OR for the first 1,000 submissions, whatever comes first. After that, there is a $2 fee. Don’t delay!
Oracle: Fine Arts Review was established in 2003 and is supported by the University of South Alabama Student Government Association, the College of Arts and Sciences, and the Departments of English and Visual Arts.
Run by students, this literary magazine publishes work from national and international writers and artists and is open to submissions every fall. Stop by their listing on NewPages to learn more about them.
elsewhere online literary magazine of prose publishes works they consider “at the crossroads” with the editors caring “only about the line / no line” and asks writers for short works of flash fiction, prose poetry, and nonfiction that “cross, blur, and/or mutilate genre.” elsewhere further concentrates their efforts by publishing only six writers quarterly, and the newest issue highlights those top six with works—and a few opening lines to tantalize readers—from Benjamin Bartu (“good mercy, we’ve broken it at last!”), Cynthia Marie Hoffman (“The universal sign for choking is a hand clamped to the throat like an animal fastening teeth to its prey.”), Lis Moberly (“I disembowel a deer in the yard.”), Benjamin Niespodziany (“My neighbor bought a white Ferrari and painted it red then again back to white.”), Ken Poyner (“The birds are back.”), and Ren Weber “(I ask my neighbor if I can lean over the fence and take an orange from her tree.”). elsewhere is free to read online.
Salamander literary magazine has announced a new poetry award: Louisa Solano Memorial Emerging Poet Award for work published in the magazine. Funded by the Ellen LaForge Memorial Poetry Fund, the first two awards will actually be given retroactively from Salamander‘s latest two issues (54 and 55). The winner will receive a monetary award, announcement in a future issue, and an e-portfolio of their work provided for free access on Salamander‘s website. Award winners will also have the opportunity to offer a virtual reading with the judge and virtual class visits at Suffolk University, where Salamander is based.
“Emerging,” the editors explain, “for our purposes, will mean poets who have not published more than one full-length poetry collection at the time of their publication in Salamander. Poets without any previous publication history will also be considered, as will poets who have published chapbooks but not a full-length poetry collection. No other basis will be used to narrow down the possible eligibility. Writers can be of any age, background, location, etc.”
For more information, stay tuned to the Salamander website.
The newest issue of Bending Genres online literary magazine features fiction, poetry, and creative nonfiction they consider “thrilling, oddball, unusual, and stunning.” Filling out the expectations for this spring 2022 issue are works from Travis Dahlke, Lisa Weber, Deanna Baringer, Miriam Gershow, Cole Beauchamp, Michael Beard, Marisa Vargas, Bupinder Bali, Kristin Bonilla, Stuart Watson, Koss Just Koss, Mugdhaa Ranade, Margo Griffin, Dan Higgins, Audrey Carroll, Brad Liening, Adrian Frandle, Jenny Stalter, Adrienne Barrios and Leigh Chadwick, Rod Martinez, Isabelle Doyle, Nicholas Claro, Gary Reddin, R.J. Lambert, Mikki Aronoff, J.A. Pak, Slawka G. Scarso, Rachel Laverdiere, Bobby Miller, and Shane Kowalski. Submissions for Bending Genres are open year-round and the publication is free to read online along with a full archive.
The Summer 2022 issue of Rattle features a “Tribute to Prisoner Express,” a non-profit program based in Ithaca, New York, which sends books into prisons, allowing prisoners to communicate with each other creatively through a newsletter. Last year, Elizabeth S. Wolf donated her Rattle Chapbook Prize-winning collection, Did You Know?, to the program, and encouraged participants to write chapbooks of their own. The resulting poems were so powerful, that the editors decided they had to share. The issue includes an introduction by Elizabeth, and a conversation with the program’s director, Gary Fine, discussing the profound role expressive writing can play in rehabilitation. In addition to the contributions from thirteen Prison Express participants, this issue also features works from Nicelle Davis, William Virgil Davis, Kristina Erny, Mark Fitzpatrick, David Galloway, Lola Haskins, Emily Ruth Hazel, Alexis V. Jackson, Shawn Jones, Laura Judge, Lynne Knight, Milica Mijatovič, Abby E. Murray, Valerie Nies, Eri Okoye, Kathryn Paulson, Erin Redfern, Mather Schneider, George J. Searles, Maia Siegel, Elizabeth Spenst, Susan Vespoli, Wendy Videlock, and Arhm Choi Wild.
NewPages receives many wonderful literary magazine and alternative magazine titles each month to share with our readers. You can read more about some of these titles by clicking on the “New Mag Issues” tag under “Popular Topics.” If you are a publication looking to be listed here or featured on our blog and social media, please contact us!
Agni, 95 Allium, Spring 2022 Arkana, Issue 12 Atlanta Review, Spring-Summer 2022 Bending Genres, Issue 27 Blink Ink, #48 Bomb, Summer 2022 Catamaran, Summer 2022 Cimarron Review, Winter-Spring 2021 Collateral, Spring 2022 Conjunctions, 78 Dark Matter: Women Witnessing, #14
Published by Shanti Arts, the Summer 2022 issue of Still Point Arts Quarterly has been released! The theme of this issue is “Gardening: An Instrument of Grace.” It includes the work of roughly fifty artists and writers from around the world and includes essays, poetry, fiction, art, and more. The digital edition is free for anyone who signs up to receive it via email, and print copies are available by subscription or single-issue purchase. Still Point Arts Quarterly is one of the most beautiful, high-quality production art and literary journals on the market. You can view the current art feature here to see for yourself: Art Exhibit. Readers can also download many past issues as well as other art exhibits.
The Hunger promotes itself as “a journal of visceral writing” published online annually in the spring. The Hunger Press is also home to the Tiny Fork Chapbook Series which holds a yearly chapbook contest in the Summer. The Spring 2022 issue provides a wealth of great content, with Poetry by Nisha Atalie, Kristen Holt-Browning, Byron Xu, Sara Ryan, Anastasia Waid, billy cancel, Allison Blevins & Joshua Davis, Chrissy Martin, Benjamin Bartu, Geula Guerts, Melissa Eleftherion; Fiction by Monica Wang, Sarah Brokamp, Andrew Cusick, Divya Maniar, Sabrina Small, Anastasia Jill; Nonfiction by Abby Hagler, Brittany Ackerman, Stephanie Couey, E.N. Walztoni, Rebekah M. Devine; Hybrid works by Sarah J. Sloat, Sarah Carson, Jennifer K. Sweeney, Gianna Marie Starble, Kylie Gellatly; and Artwork by Bill Wolak, Oormila Vijayakrishnan Prahlad, Janelle Cordero, Sherry Shahan, Arden Hunter, Silas Plum, and Afresh Frankincense.
