Our Wintry Mix. Creative nonfiction by Bree Smith, Dhaea Kang, Christine Muller, Benedicte Grima, and Virginia Petrucci; flash by Eliot Li, Gabriella Souza, Cassie Burkhardt, and others; fiction by Amy Savage, Kim Magowan, and Maggie Hill; and poetry by Peter Grandbois, Kelley White, Brenda Taulbee, and more. Learn about this issue’s visual work at the Cleaver Magazine website.
This issue of Big Muddy includes work by Brian Baumgart, August B. Clark, Charlotte Covey, Mark Fabiano, Doris Ferleger, Spencer Fleury, Jennifer Gravely, Ian T. Hall, D.E. Kern, Bronson Lemer, Paul Luikart, Leah Mccormack, Matt Mcgowan, Luke Rolfes, Rosalia Scalia, Christine Stewart-Nuñez, Katie Strine, Rachel Tramonte, Carol Tyx, Christian Vazquez, Daniel Webre, Adam D. Weeks, Holden Tyler Wright, and Kirby Michael Wright.
Find more info at the Big Muddy website.
Glass Mountain hosts their annual Boldface Writers’ Conference. Attendees are invited to enter the Robertson Prize after revising their work. Winners of this free contest (one per genre) receive $100 and publication in Glass Mountain. This year’s winners are included in Volume 27.
Winners
“Four Yelp Reviews (After J. Bradley)” by Robin Burns
“The Masseuse” by John Cai
“An Obituary for the Ginko Berry Tree in Drexel” by Coutney DuChen
Learn more about the Boldface Conference here.
If you like themed lit mag issues, we’ve got some recommendations!
Each issue of THEMA focuses on one themed prompt. The Autumn 2021 issue’s theme is “Which Virginia?” Twenty contributors try their hand at exploring this Virginian theme.
While not quite a theme, Hanging Loose does feature a selection of high school aged writers in each issue. Issue 111 includes work by eleven different high school writers who close out the issue.
Bennington Review‘s Summer 2021 issue focuses on a theme that’s probably on most of our minds right now: The Health of the Sick. Michael Dumanis’s note from the editor explains, “Many of the pieces in this issue of Bennington Review display a keen awareness of the vulnerability of the human body, physically, emotionally, and psychologically.” The theme “borrows its title from Argentine writer Julio Cortázar’s underappreciated 1966 short story . . . “
Issue 22 of The Common includes a portfolio of writing from the Arabian Gulf introduced by Deepak Unnikrishnan. This includes fiction by Tariq Al Haydar, Farah Ali, and others; essays by Mona Kareem, Keija Parssinen, and Priyanka Sacheti; and poetry by Hala Alyan, Rewa Zeinati, Zeina Hashem Beck, and more.
AGNI Number 94 brings readers a portfolio of work in translation. You can expect to find work by Azzurra D’Agostino translated by Johanna Bishop, Yi Won translated by E. J. Koh & Marci Calabretta Cancio-Bello, Ananda Devi translated by Kazim Ali, and much more.
Finally, The Missouri Review asks the question “How did I get here?” in the Fall 2021 issue, the theme inspired by “Once in a Lifetime” by the Talking Heads.
Visit each literary magazine to show some support and learn more about these issues.
Next month, Cleaver begins their Winter 2022 Workshops. The magazine’s senior editors are bringing writers EKPHRASTIC POETRY: The Art of Words on Art with Poetry editor Claire Oleson, UNSHAPING THE ESSAY: Experimental Forms in Creative Nonfiction with Creative Nonfiction editor Sydney Tammarine, and WRITE, REVISE, PUBLISH! Flash and Microfiction Practice with Flash editor Kathryn Kulpa.
These all take place online. Workshops are capped at twelve registrants.
Learn more about the upcoming workshops here and register through Submittable.
This issue’s Special Feature is “Beyond Illusory Space” by Albert Wong, who is also interviewed by John Zheng. Lauri Scheyer interviews Lenard D. Moore. In Haibun & Tanka Prose: Rich Youmans, Keith Polette, Ce Rosenow, and Terri L. French. Poetry by Elizabeth Burk, Ambrielle Butler, Andrea DEeken, Theodore Haddin, Charlene Langfur, Ann Lauinger, George Looney, Ted McCormack, Adam Moore, Steve Myers, Dan Pettee, Margo Taft Stever, and Jason Visconti. Find prose contributors at the Valley Voices website.
The Winter 2021 issue of Still Point Arts Quarterly is available digitally and in print. The theme of this issue is Ruins. It includes the work of roughly fifty artists and writers from around the world. Work by Beebe Bahrami, Sandra Fees, Barbara Haas, J. R. Solonche, Zach Murphy, Jen Mierisch, Catherine MacKenzie, Jane Hertenstein, Mercury-Marvin Sunderland, Cici Grove, Terry Allen, Bob Royalty, Martin Willitts Jr., Kiss Moon, Andrew Ilachinski, Diane Danthony, Hall Jameson, and Carol McCord. More info at the Still Point Arts Quarterly website.
Last year at this time we released our first issue dedicated to emerging writers, and now with 42.4 we’ve done it again. While this issue offers up the range of voices, genres, and styles New England Review promises every quarter, this time that mission is accomplished by writers who won’t be recognizable to most readers, that is, they’ve not yet published a book or full-length collection. Find a selection of this year’s contributors at the New England Review website.
Volume 27 is out with art by Isabella Celentano, David Dodd Lee, Weining Wang, Emily Fannin, Nicole Choi, and more; poetry by Jose Wilson, Tom War, Tobias Tegrotenhuis, David Romanda, Riley Morrison, Annie Martin, Delaney Kelly, Ambrose Day, and Lorelei Bacht; and prose by Amber Barney, Nicole Collingwood, Devan Hawkins, Haley Herzberg, Hannah Lindsay, Khalid McCalla, Adia Muhammad, Elena Negrón, and Beatrix Zwolfer. Plus the winners of the Robertson Prize. More info at the Glass Mountain website.
Cutleaf celebrates the end of our first year with this all-nonfiction issue featuring three must-read essays. Elise Lasko speculates on the potential for relapse into old habits while imagining her mother’s death and funeral, in “Relapse Fantasy.” Carter Sickels realizes that “the universe keeps moving, surprising you with what it drops in your path,” in “Rescued.” Greg Bottoms recounts how his father and grandfather expressed—or didn’t express—emotion, in “One Summer Morning.” Learn about this issue’s images at the Cutleaf website.
In their December 14 newsletter, Anomaly announced additions to their editorial staff with new editors in fiction, nonfiction, poetry, and translation.
Ashely Adams and Mizzy Hussain join as new Nonfiction Co-Editors while the Poetry editorial team welcomes Tricia Lopez, Tianna Bratcher, Lucy Zhou, and Eleonora Natilii. The Fiction team has been revamped with Talia Wright, Dino de Haas, Carson Faust, and jonah wu with Maxine Savage joining as their new Assistant Translation Editor.
Also joining Anomaly is Meca’Ayo Cole and Addie Tsai who become the new Features & Reviews co-editors. They will be taking the lead on ANMLY’s Blog. Lip Manegio and Gillian Joseph are also joining the team as Assistant Folio Editors. They will work alongside Zeb Wimsatt to curate each issue’s feature folios.
And with this announcement, they also want you to know they are currently open to submissions of translations, creative nonfiction, fiction, poetry, and comics through March 1, 2022. They have no-questions-asked fee waivers available for writers and artists in need. There is also no fee for Black and Indigenous contributors.
Don’t forget to swing by their website to read their latest issues and check out all of their offerings.
Sleet‘s Winter 2021-2022 Infrastructure Edition is out. Read about art, bears, snow, fatherhood and more as infrastructure! Featuring new work by poet/professor Deborah Keenan; Lucia Cherciu; Trevor Moffa; Christian Chase Garner; Daniel Edward Moore and Yun Wang. New sweetest fiction from Astrid Egger and Ryan Love. Irregulars by Howie Good; Raphael Kosek; Steven Ostrowski; Elizabeth Kerlikowske; Guillermo Rebollo Gil and Timothy Pilgrim. AND CNF from Kathryn Ganfield, Susan Petrie and Sara Dovre Wudali.
More info at the Sleet Magazine website.
RavensPerch this month: poetry by Joseph D. Milosch, Diana Raab, Barbara Schweitzer, Wally Swist, Giuseppe Ungaretti, Hoyt Rogers, and Margaret Krusinga. Fiction by Anne Hosansky. Nonfiction by Edgy Sack.
More info at The RavensPerch website.
In this issue: Suzi F. Garcia, Taylor Johnson, Tamara Panici, Bryan Byrdlong, John Lee Clark, Angelo Mao, Simon Shieh, Kelan Nee, Lilly Bechtel, Eleanor Stanford, Paul Hlava Ceballos, Aurielle Marie, Julian Randall, Diannely Antigua, Alexis V. Jackson, Ugochukwu Damian Okpara, Steven Espada Dawson, and Camille Carter. See “Respect the Mic” contributors at the Poetry website.
The Autumn 2021 issue is here featuring the winner of our 2021 Far Horizons Award for Short Fiction. Poetry by Y. S. Lee, Laurie D. Graham, Yuan Changming, Sebastien Wen, Allison LaSorda, Danielle Hubbard, Elisabeth Gill, Rozina Jessa, Sue J. Levon, and morej, as well as fiction by Jenny Ferguson, Sara Mang, and Cassidy McFadzean. Find more contributors at The Malahat Review website.
The new issue of Gemini Magazine is now online featuring the winners of our 12th annual Short Story Contest. Top honors and the $1,000 prize go to Kathleen Spivack of Watertown, Massachusetts for “Moths,” a high intensity story about a woman who fights with her husband over the future of their special-needs child. Second prize: “Banjo” by Earl LeClaire. See honorable mentions at the Gemini Magazine website.
In this newly redesigned issue of Creative Nonfiction we explore the roots of the genre and celebrate the spirit of rebellion that’s always infused it. And we consider where we are now at this moment that feels pivotal for so many. Plus, new essays about the limitations of identity labels; what we can (and can’t) learn from dinosaur tracks; how to reintegrate after two military tours overseas; the challenges of translation; and how to approach a sibling who’s taken a deep dive into conspiracy theories. Essays by Valerie Boyd, Margaret Kimball, Bret Lott, Marisa Manuel, Brenda Miller, Clinton Crockett Peters, and others.
More info at the Creative Nonfiction website.
Featuring new work from Ricardo Pau-Llosa, Jane O. Wayne, Tim Whitsel, the winners of our 2021 Curt Johnson Prose Awards, two beautiful art portfolios by Howard Skrill and Jean Wolff, and much more! Poetry by Erin Bealmear, Erica Bodwell, Dina Elenbogen, Rebecca Foust, Ellen Romano, Reyes Ramirez, and others. Fiction by Dinah Cox, Bill Gaythwaite, Barb Johnson, Sarah Starr Murphy, K.W. Oxnard, and Anamyn Turowski. Check out nonfiction contributors at the december website.
Featuring the 2021 Crazyhorse prize winners in fiction, nonfiction, and poetry, Mary Clark, Jung Hae Chae, and Mark Wagenaar; a debut story from Nancy Nguyen; fiction from Nicole VanderLinden, Weston Cutter, and Timothy Mullaney; an essay from A.C. Zhang; and poems from Lisa Low, Michael Prior, Mary Kaiser, Jose Hernandez Diaz, and Mehrnoosh Torbatnejad, among others. Now on Crazyhorse website.
The Fall 2021 issue of Carve is out now and features the winners of the Raymond Carver Contest, guest judged by Leesa Cross-Smith.
First Place
“Habits” by Morgan Nicole Green
Second Place
“The Pit” by Chris Blexrud
Third Place
“Field Dressing” by Mariah Rigg
Editors’ Choice
“What Happened With the Librarian?” by Haley Hach
“Kingdom of the Shades” by Nina Ellis
You can learn more about each story by checking out the author interviews following each piece. Print and digital issues are available at Carve‘s website.
Lauren Taylor Grad’s work was featured in Woven Tale Press Volume XI Number 9. Jennifer Nelson, WTP feature writer interviewed Taylor Grad recently on the meaning and thought processes behind several of her works along with her pursuit of an MFA.
From using found items to create sculptures to utilizing her undergraduate work in biology to create paintings, Taylor Grad’s work is diverse. One of the most interesting pieces is Tethered which is comprised of used clothing made to create two concrete boulders and a connecting line between them. She also created a video art piece to accompany the sculpture about moving these boulders around a curving path.
Nelson: Why did you feel it was important to earn an MFA?
The decision to go to graduate school and earn my Masters in Fine Arts was not one that I took lightly. It is a huge investment, both in time and money, and I wanted to be sure that it was the right path for me to take before I made that leap. I personally really enjoy academia; I think that the amount of growth and nurturing that occurs in an individual throughout art school in such a short amount of time is transformative, and unlike anything that you can get elsewhere.
Taylor Grad also talked about taking time off after earning her undergraduate degree to try out being a living artist and other avenues before ultimately going back to earn her MFA so that she can also become an art instructor.
Read the full interview here and look at some of Taylor Grad’s amazing work.
If you’re a fan of novellas, Volume 42 Number 3 of New England Review and the Summer & Fall 2021 issue of Alaska Quarterly Review have got you covered.
In Alaska Quarterly Review, Kristopher Jansma’s “Like a Bomb Went Off” opens the issue. It begins:
The Neighbor’s House Explodes
The neighbor’s house explodes at 5:05 p.m. Harriet is behind the family station wagon, vacuuming summer’s sand out of the trunk. There is an incredible noise, like something collapsing to the ground. She looks up to see a white cloud rising behind the fence. Warm air rushes by like bathwater. There is no fireball. “It was like a bomb went off,” she’ll soon say, for the first time, even though it is not like that at all.
New England Review has published “Past Perfect” by Alice Greenway. The novella starts with:
“Can you explain when we use was and when use had been?” Sayed Zubair asked. He sat cross-legged on a blanket distributed by Samaritan’s Purse. It was spread on the floor as a rug. His back was impressively straight. He was a neat trim man with a tidy moustache, his hair beginning to thin on top, and he held a notebook in his lap. Behind him, a small plastic fan wedged into a square window blew in welcome air. He was proud of the fan, as he had pirated the electricity, hooking wires into the overhead floodlights that lit the camp at night.
Grab a copy of the November/December 2021 issue of Kenyon Review to check out the winners of the Short Nonfiction Contest.
Winner
“And We Inherit Everything” by Brigitte Leschhorn Arrocha
Runners-up
“Blue Whale Challenge” by Christian Butterfield
“Translating” by dm armstrong
The contest was judged by Roxane Gay, who writes of the winning essay, “[ . . . ] we are taken on a lyrical journey about grief, yes, but also the wounds of family and the myths of the people to whom we belong.” Grab a copy of the issue to read the winning essays, and see what Gay says about the runners-up.
What’s new this month? Found fabrics, feather textiles, calligraphic lines, resonate poems about donkeys, and more. Work by Elias Andreopoulos, G.D. Brown, Corrine Demas, Michal Gavish, Alia Georges, Deborah Kruger, Marianna Marlowe, and more. Find a full list of contributors at The Woven Tale Press website.
Issue 28 of Superstition Review which features art by Jeff Rivers. Interview Editor Anna Narin interviews Joyce Carol Oates. Fiction by Melissa Llanes Brownlee, nonfiction by Amanda Gaines, and poetry by Gleen Shaheen.
More info at the Superstition Review website.
This month’s featured selection: “Jewish American Women Poets” by Sally Bliumis-Dunn featuring Jennifer Barber, Jessica Greenbaum, Judy Katz and Nomi Stone. In nonfiction: “All These Red and Yellow Things: Short Papers on Art by Lesle Lewis.” Jeri Theriault reviews Devon Walker-Figueroa’s Philomath. See a selection of this month’s poets at the Plume website.
The December issue is now online featuring Dan Brook, Gavan Duffy, Edilson A. Ferreira, Nels Hanson, Amy Holman, Tom Kelly, Deborah Kennedy, Charles Rammelkamp, Michael Salcman, Kerrin P. Sharpe, Andrew Sheilds, J. R. Solonche, Marjory Woodfield. Reviews of Michael Salcman’s Shades and Graces and Judith Wilson’s Fleet. Learn more about this issue’s reviews at The Lake website.
In this issue, Barrett Bowlin chronicles the pain of parenthood through a child’s “Milk Teeth.” Julia Halprin Jackson writes about the relationships we have with our bodies, and the decisions that our cells sometimes make without us in “Scouting.” And Elijah Burrell merges his love and knowledge of music with the mysterious longings of friendship in three poems beginning with “Even the Best Records Have Gaps Between the Tracks.” Learn about this issue’s images at the Cutleaf website.
This issue fatures work by Janice N. Harrington, Aimee Nezhukumatathil, Cindy Juyoung Ok, Danny Thiemann, and Zack Finch. Additional fiction by Siân Griffiths, Anu Kandikuppa, and Brendan Williams-Childs; nonfiction by Lauren Haldeman and Megan Baxter; and poetry by Diana Khoi Nguyen, Stella Wong, April Freely, Phillip West, Joshua Bennett, Bryce Emley, Chee Brossy, Ellen Samuels, Stacy Gnall, Dorothy Chan, and more. See a full list of contributors at the Colorado Review website.
The Arts & Letters Fall Issue is out! This issue features our annual prize winners, as well as fiction by E. A. Bagby, Emma Wunsch, and Brett Armes; flash fiction by Dog Cavanaugh and Andrew Kane; poetry by Michael Waters, Joshua Garcia, Anne Barngrover, Nicholas Samaras, Yerra Sugarman, Elisabeth Murawski, Arthur Vogelsang, and Kay Cosgrove; and creative nonfiction by Sonja Livingston and Kevin Callaway.
More info at the Arts & Letters website.
Bellevue Literary Review is celebrating 20 years of publication with Issue 41, the 20th Anniversary Issue! Founding Editor Danielle Ofri opens the issue with a foreword that details the journal’s beginnings.
“Pulling together an inaugural issue during the summer of 2001 was both heady and nerve-wracking, as we trod uncharted territory in everything from poetic sensibility and creative-nonfiction definition to font size and paper weight. We packed the first issue off to press in the first week of September and then the attacks of 9/11 occurred. Everything ground to a halt in New York City, logistically and emotionally. Not only could we not get our print run delivered, but we could hardly muster the spirit to find joy in any accomplishment. In the heavy pall of grief, everything else seemed inconsequential.”
Ofri goes on to recount how they moved forward and what happened in the wake of the tragedy of 9/11. In the following pages, readers can check out a 20th Anniversary Editorial Roundtable where “editors past and present, plus our founding publisher, [ . . . ] offer reflections on the BLR‘s founding and its evolution over two decades of publishing.” Check out the issue here.
The Winter 2021 issue of Rattle features the Rattle Poetry Prize winner and finalists.
Winner
“Encephalon” by Ann Giard-Chase
Finalists
“After My Teenager Tries to Kill Herself . . .” by Elizabeth Johnston Ambrose
“This Is How I Make My Money” by Heather Bell
“Do You Have Children?” by Susan Browne
“Follow Me” by Rayon Lennon
“Black Boys as Fireflies” by Dayna Hodge Lynch
“White Privilege Skydives with Black Guy in Appalachia” by Mary Meadows
“The Internet of Things” by Erin Murphy
“Exodus: Gilliam Coal Camp, West Virginia, 1949” by L. Renée
“Purgatorio” by Zella Rivas
“My Father Transformed by Dying” by Richard Westheimer
Subscribers to Rattle can vote for their favorite out of the finalists to determine the winner of the $5,000 Readers’ Choice Award. The voting deadline is February 1.
Gift yourself or someone special Creative Nonfiction goodies this holiday season. Until Friday, December 12, the literary journal is offering discounts on magazines, subscriptions, books, and merch.
Get books for as low as $8, back issues of Creative Nonfiction for $2.50 each, back issues of True Story for $1, 33% off one-year subscriptions, and up to 33% off merch.
Show off your love of CNF on your bookshelves or in your wardrobe and learn more about this limited time sale here.
CRAFT has announced the winners of its 2021 First Chapters Contest selected by guest judge Masie Cochran of Tin House. The winning entries will be published in December, so keep an eye out!
Congratulations to the winners, finalists, and honorable mentions. You can view the full longlist and honorable mentions here.
Winners
First Place: Sam Simas, We the Liars
Second Place: Sena Moon, Familiar Strangers
Third Place: Leigh Comacho Rourks, When We Drowned
Finalists
Vanessa Banigo, The Nigerwife
Catherine Carberry, Untitled
Catherine Con Morse, The Notes
C. Quintana, The Twisted Fate of La Media Luna
Steve Sanders, The Agreed Upon Facts
Kirsten Scott, Liberty Park
Amy Stuber, In a Dark Corner Shining
JJ Tan, Angels Unaware
Allison Torgan, Red State
John Vurro, Video Planet
Taylor Werner, What Empties As It Fills
Marie Williams (Nia Forrester), Those Less Fortunate
The Winter 2021 issue features our 11 Rattle Poetry Prize winners. The open section features the usual wide-ranging poems with humor and heart. These poems cover love, evolution, Robin Hood, and the DMV. The conversation section takes an unusual turn, where psychologist James Pennebaker discusses his lifetime of research on the benefits of expressive writing. Learn more at the Rattle website.
Let’s take a peek inside the newest issue of Hippocampus Magazine; inside, you’ll find essays and flash CNF such as: “Up” by Michelle Bailat-Jones, “Seeing Bone” by Emma Bruce, “Teeth” by Gavin Paul Colton, “How to Preserve a Body” by Lauren Cross, “What I Took After She Died in the Memory Care Wing” by Irene Fick, “Rewind” by Jennifer Fliss, “German Lessons” by Sue Mell, and more. See what else to expect in this issue at the Mag Stand.
A special portfolio of writing from the Arabian Gulf countries, fiction from a farm in Ireland, a retirement community in India, and the Basque Country in the 1960s, essays about Easter Island, living in Greece, and exploring the Southern Ocean, and poems by Tom Sleigh, Stephanie Dinsae, Vernita Hall, and Colin Channer.
More info at The Common website.
New issue of Baltimore Review with new poetry by Iqra Khan, Gerry LaFemina, Caroline Pittman, Dannye Romine Powell, Emily Franklin, Merna Dyer Skinner, John Glowney, and Janet Jennings; fiction by J.T. Robertson, Madison Jozefiak, Nicholas Maistros, and Justine Chan; and creative nonfiction by Brandon Hansen, Morgan Florsheim, and Kerry Folan.
More info at the Baltimore Review website.
In this issue, find the novella “Like a Bomb Went Off” by Kristopher Jansma. Stories by Mackenzie McGee, Nathan Curtis Roberts, Jonathan Starke, Ada Zhang, Matt Greene, Heather Monley, and Laurie Baker. Essays by Jehanne Dubrow, Dawn Davies, Jane McCafferty, Alex Chertok, Kirsten Reneau, Jai Dulani, and Sara Eliza Johnson. One long poem by Bruce Bond, and other poems by Felicia Zamora, Lara Egger, and more. Find more poetry contributors at the Alaska Quarterly Review website.
Issue 43 of Nimrod International Journal is all about award winners! Check out the winners and finalists of the Katherine Anne Porter Prize for Fiction and the Pablo Neruda Prize for Poetry.
The Katherine Anne Porter Prize for Fiction
First Prize
“White Black People” by Celine Aenlle-Rocha
Second Prize
“The Inventories” by Paula Closson Buck
Honorable Mentions
“A Dolphin in Pain” by Rachel Furey
“God Is In Your Body” by Rachel Reeher
Finalists
“Wife Of; or, What Does It Mean to Be Haunted?” by Jennifer Blackman
“The Southern Part of the State” by Teresa Milbrodt
“Thug” by Edvin Subašić
The Pablo Neruda Prize for Poetry
First Prize
“Spell for Patience” and other poems by Emily Rose Cole
Second Prize
“Now” by Julie Marie Wade
Honorable Mentions
“Vanishing Point” and other poems by Laura Apol
“Like a Friend” and other poems by Francesca Bell
“Everything I Love I Want to Consume” and other poems by Angela Sucich
Adroit Journal‘s Adroit Prizes are awarded to two undergraduate or secondary students annually. The 2021 judges were Carl Phillips and Samantha Hunt.
Winners receive $200 and publication. Runners-up and finalists also receive publication. You can read the pieces now in Issue 39 released in October.
Stephanie Chang | Poetry | Kenyon College, ‘25
Enshia Li | Nonfiction | Stanford University, ‘22
Amal Haddad | Fiction | Swarthmore College, ‘22
Delilah Silberman | Poetry | Bennington College, ‘21
Aluna Brogdon | Fiction | Williams College, ‘26
Eliza Browning | Poetry | Wheaton College, ‘22
David Emeka | Fiction | The Federal University of Technology – Owerri, ‘21
Aidan Forster | Fiction | Brown University, ‘22
Jack Goodman | Poetry | Walter Payton College Preparatory School, ‘22
Sharon Lin | Poetry | Massachusetts Institute of Technology, ‘21
Sofia Montrone | Fiction | Columbia University, ‘21
Jackson Neal | Poetry | University of Wisconsin – Madison, ‘23
Ngoc Pham | Poetry | Macalester College, ‘21
Kit Pyne-Jaeger | Fiction | Cornell University, ‘21
Clara Rosarius | Fiction | Oberlin College, ‘23
Kyle Wang | Poetry | Stanford University, ‘22
The Fall 2021 issue of Weber features a Bernard DeVoto Subfocus which includes an interview with Mark DeVoto, as well as work by Mark Harvey, Nate Schweber, David Rich Lewis, Russell Burrows, and Val Holley. Also in this issue: poetry by Christian Woodard, Eric Paul Shaffer, Stephen Lefebure, Taylor Graham, Joseph Powell, Angelica Alain, and more; and essays by Adam M. Sowards and Ralph Hardy. Find fiction contributors at the Weber website.
In the “Awards” issue: fiction by Paula Closson Buck, Jennifer Blackman, Teresa Milbrodt, and more; poetry by Emily Rose ole, Francesca Bell, Angela Sucich, Kate Kingston, Adrie Rose, Jessica Pierce, Carolyn Oliver, Zack Lesmeister, Liz Marlow, Mara Adamitz Scrupe, Laura Apol, Connor Yeck, Christina Hutchins, Amy Miller, Caroline Earleywine, Gail Gudd Entrekin, Cynthia White, Dan Albergotti, Harley Anastasia Chapman, Kyoko Uchida, John Blair, and lots more.
More info at the Nimrod website.
Featured art by Harald Gaski and Máret Ánne Sara. Essays by Melissa Chadburn, Ananda Devi, Moncia Judge, Worapoj Panpong, George Sand, Jennifer Kwon Dobbs & Shuchi Saraswat, and Isaac Yuen; and fiction by Cristina Rivera Garza, Diaa Jubaili, Tasnim Qutait, Barbara Sutton, Che Yeun,and others. Check out poetry contributors at the AGNI website.
The Masters Review has announced the winners of its 2021 Flash Fiction Contest judged by Stuart Dybek.
In first place, we have Tanya Perkins with “Agora é Sempre” in which “a mere thousand words encompasses oceans complete with their currents, riptides, rogue waves. and rolling plastic.”
In second place, is “Play That Again” by John Glowney. “As the title suggests, an odd set of piano lessons becomes a story that is also about music and emotion, and youth, and the recognition of beauty.”
Candice May’s “How to Develop (Film)” took home third place with its use of modernistic techniques that never overwhelm the underlying story.
You can read all three pieces on The Masters Review‘s Blog.
Don’t forget, The Masters Review has two contests currently open to submissions: Novel Excerpt Contest (deadline 11/30) and the Chapbook Open for Emerging Writers (deadline 12/31).
Started in 2020 to help bring writers and audiences together in celebration of newly created work, #ObsidanVoices is back with three new events! All events are virtual and free to attend. You do have to register, still, though.
First off is Radiant Youth. Taking place November 19th at 6PM CST, this event is a reading and conversation celebrating Issue 46.2. Lineup includes Sandra Jackson-Opoku, Alex Jennings, C. Liegh McInnis, Chinonye Omeirondi, and Kristina Kay Robinson. Moderator of the event is Danielle L. Littlefield.
Next is Suppose Sorrow Was a Time Machine – a reading and conversation celebrating Obsidian 47.1. This will take place virtually on December 3 at 6PM CST. Moderated by Sheree Renée Thomas and Nandi Comer, the lineup features Sheree L. Greer, Michal “MJ” Jones, Shayla Lawz, Christian Loriel Lucas, and Daniel B. Summerhill.
Lastly, we have Heirloom: Preserving HBCU Futures – a reading and conversation celebrating Obsidian 47.2. This will take place online December 10 at 6PM CST. Moderated by Sheree Renée Thomas and featuring Reynaldo Anderson, Roman Johnson, Tony Medina, Carmin Wong, and more.
If you’re interested in submitting to Obsidian: Literature & Arts in the African Diaspora, they have extended the deadline to submit to their Gender Queer/Genre Queer Playground Special Issue. Ronaldo V. Wilson is the issue’s guest editor. Submissions due by January 1, 2022.
Featuring some wonderful poetry, fiction, and narrative nonfiction from: Geoff Anderson, Shuang Ang, Claudia Delfina Cardona, Aaron Caycedo-Kimura, Stephanie Chang, Bryce Emley, Miguel Barretto García, Janalyn Guo, Bill Hollands, Ricardo Frasso Jaramillo, Karishma Jobanputra, Ravi Mangla, Shannan Mann, Sham-e-Ali Nayeem, Robert Okaji, D. A. Powell, Monica Prince, and AM Ringwalt. Find this issue at the wildness website.
New fiction by Whitney Collins, Ryan Napier, Barbara Barrow, Sarah Schiff, and Shannon L. Bowring. Poetry by Anna Tomlinson, Betsy Johnson, Mary Ann Samyn, Hannah Dela Cruz Abrams, Lauren Green, Tianru Wang, Michael Dhyne, Aimee Seu, Ashley Sojin Kim, Dorianne Laux, Miguel Martin Perez, Chris Ketchum, Cheyenne Taylor, Isabelle Shepherd, Samuel Cheney, Riley Ratcliff, and Emma Aylor. Plus, art by David Gilman, Zwanda Cook, Annie Bates-Winship, Peter Kent, Sandra Ducoff Garber, Susan Gefvert, Toby Tover, and Ken Garber. Now at the Raleigh Review website.
The prose and poetry in this issue helped out editorial team find beauty and peace both through the pandemic and through Hurricane Ida. We hope you love them as deeply as we do. Fiction by Nicole VanderLinden, Mike Itaya, Heather Monley, Banzelman Guret, and Lucy Zhang; poetry by Ashley Crout, Jacob Griffin Hall, Amanda Gaines, Maari Carter, Maegan Gonzales, Bernardo Wade, Athena Nassar, Joanna Fuhrman, and Elizabeth Bergstrom; and nonfiction by Dan Leach and Sofía Aguilar. Find this issue’s interviews at the New Orleans Review website.
The Nov/Dec 2021 issue of the Kenyon Review features the winners of our 2021 Short Nonfiction Contest: Brigitte Leschhorn Arrocha, Christian Butterfield, and dm armstrong; stories by Bennett Sims, Morgan Thomas, Robert Travieso, and Hananah Zaheer; an essay by Paula C. Brancato; a short play by Kemuel DeMoville; and poems by O-Jeremiah Agbaakin, Kai Carlson-Wee, Lindsay Stuart Hill, Richie Hofmann, Dayna Patterson, Colin Pope, and Arthur Sze.
More info at the Kenyon Review website.