Number Seventeen (Posted Dec 14, 2003)
American Libaries
(sic)
“A zine of the American Library Workers Ass’n.”
Librarians and library students need to know that there are alternatives to
the tired old crap that appears in Library Journal and American
Libraries. And zinester-librarian Donny Smith aims to do his small part
in making that happen. With the formerly published biennial anthology
Alternative Library Literature (ALL) as his partial inspiration,
Donny brings us a digest-sized zine full of carefully selected reprints and
original articles on library issues that are much more pressing than where
to eat while at ALA and how great Harry Potter is. There’s even an
interview with Sandy Berman and James Danky, the former editors of ALL.
Donny deserves a commendation for putting this together, and I hope that he
continues to publish it, just as I also hope that it falls into the hands of
librarians who need to read it. [5.5” x 8.5”, $1 cash, free to prisoners in
exchange for a letter: Box 411, Swarthmore, PA 19081,
dwanzine@hotmail.com]
Binocular Rebellious
Spring/Summer 2003
I found this zine to be fascinating, and, as I read it,
I tried to imagine what kind of a person Sean Goblin is. If he is even half
as interesting as the sum of the topics addressed in his zine, then I think
I’d enjoy meeting him and engaging him in some discussion. The zine is a
sprawling eclectic collection of Sean’s artwork, historical artist profiles,
personal writing, descriptions of Asian folk art and mythology, and record
and zine reviews. Relationships between the occult and societal and
political power structures are explored. Sean describes his shifting
interaction with punk as a movement and a source of inspiration. His
artwork style is like a punk-edged fantasy hybrid. I’ve never seen anything
like it, but it’s cool. And even though the topics seem at first to be
scattered, after I read the zine through in one sitting, it all kind of made
sense. And after a first look at his zine, I had my doubts that Sean would
be found on the Web, but he actually maintains quite an extensive site at
www.goblinko.com. It’s well worth a look, too. [5.5” square, $2 from
PO Box 3635, Oakland, CA 94609-0635,
www.goblinko.com]
Clip Tart
#1
2004
I’ve been corresponding with Susan Boren for a few
years now. We used to be fellow Zine World staff members, and we
continued trading and writing back and forth after we both quit working for
that publication. This is the first zine Susan has produced in a while, and
it’s an interesting resource. Susan calls it “a compilation of images and
excerpts that have dislodged suppressed thoughts from my mind.” It’s her
hope that the material assembled within the zine will provide entertainment,
encouragement, and supplies for other people’s projects. The publication
consists of three main components: full-color collages, some clip-art, and
selections of text from sources ranging from Albert Camus’s The Plague
to the Los Angeles Times. The collages are intriguing and the text
selections are thought provoking. Overall, the zine offers a candid peek
into Susan’s artistic and intellectual wanderings. [8.5” x 11”, no price
($3?): Clip Tart, PO Box 66512, Austin, TX 78766]
Cryptozoa
Number Seven
Androo Robinson might be a familiar name to those
interested in mini-comix. He’s been publishing consistently for many years
now, and shows no sign of quitting any time soon. His latest single-panel
cartoon series is called Cryptozoa, and it showcases Androo’s dedication to
telling good stories in his whimsical style. Androo’s thoughts never run
straight from point a to point b, but instead meander lackadaisically
through realms of fantasy and magical realism. Androo is a true storyteller
and a really nice guy, and his comix are always a treat. I highly recommend
all of his work! And also check out Secret Mystery Love Shoes, a
zine that he publishes with Maria Goodman. [4.25” x 5.5”, $1-2?, Androo
Robinson, 2000 NE 42nd Ave. #303, Portland, OR 97213]
The Flow Chronicles
By the Urban Hermitt
In this book, the Hermitt spins a collection of related
tales about her search for meaning and identity in her life. During her
quest, she takes drugs, obsessively listens to certain techno and indie rock
bands, and interacts with a revolving cast of fascinating characters.
Eventually, she comes to realize that things aren’t quite so easily
categorized as many people would have her believe. It’s an inspiring tale
of the value and importance of expressing and embracing your own
individuality. Hermitt’s prose flows lyrically from one page to the next,
open and honest in its treatment of everything from sex to neo-hippie
culture. This is a unique and refreshing read, and I can’t recommend it
highly enough. [5.5” x 8.5” perfectbound, ISBN 0972696709, $8 ppd or $5 ea.
for 6 or more copies: Microcosm Publishing, PO Box 14332, Portland, OR
97293-0332,
joe@microcosmpublishing.com,
www.microcosmpublishing.com]
The Future Generation
Issue #11
May 2002
When considering the recent explosion of mama zines,
one might wonder how all of this mama zine business got started. Who or
what was the catalyst? Well, China of TFG was certainly one of the
first to produce a zine focusing on radical motherhood. She started her
zine back in 1989, helping to blaze a path for all of these new breed mama
zines, and after a few years’ hiatus, she is now publishing once again.
China’s perspective at this point is an interesting one, as she is now the
mother of a young teenager, whereas many of today’s mama zinesters are still
relatively new to motherhood. The topics in this issue range from a feature
on synchronized pregnant woman swimmers to a photo essay on Woodberry Woods
(an area of Baltimore) and thoughtful angst on being a mother to a teen.
China also includes excerpts from some of her favorite mama zines and
websites. This issue is from 2002, but I heard that she was working on a
new one, so you might want to email her about it. China also writes a
column for the long-running punk DIY zine, Slug and Lettuce. [5.5” x
8.5”, $2 to: The Future Generation, P.O.B. 4803, Baltimore, MD 21211,
china410@hotmail.com]
Naked Biped
#4
October 2002
Naked Biped is a no-frills, desktop-published literary
zine featuring fiction, nonfiction, poetry, and commentary in the form of
video and book/zine reviews. The bulk of this issue consists of a
nonfiction piece by the editor entitled “Unemployment Follies 2,” a tale of
working in an automobile parts factory. This clicked with me, as I’m
usually appreciative of any and all tales of blue-collar work, having done
more than my fair share of it. The work might be less than ideal, but the
atmosphere and co-workers are usually much more colorful than in a drab
office environment. Kenneth dissects his factory work and the people who he
works with in neatly organized and well-written paragraphs. Overall, this
is an interesting little publication, and I believe he’s published a couple
more since this one came out. Check the website for more information.
[5.5” x 8.5”, $3 US/$4 Canada/$5 World, one year sub (3 issues) $9 US/$12
Canada/$15 World, check or MO to Kenneth Odle, Naked Biped c/o Kenneth Odle,
POB 691, Portage, MI 49081-0691,
www.geocities.com/bipedzine]
Nervy Girl!
Vol. 3 No. 1
September/October 2002
Nervy Girl! addresses current issues related to women
through investigative reporting, creative writing, profiles, and news
bytes. Most of the articles are not in-depth, but are good starting points
for future reading. This is the crime issue, and it covers activists
confronting violence against women, prison issues, murders of women in
Mexico, a profile of a bio-cleanup service owned by two women, and much
more. The magazine is based in Portland, Oregon, and features a lot of
advertisements for local businesses and events. Also included is some
creative writing and a few book and music reviews. Overall, it’s a good
publication with diverse content and is definitely suitable for libraries.
[8.5” x 11”, ISSN 1536-9889, $4 single issue, $20 annual sub, Nervy Girl!
LLC, PO Box 16601, Portland, OR 97292, (503) 256-3789,
submit@nervygirl.com,
www.nervygirlzine.com]
Stainless Steel Lens
Issue #1
March 2003
The cardstock cover of this zine features eye-catching
color photographs on both the front and back, and high quality
black-and-white photos inside. Jen Dolan is the photographer, and she has
this to say: “the photos are representative of two themes that seem to
resound with me as of late – plasticity and futility, specifically the
plasticity and futility of memory.” Most of the photos were shot around
Jen’s neighborhood in Milwaukee, Wisconsin. They are bleak and depict urban
decay, but they also contain a certain meditative quality if you look long
enough. Text from R. John Xerxes, the creative force behind Love Bunni
Press, complements the photos. An interesting zine, and well worth a buck.
Two addresses are included; presumably you can order from either one. [6.5”
x 7”, $1, Jen Dolan, PO Box 070674, Milwaukee, WI 53207; Love Bunni Press,
2641 Euclid Heights #3, Cleveland Heights, OH 44106]
Things Are Meaning Less
By Al Burian
Al Burian is known by many for both his personal zine
Burn Collector and his band Milemarker. What some people
might not know is that Al is also a talented comix artist. Between 1997 and
1998, he drew a bunch of comix and Ian Lynam published them in several books
under the Migraine Comics label. Recently, Microcosm Publishing released
this perfectbound paperback compilation of all of the comix Al did during
this time period. I have a couple of the original books, so I had seen most
of these, but it was still nice to sit down and read this cover-to-cover.
Al wrote these while living in Portland, OR, Providence, RI, and Chapel
Hill, NC. Each little story more or less reflects how Al was feeling while
he was living in each of these places. Reading these after already being
familiar with Al’s writing is a treat, as it adds a whole new (visual)
dimension to Al’s obsessive self-examination and his ruminations on the
people he interacts with and the places he finds himself in. Fans of
Burn Collector should enjoy this book, as will most folks with a
penchant for autobiographical comix. [perfectbound, ISBN 0972696733, $7
from Microcosm Publishing, PO Box 14332, Portland, OR 97293-0332,
joe@microcosmpublishing.com,
www.microcosmpublishing.com]
To Cumulative Index of Zines Reviewed