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2020 VanderMey Nonfiction Prize Winners

Ruminate - Spring 2020The latest issue of Ruminate features the writers who placed in the 2020 VanderMey Nonfiction Prize.

First Place
“Destiny of Cumin” by Jasmine V. Bailey

Second Place
“A True Prayer is One That You Do Not Understand” by Kelly J. Beard

Honorable Mention
“How To Ruin a Persian Wedding” by Atash Yaghmaian

Finalists include Avra Aron, Kaimana Farris, Dorothy Neagle, Alexandra Loeb, Sally Pearson, Arielle Schussler, Jamie Smith, Shannon Tsonis, and Shannon Yarbrough.

Selections were made by Ruminate’s founder, Brianna Van Dyke and says of her first-place selection: “Jasmine V. Bailey’s ‘Destiny of Cumin’ offers a wide-searching exploration of food and slavery and motherhood and becomes an essay about power and love and what it means to live among the contradictions of our own hearts.”

Event :: Summer Writers Institute Celebrates 25 Years

Registration Deadline: July 16, 2020
Event Dates: July 17 – July 31, 2020; Washington University in St. Louis
The Summer Writers Institute is excited to celebrate its 25th anniversary in 2020. We are known for bringing together adult writers of all levels to work with published authors and exceptional teachers in a supportive, non-competitive format. Our intensive two-week program features workshops in fiction, micro-fiction, poetry, and personal narrative. Whether this is your first foray into the writing life or the next step in honing your craft, we look forward to welcoming you in St. Louis this summer! summerschool.wustl.edu/summer-writers-institute

Ruminate – Issue 54

Ruminate - Spring 2020

“The Everyday” issue celebrates Ruminate‘s focus on finding the sacred within everyday moments and routines. This issue features work from our 2019 Broadside winner Meredith Stricker, as well as the winning pieces from our 2020 VanderMey Nonfiction Prize written by Jasmine V. Bailey, Kelly J. Beard, and Atash Yaghmaian chosen by judge Brianna Van Dyke. Also in this issue: Erin Malone, Chelsea Dingman, Sneha Subramanian Kanta, Nick Yingling, Alyse Bensel, Daniel Seth Kraus, Andrew Huot, Stacy Trautwein Burns, and more.

New England Review – 41.1

New England Review - Volume 41 Number 1

In this issue of New England Review you’ll find fiction by Maud Casey, David Allan Cates, Nandini Dhar, Elin Hawkinson, Christine Sneed, and Lindsay Starck; poetry by Su Cho, John Freeman, Rodney Gomez, Zach Linge, Vandana Khanna, Joanna Klink, Philip Metres,, Maura Stanton, Emily Jungmin Yoon, and more; nonfiction by Kazim Ali, Jennifer Chang, Ching-In Chen, Julia Cohen, and others; and Max Frisch in translations, translated by Linda Frazee Baker. Plus cover art by Brian Nash.

Gargoyle – No. 71

Gargoyle - Number 71

Check out the new issue of Gargoyle. Contributors include: Laura Arciniega, Paula Bonnell, Sarah Browning, Michael Casey, Grace Cavalieri, Patrick Chapman, Bonnie Chau, Katie Cortese, celeste doaks, Gabriel Don, Cornelius Eady, Blair Ewing, Abby Frucht, Patricia Henley, George Kalamaras, Louise Wareham Leonard, Trish MacEnulty, Franetta McMillian, Tony Medina, Nancy Mercado, Susan Neville, A.L. Nielsen, Josip Novakovich, James J. Patterson, bart plantenga, Bern Porter, Doug Rice, Jane Satterfield, Davis Schneiderman, Claire Scott, Gregg Shapiro, Rose Solari, Maya Sonenberg, Marilyn Stablein, Susan Tepper, Michael Waters, and many more.

The MacGuffin

MacGuffin - Winter 2020

Discover a new issue of The MacGuffin. Volume 36 Number 1 spotlights the winners of our 2019 Poet Hunt Contest as selected by guest judge Richard Tillinghast. Jane Craven’s first place “The Sketchbooks of Hiroshige,” begins on p. 74, followed by our two honorable mention poets, Jill Reid and John Blair. This issue’s prose selections include Lucy Mihajlich’s “When I Infiltrated IKEA, They Greeted Me at the Door” and Teresa Milbrodt’s “Playing Krampus.” Featured artist Alison Devine graces the book’s inside and outside with a stroll through the Hamilton, Ontario countryside.

Black Warrior Review – Spring 2020

Black Warrior Review - Spring 2020

The Spring 2020 issue of Black Warrior Review is out. In this issue: Aliza Ali Khan, Sébastien Bernard, Agata Izabela Brewer, Naomi Day, Meg E. Griffitts, Katherine Indermaur, Sara Kachelman, Jasmine Khaliq, Jessica Lanay, M.L. Martin, Cherise Morris, Mónica Ramón Ríos (translated by Robin Myers), Monica Rico, Angie Sijun Lou, Molli Spalter, Qianqian Ye, and more. Chapbook by Seo-Young Chu. Cover art by Dominic Chambers.

The Adroit Journal – March 2020

Adroit Journal - March 2020

Find the newest issue of The Adroit Journal is out. Readers can check out poetry by Bryan Byrdlong, Steven Duong, Garous Abdolmalekian, Emily Lee Luan, John Freeman, Erin Adair-Hodges, Peter Streckfus, Ae Hee Lee, Matthew Gellman, Sara Elkamel, Seth Simons, Imani Davis, Kim Addonizio, Sahar Romani,  Zach Linge, Matthew Rohrer, Joanna Klink, and more; prose by Cathy Ulrich, K-Ming Chang, Connor Oswald, and others; plus conversations with Natalie Diaz, Matthew Rohrer, Brian Teare, Deb Olin Unferth, and Matthew Zapruder.

THEMA Puzzles Writers, Pleases Readers

THEMA Spring 2020 issue coverMagazine Review by Katy Haas

Each issue of THEMA invites writers to explore a given theme. The Spring 2020 issue’s theme is “Six Before Eighty,” which Editor Virginia Howard explains in her Editor’s Note, gave writers a run for their money. It “tended to puzzle more authors than usual.”

Despite the challenge, sixteen on-theme pieces made it into the issue. H.B. Salzer in “Her Number Six” writes of a woman’s bucket list—six things to do before she turns eighty. James “Jack” Penha in “Eulogy for My Elder Brother,” writes fondly of his brother who passed away at age seventy-four—six years before turning eighty. In “Written in Gold,” Larry Lefkowitz’s characters try their own hand at translating the theme finding it in a Mayan inscription in a temple. But my two favorite pieces in the issue each interpret the theme as different roads.

In “Mantra” by Lisa Timpf, the numbers are a reminder for a man’s fading memory. Regional Road 6 comes before Sideroad 80 and then he’s home. Readers can feel the anxiety in the piece as he repeats his mantra, trying to get home while admitting he “hasn’t told his wife / how much has slipped away.” But his mantra always gets him back home.

Cherie Bowers’s “Off-Ramp” is a short poem conjuring up Exit 6 as it merges onto 1-80. Here, a memorial with “fading words” reads, “We love you, Jason.” “To see it clearly,” the speaker says, “you must slow down,” a reminder for readers it’s necessary to slow down to truly see everything around us and to give thought to these fading signs we see beside the road.

I’m sure it was a lot of run writing for this issue of THEMA, and it was a lot of run reading what everyone was able to come up with.

Ann S. Epstein Questions What’s in a Name

biostories

Magazine Review by Katy Haas

bioStories invites readers into the daily lives of those around us. Ann S. Epstein’s “My Name Could Be Toby Gardner” explores a topic that follows all of us daily: our names.

Born to a family of immigrants, Epstein begins by breaking down her parents’, grandparents’, sibling’s, and aunt’s name, each of them going by one that was not given to them at birth. Once she makes it to her own name, Epstein considers the ways which we tie identity to the name people call us. But she’s never felt connected to neither her first nor last names.

There is something almost comical about the way Epstein rights about this. The constant back and forth and corrections of the names of the people she’s mentioning in her piece are handled with levity, but she concludes on a more serious tone, wondering if names can be lost if they don’t make their mark on their person when they’re young.

Whether you want to spend some time thinking about what names mean to identity, or you just want to learn about the intricacies of the names of Epstein’s family, this is a quick and interesting read.


About the reviewer: Katy Haas is Assistant Editor at NewPages. Recent poetry can be found in Taco Bell Quarterlypetrichor, and other journals. She regularly blogs at: newpages.com/blog.

Leaping Clear – Spring 2020

Leaping Clear - Spring 2020

The Spring 2020 of Leaping Clear is out. This issue encourages readers to find balance in troubling times. Essays by Amy Sugeno, Dorian Rolston, and more; fiction by Anita Feng; mixed media by Barbara Parmet and Deborah Kennedy; music by Jon Tho; poetry by Ben Gallagher, Kathleen Hellen, Stephen Fulder, Yasmin Kloth, and more; video by Zangmo Alexander; and visual art by Denise Susanne Townsend, Michele Giulvezan-Tanner, and Stephanie Peek.

Witness the Witness Literary Award Winners

Witness - Spring 2020The Spring 2020 issue of Witness features the winners of their latest Witness Literary Awards.

Poetry Winner:
“Future Ruins” by Andrew Collard

Poetry Runner-up:
“You Will See It Coming & You Won’t Run” by Emmy Newman

Fiction Winner:
“Delivery” by Emily Greenberg

Poetry Runner-up:
“The Dramatic Haircut” by Kristina Ten

Nonfiction Winner:
“When a Child Offends” by Michele Sharpe

Nonfiction Runner-up:
“Ani-la and Anne-la: On Everything I Knew and Didn’t Know” by Anne Liu Kellor

Poetry was selected by Heather Lang-Cassera, fiction was selected by Kristen Arnett, and nonfiction was selected by José Roach-Orduña. The rest of the issue is “magic” themed, so grab a copy and discover the magic inside.

If It Ain’t Pembroke, Fix It…

Pembroke Magazine Issue 51Pembroke Magazine is a literary journal from the University of North Carolina Pembroke. They publish new issues annually. Grab a copy of their 2019 issue featuring poetry, fiction, and creative nonfiction by writers living in eighteen states and abroad while you still can. You can also subscribe today to get your hands on the 2020 issue when it is officially released.

Muhammad Ali’s greatness dances across the page, witnessed from multiple perspectives; a frustrated writer begins receiving mysterious bars of chocolate that may or may not be driving him crazy; a long-separated couple makes love as the Twin Towers fall on TV; a vulture does its terrible and necessary work; a young man and woman enjoy the romantic machinations of fate—or something else—in Venice; a man considers the many useless skills he’s accumulated in life; a college student risks her safety by hitchhiking back to campus with a mysterious trucker; and much more.  Cover art by Alexander Grigoriev.

They are currently open to submissions of fiction, nonfiction, and poetry through April 30. You even have the option of purchasing their latest issue when you submit.

Anna Leigh Morrow Invites Us into Her Nana’s House

Still Point Arts Quarterly - Spring 2020Magazine Review by Katy Haas

The latest issue of Still Point Arts Quarterly is dedicated to “Grandparents and Other Wise Ancestors.” The art centers on this theme and the featured writers share stories of the family who came before them. Of these, Anna Leigh Morrow’s “Home-Canned Magic” really jumped out at me.

Morrow focuses on her grandmother’s house and the magic that seemed to be conjured there. Morrow states that while it’s both her grandparents’ house, calling it “Nana’s house” makes more sense: “Nana is so completely the queen of her domestic domain that I often use only her name when I talk about their home.” I found this piece so easy to relate to, especially now as my family has been cleaning out my grandparents’ house (though I, too, have always called it “grandma’s house”) after my grandpa’s passing in January. Climbing the precarious ladder up to the attic for the first time in years and poking through my grandmother’s old belongings in the rafters brought back my own memories of childhood magic at my own “Nana’s house.”

Morrow reveres her grandmother in the ways she has sacrificed for her family and continues to love and support them throughout the years. She details moments of magic—her green thumb, her ability to create through cooking for her grandchildren, her ability to show others where to find their own magic.

Simple and straight forward, Morrow lets readers into her Nana’s kitchen for a visit, letting us get to know the woman who encouraged and inspired her as she grew up. This piece is welcoming and full of love, a nice thing to read as a reminder of the good that surrounds us during the chaos of current events.

2019 Blood Orange Review Literary Contest Winners

Online literary magazine Blood Orange Review hosts an annual literary contest. The winners for the 2019 contest were Benjamin Bartu for his poem “Do You Love Her”; Austin Maas for his nonfiction piece “Trigger Finger”; and Joel Streicker for his story “For the Bounty Provided Us.” Read these and more in their latest issue.

Submissions are currently open through April 30 for the 2020 contest.

Not Your Ordinary Issue of True Story

True Story - Issue 35

Magazine Review by Katy Haas

True Story veers away from their usual issues in publishing Issue 35. “Not Your Ordinary Experience of Desire” is a collaborative piece between Susannah Borysthen-Tkacz and Justin Chen. When I saw this was written by two writers, I expected the nonfiction piece inside to jump back and forth between their points of view, and I suppose it does, but it does so in a more unique way than what we usually see. The entire issue is printed horizontally, Borysthen-Tkacz’s narration on the left side of the page, and Chen’s on the right.

The joint piece is broken up into three parts. The first focuses on each writer’s childhood: Borysten-Tkacz’s early history as a gymnast and the beginning of an eating disorder, and Chen’s unfamiliarity with American pop culture and intimacy. In part two, they each identify the ways their relationship begins to deteriorate; he focuses on sacrifice and giving up parts of one’s self, while she begins to realize she’s queer. In part three, the two start to shape themselves outside of their relationship, finding out who they truly are apart from each other.

By writing together, they fill in gaps the other leaves behind. We’re able to see both sides of the same story, neatly arranged next to each other on the page. Both write with a sincerity I found touching and easy to connect with. Despite the tumultuous events, they manage to bare their true story with honesty and grace.


About the reviewer: Katy Haas is Assistant Editor at NewPages. Recent poetry can be found in Taco Bell Quarterlypetrichor, and other journals. She regularly blogs at: https://www.newpages.com/.

Witness – Spring 2020

Witness - Spring 2020

The “Magic” issue of Witness features new work by: Eric Tran, Mary Lane Potter, Pamela Yenser, Alex Berge, Nina Sudhakar, Andrea Eberly, Miranda Dennis, and more. Plus, the second annual Witness Literary Awards: Andrew Collard (poetry winner), Emmy Newman (poetry runner-up), Emily Greenberg (fiction winner), Kristina Ten (fiction runner-up), Michele Sharpe (nonfiction winner), and Anne Liu Kellor (nonfiction runner-up).

Still Point Arts Quarterly – Spring 2020

Still Point Arts Quarterly - Spring 2020

The Spring 2020 issue of Still Point Arts Quarterly celebrates “Grandparents and Other Wise Ancestors.” Featured artists include Karla Van Vliet, Julia Michie Bruckner, Paul Polydorou, and Sheri Vanermolen. Featured writers include Claire Ibarra, Angela Wright, Marianne Mersereau, Janet Sunderland, Gail Tyson, Ilene Dube, Wayne Lee, Douglas Cole, Marc Morgenstern, Denise Tolan, Kaia Gallagher, Anna Leigh Morrow, and Joe Cottonwood.

AQR – Carrying the Fire: Celebrating Indigenous Voices of Canada

Alaska Quarterly Review - Winter/Spring 2020The Winter/Spring 2020 issue of Alaska Quarterly Review ends with a special feature—”Carrying the Fire: Celebrating Indigenous Voices of Canada.” This literary anthology is co-edited by Sophie McCall, Deanna Reder, Sarah Henzi, Sam McKegney, and Warren Cariou, who are interviewed as an introduction to their selections.

The selected winners and finalists of the Indigenous Voices Awards featured in this issue are: Mika Lafond, Billy-Ray Belcourt, Elaine McArthur, Treena Chambers, Joshua Whitehead, Nazbah Tom, Amanda Peters, Marie-Andrée Gill, Smokii Sumac, Tenille K. Campbell, Francine Merasty, J.D. Kurtness, Naomi Fontaine, Aviaq Johnston, Brandi Bird, David Agecoutay, Dawawn Dumont, and Carleigh Baker. Their work includes both poetry and prose.

Grab a copy of the latest issue of AQR to listen to the varied indigenous voices of Canada.

2019 Kenyon Review Short Nonfiction Contest Winners

Kenyon Review - March/April 2020The January/February 2020 issue of The Kenyon Review featured the winners of their 2019 Short Fiction Contest, and now the March/April 2020 issue features the winners of the 2019 Kenyon Review Short Nonfiction Contest.

Winner
“Hello, Fridge” by Anna Hartford

Runners-Up
“Saving Luna” by KT Sparks
“The Great Glass Closet” by Benjamin Garcia

Check out the introduction to these selections, written by Nonfiction Editor Geeta Kothari, who shares her thoughts on each piece.

Runestone Journal – Vol. 6

Runestone Journal - February 2020

Runestone Journal proudly announces Volume 6, featuring: creative nonfiction from Hannah Baumgardt and True Dabill, fiction from Maryetta Henry, Gabraella Wescott, and Holley Ziemba; poetry from Lex Chilson, Marina Fec, arizona hurn, Maya Salemeh, Adam D. Weeks, and more; author interviews with Roy G. Guzmán and John Ostrander; and book reviews by the Student Editorial Board. Visit NewPages for more new issues.

Plume – March 2020

Plume - March 2020

Plume releases new poetry every month. In this month’s featured selection, find the second installment of the “5 under 35 Plus” feature with twelve poems by six exceptional poets: JK Anowe, Charlotte Covey, Benjamin Garcia, Sneha Subramanian Kanta, Lindsay Lusby, and Sarah Uheida. Alfred Corn provides five flash for the nonfiction section, and Chelsea Wagenaar reviews Paisley Rekdal’s Nightingale. Plus, more in this month’s regular poetry selections.

The Kenyon Review – March April 2020

Kenyon Review - March/April 2020

The Mar/Apr Kenyon Review features a special prose section, “The Unexpected,” guest-edited by Jaquira Díaz. Díaz selected work by Lars Horn, Gabriel Louis, Rebecca Nison, Joseph Earl Thomas, Laurie Thomas, and LaToya Watkins. In addition, the issue includes the winning essay and two runners-up from our 2019 Short Nonfiction Contest: “Hello, Fridge” by Anna Hartford, “Saving Luna” by KT Sparks, and “The Great Glass Closet” by Benjamin Garcia. The issue also includes poetry by Erin Belieu, Destiny O. Birdsong, Cortney Lamar Charleston, Heid E. Erdrich, Linda Gregerson, Ted Kooser, Sally Wen Mao, Michael McGriff, and Bruce Snider.

Ecotone – Fall Winter 2019

Ecotone - Fall/Winter 2019

Love on the mind? Visit Ecotone‘s “The Love Issue.” Inside, Jennifer Tseng & Amanda Tseng envision their father, Sarah Seldomridge & Eduardo Espada draw the beginnings of a family, Silas House sings of a boy’s first love, and Jennifer Elise Foerster reads Jane Johnston Schoolcraft. Plus, sonnets, rondels prime, sonzals, and brefs double, from Chad Abushanab, Ashley M. Jones, Amit Majmudar, and A. E. Stallings.

Alaska Quarterly Review – Winter Spring 2020

Alaska Quarterly Review - Winter/Spring 2020

AQR’s Winter & Spring 2020 edition features stories by Joy Lanzendorfer, Elise Juska, Matthew Lansburgh, and Patricia Page. Also featured are stories by Katya Apekina, Molly Gutman, Daniel Pearce, and Kirsten Madsen. The edition also includes three engaging personal essays, an exceptional collection of poems by twenty-four poets, and a special anthology “Carrying the Fire: Celebrating Indigenous Voices of Canada.” These voices include Mika Lafond, Billy-Ray Belcourt, Smokii Sumac, Tenille K. Campbell, Francine Merasty, J.D. Kurtness, Brandi Bird, and more.

Qu Literary Magazine – Winter 2020

Qu Literary Magazine - Winter 2020

The Winter 2020 issue of Qu Literary Magazine is out. Fiction by Renay Costa and Kevin M. Kearny; nonfiction by Jackie Kenny and Stephanie Dickinson; and poetry by Betty Rosen, nicole v basta, Sara Moore Wagner, Tom C. Hunley, Kelly Weber, and Elsa Ball. Patricia Powell provides “On Listening” in our “The Writing Life” section, and in stage/screen writing: Kate McMorran and Libby M. Gardner.

Patricia Powell “On Listening” in Qu Winter 2020

Qu: a Literary Magazine logoQu, the literary magazine from Queens University of Charlotte, features regular articles on The Writing Life.

Patricia Powell, author of Me Dying Trial, A Small Gathering of Bones, The Pagoda, and The Fullness of Everything, dives into how listening is purposeful, and sometimes down right difficult, not only in workshops and writing, but in our everyday lives and our relationships.

When we write we are listening. We often choose a quiet place free from noise and interruptions and close the door. We still the thinking, chattering mind and slowly tune inward. We sit, our bodies like giant ears, waiting for the sound under all things to burp into consciousness.  This kind of full-bodied listening provides spaciousness for the work to show up without pressure, for the work to be.

[ . . . ]

Deep Listening can often lead to right speech and right action. We must listen before we act. We must not slouch in our efforts to fight for climate and food and housing justice. We must not slouch in our efforts to fight for racial and gender and wage justice.

Read Powell’s full article in Qu‘s Winter 2020 issue.

Blood Orange Review Vol. 11.2

Blood Orange Review v11.2 screenshotOnline literary magazine Blood Orange Review released Volume 11.2 in January 2020. This issue was delayed a bit as they worked hard on relaunching their site with a new design.

The majority of artwork featured in this issue was gathered from visual art MFA students at Washington University: Siri Margaret Stensberg, Stephanie Broussard, and Kelsey Baker. Also featured in this issue is art from Sarah Hussein who hales from Egypt.

Besides art, find poetry by Hussain Ahmed, Benjamin Bartu, John Byrne, Isiah Fish, Joseph Gunho Jang, Maya Marshall, and Kim Young; nonfiction by Sarah Rose Cadorette, Kelly Hill, and Austin Maas; and fiction by Wandeka Gayle, Arielle Jones, Sakae Manning, Lois Melina, and Joel Streicker.

Blood Orange Review is currently open to general and contest submissions.

Jessica Lind Peterson 2020 Deborah Tall Lyric Essay Book Prize Winner

Jessica Lind PetersonIn December of 2019, Seneca Review announced the winner of its annual Deborah Tall Lyric Essay Book Prize.

Final judge Jenny Boully selected Living Room Horses by Minnesota-based essayist and playwright Jessica Lind Peterson. The book will be published in November 2020.

Finalists:
Vanessa Saunders, The Flat Woman
Dennis James Sweeney, You’re the Woods Too
Nance Van Winckel, Sister Zero

“On Our Toes” by Cristina Rivera Garza

World Literature Today - Winter 2020Magazine Review by Katy Haas

In the past couple years, it has been difficult not to notice the hashtags #MeToo or #TimesUp filling up timelines across the internet. But while so heavily focused on what’s going on in the United States, and despite the connection of social media, many of us have been able to overlook what’s happening in other countries, including one bordering our own. Cristina Rivera Garza in “On Our Toes: Women against the Femicide Machine In Mexico” in the Winter 2020 issue of World Literature Today sheds light on #RopaSucia, which was used “to showcase incidences of misogyny in academic institutions and cultural circles”; #MiPrimerAcoso, stories of “my first harassment”; and #MeToo as tools used by feminists throughout Mexico as they fight to make changes for women in their country.

Continue reading ““On Our Toes” by Cristina Rivera Garza”

9th Annual Chesapeake Writers’ Conference

Chesapeake Writers' Conference logoApplications are being accepted on a rolling basis for the 9th annual Chesapeake Writers’ Conference. The event takes place June 21 through 27. This year’s faculty includes Liz Arnold, Matt Burgess, Patricia Henley, Crystal Brandt, Angela Pelster, and Matthew Henry Hall.

This year they will be offering workshops in songwriting along with workshops in fiction, poetry, screenwriting, translation, and creative nonfiction. They also offer craft talks, lectures, readings, and panel discussions, plus a youth workshop.

Scholarships, course credit, and continuing professional development are also available. There is no fee to apply. Learn more…

The Writer’s Hotel 2020 Application Deadlines

The Writer's Hotel logoThe Writer’s Hotel’s All-Fiction Conference will take place June 3 through 9 in NYC. The deadline for writers to apply is March 22 at midnight. There is a $30 application fee.

Faculty this year includes Rick Moody, Jeffrey Ford, Robyn Schneider, Michael Thomas, Ernesto Quiñonez, James Patrick Kelly, Elizabeth Hand, Francine Prose, Saïd Sayrafiezadeh, Sapphire, Elyssa East, Kevin Larimer, Steven Salpeter, Jennie Dunham, Shanna McNair, and Scott Wolven.

New in 2020: The Writer’s Hotel is now offering NYC Weekends which are shorter conferences in the genres of poetry and nonfiction.

The deadline to apply to the Poetry Weekend is listed as March 15. This conference will take place May 21 through 25. Faculty for this event includes Mark Doty, Marie Howe, Terrance Hayes, Nick Flynn, Deborah Landau, Alexandra Oliver, Kevin Larimer, Jenny Xie, Shanna McNair, and Scott Wolven.

The Poetry Weekend is capped at 40 participants. There is a $30 fee to apply. If they reach 40 participants before the deadline, the application form will close early.

The Nonfiction Weekend will take place October 1-5. Faculty this year includes Mark Doty, Meghan Daum, Hisham Matar, Honor Moore, Elyssa East, Saïd Sayrafiezadeh, Shanna McNair, and Scott Wolven.

The Nonfiction Weekend is capped at 40 participants. There is a $30 fee to apply.

 

Nimrod – Spring Summer 2020

Nimrod Spring/Summer 2020

The theme for Nimrod‘s latest issue “Words at Play” sounds like a lot of fun. Learn more about it: featuring fiction by Gauraa Shekhar, Sean Bernard, Jackson Ingram, and Alison Ho; nonfiction by JJ Peña; and poetry by James Toupin, Joanna Gordon, Michelle Penn, Wendy Drexler, Holly Painter, Gabriel Spera, Amy Miller, Matthew J. Spireng, George Looney, Ellen Kombiyil, Margot Kahn, Myra Shapiro, Cindy Veach, Katy Day, Marjorie Maddox, Brooke Sahni, Ella Flores, Madeline Grigg, Jean-Mark Sens, Nicholas Yingling, and more.

Poetry – March 2020

Poetry - March 2020

The cover of Poetry‘s March 2020 issue is inviting. Learn what’s inside: a “Latinext” feature with work by Willie Perdomo, Féi Hernandez, Naomi Ayala, J. Estanislao Lopez, Stephanie Roberts, Roberto Carlos Garcia, Ashley August, Nicole Sealey, Noel Quiñones, Virgil Suárez, P.E. Garcia, Benjamín Naka-Hasebe Kingsley, Sergio Lima, Anthony Morales, Anaïs Deal-Márquez, Lupe Mendez, and Melinda Hernandez. Plus more poetry by John McAuliffe, Douglas Kearney, Robin Gow, Jennifer Chang, Suzi F. Garcia, Luther Hughes, Yusef Komunyakaa, John Kinsella & Thurston Moore, Caroline Bird, and more. Nonfiction by Matthew Bevis.

Raleigh Review – 10.1

Raleigh Review - Spring 2020

This issue of Raleigh Review features the winner of the flash fiction contest, Alexander Weinstein, and runners-up, Alexander Steele and Sarah Hardy. Plus new fiction from Michael Horton, Laura Marshall, Casey McConahay, Jeff McLaughlin, AJ Nolan, and Mark Wagenaar, and new poetry by Threa Almontaser, Kyce Bello, Despy Boutris, Lupita Eyde-Tucker, Charlotte Hughes, Kamal E. Kimball, Sandy Longhorn, Aimee Seu, Lena Khalaf Tuffaha, and more. This issue also features the art of Stacey Cushner, and an interview with Patricia Henley.

Cherry Tree – No. 6

Cherry Tree - 2020

Cherry Tree‘s sixth issue features work by Diannely Antigua, Destiny O. Birdsong, Mirande Bissell, Jennifer Bullis, Lauren Camp, Hannah Cohen, Bailey Cohen-Vera, Raymond Deej, Dante Di Stefano, Jen Stewart Fueston, Jeannine Hall Gailey, David Groff, Christian Gullette, Steve Henn, Korey Hurni, Ashley M. Jones, Kasey Jueds, Toshiya Kamei, Genevieve Kaplan, Olivia Kingery, Mingpei Li, Alice Liang, Sarah Lyons-Lin, Angie Macri, Ann Stewart McBee, Afopefoluwa Ojo, JJ Peña, Robert L. Penick, Emilia Phillips, Caroline Plasket, Alec Prevett, Sara Ryan, F. Daniel Rzicznek, Martha Silano, DeAnna Stephens, Anne Dyer Stuart, Yerra Sugarman, Ojo Taiye, Adam Tavel, Yasumi Tsuhara, Elsa Valmidiano, Hannah VanderHart, April Wang, and Art Zilleruelo!

The Gettsyburg Review – Autumn 2019

Gettysburg Review - Autumn 2019The Autumn 2019 issue of The Gettysburg Review offers readers a great selection of poetry and prose as usual, from Alice Friman’s “Hygiene,” which utilizes breasts as a way to measure time and maturity in a sort of tongue-in-cheek way, to the 55-part essay “A Brief Account of Certain Left-Leaning Tendencies” by Valerie Sayers which highlights her father by using the word “left,” to digestible words of wisdom in three poems by Joyce Sutphen.

But what really left me enamored was the art feature. Nine paintings by Anne Siems grace the pages and cover of this issue. The portraits are whimsical and magical, using creative patterns and images of nature to create portraits that draw viewers in. More little details pop out the longer one looks. People become one with nature—mushrooms cloud around a body in “We Are All Connected,” animal heads sprout from hands like puppets in “Beasts,” antlers grow from the head of an animal-surrounded girl in “Eve Dreams of a Wolf.” These works are gorgeous and give readers a good reason to stick around within the pages of this issue long after they’ve gotten their share of words.

2019 Constance Rooke Creative Nonfiction Prize Winner

The Malahat Review - Winter 2019The Malahat Review annually hosts the Constance Rooke Creative Nonfiction Prize. The editors consider submissions of “a genre that embraces, but is not limited to, the personal essay, memoir, narrative nonfiction, social commentary, travel writing, historical accounts, and biography, all enhanced by such elements as description, dramatic scenes, dialogue, and characterization.” The Winter 2019 issue features the 2019 winner, chosen by Judge Yasuko Thanh: “Bat Reign” by Jeanette Lynes.

In an interview, Thanh said she was looking for “A story with a heartbeat, the ring of truth; to be surprised on every page with turn of phrase, or metaphor, or image so apt it’s breathtaking. Insight. A climactic “punchline” in the sense that its timing is perfectly paced and creates a resolution as inevitable as unexpected.”

Pick up a copy of the Winter 2019 issue of The Malahat Review to see how Lynes meets these expectations with “Bat Reign,” and check back in May of this year for details on the 2020 prize.

Event :: Elk River Writers Workshop 2020

2020 Elk River Writers Workshop FlierDeadline: Rolling (July 1 final deadline)
Elk River Arts and Lectures is now accepting applications to our summer writers workshop, August 16–21, at historic Chico Hot Springs Resort, 30 miles from Yellowstone National Park. We host some of the most celebrated nature writers in the United States to work with students in an area of Montana that has inspired the work of conservationists and writers for decades. Workshop classes are limited to 10 students in each genre. This year, Rick Bass, Linda Hogan, and J. Drew Lanham, William Pitt Root, and Pamela Uschuk will serve as our core faculty. Apply via Submittable or visit: elkriverwriters.org.

Program :: Jackson Center for Creative Writing

Hollins University MFA flierApplication Deadline: January 6
For well over sixty years, this highly regarded Hollins MFA has supported lively and determined writers who want to concentrate on craft. Our intensive two-year graduate program helps students find their way in an atmosphere of cooperation and encouragement. Our students work successfully in poetry, short fiction, novels, and creative nonfiction—and in between genres. Our faculty writers take time to work with students in this vibrant, supportive community. Our alums have a remarkably high record of publication. Program provides graduate assistantships, teaching fellowships, travel funding, and generous scholarships. Most of all, a vibrant, supportive community. For information, www.hollins.edu/creative-writing-MFA.

’50 Miles’ by Sheryl St. Germain

50 Miles by Sheryl St. GermainBook Review by Karen J. Weyant

Sheryl St. Germain opens her newest book, 50 Miles, with a simple statement: “My son was born into a family cursed with substance abuse.”

It’s this curse St. Germain explores in her collection of intertwining essays that examine the life, the struggles, and the eventual death of her son, Gray. Along the way, she also looks at her own clashes with addiction, struggles that mirror the demons that haunted many of her family members including her father and her brother. Continue reading “’50 Miles’ by Sheryl St. Germain”

The Antioch Review – February 2020

Antioch Review - Fall 2019

The “Atention!” issue of The Antioch Review includes Heinrich Böll’s “Cause of Death: Hooked Nose” (translated by Robert C. Conard) which captures Nobel laureate Boll’s vivid imagery about the corollary of unfettered hatred, unchallenged propaganda, and fearful inertia for countries, communities, and consciences. Rachel Rose’s “Buccal Swab” airs the concerns and realities families face when a member harmlessly hands over DNA to Ancestry.com or some other DNAanalyses company. Stuart Neville’s thriller “Coming in on Time” unfolds in the eyes of a child naïve to passions that stir so strongly and sting so seriously. Find a full list of contributors at The Antioch Review‘s website.

‘What Could Possibly Go Wrong?’ Edited by Richard Peabody

What Could Possibly Go Wrong?

Book Review by Katy Haas

As a writer who is very prone to anxiety and stage fright, I’ve always turned down the opportunity to participate in readings. I can’t help running all the worst case scenarios through my head. This led me to picking up my copy of What Could Possibly Go Wrong? the pocket-sized anthology edited by Richard Peabody, featuring 36 writers sharing their own readings gone wrong.

The anthology starts off on a more serious note. Brett Axel’s reading devolves into a protest as police crash it, assuming the worst of teenage attendees. Abby Bardi’s publicity tour ends prematurely as it coincides with 9/11.

But a majority of these horror stories are less serious and more humorous. Mark Baechtel walks himself into a corner with one bad decision he commits to. Barbara Esstman has a selection of not one but four bad readings, and, luckily, she approaches each of them with levity. Alma Katsu is interrupted by a loud cheerleading practice. Both good weather and bad weather interfere with multiple readings. Tim Wendel must compete against the midnight release of his nemesis: Harry Potter.

Each writer presents their story with lightness and humor. Things didn’t go as planned, but they made it through and are still around writing and participating in more readings. I now find some comfort in the seemingly universality of readings gone awry. Sure, things might go wrong, but at least the experience will be there to laugh at (and possibly write about) later.


What Could Possibly Go Wrong? Edited by Richard Peabody. Paycock Press, 2019.

True Story – No. 34

True Story - Issue 34

The single-author True Story has released a new issue. In “Plume: An Investigation” by Mary Heather Noble, a former environmental investigator applies her forensic skills to a family mystery. What happens to us when we are exposed to toxicity, both literally and figuratively? Can we change what we pass on to our kids? And at what cost?

Plume – February 2020

Plume - February 2020

Plume‘s February 2020 issue features selection is “Engraved Phrases on Open Seas: Poems and Notes on Translations of Khal Torabully” by Nancy Naomi Carlson. Charles Simic pens an “Essay on the Prose Poem,” and Mark Wagenaar reviews Mark Irwin’s Shimmer. Poets in this issue include Sawnie Morris, William Logan, Mary Jo Salter, Mark Irwin, Kim Addonizio, Andrea Cohen, Adam Scheffler, and more.