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Book Review :: Old God’s Time by Sebastian Barry

Old God's Time by Sebastian Barry book cover image

Guest Post by Kevin Brown

Sebastian Barry’s latest novel, Old God’s Time, explores the ripple effects of trauma that stems from the violence and abuse Irish priests inflicted on children. Barry doesn’t portray the traumatic events directly, but readers should know there are a number of references to such events, as well as others related to harm to children. The person suffering the most—or at least the one who has endured through the suffering—is Tom Kettle, a retired police officer. He is enjoying his retirement until his former supervisor sends two officers to talk to him about a case related to a priest whom Kettle knows has abused many children, a case Kettle worked on earlier in his career, only to see it covered up by church and police authorities. Barry uses a third-person close narration, as much of the novel takes place in Kettle’s thoughts, which are more important than his and other characters’ actions. Kettle has to relive his past to come to grips with who he is now and what he and others have done. Though the book is dark and heavy, the language is lovely, filled with music and imagery that helps carry the reader through the awful realities Barry portrays, almost—but only almost—letting the reader forget about the suffering Kettle and so many others have endured.


Old God’s Time by Sebastian Barry. Viking, March 2003.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: I Have Some Questions For You by Rebecca Makkai

I Have Some Questions for You by Rebecca Makkai book cover image

Guest Post by Kevin Brown

On the surface, I Have Some Questions For You by Rebecca Makkai looks like another addition to the true crime genre, an appearance reinforced by the fact that Bodie Kane runs a podcast devoted to true crime. She returns to the boarding school she attended as a student to teach classes on podcasting and film studies, only for one of her students to work on a podcast investigating the death of one of Bodie’s classmates. However, Makkai goes well beyond this genre—subverting it at times, in fact—to explore the patriarchal structures women have to navigate on a daily basis and the real risks to their safety that come up again and again. Makkai has written a novel that raises questions about masculinity, internet culture, true crime, feminism, privilege, and justice, but she doesn’t provide any answers, as good novels are wont to do. The impressive part is that she has done all of that while telling a compelling story with characters readers care about. Readers will want to turn the page, not to find out about one more murder or microaggression, but to see what happens to Bodie and her classmates and students. Hopefully, they’ll see the world differently by the time they find out what has happened, as well.


I Have Some Questions For You by Rebecca Makkai. Viking, February 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

Book Review :: The Book of Form and Emptiness by Ruth Ozeki

The Book of Form and Emptiness by Ruth Ozeki book cover image

Guest Post by Kevin Brown

Readers should know something going into Ozeki’s novel: inanimate objects talk to the main character, Benny Oh. One of those items is the book the reader is reading and that Benny is writing, more or less. If you can’t get past that technique, this book isn’t for you, as it’s central to the novel. Benny might be crazy, but he might also simply be seeing more of the world than other people; Ozeki leaves that up to the reader, as it’s a question she believes is worth exploring. Benny struggles with it himself, as does everybody around him, and there is a colorful cast of characters he interacts with. Ozeki tangentially explores a number of relevant social issues, ranging from climate change to consumerism, but she mainly seems interested in how we relate to the universe and those around us. Thus, she uses a variety of characters to explore the things (the actual stuff) that make up our world and our relationships with it, whether we horde them or seek to order them. As a Buddhist, Ozeki believes the world is more alive than most of us would admit and that we are one with it, whether we want to be or not. Most of us just aren’t listening closely enough.


The Book of Form and Emptiness by Ruth Ozeki. Viking, September 2021; Penguin, June 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.

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