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Check out book reviews of titles from independent publishers and university presses on the NewPages Blog.

Book Review :: The Longest Race by Kara Goucher

The Longest Race by Kara Goucher book cover image

Guest Post by Kevin Brown

In this memoir, The Longest Race, Kara Goucher, with Mary Pilson, tells the story of how she became a world-class runner, focusing on her time at the Nike Oregon Project. Goucher talks about the mental abuse she endured as a woman, especially the intense scrutiny of her weight and appearance, but also her pregnancy. She was in the program during the doping scandals of the early part of the century, which later led her to testify against her former coach and teammates. She endured sexual harassment and assault on several occasions. Throughout all of this mental and sexual abuse, she was trying to be one of the best runners in America and the world. Goucher’s memoir reveals the realities of what has happened at the top of various sports throughout the past few decades, especially the ways people in power have abused and ignored women. As Pilson writes in the introduction, “If you’ve ever bought a shirt or pair of shoes with a swoosh, you need to know this story. If you’ve ever tuned in to watch an Olympic final, a World Series, a Super Bowl, or any other professional sporting event, you need to know this story.” Even non-runners need to know this story.

The Longest Race by Kara Goucher. Gallery Books, March 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Rabbit Hutch by Tess Gunty

The Rabbit Hutch by Tess Gunty book cover image

Guest Post by Kevin Brown

Tess Gunty’s debut novel, The Rabbit Hutch, is so weird and wild, with characters that can strike readers as so unlikable, I’m worried people won’t stick with it, which they definitely should, if for no other reason than her astonishing comparisons. Gunty’s title refers to a public housing unit where several of the main characters live, but it also refers to people whom society has put in a small cage, specifically people society has damaged in some way. For example, Blandine (originally Tiffany) has grown up in the foster care system and ends up living with three boys who have come up in similar circumstances, all of whom suffer from a lack of meaningful relationships. Moses and his mother—a woman who became famous as a child star on a TV sitcom—also have no real relationship, leaving Moses adrift as an adult, taking petty vengeance on those who hurt him. The novel sounds dark, and it is, overall, but not in a gratuitous manner. Instead, Gunty spends most of the book setting up the darkness—not just the characters’ immediate conditions, but also the realities of climate change and urban development—only to reveal a select few moments of light, just enough to remind readers of what is still good in the world and what can continue to be good, if only they work to make it so.

The Rabbit Hutch by Tess Gunty. Knopf, August 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Mare by Seth Christian Martel

The Mare by Seth Christian Martel book cover image

The Mare by Seth Christian Martel is a graphic novel that takes readers on a paranormal adventure with Indigo, a post-senior-year teen whose next steps are uncertain due to her rocky home life. As with any good YA story, Indigo has a best friend who is both a sidekick and a guide. Kasia is the steady rock with a summer internship and plans to go to medical school, a foil to Indigo’s widowed and now divorced alcoholic father whose need for caretaking causes Indigo to lose her job. All of these could be contributors to Indigo’s strange nightmares in which she is possessed by some ethereal being. Concern for Indigo’s health due to lack of sleep leads the two teens to explore remedies for her nightmares, or a “Mare” as they learn from a book – “the spirit of someone wronged that saps its victim’s energy at night.”

The images throughout are black and white with graywash and bold outlines that add a sense of 3-D. Blue enters as highlights in Indigo’s hair and as she transitions into her sleep-induced possessions. The full blue hue wash with white electric scribbles creates the eerie effect of paranormal embodiment. The pacing drives readers through several well-connected layers of development: teen summers, angst over outfits, indie band concerts, and crushes, but also the mystery of The Mare and Indigo’s finally coming to solve it.

My only criticism is that I wished the story was longer and more developed. There were details left unexplored that would have helped connect readers more to the main characters and repulsed us from others. The psychopathology related to The Mare is present but also underdeveloped, especially for as serious a topic as it is in our society.

This could also certainly leave room for a sequel or series. There were enough dropped clues and lesser-developed content to make The Mare a solid premier to connect with subsequent storylines, and Indigo is endearing enough to create a following.

The Mare by Seth Christian Martel. graphic mundi, March 2023.

Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.

Book Review :: Saving Time by Jenny Odell

Saving Time by Jenny Odell book cover image

Guest Post by Kevin Brown

Fittingly, I read Saving Time by Jenny Odell during my Spring Break and during the shift to Daylight Savings Time. The latter exemplifies Odell’s critique of time as a construct, especially one that portrays time as a series of boxes to fill. She sees such approaches to time as problematic in two ways: 1) they help create the idea that there is an inexorable future coming; 2) they reinforce systems of control. Odell draws from a variety of subjects—apocalyptic language, incarceration, productivity, climate change, and geography, for example—to reveal how those in power use time to reinforce hierarchies, often based on race, ability, or gender, but especially socioeconomics. Odell questions the assumptions embedded in such systems, such as whether one person’s hour is actually equal to another person’s, an idea that seems to be logically true, but that Odell shows to be nothing but another construct. During my Spring Break, Odell might be pleased to see, I’m not using my time productively, at least not as typical Western societies see productivity. Instead, I’m engaging in creativity for its own sake, including writing this review. Her book isn’t self-help or time management, so readers shouldn’t expect tips for living, but they should expect Odell to help them see time—and, thus, the world—differently.

Saving Time by Jenny Odell. Random House, March 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Birnam Wood by Eleanor Catton

Birnam Wood by Eleanor Catton book cover image

Guest Post by Kevin Brown

Eleanor Catton’s title, Birman Wood, should immediately make the reader think of Shakespeare’s Macbeth; however, Catton isn’t writing a contemporary retelling. That said, Catton’s characters have ambition and are willing to do what they need to do to achieve those ambitions, but the characters are more nuanced than in a typical tragedy. Mira has created Birnam Wood, a collective that legally (and not) plants crops in undeveloped areas, but is struggling to stay afloat and might suffer because of Mira’s ego. She meets Robert Lemoine—an American billionaire who has created the persona of a doomsday prepper to purchase land in New Zealand for which he has other, even-less-savory plans—and he agrees to help Mira fund a development on the land he has not quite purchased. Tony used to be a member of Birnam Wood, but he has been teaching overseas for the past several years and now wants a career in investigative journalism, so he sees a career-propelling story in Lemoine’s plans. Shelley has been working with Mira since Tony left, but she’s now considering leaving Birnam Wood, tired of Mira and of living on the margins. While the clearest tragedy in the novel is climate change—the moving of woods, in a different sense—there will be others, and, as in a Shakespearean drama, perhaps nobody is innocent.

Birnam Wood by Eleanor Catton. Farrar, Straus, and Giroux, March 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Some Days the Bird by Bourbeau and Casey

Some Days the Bird by Heather Bourbeau and Anne Casey book cover image

Guest Post by Jami Macarty

Some Days the Bird by Heather Bourbeau (HB) and Anne Casey (AC) is an epistolary exchange written between Northern California and Sydney, Australia in 2021 during the COVID-19 pandemic. As Bourbeau puts it in “The letting,” the poem-letters track the “conjunction” of how “People have become numbers, corridors are morgues” with “the tenacious need of green to grow.” In “Coastal descent,” Casey adds her “changing / tableau” from Australia’s “megafires” and “wreckage.” There’s the feeling from these pandemic dispatches, from their different continents and opposite seasons, that the description of each poet’s physical and natural surroundings offers solace, connection, and awareness; a saving formula, as Bourbeau writes in “This is not an inauguration poem” against “heat and fire and fear.” Throughout the exchange, the poets look more carefully, more completely at flowers, insects, and animals, at the “never before noticed” (“Equinox,” HB).
A high point in the exchange came via the corresponding poems “Our Prime Minister stands by” (AC) and “Pause” (HB), where the poets confront “gendered violence” (AC) and “value” (HB). In her poem, Casey takes on “this country // long at war with / its women”; while Bourbeau notes “Next week will mark my menopause.” I hoped for more of this direct engagement “with things we have been taught / are not worth savoring, / hold no value” (“Pause,” HB), but the poems relegated these gender concerns to subtlety and foregrounded lockdown, exile from family, daughters’ relationships to fathers, and Mother Nature: “this messy line between accustomed / and detached” (“Richter’s scale,” HB). Regardless of what I hoped for, Some Days the Bird is Heather Bourbeau’s and Anne Casey’s “song / of survival” (“Days of wild weather,” AC), “their song of freedom” (“Season’s greetings,” AC) across a “relentless distance” (“Solstice,” HB).

Some Days the Bird by Heather Bourbeau and Anne Casey. Beltway Editions, 2022.

Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/

Book Review :: Our Share of the Night by Mariana Enriquez

Our Share of the Night by Mariana Enriquez book cover image

Guest Post by Colm McKenna

Our Share of the Night, Mariana Enriquez’s second novel, is a welcome addition to the emerging genre of Literary Horror. Well-defined lines have been drawn to distinguish “literary” fiction from horror, sci-fi, fantasy etc. Enriquez is becoming a name that is defying the pretensions of such categorization.

Our Share of the Night is a family history, primarily following Gaspar throughout his childhood and adolescence. His father, Juan – a medium for a Satanic cult – strives to help Gaspar avoid his fate of also becoming a medium. The story spans 37 years and has the backdrop of Videla’s military dictatorship, a theme common amongst contemporary Latin American writers.

Like with Hereditary and other recent Art House Horror films, a big part of the novel’s success can be attributed to its commitment to allegory, rather than simply using horror tropes for their shock value. The otherworldly forces, with their power to make people disappear, hold clear parallels with the military dictatorship in Argentina.

Enriquez is keen to explore the psychological effects of the narrative on her characters. A great deal of time is given to exploring the damage done to Gaspar through his involvement with the Occult. Gaspar also suffers real-world problems that are at times more psychologically devastating than the Occult horrors that fill the story.

These real-life problems are not sidelined; as it is put following a Satanic ritual, “we get hungry and we eat. . . we need to meet with the accountants. . . what happens is real, but so is life.”

Our Share of the Night by Mariana Enriquez; Illustrated by Pablo Gerardo Camacho; Translated by Megan McDowell. Hogarth Press, October 2022.

Reviewer bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton and a range of Latin American writers.

Book Review :: A Good Girl’s Guide to Murder by Holly Jackson

Guest Post by Indigo Stephens

A Good Girl's Guide to Murder by Holly Jackson book cover image

Holly Jackson’s A Good Girl’s Guide to Murder has a girl, and cold case, and a killer on the loose. All this in the small town of Fairview, where Pippa “Pip” Fitz Amobi lives. Years ago, Andie Bell was murdered by her boyfriend, Sal Singh, whose guilt drove him to suicide. But Pip doesn’t believe that’s the real story. This thrilling mystery is full of red herrings and revealed secrets, and no one is innocent. Jackson both sympathizes with and implicates characters, and takes advantage of readers’ assumptions to lead them away from the truth. Readers who love murder mysteries and strong female characters will be compelled to keep reading until every curiosity is satisfied.

A Good Girl’s Guide to Murder by Holly Jackson. Delacorte Press, January 2021.

Reviewer bio: Indigo Stephens is a violinist and a book lover. She enjoys reading books with strong female characters, especially sci-fi, murder mysteries, and Dystopian YA. Veronica Roth is one of her favorite authors, and one of her favorite series is A Good Girl’s Guide to Murder.

Book Review :: A Thousand Ways to Pay Attention by Rebecca Schiller

Guest Post by Amanda Weir-Gertzog

A Thousand Ways to Pay Attention by Rebecca Schiller book cover image

A Thousand Ways to Pay Attention: A Memoir of Coming Home to My Neurodivergent Mind by Rebecca Schiller explores the several-year period when she untangled the threads of her health diagnoses and the background of the land she and her family recently purchased. Compared to my memoir intake, my nature reading is slim, but Schiller’s sumptuous sensorial descriptors of her small farm in the UK enmesh the reader in the landscape of its mucky, weather-beaten, seasonal wonders. Interwoven with this ecological narrative is the history of former owners of their two-acre property, including interpretive retellings of their experiences supported by primary documentation and literary device.

Schiller’s mental health is addressed through the first two-thirds of the book via her interactions with her children and spouse, foggy memory, clumsiness, and heightened anxiety and depression since moving to their farm. Her diagnosis, and understanding of her neurodivergence, encompass only the latter third of the book and thus feel rushed.

Part of the joy, and potential conundrum, of A Thousand Ways to Pay Attention is the sheer amount of content all wrapped in a book that contains too many gifts: first years on a small family farm, obtaining a health diagnosis, and researching and reinterpreting the history of the land around her.

A Thousand Ways to Pay Attention: A Memoir of Coming Home to My Neurodivergent Mind by Rebecca Schiller. The Experiment, April 2022.

Reviewer bio: Amanda Weir-Gertzog is a writer, gerontologist, and eater of too much milk chocolate. A caregiver and community volunteer, she also authors book reviews to compensate for her prodigious reading habits. Amanda lives in Durham, North Carolina with her partner, pets, and overflowing bookcases.

Book Review :: Bright Unbearable Reality by Anna Badkhen

Bright Unbearable Reality by Anna Badkhen book cover image

Guest Post by Kevin Brown

In her collection of essays, Bright Unbearable Reality, Anna Badkhen—a former war correspondent, now essayist—forces us to examine the reality of migration despite the desire to look away. As her title implies, she compels readers to see the true causes of the massive amounts of people—one in seven worldwide, she says—who relocate due to climate change or suffering related to new weather patterns and natural disasters. I had planned to write that those people are forced to relocate, but that would be a false passive, a sentence construction Badkhen points out that ignores the true action and actor in order to make ideas more palatable. Badkhen doesn’t allow the reader this comfort, as she continually highlights the systemic problems that those in the wealthier countries cause, while at the same time, those countries deny entry to those whom they have displaced. In her essay, “Ways of Seeing,” she points out that there is the surface reality that most of us who have the privilege of reading her book know and the reality of those whose lives enable us to have that privilege; the difference, to use one of her images, between the restaurants and hotels that line Waikiki and the hotel workers striking for a living wage.

Bright Unbearable Reality by Anna Badkhen. New York Review Books, October 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Magic Nation #1 by Ellen O’Grady

Magic Nation #1 by Ellen O'Grady book cover image

The title for Magic Nation #1 by Ellen O’Grady comes from her having misunderstood her mother, who said, “You sure have an imagination.” Instead, Ellen hears, “magic nation.” Indeed much more fitting for what she offers readers in this first installment of her ongoing graphic autobiography. Originally published on SOLRAD, Magic Nation recounts memories from O’Grady’s childhood of time spent meandering a wooded lot near her home. She sings lines from the Grizzly Adams television theme song, at times having him and his friend Nakoma join her as she goes wandering. She takes readers on an exploration of an abandoned pool and pool house, conjuring past lives lived in darkly shaded imagery, then back out into the brilliantly colored natural world. Her interactions with natural life are as delicate as her graphic style, using fine lines in a mixture of semi-realism and minimalism. Most striking are the unfinished lines that don’t complete figures and white spaces where she doesn’t take the watercolors right to the edge. This creates a kind of soft invitation for viewers to participate in completing the pictures, bringing their own imaginations into play. A beautiful and thoughtfully paced narrative and a welcome meditative escape to visit again and again.

Magic Nation #1 by Ellen O’Grady. Fieldmouse Press, September 2022.

Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.

Book Review :: Successful Aging by Daniel Levitin

Successful Aging by Daniel Levitin book cover image

Guest Post by Kevin Brown

Author of Successful Aging, Daniel Levitin is a neuroscientist and cognitive psychologist who brings both of his specialties to bear in this book. Levitin explores how people’s behaviors affect their brains and vice versa as they age, with the ultimate goal of helping people navigate their later years with a better quality of life, focusing on health over longevity. Levitin pored through thousands of articles to determine what the latest science says about aging, and he comes out of that reading quite optimistic. One of my few complaints about the book, in fact, is that he seems too optimistic about science’s answers, too trusting of continued progress. However, he encourages readers to stay involved in some sort of meaningful work; to continue to develop relationships; to get outside and exercise, no matter the difficulty, choices most of us could integrate into our lives, in order to have a more enjoyable and healthier life. My other complaint is that there are times when the science gets overwhelming for a lay reader, as I skimmed the jargon, wanting to get back to more of his summary conclusions from that science. Levitin provides readers with practical, research-based techniques for moving into one’s sixties, seventies, and beyond in the best mental and physical health possible.

Successful Aging by Daniel Levitin. Dutton, December 2020.

Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Good for a Girl by Lauren Fleshman

Good for a Girl by Lauren Fleshman book cover image

Guest Post by Kevin Brown

Lauren Fleshman, author of Good for a Girl: A Woman Running in a Man’s World and one of the top professional runners of her generation, never achieved the highest levels of success as she (at the time) and others defined it. She talks about her running career in her memoir, but her interests lay beyond training times and significant races, as she’s much more interested in why she and so many other female runners struggled to perform as well as they (and others) expected. She redefines success away from making the Olympic team to being able to run to one’s potential and still live a healthy life. While acknowledging her limited point of view and knowledge, she talks about the obstacles and struggles that come with being a female runner: unhealthy relationships with food and body image; coaches and trainers who treat females’ bodies as if they’re interchangeable with those of men; sponsors and marketers who objectify women or fail to take into account their different physical development. While she shares the clear events of misogyny and sexism, she also conveys the less-clear, more-frequent ways in which a patriarchal sport and society ignore women’s potential, hindering them from becoming the runners and people they could be.

Good for a Girl by Lauren Fleshman. Penguin, January 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: All Men Glad and Wise by Laura C. Stevenson

All Men Glad and Wise by Laura C. Stevenson book cover image

Guest Post by Laureen Mathon

Reminiscent of Downtown Abbey, this mystery takes place in 1919 on an English estate owned by Sir Thomas. The fourteen-year-old narrator is Harry, the son of Sir Thomas’s groom. When Harry finds a murdered man, he decides he must help to solve the murder and that will help him become “somebody.” This coming-of-age story as well as a murder mystery offers many surprises around Harry’s life along the way.

Readers follow Harry’s adventures in trying to solve the murder while he experiences many of the societal changes of the time—motor cars vs. horses, class distinctions, and gender roles. Expectedly, Harry is gifted with horses, but it is clear the author knows horses well too. By the end of the book, I felt I knew each of the horses and their distinct personalities, making this a great read for horse lovers.

At the front of the novel, the author provides a map of the farms and estates, as well as a cast of characters. There were times when the references to locations or characters got confusing, so I found these additions helpful.

The bumps in the road Harry encounters kept me turning the pages until it was all tied up with a satisfying ending. Could there be a sequel to find out more about Harry as an adult? I hope so!

All Men Glad and Wise by Laura C. Stevenson. Rootstock Publishing, April 2022.

Reviewer bio: Laureen Mathon is a retired insurance professional, avid reader, and former library trustee who looks forward to having this extra time to read and pursue new projects.

Book Review :: Jane Austen’s Little Book of Wisdom by Andrea Kirk Assaf

Jane Austen's Little Book of Wisdom by Andrea Kirk Assaf book cover image

For Austen fans and lovers of wise words, Jane Austen’s Little Book of Wisdom: Words on Love, Life, Society, and Literature compiled by Andrea Kirk Assaf, provides a genuine treasure trove. While “little,” this is a chonky volume: 4.25 x 5 inches and a full inch thick with 400 pages. Still, it is perfectly weighted for tossing in a bag without getting lost, and this is definitely one to take along. The book is divided into eight themed sections: Love & Longing; Friendship; Home & Society; On Being a Woman; Life, Death, and Spirituality; The Arts, Intellect, and Literature; Good Manners, Virtue, and Vice; A Philosophy of Life. Each page houses only one quote, making this the perfect “prompt” book for writing, mantra, and meditation. More than I anticipated, and much to my delight, in addition to quotes from Austen’s novels, there are also many entries culled from “her prayers, poems, and amusing, self-deprecating personal letters, most of which were addressed to her best friend and sister, Cassandra.” At the close of the volume are thirty-two blank pages for readers to pen their own favorites or reflections or ‘overheard gems,’ making this a perfect companion only in want of a pen to be complete. Assaf has curated a wonderful collection here, her other works encompassing popes and saints, precisely in line with the reverence Austen deserves.

Jane Austen’s Little Book of Wisdom by Andrea Kirk Assaf. Hampton Road Publishing, March 1, 2023.

Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.

Book Review :: Stay True by Hua Hsu

Stay True by Hua Hsu book cover image

Guest Post by Taylor Murphy

Stay True by Hua Hsu is a poignant memoir about growing up, friendship, loss, identity, and the Asian-American experience. Hsu, a New Yorker staff writer, reflects on his time as an undergrad at Berkeley and his unlikely friend Ken.

An Abercrombie-wearing frat boy, Ken’s Japanese American upbringing emboldens him while Hsu is quieted by his immigrant Tawainese childhood. For example, Ken refuses to remove his shoes upon entering the house and directly calls out a casting director by asking why there weren’t more Asian-Americans on MTV. Meanwhile, Hsu rejects anything mainstream; he opts to stay in on Friday nights instead of partying and listens to intentionally curated music. Ken lives loudly and “wanted to see himself in the world” whereas Hsu contemplates how “Ken noticed that I never really went out. More important, he noticed that I hoped to be noticed for this.” Ultimately, Ken’s foil forces Hsu to examine his identity while learning how to loosen up and experience life more fully.

When Ken is senselessly murdered, Hsu turns to writing as a means to cope with the loss of a valued friend. His mother believes Hsu and his friends “had to find a way to get on with our lives.”

Stay True is the result of years of reflection about the ways an ordinary friendship shapes our life long after the friend is gone.

Stay True by Hua Hsu. Doubleday, September 2022

Reviewer bio: Taylor Murphy is a sales manager by day and an English graduate student by night. When she’s not juggling work and school, you can find her snuggled up with her adorable pug and a good book, spending time by the sea, or catching a Boston Celtics game. Her twitter handle is @tayfran and is an amalgamation of the aforementioned things she loves most.

Book Review :: Chilean Poet by Alejandro Zambra

Chilean Poet by Alejandro Zambra book cover image

Guest Post by Colm McKenna

Alejandro Zambra’s most recent novel, Chilean Poet, follows budding poet Gonzalo through his adolescence, followed by a fortuitous meeting with his first love Carla, and the family they start together with her six-year-old son Vincente.

It’s a story about poetry and poets in Chile, where it is los sueños de los niños – a child’s dream – to become a poet. It’s also a commentary on family. Gonzalo delves into the Spanish for stepfather – padastro – and is upset by the negative connotations the -astro suffix carries. Though language fails us sometimes, Gonzalo develops a relationship with Vincente that is unrestricted by dictionary definitions.

Chilean Poet is realistic and experimental: Gonzalo and Carla separate, his relationship with Vincente fades. After the separation, the narrative follows Vincente through his teenage years, combating similar issues his father had dealt with. One of his lovers becomes the protagonist, before being abandoned by the narrator upon boarding her flight home. The storytelling is erratic, despite its traditional bildungsroman form. It correlates well with lived experience; years flash by in seconds, people come and go, dreams and expectations are rarely satisfied in full.

Zambra has crafted a glorious story, full of literary references and astute observations on family and growing up. Notice the missing article in the title; the story is about the idea of being a Chilean Poet; Gonzalo and Vincente just happen to instantiate the idea for a while.

Chilean Poet by Alejandro Zambra, translated by Megan McDowell. Granta Books, Febrauary 2023.

Reviewer bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton and a range of Latin American writers.

Book Review :: Nervous System by Lina Meruane

Nervous System by Lina Meruane book cover image

Guest Post by Colm McKenna

Lina Meruane’s novel Nervous System evokes the universal fear of illness and death on nearly every page. The story follows Ella through her struggles to finish a doctoral thesis funded entirely by her father’s savings. Her partner, El, is a forensic scientist, who is recovering from an explosion at a work site. After wishing sickness on herself – so she could concentrate solely on her thesis – Ella is suddenly overcome by an undiagnosable illness.

The story is presented in small fragments, often delving into seemingly innocuous memories, to brutal statistics about illness and the end of life on earth. These fragments match the tone of the half-formed anxious thoughts that fill the story. Death is treated as if its reality was becoming clear for the first time. There are lines that could have come from any textbook – “the heart was a muscle that could give out” – but in Nervous System, they lose their objectivity, inducing only fear. References to the ancients’ explanations of illness abound, reflecting the book’s treatment of these grim subjects; the fear and anxiety they evoke remain largely the same, despite technological advances.

Nervous System concerns itself with issues that are hard to accept, but there is solace to be found in hearing another voice confront the hard facts of life on our behalf.

Nervous System by Lina Meruane, translated by Megan McDowell. Atlantic Books, February 2022.

Reviewer Bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton and a range of Latin American writers.

Book Review :: Easy Beauty by Chloé Cooper Jones

Easy Beauty by Chloé Cooper Jones book cover image

Guest Post by Kevin Brown

In Easy Beauty: A Memoir, Chloé Cooper Jones shares that she was born with sacral agenesis, a congenital condition that affects her stature and the way she walks. While her memoir focuses on the physical pain she suffers, she is more interested in examining how others see her and how she sees herself. She travels to a variety of locations, often under the guise of doing research—as when she travels to Cambodia to explore why people visit monuments to horrific events—but really to think through her self-image, largely shaped by how others see her as different and lesser-than. Her son’s view of her complicates this search, as she doesn’t want to communicate her emotional discomfort at moving through the world to him (doctors had told her she was unable to get pregnant, so her having a child at all was not a development she expected). Throughout the work, she explores beauty and the myths that have accrued around it, whether that’s through classical art or watching Roger Federer play tennis. While her writing and travels help her develop an idea of beauty that includes her and her view of the world, ultimately her relationships help her find the beauty she already possesses.

Easy Beauty by Chloé Cooper Jones. Avid Reader Press, April 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Reward System by Jem Calder

Reward System by Jem Calder book cover image

Guest Post by Kevin Brown

Jem Calder’s collection of interlocking short stories in Reward System follows a group of British Millennials, focusing on Julia and Nick, as they try to navigate relationships, technology, and jobs during the approaching pandemic. Calder renders his characters with sympathy and compassion, even when they make poor decisions, given the challenges they face. Julia and Nick (and their friends) live with roommates or their parents, move from one job to the next—sometimes by choice, sometimes not—and try to find ways to truly connect with those around them. Society exacerbates all of these problems, whether the structural oppression women (especially) push against or the technology that more often separates than connects (though not always). This focus on technology works especially well in the stories “Distraction from Sadness Is Not the Same Thing as Happiness” and “The Foreseeable.” In “Distraction” a female user of a dating app connects with and meets a male user (Calder uses no names), exploring the new dating landscape, for good and ill. “The Foreseeable” ends the collection, as Julia and Nick are both sheltering with their parents during the pandemic—one more enjoyably than the other—while talking via FaceTime. The connection keeps breaking in and out, a metaphor for all of the relationships in this collection.

Reward System by Jem Calder. Farrar, Straus, and Giroux, July 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Nineties by Chuck Klosterman

The Nineties by Chuck Klosterman book cover image

Guest Post by Kevin Brown

I was expecting Chuck Klosterman’s The Nineties: A Book to bring back vivid memories from the decade I spent in college and graduate school; what I wasn’t expecting was how Klosterman would present the decade’s events, culture, and people differently than I remembered them. Klosterman covers what most readers would expect: the elections—ranging from Ross Perot’s role in 1992 to the Supreme Court’s role in 2000—the rise of the internet; the music that changed the decade, whether Nirvana or Tupac; the stereotypes and reality of Generation X; the video store’s impact on movie making; the fall of the Berlin Wall and the Soviet empire; major news events, such as the Anita Hill accusations, the Columbine shooting, and the O.J. Simpson trial. Where Klosterman shines, though, is in repositioning what he discusses, asking questions about why nineteen percent of the country voted for Ross Perot (full disclosure: I was one of those, and, yes, I regretted it within a year), how the nineties were more about the potential of the Internet than the Internet itself, and how George H.W. Bush lost the 1992 election after having the highest approval rating in history the year before. Rather than a walk through nostalgia, Klosterman helps redefine how we should view the nineties.

The Nineties by Chuck Klosterman. Penguin Books, January 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Undoing the Liberal World Order by Leon Fink

Undoing the Liberal World Order: Progressive Ideals and Political Realities Since WWII by Leon Fink book cover image

Guest Post by Marc Martorell

The central contention in Leon Fink’s Undoing the Liberal World Order: Progressive Ideals and Political Realities Since WWII is that US foreign policy in the decades following the Second World War had an important component of liberal idealism. Fink presents readers with examples of these progressive ideals in practice. Thus, we learn how, after the end of the war, the US promoted democratic decision-making structures for German workers in the industrial sector to thwart Communism in the areas occupied by the Allies.

In Central America, US liberals found an ally in Costa Rica’s President José Figueres Ferrer, who pursued significant social democratic reforms while remaining anti-Communist. Meanwhile, the liberal US ambassador in New Delhi, Chester B. Bowles, coordinated US aid for India’s agricultural development with Prime Minister Jawaharlal Nehru, a leader of the Non-Aligned Movement.

Fink is more convincing in arguing that the role of progressive ideals in US foreign policy declined during the last decades than he is in proving that these kinds of ideals were important in the first place. The examples presented in the text are largely in line with the book’s thesis, but readers may legitimately ask themselves whether these cases are representative of a significant trend or the result of very specific conjectures.

Undoing the Liberal World Order: Progressive Ideals and Political Realities Since World War II by Leon Fink. Columbia University Press, January 2022.

Reviewer Bio: Marc Martorell Junyent graduated in International Relations and currently holds a joint Master in Comparative Middle East Politics and Society at the Eberhard Karls University of Tübingen and the American University in Cairo. His main interests are the politics and history of the Middle East (particularly Iran, Turkey and Yemen). He has studied and worked in Ankara, Istanbul and Tunis. He tweets at @MarcMartorell3.

Book Review :: Running While Black by Alison Mariella Désir

Running While Black by Alison Mariella Désir book cover image

Guest Post by Kevin Brown

Alison Mariella Désir’s Running While Black: Finding Freedom in a Sport That Wasn’t Built for Us is a book runners should read; it’s also a book everybody should read. Désir details how running helps her manage her depression and how she has used running to develop a career and passion that has guided her life. The book not only shows what running while Black is like, it shows what being a Black woman in America is like. While the book is a critique of the whiteness of running in America, Désir uses the lens of running to talk about racism, sexism, and their intersection. The Notes pages illustrate the depth and breadth of her research, as she pulls from newspaper articles; scholarly works on issues such as redlining, Jim Crow, racism in medicine, and contemporary legal issues; social media and podcasts; and well-known writers on race, such as Ta-Nehisi Coates and Ijeoma Oluo. This breadth of research, coupled with Désir’s experiences, makes this book a must for every reader. I expected to see running differently after reading Désir’s book, but I didn’t expect to see so many other aspects of twenty-first-century life and racism in new ways. Any book that can have that effect is worth reading, whether one has ever or will ever run.

Running While Black by Alison Mariella Désir. Portfolio, October 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Fixed Star by Suzanne Frischkorn

Fixed Star poems by Suzanne Frischkorn book cover image

Guest Post by Jennifer Martelli

Suzanne Frischkorn’s collection of poems, Fixed Star, braids loss and language. In her prose poem, “Nascent,” Frischkorn writes, “The yoked constellations—Capitalist and Communist—rang bright on her skin. Fidel, is it cold in Cuba?” As both the daughter whose “father’s from Cuba” and as the grandmother who will “twine a history with a silver thread,” the speaker cleaves to poetry. Frischkorn’s use of the sonnet crown throughout the book reminds us of her mastery of the craft. The sonnet becomes the braid, twining throughout the book. In “Letra,” Frischkorn writes,

            In Cuba, right now, someone conducts
     a symphony of furtive braiding for a tourist.
     She’ll leave before the last braid is half-done.

The repetition of the sonnet balances the “dissonance” in the first poem, “Cuban Polymita,” which opens with the haunting statement,

     Birth cleaved me in half—
     the sea I grew legs in
     now a dissonance
     a fixed star—

The section closes with the image of cleaving, in “XII,”

                 but all she said
     aloud was, “This is where I’m from.”
     Birth cleaved me in half—

In Fixed Star, Suzanne Frischkorn assures us that, despite displacement and despair, it is the language of poetry that will “coax the palomas to follow you home.”

Fixed Star by Suzanne Frischkorn. JackLeg Press, September 2022.

Reviewer bio: Jennifer Martelli is the author of The Queen of Queens and My Tarantella, named a “Must Read” by the Massachusetts Center for the Book. Her work has appeared in Poetry and elsewhere. Jennifer Martelli has received grants from the Massachusetts Cultural Council. She is co-poetry editor for Mom Egg Review.

Book Review :: Foster by Claire Keegan

Foster by Claire Keegan book cover image

Guest Post by Kevin Brown

Like Keegan’s earlier book, Small Things Like These, Foster is slight in size, but not in emotional heft. This novella tells the story of a nameless girl in the Irish countryside whose parents must send her to stay with neighbors for a summer while her mother is pregnant. The main financial problem seems to be her father who loses cows in card games and has a liquid supper on a regular basis, while her mother has too many children to pay attention to all of them. The Kinsellas, who take the girl for the summer, don’t care much for her father, Dan, and it’s clear he thinks similarly of them. The situation is one of convenience more than care. Or so it seems. The Kinsellas love the girl in a way that neither of her parents do, a care they show in small ways that seem obvious: her new clothes and a bit of spending money for ice cream; a lack of shame when she wets the bed; lessons on how to read and cook. By the end of the novella, the Kinsellas have fostered the girl not only by keeping her for a few months, but by encouraging her, nourishing her, promoting her development, and, most importantly, cherishing her.

Foster by Claire Keegan. Grove Atlantic, November 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Swimmers by Julie Otsuka

The Swimmers by Julie Otsuka book cover image

Guest Post by Kevin Brown

Julie Otsuka uses shifting points of view to make her books both universal and specific. In her novel, The Swimmers, she begins with the first person plural point of view to give voice to the titular swimmers, exploring the diversity of their reactions when the pool develops a crack, a metaphor for the loss to come in the second half of the novel. Otsuka sets up the idea of memory, collective and individual, she will explore through Alice, one of the swimmers. The reader learns little about Alice in the second half, though Otsuka shifts to the second person point of view to put the reader in the position of Alice’s daughter (who sounds quite similar to Otsuka, from the few hints the reader receives, including her mother’s interment in camps during World War II, one of the memories her mother holds onto throughout much of her deterioration). The reader sees Alice from a distance as one of the swimmers and up close as a mother who is becoming a different person than the daughter remembers. The reader empathizes with the mother and daughter, but knows, as the doctors make clear, there is nothing to do, but to endure the inevitable loss and rebuild a life after that loss.

The Swimmers by Julie Otsuka. Knopf, February 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Demon Copperhead by Barbara Kingsolver

Demon Copperhead by Barbara Kingsolver book cover image

Guest Post by Kevin Brown

In her latest novel, Demon Copperhead, Barbara Kingsolver updates Charles Dickens’ David Copperfield (thus the name of the titular character), moving the story to turn-of-the-millenium Appalachia. This approach tempts those readers who are familiar with Dickens’s novel to play a matching game with characters and events, but Kingsolver’s novel goes much further than a literary exercise that tests readers’ nineteenth-century novel knowledge. Her interest in updating Dickens’ novel is to explore the poverty rampant in Appalachia (as it was in Dickens’s London), a problem made significantly worse because of the opiod crisis. While Dickens’s David struggles through his own forms of exploitation, Kingsolver’s Demon, his friends, and his family are all victims in various ways to the addiction that pharmaceutical companies created in places and people who lacked the means to fight back. As with cases from real life, Demon comes by his addictions innocently, but then struggles with them for hundreds of pages, despite those around him who are trying to help. While Kingsolver shows a community decimated by drugs, she creates characters—as does Dickens—the reader cares about. She puts a face to the headlines many of us have the luxury of skimming over and reminds readers there are too many people whose lives seem destined for destruction, through no fault of their own.

Demon Copperhead by Barabara Kingsolver. Harper Collins Publishers, October 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Everyone Knows Your Mother is a Witch by Rivka Galchen

Everyone Knows Your Mother is a Witch by Rivka Galchen book cover image

Guest Post by Kevin Brown

In Everyone Knows Your Mother is a Witch, Rivka Galchen uses the story of Johannes Kepler’s mother, whom her neighbors accused of being a witch, to explore how easily people will bow to societal pressures. Katharina is a woman like many in the early 1600s: unable to read or write, but knowledgeable of the natural world. She is also a widow in possession of property. That combination makes her an ideal target for her accusers. Galchen also creates a seemingly innocent bystander—Katharina’s neighbor Simon, who serves as her guardian in the absence of her children—to take down her testimony. The reader watches the world through Simon’s eyes, as well as Katharina’s account of her experiences, and the reader also watches Simon react to the pressures the townspeople put on him. Through Simon, Galchen raises the question of who is willing to stand beside the accused even to their own detriment, as well as exploring what it feels like to be the accused. In her recreation of a time that seems so different from our own, Galchen reminds readers we will all have such moments—both of bearing witness and of standing up for ourselves—turning a time-bound tale into one that is terribly relevant.

Everyone Knows Your Mother is a Witch by Rivka Galchen. Macmillan, June 2021.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Under My Bed by Jody Keisner

Under My Bed and Other Essays by Jody Keisner book cover image

Guest Post by Olga Montenegro

Jody Keisner’s Under My Bed and Other Essays explores the ritualistic aspect of fear, the summoning of anxiety’s ghosts, and what it means to be a woman living under the promise of male violence. Although Keisner speaks truth to power on what it is like to live with anxiety, it is the exploration of fear and her grandmother that ties the themes of womanhood, illness, and survival. Keisner’s three-section arrangement (Origins, Under the Skin, and Risings) plays an intricate role in how the work is both read and experienced. The reader could interpret the three sections as a balanced academic and creative essay of the Genesis of anxiety, the kinesthetic journey of a disabled body, and the resurrection of Self, which are all ideas Keisner studies deeply about herself.

In “Origins,” the opening essay, Keisner explores her fear as her partner asks, “Why does your mind go down such dark corridors?” This is the premise of the collection of essays in which Keisner, while realizing her own body has an autoimmune disorder, is also realizing that the world is constantly telling women that there is always a threat. Learning how to coexist with this notion, Keisner offers an exploration of female-bodied anxiety through beautifully curated pieces with profound research that both enriches and empowers the reader. Always paying respect to queer and disabled bodies, Keisner unites her voice as part of a symphony of those trying to survive in an increasingly antagonistic world.

To offer a counter point to the deeply embedded fear, Keisner devotes beautiful moments and lyrical prose to speak of her beautifully messy and human grandmother, Grace. Always studying the power behind language, Keisner speaks of her paternal grandmother with admiration and fondness, “My grandmother protected my joy-filled childhood, but to do so, she had to keep a part of herself from me: her pain and suffering.” It is through Grace, ironically, that the readers find a form of respite and the goal that, regardless of how much this world tells us we’re not welcomed, there are ways to not be afraid.

Under My Bed and Other Essays by Jody Keisner. University of Nebraska Press, September 2022.

Reviewer bio: Olga Montenegro is a grad student at Bridgewater State University. She splits her time between Mexico City and Massachusetts. You can find her @ActuallyOlga on Twitter.

Book Review :: Breaking Points by Chelsea Stickle

Breaking Points by Chelsea Stickle book cover image

Guest Post by Matthew Rodriguez

As fearless as she is creative, Chelsea Stickle reaches deep into her bag of tricks to “wow” her readers with every story in her debut chapbook, Breaking Points. Many of these stories captivate the reader in such a way that it feels criminal that they’re only flash fiction pieces, but it’s beautiful enough to accept them as the art forms they are. The courage to experiment with various styles of writing, including a multiple-choice quiz and a flow chart, reveal Stickle’s hidden genius by telling deep stories in unorthodox ways, one that might even spark the beginning of a writing revolution! A standout piece, “How Mature Are You: A Quiz,” exemplifies the glories of pushing conventional boundaries within flash fiction formatting through its whimsical and ironically hard-nosed approach to storytelling with a choose-your-own-adventure type of beat. These kinds of structures, while puzzling at first glance, expand a reader’s view of how effectively a writer can tell a story without falling into familiar patterns. It would not be surprising to see a wide range of unique, personalized styles born from Stickle’s innovation. Ultimately, this collection is more than just an ensemble of witty tales but a mosaic of brilliant artistry.

Breaking Points by Chelsea Stickle. Black Lawrence Press, April 2021.

Reviewer bio: Matthew Rodriguez is a graduate student at Bridgewater State University pursuing his English MAT (Master of Arts in Teaching) and currently works as a freshman English teacher at B.M.C. Durfee High School.

Book Review :: The Lonely Stories edited by Natalie Eve Garrett

The Lonely Stories edited by Natalie Eve Garrett book cover image

Guest Post by Sam Tarr

The Lonely Stories: 22 Celebrated Writers on the Joys & Struggles of Being Alone is a collection of distinguished and diverse writers gathered in a volume of unifying isolation narratives, a wonderful contradiction illustrating the affliction or privilege of solitude. Editor Natalie Eve Garrett aimed “to summon cathartic personal essays illuminating the experience of being alone” to challenge the shame and the taboo aspect of discussing one’s loneliness. Collected and crafted before and during the worst of pandemic lockdowns, the stories act upon the hard-learned lessons of the times, showing our isolation was not some passing phase.

Writing can be a punishingly lonely craft, so it’s the writers themselves that tie this collection together best. Each entry is a mosaic showing the complex solidarity of feeling alone. It’s in the “utter brownness” of Claire Dederer’s West Texas landscape and in the silenced pain of Yiyun Li, who “disowned [her] native tongue.” We feel the despair of it in Imani Perry’s hospital room, described as “a funhouse of refracted and repeated loneliness,” and the “different texture” of loneliness in the pre-internet era of Lev Grossman’s “Maine Man.”

Each contribution is a flare sent out of the darkness. In their glare, we see the individual reflections of loneliness. In their glow, we bask in the rebuttal.

The Lonely Stories edited by Natalie Eve Garret. Catapult, April 2022.

Reviewer bio: Sam Tarr is a graduate student at Bridgewater State University and writer living in Weymouth, MA. His work has appeared in 86 Logic and The Bridge. 

Book Review :: Animal, Roadkill, Ashes, Gone by Emily Pittinos

Animal, Roadkill, Ashes, Gone essays by Emily Pittinos book cover image

Guest Post by Alice Verlezza

In her heartfelt memoir of four chapbook essays, Animal, Roadkill, Ashes, Gone, Emily Pittinos animates familial memories and the personal process of grief. This collection pays tribute, not only to the memory of our passed loved ones, but to the exponential growth of their children in their absence. As we learn the details of her ancestral losses, the narrator weaves in and out of time and space. Through the iterative process of processing her father’s unexpected death we “[become] squires of each other’s grief.” Pittinos’s familiar trauma is rendered stark and bare in this “summary of his body.” 

Our relatable Gen-X protagonist, a wry wit demonstrating vulnerable frankness, reminds us that, “We’ll live in cardboard boxes until we die poor and alone” in the inevitably “promise-less future.” Pittinos’s voice powerfully echoes generational attitudes of frustration and hopelessness without getting bogged down. “Nothing will ever be the same,” and we are “always preparing for the worst,” but these essays gracefully illuminate that “the mind abuses its license to change.” In the face of trauma and loss, the mind finds a way to connect back to its natural state, one of peace, gratitude, and remembrance.

Animal, Roadkill, Ashes, Gone by Emily Pittinos. Bull City Press, November 2022.

Reviewer bio: Alice Verlezza, educator, writer, and mother of two was raised in Rhode Island. An MS graduate of Queens University in Sociology, Alice continues her scholarly work earning an English Masters at Bridgewater State University where she researches gender identity and mental health in narrative.

Book Review :: Souvenirs from Paradise by Erin Langner

Souvenirs from Paradise by Erin Langner book cover image

Guest Post by Shauna Briggs

Grief and loss in Sin City. Erin Langner’s debut essay collection, Souvenirs from Paradise, hits on the allure and beauty of one of America’s favorite tourist destinations – Las Vegas. The backdrop of the classic Vegas casinos led Langner to receive the Wendy S. Walters’ 2021 Creative Nonfiction Book Award from publisher Zone 3 Press. Weaving in the city’s history – the fabled old strip, various casino myths, and celebrity stories – with her own experiences and emotions are what makes this collection so hard hitting. Langner convinces the reader of all the charm and complexity of Vegas’s most popular casinos, driving us with her when she writes about her first road trip into town. She captures the outsider-moved-in perspective seamlessly while reconciling the irreparable pain of loss: “People had been telling me for years that I would love Las Vegas, but I refused to believe them.” Neon lights, ringing slot machines, musical impressions, mob memories, and painful history. . . what’s not to love? Langner expresses a complicated and scintillating love in brilliant lyrical prose.

Souvenirs from Paradise by Erin Langner. Zone 3 Press, November 2022.

Reviewer bio: Shauna Briggs is an English teacher on Cape Cod and is currently pursuing her MA in English at Bridgewater State University. She lives in Massachusetts with her husband, dog, and two cats.

Book Review :: If There Is No Wind by Margaret R. Sáraco

If There Is No Wind by Margaret R. Saraco book cover image

Guest Post by R. Bremner

Margaret R. Sáraco’s solid debut poetry collection, If There Is No Wind, begins with a paean to a once-imposing, now-deceased maple tree, skillfully interweaving emotions and memories: “we sat on the stump remains, holding vigil, wishing her well in the afterlife.” It ends with a poem that transforms her into a seabird, exchanging the anguish of being shut in for the joy of freedom, “swimming in warmth, bathing my afterimage away.” In between are 77 pages of sometimes melancholy, sometimes uplifting, but always affecting, poetry. With a personal bias toward surrealism, perhaps my favorite poem in this collection is the lightly surrealism-tinged “Lifeline,” in which Saraco considers that her life has been spent “seated in a kayak / paddling rivers I’ve never seen.” She is waiting for her turn

To pull the kayak
ashore, climb out
discover what
is buried
in my
dense weeds.

In the next-to-last poem in this book, “Quiet Moment,” Sáraco views a reflected moon in a puddle on a clear night and is waiting “for a message / to tell me what this means.” It is indeed a feeling that many of us have had.

If There Is No Wind by Margaret R. Sáraco. Human Error Publishing, September 2022.

Reviewer bio: R. Bremner has been writing of incense, peppermints, and the color of time since the 1960s in journals and anthologies including International Poetry Review and Climate of Opinion: Sigmund Freud in Poetry. Eight published books and chapbooks bear his name, including Hungry Words (Alien Buddha Press).

Book Review :: Borealis by Aisha Sabatini Sloan

Borealis by Aisha Sabatini Sloan book cover image

Guest Post by Alexandria Machado

In Borealis, a stunning long form essay published by Coffee House Press, Aisha Sabatini Sloan reckons with the vast expanse of nature, simultaneously negotiating her relationship to queerness, blackness and the Alaskan landscape. Written lyrically with the use of white space as a conduit for understanding solitude as a person of color in an overwhelming white population, Sloan wonders “when there is no Black figure, what am I supposed to like looking at?” She artfully explores interactions as intimate collisions and reconciliations, whether that be a lover or the way color displays in the sky; all experiences are showcased as this prismatic aurora. Sloan paints her images with dazzling natural light, calling us to take a moment to look and listen to the world around us. Borealis is one great luminous moment, a meditation of self-reflection in contrast to the wilderness. What is similar and what is starkly different becomes resigned to the mystery of images, the way they mimic and shift: “The fog has lowered itself like haunches over a toilet across the tops of mountains.” This essay is as concerned with music as it is silence; we hear “The opening strains of Bjork’s ‘Bachelorette’ play as a bald eagle opens its wings above a lamppost on the spit,” or how “Beaches tend to mean your ear hurts a little; the wind is loud.” Lists give way to observations and letters to a nephew in jail expose how captivity is not just the body in a physical place. Sloan creates collages of color and revelations, “Now I think crying is like touching time. A half-hearted attempt to crash into now.” Sloan’s essay encourages readers to spend time with nature in a way that is patient, humorous and imaginative, with the reminder to not look past any moment, as there is magic and horror everywhere.

Borealis: An Essay by Aisha Sabatini Sloan. Coffee House Press, November 2021.

Reviewer Bio: Alexandria Machado is a graduate student studying English at Bridgewater State University and a writer living in Providence, RI. Her poems, essays and reviews have appeared or are forthcoming in Boshemia, Vagabond City, The Merrimack Review, 86 Logic and other publications.

Book Review :: I Am Jonathan Scrivener by Claude Houghton

I Am Jonathan Scrivener by Claude Houghton book cover image

Guest Post by Colm McKenna

Orphaned from the age of 19, James Wrexham finds himself employed in a dreary office. Without friends or family, he is merely “a spectator in life”. James’ humdrum existence comes to an end after being hired as secretary to Mr. Jonathan Scrivener, an independent gentleman soon leaving England. He is set to receive a lavish salary and live in Scrivener’s flat while he is away. Scrivener remains a shadowy figure throughout; details about him come from a cast of his friends who in turn come to know James. Initially, they are all unaware of each other, and all describe Scrivener as a completely different person.

I am Jonathan Scrivener revolves around two central themes, the first being the existence of an untapped potential in the men and women of inter-war Britain. Instead of painting his characters as gloomy hollow men (seemingly well adjusted and successful people, yet spiritually bankrupt), Houghton is more optimistic. Wrexham writes countless formulaic job applications, but what he submits to Scrivener is a long epistle about himself, which he doesn’t reread. There is something in Wrexham that Scrivener appreciates, even if he is blind to it himself.

Houghton protects his characters from material constraints, because “leisure reveals us”. Work and physical necessity don’t allow us to understand ourselves: “of course people behave themselves on a treadmill; what the hell else can they do?” Wrexham was a shell of a man before being hired by Scrivener. The job he is hired into plays a minor part in the story. It simply functions as a springboard to leisure, the realm in which introspection begins, as well as life’s “real” problems. Though no doubt controversial, it is a profound thesis.

Although Valancourt Books have republished six of Houghton’s novels, there remains a dearth of content out of print. He wrote essays, theatre, poetry and plays; reprinting these would be a good way to show a newfound audience the other strings to Houghton’s bow. Many of his works are nearing their centenary; as the copyright is coming up for some of his underrated pieces, hopefully someone will resurrect them.

There is no biography on Houghton, and little else remains to pad out his life beyond a brief interview given to a writer’s directory in 1950. I Am Jonathan Scrivener was eventually dramatized in 1953, but this was 22 years after the book’s release, and by then Houghton’s fame had already begun to dwindle. He shared an agent with F. Scott Fitzgerald, Agatha Christie and William Faulkner (to name a few), and had a host of celebrity admirers. Whatever the reason for his lost fame, it will be obvious to his readers that it has nothing to do with literary merit.

I am Jonathan Scrivener by Claude Houghton. Valancourt Books, April 2013.

Reviewer bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton and a range of Latin American writers.

Book Review :: Impossible Naked Life by Luke Rolfes

Impossible Naked Life stories by Luke Rolfes book cover image

Guest Post by Justin Courter

Betcha can’t eat just one! Reading the flash fictions in Luke Rolfes’s Impossible Naked Life, winner of the Acacia Fiction Prize from Kallisto Gaia Press, you’ll tell yourself: Okay, maybe just one more. . . and then read another half-dozen of them. These stories are, by turns (and turns of the pages that keep you wondering what the author will think of next) heartfelt and hilarious. The first sentence of each is a runway from which Rolfes takes an imaginative flight, and the only regret is that sometimes the ride seems too short. Some of the best of these stories are the longer ones—longer, in this case, meaning about ten pages.

One of the funniest, “My Neighbor, Ray,” begins: “On day three of the global crisis, a person crawls out of my mouth. The person is small at first—the size of a marble—but then he grows and grows until full sized.” The person is essentially the narrator’s (Luke’s) alter ego; he befriends the next-door neighbor, who moves in with Luke and his family. Covid cabin fever induces late-night discussions on subjects such as what the concerns of the toothbrush and razor might be if inanimate objects had feelings; and an afternoon when Luke’s kids use some of the overstock of toilet paper to wrap Ray up like a mummy in the backyard.

Not all the stories are surreal but, as does the one described above, all have an emotional accuracy. You aren’t sure where you’re going in Impossible Naked Life, but you’re enjoying a Denis Johnson kind of trip.

Impossible Naked Life by Luke Rolfes. Kallisto Gaia Press, March 2022.

Bio: Justin Courter’s books include the novels The Heart of It All and Skunk: A Love Story. He lives in New York City.

Book Review :: Our Missing Hearts by Celeste Ng

Our Missing Hearts by Celeste Ng book cover image

Guest Post by Kevin Brown

Our Missing Hearts by Celest Ng is a dystopian novel in the vein of Margaret Atwood’s The Handmaid’s Tale. Ng says she drew everything in her fictional world from real life, which makes her United States scarily believable. The government has passed the PACT act, which prohibits discussion of un-American ideas; targets people of Chinese descent; and uses the government’s right to remove people’s children as a means of control. This law leads to rampant discrimination and violence against Asian Americans, ultimately forcing the mother of the main character to flee. While there are parts of exposition to explain this alternate America, the heart of the book is Margaret’s difficult decision to leave Bird when he was nine. He has spent several years without her, but he ultimately goes looking for her, partly because of a cryptic note he receives, but also because of the disappearance of one of his classmates, Sadie, who has been removed from her family and relocated. By centering the novel on these relationships and the effects of such a law on parents and children, Ng reminds readers that laws don’t exist in a vacuum: there are always real individuals who suffer, whether we choose to see them or not.

Our Missing Hearts by Celeste Ng. Penguin, 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Powder Days by Heather Hansman

Powder Days: Ski Bums Ski Towns and the Future of Chasing Snow by Heather Hansman Hanover Square Press November 2021 book cover image

Guest Post by Keegan Waller

Through a mix of literary journalism and memoir in Powder Days: Ski Bums, Ski Towns and the Future of Chasing Snow, Heather Hansman asks the question: is the ski town dream dead, and did it ever exist in the first place? Hansman uses her own connections and experiences as a former ticket checker, ski patroller, and restaurant worker in a Colorado ski town to tell a story of the realities of working-class skiers who are still “living the dream.”

“We moved to the mountains and let the other facets of our lives fall into place from there.” In dispelling the common perceptions of the archetypical ski bum, Hansman paints a picture of communities in crisis due to stagnant wages and rising housing costs, mental health issues among ski industry workers, racial tensions, and the ever-looming threat of disappearing snow due to climate change. All framed by her nostalgic, months-long road trip to ski towns across the country. Anyone who has ever loaded everything they owned into their car and moved to a ski town – or even considered doing so after a weekend on the slopes – will find something to relate to in Powder Days.

Powder Days: Ski Bums, Ski Towns and the Future of Chasing Snow by Heather Hansman. Hanover Square Press, November 2021.

Reviewer bio: Keegan Waller is a graduate student in Utah State’s creative writing program. His writing has been featured in Door is a Jar, Boston Literary Magazine, and elsewhere. You can find him on Twitter @keeg_wall.

Book Review :: God is a Black Woman by Christena Cleveland

God is a Black Woman by Christena Cleveland published by HarperOne book review by Jack Bylund book cover image

Guest Post by Jack Bylund

In God is a Black Woman, author and professor Christena Cleveland confronts the faults of the mainstream Christian deity, whom she refers to as “whitemalegod.” A perpetrator of endless wrongs in society, the whitemalegod that Cleveland interrogates is found at the heart of racism, misogyny, transphobia, homophobia, and toxic masculinity, among others. Cleveland makes her case for mainstream Christianity’s role in these issues succinctly and effectively, providing compelling evidence from recent events and her own upbringing in Christianity; stories drawn from her life prove as compelling and honest as they are tragic and too common.

All the while, Cleveland presents a narrative of her travels through France on a pilgrimage seeking out Black Madonnas—statues of the Virgin Mary throughout the world who are Black. In her efforts to connect with these works of art, she enumerates the multifaceted ways in which Black Madonna—the titular figure of the book—contrasts with and rejects the white supremacist ideals of whitemalegod. She applies Black Madonna ideology to modern issues and rhetoric. Most of all, Cleveland gives hope for people in need of a God who truly loves amid the post-Trump rise in Christian hatred and nationalism.

God is a Black Woman by Christena Cleveland. HarperOne, February 2022.

Reviewer bio: Jack Bylund teaches and studies English literature and fiction at Utah State University. He loves contemporary lit, Panda Express, and books about the end of the world.

Book Review :: Cost of Living by Emily Maloney

Cost of Living, essays by Emily Maloney published by Henry Holt and Co. book cover image

Guest Post by Jackie Martin

Emily Maloney’s memoir, Cost of Living, is an exploration of “an expense that’s hard to bear.” In the sixteen essays that make up the collection, Maloney introduces readers to a roster of memorable characters and generously shares stories that explain – but never excuse – the financial and metaphorical costs of the American healthcare system. Maloney employs a surgeon’s precision to cut into the business of health, revealing unethical prescribing, inequitable resources, medical sexism, inadequate mental health care, and other malignancies that hide beneath the surface. Her insights come from time spent as a patient as well as an employee: her background includes such varied work as an emergency room tech “expected to guard against the depletion of resources,” an EMT trainee who learned “it was never about the patients themselves,” and a “medical publications manager” who was tasked with schmoozing doctors at conferences. Though Maloney’s essays inspire a multitude of reactions from melancholy to righteous anger to utter disbelief, her writing is never preachy or overwrought. Her personal stories serve the greater narrative, reminding us that there are real people behind the bloated price tag of even simple curative procedures. With an artful, sardonic humor and a refreshingly straightforward perspective, Maloney stitches medical facts together with personal experience and observation to investigate the “enormous cost” of trying to stay healthy in America today.

Cost of Living by Emily Maloney. Henry Holt and Co., February 2022.

Reviewer bio: Jackie Martin is a writer and teacher from the Boston area. Her stage plays have been produced around the U.S. and published by Heuer, Applause, and others. She is currently pursuing her MA in English at Bridgewater State University.

Book Review :: Lightning Flowers by Katherine E. Standefer

Lightning Flowers by Katherine E. Standefer published by Little, Brown Spark book cover image

Guest Post by Elizabeth Robin

“On the last morning of my first life,” are the words that haunt the second chapter of Katherine E. Standefer’s debut memoir, Lightning Flowers: My Journey to Uncover the Cost of Saving a Life. In her early twenties, Standefer is confronted with the ghosts of her past — a genetic heart defect hidden within her bloodline for generations (called Long QT syndrome) — and must now learn to navigate young adulthood while simultaneously trying to reconnect with her body which, she states, has “become a stranger.” This book is as much about the grief of a life-changing diagnosis as it is a biting criticism of the broken medical system housed under capitalism, which holds “inordinate power” over a vulnerable population. Standefer, who begins her Long QT journey uninsured, finds that she’s unable to afford the life-saving care that she needs without significant help from her family, friends, and charitable doctors; she writes that she “was paying in other ways” as by having to rearrange her life around her symptoms and medical appointments. As an activist, Standefer feels hesitant about getting a doctor-recommended defibrillator, which could be made from conflict metals. She is then forced to question if her life is worth more than those who work to mine the metal. Standefer’s work portrays the intense and complex feelings of having a chronic illness, and the desperation of an American bound to a broken system. However, there is hope and love found within these pages, too. Through this journey, Standefer grows closer with her family and her own sense of self. It serves as a reminder that there is “hard work that lies before us,” and it is our responsibility to change a broken system.

Lightning Flowers by Katherine E. Standefer. Little, Brown Spark, November 2020.

Reviewer bio: Elizabeth Robin is a student at Bridgewater State University and a teacher. She live in the Boston area with her partner and their two cats.

Book Review :: The Slain Birds by Michael Longley

The Slain Birds, poetry by Michael Longley published by Wake Forest University Press book cover image

Guest Post by James Scruton

The late Seamus Heaney titled his first collection of poems Death of a Naturalist. Michael Longley, his friend and fellow poet from Northern Ireland, has devoted decades to just the opposite principle: celebrating the flora and (mostly avian) fauna of Carrigskeewaun, in County Mayo of the Republic. In The Slain Birds, Longley continues this project, his imagination sparked by bog asphodel and snowdrop, white helleborine and sneezewort, some of the flowers, like some of the townlands (Carricksnashinnagh, Barnabaun, Kinnakillew) sounding made up, invented—and yet, what names are not? Flowers, he declares, seem the “Secret of the cosmos,” some house martins “God-spark . . .dream birds.” But Longley’s practice is less an Adamic naming than an honoring, an affirming of love, family lore, and local custom even as he draws parallels from Homer, modern war, and recent pandemic. Whether his eye falls on lupine and catkin or follows the flight of plovers and godwits, whether his ear is attuned to the ”cheer-up-cheer-up” of nightingale or the “wind’s / Vocal cords,” Longley pays tribute. From the elegiac to the exuberant, the poems brought together here form a lyrical, joyous extension of a sparkling poetic career.

The Slain Birds by Michael Longley. Wake Forest University Press, 2022.

Reviewer bio: James Scruton is the author of two full collections and five chapbooks of poetry as well as dozens of reviews, essays, and articles on poetry, fiction, and non-fiction.

Book Review :: The Book Collectors of Daraya by Delphine Minoui

The Book Collectors of Daraya by Delphine Minoui published by Picador book cover image

Guest Post by Marc Martorell Junyent

The Book Collectors of Daraya by Delphine Minoui offers a particular glimpse into the drama of the Syrian Civil War. The author, a correspondent for the French newspaper Le Figaro in Istanbul, happened to find on Facebook a picture of two men in a library in 2015. The caption of the picture informed her that the library was located in Daraya, a suburb of Syria’s capital Damascus besieged by Bashar al-Assad’s troops since 2012.

Throughout numerous interviews conducted over Skype, which stretched for almost a year, Minoui got to know first-hand about the bombing and lack of food and medicines the inhabitants of Daraya had to endure. At the same time, however, Minoui learned more about the project a group of revolutionaries had managed to build in the midst of general destruction: a secret library with books rescued from the bombed ruins of Daraya. Minoui describes the secret library as “a hopeful page in the dark novel that is Syria.”

When interviewed by the author, Ahmad Muaddamani, one of the co-founders of the library in 2013, explained that creating a site of culture and sharing information about it on Facebook was a way to send a powerful message to the world. As he explains, “What better way to defy Syria’s leader than to contradict his narrative of a terrorist opposition? Another of the organizers of the library, Shadi Matar, tells Minoui how the group organized English lessons in the library and describes these moments as “a feeling of normalcy.”

The Book Collectors of Daraya is the result of Minoui’s conviction that, despite her inability to travel to Syria and cover what was happening on the ground, the story of the Daraya library deserved to be told. And the French author does so in a most convincing way.

The Book Collectors of Daraya by Delphine Minoui. Picador, March 2020.

Reviewer bio: Marc Martorell Junyent graduated in International Relations and currently studies holds a joint Master in Comparative Middle East Politics and Society at the Eberhard Karls University of Tübingen and the American University in Cairo. His main interests are the politics and history of the Middle East (particularly Iran, Turkey and Yemen). He has studied and worked in Ankara, Istanbul and Tunis. He tweets at @MarcMartorell3.

Book Review :: Stone Junction by Jim Dodge

Stone Junction fiction by Jim Dodge published by Grove press book cover image

Guest Post by Colm McKenna

This year saw the re-release of Jim Dodge’s 1990 cult classic Stone Junction. While Fup remains the cornerstone of Dodge’s legacy, his first full novel is considerably more ambitious. Inexplicably, it is yet to be made into a film.

The story follows Daniel Pearse, a child taken in by AMO – Alliance of Magicians and Outlaws alongside his mother Annalee. Following her murder early on in the story, Stone Junction evolves into a bildungsroman, with Daniel being brought up by an eccentric cast of criminals and wizards. His unconventional education occurs alongside a search for his mother’s killer and an attempt to steal a supernatural diamond from the U.S. government.

Daniel and Annalee’s relationship is a driving force of the story, even after her death. Their situation is unusual, but their bond means they never feel unrelatable. Early on, Daniel offers his mother a piece of tear-soaked birthday cake he had just smashed; he was angry that she couldn’t tell him who his father was even if she wanted to. This moving scene of reconciliation takes place on a boat for magicians and outlaws, perfectly displaying the book’s capacity to juggle emotionally heavy themes and a more playful side.

With the recent success of literary adaptations (The Queen’s Gambit, Shadow and Bone, etc.), re-printing Stone Junction feels appropriate if a film is ever going to come. The novel appeals both to young and old readers; it is an emotionally intelligent coming-of-age story, but also engages with adult themes, ranging from grief to impotency. Dodge’s oeuvre has a minor place in 20th Century American Literature, and I hope this re-print of Stone Junction can help it receive the recognition it deserves.

Stone Junction by Jim Dodge. Grove Press, July 2022

Reviewer bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton and a range of Latin American writers.

Book Review :: Out Here on Our Own by J.J. Anselmi

Out Here on Our Own: An Oral History of an American Boomtown by J.J. Anselmi with photography by Jordan Utley published by Bison Books book cover image

Guest Post by Raymond Jenkins

The spirited voices of Rock Springs, Wyoming come to life in J.J. Anselmi’s retelling of an American boomtown’s prosperous but turbulent history. Out Here on Our Own: An Oral History of an American Boomtown captures the history of Rock Springs by chronicling the town’s boom and bust cycles through personal narratives from locals alongside his own personal account of the coal-mining town.

Shining a light on the amoral history of Rock Springs, Anselmi reflects on the way of life of the residents impacted by the oil drilling industry that seized their community. The toils from the laborious coal-mining operation are gathered candidly from the voices of residents who shared witness to the troubles that plagued the area, such as widespread alcoholism and a disturbing increase of mental and physical health illnesses.

Out Here on Our Own offers a candid view of Rock Springs through honest words from people who call the boomtown home and are accompanied by Jordan Utley’s fascinating photographs. Words capture the stark truth and pain of living in Rocksprings during booms and recessions. The photos provide a glimpse of their reality, showing the bleak lifestyle of Rock Springs without denying the sheer beauty of the region’s landscape. Although Anselmi admits after moving away, “I may never be a resident of the town again . . . ” the fascinating stories from the residents of Rock Springs show that the value of the town is not from the coal-mining industry, but rather the reverence that persists in the people who choose to stay and tell their stories.

Out Here on Our Own: An Oral History of an American Boomtown by J.J. Anselmi; Photographs by Jordan Utley. Bison Books, October 2022.

Reviewer bio: Raymond Jenkins is a student at Bridgewater State University, in the English MA program with a concentration in Creative Writing. Raymond is an emerging writer residing in the Boston area. He enjoys long hikes with friends, binge watching tv shows and drinking tea during sunset.

Book Review :: Double Negative by Claudia Putnam

Double Negative memoir by Claudia Putnam published by Split Lip Press book cover image

Guest Post by Mark Guzman

“The intimacy of housing another body and soul inside your own body and soul is indescribable,” writes Claudia Putnam in her debut nonfiction chapbook Double Negative, winner of the 2021 Nonfiction/Hybrid Chapbook Contest. In this short memoir, Putnam engages her reader with this connection of mother and child. It is an intimate portrait of a mother who welcomed her son, Jacob, into the world, only to see him pass so soon in his infancy. Putnam is cerebral but genuine, her prose approachable. She contemplates life and death, the soul, where and how it arrives and departs, the beforehere and the afterhere.

Putnam writes this some three decades after losing her son, Jacob, and what she would have done for him. “Hack and splice, sure. I would have let them cut out my heart if it would have cured my son. It would not have.” This willingness of Putnam to offer her own body in sacrifice for her son, her very heart, echoes the deep bond between mother and child, of souls interwoven even in death. Admitting that this sacrifice would not have saved him is harrowing. She leaves the reader to consider that even if Jacob was saved, his would have been a life of constant struggle and pain. Putnam wants us to consider what it must be like to live beyond the unimaginable.

Double Negative is a meditation on life and death, of parenthood, of the soul and spirit, of dreams and the often-harsh reality that comes with living. Putnam successfully invites us to reflect on the concept of how we live, oftentimes so close to death.

Double Negative by Claudia Putnam. Split Lip Press, March 2022.

Reviewer bio: Mark Guzman lives and teaches in Massachusetts. He is currently pursuing his Master of Arts in Teaching (MAT) degree in English at Bridgewater State University.

Book Review :: When They Tell You To Be Good by Prince Shakur

When They Tell You To Be Good a memoir by Prince Shakur published by Tin House Books book cover image

Guest Post by David Sohboff

In his debut memoir, When They Tell You To Be Good, Prince Shakur traverses geography and time to answer a question that has “haunted” him since adolescence, “Who am I? Who am I? Who am I?” There’s Shakur, a Jamaican immigrant, searching for a better life only to have his father murdered. There’s the closeted Shakur who faces his truth as well as his family’s violent proclivities. There’s Shakur, who travels the globe because, “If America could not deliver me what I deserved as a young and curious Black person, I deserved to try to find it where I could and not be overpowered by the kind of son or citizen I needed to be.” There’s Shakur, the revolutionary, who combats racism, homophobia, and colonialism. There’s Shakur, the humanist, who learns that “one of the best ways we can love people is to not be afraid of them.” There’s Shakur, the provocative writer who becomes “grateful for my body, my heart, my mind, and all the people who loved me and asked questions.” This speaks to the power of “Who Am I,” which Shakur asked early on and ultimately transcends to a universal query in this artful debut.

When They Tell You To Be Good by Prince Shakur. Tin House, September 2022.

Reviewer Bio: David Sohboff is an educator in Massachusetts and a student at Bridgewater State University, pursuing an advanced degree in English. 

Book Review :: Stay True by Hua Hsu

Stay True a memoir by Hua Hsu published by Penguin Random House book cover image

Guest Post by Kevin Brown

In his memoir Stay True, Hua Hsu explores identity through three different lenses: race/ethnicity, friendship, and music. Music is by far the dominant way Hsu defined himself when he was in college, the years he focuses on in this work. He uses his love of music partly to define himself as different than others—as a way to carve out an identity for himself—and to judge others—as a way to keep others at a distance. He becomes friends with Ken, a student unlike Hsu in almost every way, including musical tastes. Despite those differences, Ken becomes a friend who helps Hsu grow and change, slowly moving past his easy judgments about others. Ken and Hsu are both Asian Americans, but Ken is Japanese American. His family has been in the United States for generations, while Hsu is the son of Taiwanese immigrants, leading Hsu to feel less settled in his racial/ethnic identity. All of these strands help Hsu talk about who he was then and how that time has shaped him into who is, but the main concern of the memoir is a specific event in his relationship with Ken, one Hsu is still coming to terms with years afterward.

Stay True by Hua Hsu. Penguin Random House, September 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: Small Craft by Janet Edmonds

Small Craft poetry by Janet Edmonds published by Sea Crow Press book cover image

Janet Edmonds’s debut poetry collection from Sea Crow Press, Small Craft, seeks to answer two fundamental questions regarding the relationship between language and setting:

Is it possible to capture the essence of a certain place with words?

How is one able to properly articulate the aspects that define a space or a place, and implement language to reflect the attributes at the core of a location?

These poems immerse readers in the sights, sounds, and experiences that encapsulate a life in Cape Cod, Massachusetts. From the spring tides “disporting with each new and full moon, / tuned to waxing lunar cycles” to the sand where “each page of wind and ice grinds out / …eroded fossils, rocks, and minerals” to the rainbow’s “ascension of raindrops refracting reflections / of ages and places traversing the harbor,” no aspect of the natural landscape remains untouched or forgotten by Edmonds. Cycling through the seasons to present a rich image of a place during all walks of life, the reader goes on a journey from the “Dogwood, cherry, lilac blossom, petal” of the spring to the “Light streaks of long nights’ shooting stars” of the winter solstice. Time has no influence on this place, for no matter the time of year or how much time has passed since setting foot in this landscape, there is a certainty in the continuous beauty. “Across the dunes, the Province Lands: / Roiling crests crash the swash,” she writes, “and mulct the shore of every trace / Of time / And tracks / And tendered hand.” Edmonds’ poetry is a beautiful testament to the nature of Cape Cod, and the way she implements language to highlight the aspects which enhance the individuality and uniqueness of her chosen place makes her reader feel like they are coming home – or discovering home for the first time.

Small Craft by Janet Edmonds. Sea Crow Press, March 2022.

Reviewer bio: Catherine Hayes is a graduate student in English at Bridgewater State University in Massachusetts and resides in the Boston area. Her work has appeared in or is forthcoming in Blood & Thunder: Musings of the Art of Medicine, Atticus Review, NewPages, and an anthology with Wising up Press. She can be found on Twitter @Catheri91642131