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Book Review :: Brotherless Night by V.V. Ganeshananthan

Review by Kevin Brown

Brotherless Night, V.V. Ganeshananthan’s Women’s-Prize-winning novel, clearly portrays the horrors of the Sri Lankan civil war of the 1980s and following. Sashi is a teenager when the book opens, and the book follows her over the next decade or so as the civil war affects every aspect of her life. She has four brothers, all of whom have some relationship to the war; the title of the novel, in fact, refers to the first night she spent without at least one of her brothers present, and it represents the beginning of the war.

Sashi works in a field hospital for the Tamil rebels, mainly due to the request of K., a childhood friend she would have married, if not for the war. Ganeshananthan portrays the horrific actions of the Sri Lankan and Indian government armies, but she also clearly conveys what the Tamil rebels do, not only to those government soldiers, but also to the civilian population and other rebel groups.

No entity is innocent here, and Sashi reflects that complexity. Though she disagrees with the Tamil Tigers’ actions, she works in the field hospital to try to make sure nobody dies for lack of medical care. She also works to expose the immoral actions they have taken. Ganeshananthan draws heavily on research, even basing one of Sashi’s professors on a real professor and activist, but it is the humanizing portrayal of the wide range of characters that gives this novel its power. Her care for her characters reflects the suffering so many endured throughout the years of the war, showing the reader just how much so many have lost, while their care for each other reveals how much humanity remains.


Brotherless Night by V.V. Ganeshananthan. Random House, January 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrites

Book Review :: Headshot by Rita Bullwinkel

Review by Kevin Brown

There’s not much plot to Headshot, Rita Bullwinkel’s debut novel—eight girls engage in a boxing tournament in a run-down gym in Reno, Nevada—but that’s not the point. The novel is largely structured around each fight with chapters getting progressively shorter and each focusing more on the lives and psychology of the two girls involved in the fight than on what actually happens in the fight itself.

There is a line from The Matrix: Reloaded, where Seraph, the character whose job it is to guard the oracle, fights Neo. When he explains to Neo that he had to know that Neo wasn’t an enemy, Neo responds, “You could’ve just asked.” Seraph replies, “No. You do not truly know someone until you fight them.” These eight girls seem to understand each other better than anybody in their lives, and they come to an understanding of themselves, because they fight.

None of them go on to box in the remainder of their lives, some of them even forgetting about this time in their lives, but their understanding of themselves remains. Boxing serves as a metaphor for the lineage of women understanding one another in this world, as they move in concert with one another, responding to one another, partners in a dance that will carry them through their lives.


Headshot by Rita Bullwinkel. Viking, March 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Book Review of Memory Piece by Lisa Ko

Review by Kevin Brown

Lisa Ko’s second novel follows three Asian-American women—Giselle, Ellen, and Jackie—who meet as teenagers, then remain close for the rest of their lives, though they see each other infrequently. Giselle becomes a performance artist, Ellen transforms a house she and others squatted into a type of communal living space, and Jackie revolutionizes the tech industry, careers and passions that seem far removed from one another.

However, they are all creators of some sort, even artists, though the world seems bent on preventing them from becoming so. They encounter sexism and misogyny, racism, and capitalist expectations, working together and separately to overcome (or simply thwart) those barriers and demands, to find success in their own ways. Ko moves the novel from the 1980s of their teenage years all the way to a future beyond their deaths to explore the ways in which they impact their world and how they become the women they need to be to survive and thrive in that world.

Underneath their different pursuits, they are all trying to answer the same questions that all artists are trying to answer, the questions Giselle knows an interviewer is really asking her: “HOW DO YOU LIVE (HOW DARE YOU LIVE) WHAT DO YOU DO (WHAT SHOULD WE DO) HOW DO WE LIVE HOW DO WE DIE WHAT DO WE NEED TO HEAR.”

Ko’s novel provides three different answers to those questions, but, more importantly, it asks the readers to find the answers in their lives.


Memory Piece by Lisa Ko. Riverhead Books, March 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Book Review :: Outlive by Peter Attia

Guest Post by Kevin Brown

In Outlive: The Science & Art of Longevity, unlike many books about longevity, Peter Attia’s goal isn’t to provide the reader with life hacks or technology that will help readers live until they’re one hundred and fifty. Instead, he lays out what he calls the Four Horsemen—“cardiovascular and cerebrovascular disease, cancer, Alzheimer’s disease and related neurodegenerative conditions, and type 2 diabetes and related metabolic dysfunction”—with a clear-eyed approach of just how awful they are, as well as what causes them, as far as we know.

He then explores tactics that can help readers try to stave off those Horsemen, though he argues that we should start decades, not just years, earlier to do so (Medicine 3.0, as opposed to the current healthcare system, which he calls Medicine 2.0). He delves into the research on exercise, nutrition, stability, and emotional health to show how they can all work to help prevent suffering and decline.

In fact, the most important part of his book is that he wants people to have a longer healthspan (the amount of time we’re healthy and functional), not just lifespan. He wants people to be able to live full lives in their seventies and eighties, not just live longer
Readers looking for a how-to manual might be disappointed, but Attia clearly explains the realities facing people as they age and gives them strategies and tactics for how to live a long and functional life.


Outlive: The Science & Art of Longevity by Peter Attia with Bill Gifford. Harmony Books, 2023.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite

Book Review :: When We Were Sisters by Fatimah Asghar

When We Were Sisters by Fatimah Asghar book cover image

Guest Post by Kevin Brown

Fatimah Asghar’s novel, When We Were Sisters, tells the story of three sisters who are orphaned, as was Asghar. Their uncle, who remains unnamed throughout the work, takes them in, not to actually care for them, but to use the money from their father’s death to fund his get-rich schemes that never work. The girls fend for themselves, often going hungry for days or weeks, living in squalorous conditions. They also have to work through their emotional struggles on their own, leading to trauma and suffering, especially for Kausar, the youngest sister and primary narrator of the novel. She portrays the sisters as watching out for one another, referring to them as sister-brothers or sister-mothers periodically in an attempt to show their toughness and their ability to nurture one another; however, Kausar realizes late in the novel that her perception has not been accurate. Asghar is a poet—this is her first novel—and her short sections feel almost like prose poems, at times; she even intersperses more poetic sections from the point of view of “him” and “her,” the sisters’ dead parents. Given their childhood, readers should be amazed at how well the sisters are able to manage largely on their own, but readers will also spend the novel wondering about the misogyny and greed that leads to their having to.


When We Were Sisters by Fatimah Asghar. One World, October 2022.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.