NewPages Blog :: Book Reviews

Guest Post by Susan Kay Anderson

In response to Karen Massey’s Songs From The Dementia Suitcase, I wonder who would want these songs, let alone be handed this suitcase, when the whole world is at odds with memory (past wrongs/wars/devastation)? Well, what I found inside this excellent work was a surprise in the form of a short poem of found material called “Two Blue Songs,” which Massey notes uses Virginia Woolf’s “The Waves” as a source text. “Two Blue Songs” is folded into narrative poems having to do with family and caregiving. Not that the work is bereft of these; what surprises me is the wonderful short parts to it, divided “1.” and “2.” which look a little old-fashioned, yet so familiar and comforting when the poem glides into the unknown: “all the world thick with swans” and “it is summer it is winter.” Stumbling upon this poem was a moment of grace and understanding, if such a thing can be said of the understanding of dementia and its stealth. It is so, so difficult to write about dementia without sounding sappy or drippy. Maybe the key to what this is all about is indeed in waves and the soothing nature of water.

Songs From The Dementia Suitcase by Karen Massey. above/ground press, August 2023.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Guest Post by Susan Kay Anderson

I’m attracted at once to the cover of Excisions by Hilary Plum. It is one of those famous tapestries from Medieval times, “The Unicorn Surrenders to a Maiden,” which is part of The Unicorn Tapestry series. That theme is theorized to represent Christ (with the unicorn being hunted) and the Crucifixion/Courtly Love. The titular long poem and section weaves in and out of the world of the Unicorn Tapestry and comes face-to-face with real-life situations and circumstances that Plum shows readers. The poet seems like the maiden, then like the wounded and dying unicorn, and then like the hound who has attacked the unicorn. Each line of Plum’s poems is precise and layers itself against the next line so that each creates a huge, whole image. These are such a mix of old and new, as in these lines from “If a gun disappears it reappears”:

…like
heaving stones no archeologist
schooled in empire
declines…

The images Plum creates are intriguing and captivating. I don’t know what to do with so many of them but to go back again and again to meditate and dream.

Excisions by Hilary Plum. Black Lawrence Press, October 2022.

Reviewer bio: Susan Kay Anderson lives in southwestern Oregon’s Umpqua River Basin. Her long poem “Man’s West Once” was selected for Barrow Street Journal’s “4 X 2 Project” and is included in Mezzanine (2019). Anderson also published Virginia Brautigan Aste’s memoir, Please Plant This Book Coast To Coast (2021).

Guest Post by Ashley Holloway

Originally published in 2017, Jen Knox’s revised edition of The Glass City is a brilliant collection of seventeen stories that fluidly combine seemingly unrelated themes together in unexpected ways. In this futuristic-yet-timely collection, Knox highlights society’s overwhelming sense of entitlement and narcissistic tendencies and their relationship to our changing climate. Each story is a mirror thrust in our faces, urging us to get over our love affair with ourselves, reminding us that “people didn’t need to further distinguish themselves from nature.” With buildings collapsing from exhaustion, virtual races run at home on treadmills, terrorist attacks, never-ending snowstorms, and characters with extra layers of toes from food contamination, Mother Nature acts as an omnipotent protagonist throughout, serving her primitive justice as a warning to society for the perils of continuing along the same trajectory. However, like the art of Kintsugi, Knox leaves us with the thought that what was once broken can indeed be salvaged and transformed into something beautiful.

The Glass City & Other Stories by Jen Knox. Press Americana, September 2023 (re-release).

Reviewer bio: Ashley Holloway teaches healthcare leadership at Bow Valley College in Calgary, AB. She writes in a variety of genres with work appearing across Canada and the US and has co-authored three books. Ashley is an editor for Unleash Press and her work has been nominated for the Pushcart Prize.

Guest Post by Kevin Brown

The title of Zadie Smith’s latest novel is misleading, as there is no singular fraud in this novel; instead, everybody seems to be a fraud. Smith bases her novel on the historical account of the “Tichborne Trial,” in which a man claims to be Sir Roger Tichborne, a claim that is so absurd to be laughable, given the evidence. However, people—primarily those of the lower- and growing middle-class—firmly support him, even when they know the claim is baseless. They attend his trial and rallies in support of him, denying any reality he or his trial calls into question. If readers are wondering if there are contemporary echoes, Smith sets them to rest with a song that serves as the epigraph for Volume Eight (her structure mirrors the Victorian novels she is channeling), in which each stanza ends with the word trump. While the trial is the underpinning of the novel, Smith largely follows Eliza Touchet, the housekeeper for William Ainsworth, a novelist who once outsold Dickens, but who is now largely forgotten. Eliza attends their literary gatherings, but even though she sees through the literary elite, she has no standing to critique, given the role of women in the 1800s. When she meets Andrew Bogle, a formerly enslaved Jamaican who serves as the faux Tichborne’s one consistent witness, she asks to hear his life story, wanting to understand a broader view of Britain and humanity. She ultimately has a moral choice to make to try to stay true to her beliefs, to avoid being a fraud herself, and she develops a different kind of voice by the end of the novel. While Smith spends much of the novel showing characters who doubt the very idea of a shared reality, she reminds readers that fiction can still convey truth, even when it rewrites history to do so.

The Fraud by Zadie Smith. Penguin, 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Guest Post by Kevin Brown

Alice Winn’s debut novel follows two British teenagers—Henry Gaunt and Sidney Ellwood—during their time at an elite boarding school and into their time as soldiers during World War I. Their time at school sounds idyllic, but there are conflicts that come from Ellwood’s openness about his sexuality. It quickly becomes clear that Gaunt is also gay, but he is unwilling to admit that to himself or to others, and he is in love with Ellwood. The war significantly changes them both and forces them to confront their love, but also reminds them of the reality of the world they live in. Winn clearly conveys the horrors of the war and the loss of almost an entire generation of men, both through Gaunt and Ellwood’s experiences, but also through those of their classmates and Gaunt’s sister, Maud. She is part of a generation of young women whom adults encourage to go to the colonies, given how few men are left for them to marry. Winn creates a world where the war devastates all, leaving a world full of broken people who will have to spend the rest of their lives putting that world and their lives back together. Building their lives back is even more complicated for those on the margins, given society’s lack of acceptance of who they are. Winn reminds readers that so many did, in fact, sacrifice so much for the peace that followed, but some had to sacrifice even more.

In Memoriam by Alice Winn. Alfred A. Knopf, March 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Guest Post by Kevin Brown

In this debut novel, Melinda Moustakis creates a couple who agree to marry each other a day after they first meet, based mainly on Lawrence’s claim to 150 acres. He and Marie have reasons for wanting land, a home, and a family, though she is more forthcoming about those reasons. On the one hand, then, this novel explores the challenges of clearing land and building a house in Alaska in the 1950s. It touches on the development of Alaska as a state and the land the federal government took away from the indigenous tribes who lived there for centuries. Moustakis, though, is more concerned about what it means to make a life with another person, as opposed to in a particular place; the isolation of the homestead simply heightens the conflicts Lawrence and Marie have. The idea of statehood echoes the trades one must make in a relationship, as some people oppose statehood because of the taxes the federal government will impose in exchange for services and the right to vote, while the takeover of native lands shows what happens when a relationship is one-sided. There are threats hanging over Marie and Lawrence’s relationship throughout the novel, whether that’s a grizzly bear attack or the secrets Lawrence keeps, leaving the reader wondering if what they have built can survive in the wild.

Homestead by Melinda Moustakis. Flatiron Books, February 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Guest Post by Kevin Brown

Theresa Runstedtler digs deep into the NBA of the 1970s to show how a group of African American basketball players brought a new style of play to the sport, honed on playgrounds rather than high school and college gyms, where white players trained. More importantly, though, she shows how these same athletes stood up to the white owners and coaches, bringing lawsuits against them when necessary, to carve out more freedom and agency for the players. Those owners had almost full control of players in the 1960s, dictating who could play for which team when and limiting player salaries and the almost non-existent benefits. One player after another, though, began to push back against that control, winning one court battle after another, while also bringing a different style of play to the courts. Near the end of the book, Runstedtler shows how these changes reinvented the NBA and led to the strong performances of the 1990s and early 2000s, but also to the more politically outspoken players of more recent years. Runstedtler brings her experience as a Toronto Raptors dancer and scholar and professor of African American history to create a readable, insightful look at an important decade of development in Black activism and labor history.

Black Ball: Kareem Abdul-Jabbar, Spencer Haywood, and the Generation That Saved the Soul of the NBA by Theresa Runstedtler. Bold Type Books, March 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Guest Post by Colm McKenna

Lizzie Davis’ translation of Juan Cárdenas’ The Devil of the Provinces is a middle finger to literary categorization; mixing elements of both horror and thriller, Cárdenas’ novel plays with conventions of both classifications, while further blurring the lines between genre and literary fiction.

The story follows a failed biologist returning to his hometown. There are some deceptively lighthearted moments early on, mostly musings about the emotional repercussions attached to going back home. A clinical fatalism is always leaking under the surface though, pulling the masks off the comforts a small town and a quiet life seem to bring: “do nothing but wander from end to end, go up and come down, out and in, open and close the fridge door, sometimes lie in front of the TV. Pure actions… completely devoid of intention.”

Guest Post by Kevin Brown

Jeff Boyd’s debut novel, The Weight, follows Julian as his life slowly begins to fall apart. The woman he’s been sleeping with is now engaged to somebody else; he’s working a job at a call center where the best way to advance in the company is to lead the morning prayer; he’s a drummer in a band that doesn’t seem to have much of a future; he’s one of a very few Black people in Portland. As the novel progresses, though, he slowly begins to learn how to put his life together, partly driven by a late-night encounter with a woman who reads him the entirety of The Death of Ivan Ilyich by Leo Tolstoy, a novella she believes he needs to hear then and there. The only complaint I have with the novel is that, like many first novels, Boyd wraps the ending up too neatly: people remain friends when perhaps they shouldn’t, and they reconcile every problem, at least superficially. Despite that complaint, Julian and his friends are an enjoyable group to spend time with, even when they’re making decisions the reader (and everybody else in the novel) knows are choices that will lead them in the wrong direction, at least until the end.

The Weight by Jeff Boyd. Simon and Schuster, April 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Guest Post by Kevin Brown

In Kevin Jared Hosein’s Hungry Ghosts, Hans Saroop is a hard-working husband and father in 1940s Trinidad. Unfortunately, that work doesn’t get him much money and results in even less social status. He and his family, as well as their friends, live in the Barrack, a pieced-together building with a roof that leaks so often they don’t bother to patch it and walls so thin everybody knows what is happening—for good and ill—in everybody’s lives. Above them, both literally and metaphorically, live Dalton and Marlee Changoor, a couple who have everything those in the Barrack wish they had. Hans and two of his friends work for the Changoors, a proximity that will lead to one crisis after another, revealing the temptation of power and the realities of poverty and lack of social standing. As the title conveys, there are characters who only live in the most literal sense, while those who are dead continue to affect the living, with no respite from their haunting. Hanging over the entire novel is the threat of violence that seems embedded in the nation’s history, especially the colonization and domination of the country that continues to weave its way through the residents’ lives, just waiting for the moment to return in full force.

Hungry Ghosts by Kevin Jared Hosein. Ecco, February 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Guest Post by Kevin Brown

In his collection of essays Black on Black, Daniel Black takes a different approach to Blackness than many contemporary writers. Rather than focusing on the systemic racism so prevalent in American society, he takes that reality for granted, then turns his attention to a celebration of Blackness. He celebrates Black female directors, historically Black colleges and universities (HBCUs), the Black church, and activists and writers ranging from Frederick Douglass to Toni Morrison. Most of all, he centers his essays around self-love in the Black community, as he wants to spotlight the resilience and brilliance of that community, as his subtitle shows. He goes even further and celebrates LGBTQ+ Black resilience, as they battle AIDS, as well as those within and outside of their race. However, his book is not just unvarnished praise, as he also questions the institutions of power, especially the church and HBCUs, wanting them to be better. A superficial reading makes Daniel Black sound like Booker T. Washington—especially when he argues about the failure of integration—but a closer reading shows him to be more Malcolm X. He wants those who are White or straight or cisgender to see the beauty of Blackness and queerness, but he also wants his community to build on their brilliance, to grow even more beautiful.

Black on Black by Daniel Black. Hanover Square Press, January 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Guest Post by Eleanor J. Bader

Imagine: A Tale of Love, Art, and Anarchy, Francesca Nesi’s first novel, is a paean to chosen family. But the sweeping, multi-layered saga is also much more than this. Seminal moments in world history – the late 19th and early 20th century anti-Semitic pogroms in Eastern Europe; the opening of the first Nazi concentration camp in 1933; the US civil rights movement of the 1960s; and 2011’s Occupy Wall Street protests in New York City’s Zuccotti Park, among them – form a vibrant backdrop for a story that probes what it means to live ethically.

Central to the tale are Emma Roth, a bisexual Gen X art historian turned Manhattan gallery owner; Curtis Mayland, an older lesbian who works as a realtor; and Catherine Kroeger, a straight 20-something heiress whose billionaire dad bears a striking resemblance to Donald J. Trump.

The three are brought together by Tom Aldridge, a sadistic, misogynist hedge fund manager. As they collaborate on a plan to avenge his predatory behavior, the story takes numerous turns that force them, and consequently, us, to imagine a world without sexual or political violence. It’s heady stuff. And while the novel contains a few improbable threads, all told, Imagine is an inspiring ode to creativity, community, sisterhood, and social justice.

Imagine: A Tale of Love, Art, and Anarchy, by Francesca Nesi. Chelsea Books, January 2023.

Reviewer bio: Eleanor J. Bader is a Brooklyn, NY-based journalist who writes about books and domestic social issues for Truthout, Rain Taxi, The Progressive, Ms. Magazine, the Los Angeles Review of Books, and The Indypendent.