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Celebrating William Stafford at 100

Guest Editor Israel Wasserstein puts forth North Dakota Quarterly‘s newest issue that celebrates William Stafford at 100. “Stafford’s poems stayed with me in their quiet resolve, and their commitment to his values, to the elegance of plain speech, and to finding that which is holy in one’s experience,” writes Wasserstein. “All of which to say, when the opportunity arose to edit he William Stafford Celebration issue . . . I was thrilled.” As a closing note, he writes, “I hope that you will find in these pages proof of the continuing relevance of Stafford’s words and life, and of the powerful, moving, and diverse work being done by those whom he has influenced. I hope that you will find these remarkable works celebratory, even when they face tragedy and loss, even when they are at their most serious.”

The issue itself features work from Paulann Petersen, Regina and Tim Gort, Jeff Gundy, Philip Metres, Fred Whitehead, Richard Levine, Caryn Mirriam-Goldberg, Mark Dudley, Abayomi Animashaun, Linda Whittenberg, Karin L. Frank, Meg Hutchinson, and so many more.

New Traveling Midwestern Podcast Series

Founded in 2012 by Grant Garland, Middle Literate is a traveling reading series, in the form of a podcast, which features literary work that stays true to the Midwestern state-of-mind and effectively represents the intricacies of the people who call the Great Plains home. The recording quality is good with occasional music which adds a nice transitional touch without being overbearing. Garland has a relaxed, friendly approach, and overall, the recordings are something that could be listened to at the desk or on the road.

Inspired by radio shows and podcasts, like This American Life, Wait Wait . . . Don’t Tell Me, and You Wrote The Book, Middle Literate Middle Literate episodes thus far include:

Episode 1 “Happiness” features “A Girl Named Mercedes,” a story about the elusive “happy ending” by John Rubins, an award winning instructor at the University of Illinois Urbana-Champaign. I started by listening to this one, just to try out the sound quality, but Rubins premise for his story hooked me and kept me listening (yes, with a smile on my face).

Episode 2 “Nothing is Extinct”: Middle Literate travels to Monmouth, IL to visit with writer Chad Simpson in his hometown, reading stories from his award winning collection Tell Everyone I Said Hi.

Episode 3 “Rule of Three”: In Bloomington, Indiana, Middle Literate hears poetry from Scott Fenton, Brianna Low, and Paul Asta, three MFA students at Indiana University.

Most notably, Middle Literate was the spearhead for the “They Hardly Knew Us” reading series, a series dedicated to showcasing the work of prospective MFA students from the University of Illinois. Readers included David Ethan Chambers, Emily Penn, Dan Klen, Paul Asta, Ethan Madarieta, and Bryan Bachman.

Middle Lieterate reading period is December 1 to September 1. Work from writers at any point in their literary careers is welcomed. ML accepts simultaneous submissions, as well as previously published work.

2014 Shortlist of The International Prize for Arabic Fiction

The latest issue of Banipal features excerpts from the novels of the 2014 shortlist for The International Prize for Arabic Fiction:

Inaam Kachachi – Tashari
Abdelrahim Lahbibi – The Journeys of ’Abdi, known as Son of Al-Hamriyah
Khaled Khalifa – No Knives in this City’s Kitchens
Youssef Fadel – A Rare Blue Bird that Flies with Me
Ahmed Saadawi – Frankenstein in Baghdad
Ahmed Mourad – The Blue Elephant

Read more about the authors and the issue itself here.

The Masters Review 2014 Shortlist

Congratulations to all writers that have made The Masters Review 2014 Shortlist which honors the top 2% of all stories reviewed. “At this time our guest judge, Lev Grossman, is reviewing stories and will select the top ten to be published in our anthology,” write the editors of The Masters Review. The final announcement will be made no later than May 15.

“Fisherman’s Band-Aid” – Alexander Papoulias
“Lynx” – Alice Otto
“Bury Me” – Allegra Hyde
“Braids” – Amanda Pauley
“Finders Keepers” – Andrew Cothren
“The Turk” – Andrew MacDonald
“Picketers” – Blake Kimzey
“Cleaning Lessons” – Cannon Roberts
“Every Thing You Never Said” – Courtney Kersten
“Someone Else” – Diana Xin
“The Behemoth” – Drew Ciccolo
“Go Down, Diller” – Eric Howerton
“Whit Vickers, The Pitcher Who Lost His Stuff” – Ezra Carlsen
“Objects in Transit” – Heather Dundas
“We Welcome All Sorts” – Heather Lefebvre
“Moonshot, 2003” – Jake Wolff
“Magicicada” – Jeffrey Otte
“County Maps” – Joe Worthen
“Tiny Little Teeth” – Justine McNulty
“dissolving newspaper, fermenting leaves” – Kiik AK
“Parade” – Laura Willwerth
“Lullwater” – Lena Valencia
“Strange Trajectories” – Lindsay D’Andrea
“Rivers” – Liz Knight
“Contrition” – Mallory McMahon
“Custody” – Maya Perez
“Electronic Heads” – Meng Jin
“Birmingham Goddam” – Scott Latta
“OpFor (Oppositional Force)” – Shane Collins
“Allure of The Sea” – Tatyana Kagamas

To see this list and the honorable mentions, please click here.

The FiddleHead’s 23rd Annual Literary Contest

The new (Spring 2014) issue of The Fiddlehead features the winners of its 23rd Annual Literary Contest:

Ralph Gustafson Poetry Prize:
Kayla Czaga, “That Great Burgundy-Upholstered Beacon of Dependability”

Poetry Honourable Mentions:
Kyeren Regehr, “Dorm Room 214”
Maureen Hynes, “Stone Sonnet”

Short Ficiton First Prize:
Myler Wilkinson, “The Blood of Slaves”

Fiction Honourable Mention:
Jill Widner, “When Stars Fell Like Salt Before the Revolution”
Wayde Compton, “The Front: A Selected Reverse-Chronological Annotated Bibliography of the Vancouver Art Movement Known as ‘Rentalism,’ 2011-1984”

Editor Wanted for TETYC

NCTE is seeking a new editor of Teaching English in the Two-Year College. In May 2016, the term of the present editor, Jeff Sommers, will end. Interested persons should send a letter of application to be received no later than December 15, 2014. Letters should include the applicant’s vision for the journal and be accompanied by the applicant’s vita, one sample of published writing (article or chapter), and two letters specifying financial support from appropriate administrators at the applicant’s institution. Applicants are urged to explore with their administrators the feasibility of assuming the responsibilities of a journal editorship.

Glimmer Train Short Story Award Winners

Glimmer Train has just chosen the winning stories for their February Short Story Award for New Writers. This competition is held quarterly and is open to all writers whose fiction has not appeared in a print publication with a circulation greater than 5000. The next Short Story Award competition will take place in May. Glimmer Train’s monthly submission calendar may be viewed here.

1st place goes to Melanie Lefkowitz of Ithaca, NY. [Photo credit: Chelsea Fausel.] She wins $1500 for “The Mango” and her story will be published in Issue 94 of Glimmer Train Stories. This is Melanie’s first fiction publication.

2nd place goes to Kathleen Boyle of San Francisco, CA. She wins $500 for “Burial Rites of Northern Italians.”

3rd place goes to Olivia Postelli of Ann Arbor, MI. She wins $300 for “In the Glow.”

A PDF of the Top 25 winners can be found here.

Lit Mag Covers :: Picks of the Week

The overall style of Santa Monica Review isn’t particularly striking, but the image they selected for this Spring 2014 issue is. There’s something about the young girl’s eyes and the way the black lamb just gently rests in her arms, not trying to get away, that makes it hard to look away. The piece is by Deborah Davidson titled Leaving Home.

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The cover of the latest North Dakota Quarterly is James Bassler’s Rib Shield, painted silk wrap, woven, cut, and sewn. “In the 1980s his work underwent a dramatic change after his exposure to the Navajo wedge weaving process and the art of John Cage.” You really have to see it up close to appreciate it as you should—I’d love to see it in person!

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The image on Poetry‘s May 2014 issue takes over the cover. It’s titled “Torch” and is done by Kate McQuillen as part of her collection called Body Scans. See more here.

William Matthews Poetry Prize Recipients

The editors at The Asheville Poetry Review to announced the William Matthews Poetry Prize Recipients for 2014, judged by Billy Collins.

Bruce Sager, from Westminster, MD was awarded first prize for his poem, “The Lot of Stars,” and will receive $1000, plus publication in the 20th Anniversary issue of The Asheville Poetry Review (Vol. 21, Issue 24, 2014), which will be released in November, 2014

Second prize is awarded to T. J. Sandella, from Cleveland, OH, for his poem, “Flight.” He will receive $250, as well as publication.

Dave Seter, from Petaluma, CA, was the third prize recipient for his poem “What My Uncle Is Trying To Say,” and he will also be published in the next issue. All three authors will be featured at a reading in Malaprop’s Bookstore in Asheville, NC this summer.

BBC Season of Classic Literature

This season on the BBC, writers and directors have taken on four big classic works: Jed Mercurio’s adaptation of DH Lawrence’s Lady Chatterley’s Lover, Ben Vanstone’s adaptation of Laurie Lee’s novel Cider With Rosie, Adrian Hodges’ adaptation of LP Hartley’s The Go-Between and J B Priestley’s classic play An Inspector Calls. Each have been made into 90-minute adaptations. Read more on the BBC website and from John Plunkett on The Guardian. Though not everyone is pleased with this; check out Mof Gimmers’s article on Anorak.

New Lit on the Block :: Isthmus

Isthmus, edited by Ann Przyzycki, Randy DeVita, and Taira Anderson, is a new biannual print magazine that publishes fiction, nonfiction, and poetry. Hailing from Seattle, Washington, Isthmus offers “good writing that will make you want to pass the issue to a friend.” Przyzycki says, “We value the traditional as well as those pieces that organically can only be told through experimentation with form.”

Przyzycki recalls a time when all three editors were stuck together in traffic on the interstate highway running north to south through Seattle. One editor remarks that the reason for the bottleneck traffic in Seattle is that the city is built on an isthmus. Later, when coming up with a name for the journal, Przyzycki says they looked back on this moment and chose Isthmus to refer not only to the city it was based out of but also to the geographical term and the accompanying metaphor: “a narrow connection between two larger objects, as the printed journal is a connection between the writer and the reader,” she says.

But as with all new journals, we ask why? Why start a literary magazine? And in Przyzycki’s research, she found that most start because the editors don’t feel like there is “a venue for a certain kind of story, that there is some hole to fill”—and she would be right. She is fully aware of the vast amount of venues already out there but says “I don’t think that there can be too many opportunities for good writing to be shared.” Inspired by the independent presses and magazines at AWP this year, she believes that many writers are looking to independent lit mags for “new voices.” She loves the honor of allowing someone else to trust her with their work; “I love working on books and so perhaps naively I feel that my passion for publishing and connecting writers to readers is reason enough.”

As the journal grows, Przyzycki hopes to include translations on a regular basis, increase the online presence, and include more book recommendations and author interviews on the website.

The first issue features fiction by Jennifer Bryan, Michal Davis, and Leslie Parry; nonfiction by Kelly Chastain, Elizabeth Mack, and Mark Rozema; poetry by Louis Armand, Cody Deitz, Suanne Fetherolf, Natalie Giarratano, Matt Hemmerich, Gabe Herron, Patrick Kindig, Jed Myers, Jason Olsen, Natania Rosenfeld, Mike Smith, Haley Van Heukelom, Laurelyn Whitt, and Theodore Worozbyt.

Isthmus editors read year round for poetry, fiction, and nonfiction. You can submit through Submittable only; please find complete guidelines on their website. They also note that you should check in regularly with their blog and Facebook page for announcements of any upcoming special issues or future contests.

Seneca Review Challenges Genre in New Issue

In the latest issue, Seneca Review is challenging genre. “In 1977, Seneca Review made room for a cross-fertilization of poetry and nonfiction it called ‘the lyric essay,'” the editor note states. “With this special issue of SR (Fall 2013/Spring 2014), we are making room for a different chimera we’re calling Beyond Category—work that crosses bigger lines of genre and form. Not just between poetry and essays but between writing and visual art, between analog and digital. These hybrids and outliers will be a regular part of future issues”

And it is, indeed, beyond categorization. In addition to the bound print copy, which includes a wide variety of art and photographs of projects, Seneca Review‘s new issue comes with a poster filled with thought bubbles, two witty tattoos, a newspaperesque handout combining drawings and sketches with tiny type that must be read with magnifying glass (also included), and more beyond category pieces rolled into tubes. It’s certainly exciting!

This is also the start of the Beyond Category Online feature that includes digital work. Currently, you can find pieces by Susan Howe & David Grubbs, Daniel Merlin Goodbrey, Derek Gromadzki, Sarah Minor, Noah Saterstrom, and more. I didn’t play around there too long, but you should definitely do so. As a sample, the piece “Memory Collective” explores the nature of memory as six essayists share a fleeting or fragmented memory. Then, another essayist takes that memory and remembers it, in whatever format they choose. “This process may involve speculating, soldering, or drawing on one’s own reservoir of memories to complete or cohere another’s memory.” It may sound a little confusing at first, but I urge you to take a look.

Grant :: Documentary Photography Project

The Open Society Documentary Photography Project is soliciting calls for the 2014 Audience Engagement Grant Program. Since the program’s inception in 2004, they have funded 54 photographers who have gone beyond documenting a human rights or social justice issue to enacting change. Beginning this year, they will offer two tracks of support for individuals at different phases of their Audience Engagement projects.

Track One: Project Development
Grantees will receive funding to attend an Open Society–organized retreat in December of 2014. This event will be designed in collaboration with Creative Capital’s Professional Development Program, whose nationally recognized workshops provide participants with essential practical tools and strategies to help them move their project and career goals forward. Attendees will become part of a larger Audience Engagement Grant cohort, with opportunities to connect both during the conference and after.

Track Two: Project Implementation
Grantees will receive funding to execute (or continue executing) their projects as well as attend December’s retreat.

Eligibility Criteria
•Documentary photographers, photo-based artists, and socially engaged practitioners who use their work to move target audiences beyond the act of looking, to directly participate in activities or processes that lead to change around an issue.
•Individuals who establish meaningful partnerships with others committed to realizing change and who bring a complementary set of skills and expertise.
•Projects that use photography or photo-based art creatively and innovatively to reach a project’s unique audience.
•Projects with goals that are ambitious, yet realistic and achievable.

Deadline
The application deadline for BOTH tracks is: Tuesday, July 8, 2014 at 5:00 p.m. EST.

Lit Mag Covers :: Picks of the Week

As you’ll quickly be able to tell, this week it’s all about color. It’s been a dull and dreary winter, and I loved having a collection of colors filling my bins this week:

I saw this staring up at me from the top of my magazine pile, and I gravitated to it. Teen in Body Paint, Key West, Florida is a picture by Roger Sacha of a young man painted by Tony Gregory with body paint in 2005. You’ll have to pick up an actual copy of Subtropics to get the full effect.

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The color on the cover of The London Magazine‘s new issue is fascinating as though it’s a rainy day, there’s still a rainbow of color. It’s detail from Leonid Afremov’s Rain of Fire, oil on canvas, 2007.

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This cover of Boulevard completes the list of colorful action as the lights dance of the bridge in the photograph. It’s by Charles Gross and titled Crossing the Tuo River at Night.

2013 Consequence Prize in Poetry

The 2013 Consequence Prize in Poetry was selected by Brian Turner and awarded to William Snyder. Snyder’s winning piece “They Give Me Money Near Karbala”is published in the current issue of Consequence (Spring 2014). Also included are the pieces by the finalists.

First Prize
William Snyder: “They Give Me Money Near Karbala”

Finalists
Heather Bell: “Decoding The Poem”
Julia Kolchinsky Dasbach: “To the Women of Trabzon”
Aubrey Ryan: “Song”

American Life in Poetry :: Amy Fleury (Again!)

American Life in Poetry: Column 474
BY TED KOOSER, U.S. POET LAUREATE

Let’s celebrate the first warm days of spring with a poem for mushroom hunters, this one by Amy Fleury, who lives in Louisiana.

First Morel

Up from wood rot,
wrinkling up from duff
and homely damps,
spore-born and cauled
like a meager seer,
it pushes aside earth
to make a small place
from decay. Bashful,
it brings honeycombed
news from below
of the coming plenty
and everything rising.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Copyright © 2013 by Amy Fleury from her most recent book of poems, Sympathetic Magic, Southern Illinois University Press, 2013. Poem reprinted by permission of Amy Fleury and the publisher. Introduction copyright © 2014 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

Literary Couples and their Writing

Iron Horse Literary Review‘s latest issue is the “Duet Issue,” featuring writing from some writers who are in relationships with other writers. “Every writer, at some time or another, imagines finding a mate who understands the ups and downs of creativity, the victories and failures of publishing,the obsessive love/hate relationships we have with our manuscripts,” writes Editor Leslie Jill Patterson in the foreword. “Who else could this soulmate be but another writer, whom we might collide with at a reading, or while traveling, or during a workshop? …. Writer couples, we believe, encourage each other to write, and support one another steadfastly when readers turn critical…”

This issue features work from these couples: Kim Barnes & Robert Wrigley, Landon Houle & Adam Houle, Jessica Jacobs & Nickole Brown, and Eula Biss & John Bresland. The magazine’s regular features also revolve around this “duet” theme.

ZYZZYVA Hits 100th Issue

The Spring & Summer 2014 of ZYZZYVA marks 100 issues. “So now, 100 issues in, having persevered through many a difficult time and may a close call, our hope is to keep this journal thriving and vibrant for as long as we can,” write Editors Laura Cogan and Oscar Villalon. “In an environment crowded with dazzling and questionable new technologies, ZYZZYVA asserts the cerebral and tactile pleasures of reading, of holding a well-bound book in your hands, of losing—and finding—yourself in the pages of a story. . . . We hope you will join us in celebrating 100 issues of preeminent and daring literary publishing, of Pulitzer winners and poet laureates, of the finest contemporary minds and astonishing raw talent, and twenty-nine years of cultivating a cultural community around the arts and letters.”

The issue features fiction by Ron Carlson, Daniel Handler, Michelle Latiolais, Paul Madonna, Scott O’Connor, Erika Recordon; nonfiction by Katie Crouch, Jim Gavin, Glen David Gold, Jonathon Keats; poetry by Dan Alter, Valerie Bandura, Noah Blaustein, Christopher Buckley, and more.

Hello Modernists! Today is Your Lucky Day!

The Modernist Journals Project, a joint project of Brown University and The University of Tulsa, focuses on the years 1890 to 1922 and features:

  • journals that have been digitized by the JP
  • a searchable databse, teaching and research guides to using the MJP
  • the “MJP Lab” – a site for experimenting with MJP data
  • biographies of authors and artists whose work appears in the MJP journals
  • books and essays about MJP journals and topics
  • a directory of periodicals published within the years 1890-1922
  • the “Cover-to-Cover Initiative” for locating full runs of magazines with their advertising intact

The year ends at 1922 “for both intellectual and practical reasons. The practical reason is that copyright becomes an issue with publications from 1923 onward. The intellectual reason is that most scholars consider modernism to be fully fledged in 1922, a date marked by the publication of James Joyce’s Ulysses, Virginia Woolf’s Jacob’s Room, and T. S. Eliot’s The Waste Land.”

The materials on the MJP website, its curators note, “will show how essential magazines were to modernism’s rise.”

Kore Press 2014 First Book Award Winner

Silent Anatomies by Monica Ong has been selected winner of the 2014 Kore Press First Book Award as selected by Joy Harjo. Fnalists were Sass Brown (Alexandria, Virginia) for USA-1000, and Jennifer Franklin (New York, New York) for Daughter.

Joy Harjo (2014 Gugenheim Fellow) said of the winning work, Silent Anatomies: “This is one of the most unique poetry collections. It’s a kind of graphic poetry book, but that’s not exactly it either. Poetry unfurls within, outside and through images. The images are stark representations that include bottles that have been excavated from a disappeared age, contemporary ultrasound images of a fetus, family photographs and charts. They establish stark bridges between ancestor and descendant time and presence.This collection is highly experimental and exciting.”

Monica Ong is a poet and artist dwelling in experimental spaces. She completed her MFA at the Rhode Island School of Design in Digital Media, and is also a Kundiman poetry fellow. Her work has been published in Seneca Review, Drunken Boat, Glassworks Magazine, Tidal Basin Review, and others. An exhibiting artist for over a decade, she draws from her professional design practice to innovate on the alchemy of text and image.

You Can Now Enroll in Hogwarts Online

Hogwarts Is Here: free, online classes in the same subjects studied by Harry, Ron, and Hermione. Not only that, but you can also become a Hogwarts Professor. Slate‘s Alex Heimbach writes: “The website works as a sort of cross between a MOOC (massive open online course) and an RPG (a role-playing game, like Dungeons & Dragons). You start by creating an account and choosing a house. (No sorting hat here, unfortunately.) I went with Ravenclaw, which seemed fitting for an optional intellectual endeavor. I wasn’t alone in that decision: Ravenclaw is the second most popular house (after Gryffindor, of course) and has the most house points (which you gain by completing assignments).” Read his full review here.

River Teeth Reveals Acceptance Process

The editors note of the second issue of volume 15 of River Teeth reveals a very important process for the editors: how they accept work and find work that will uphold their standards. The editors and readers “peruse every one of the more than a thousand unsolicited manuscripts that come [their] way each year—even though [they] know [they] can accept only about ten or twelve of them,” writes Dan Lehman. “We root for each and every submission, hoping to find not only the perfect piece by a great writer whom we already love, but, as has happened, the fledgling writer whose first published piece will appear in River Teeth and will snare a Pushcart for the writer and for us.”

So where do the rest of the pieces that make up the issues come from? The editors travel to conferences and workshops and search websites for pieces they know they just have to have. “If we hear something that is great, we go for it. Right then. We don’t suffer a turn-down easily. Something about our enthusiasm for a piece, and about our vision for the journal and what we do, has convinced writers who otherwise don’t owe us the time of day to take a shot with River Teeth,” Lehman writes. Here’s what he has to say about selecting pieces:

“At heart we always ask two questions: Is this the sort of piece I would want to call the other editor in the middle of the night to say we have to have? And would we die if we saw this piece in someone else’s journal and knew we could have had it for ourselves? Those are the criteria, nothing else really. As we wrote a few issues ago, we will publish the work of friends and acquaintances (even ourselves) if it meets those standards. Only then. That’s all. That our two Best American essays come from writers with close ties makes our case. Both were among the best dozen or so essays in this or any other year; it would have killed us to see them win those prizes for someone else. And we confessed that fact in writing before the prizes were won.

“We know all this sounds more than a little intuitive, even presumptuous, and quite a bit less than arm’s length. That’s the nature of love, we guess.”

Check out more from the editors note and see what’s in stock of this issue here.

I AM: TWENTY-SEVEN

Here’s an interesting call for submissions: I AM: TWENTY-SEVEN is a yearlong curated art project consisting of twenty-seven pieces about the age of twenty-seven. All pieces will be posted and archived on the project’s site. This project is curated by Rachel Ann Brickner, writer and Managing Editor of Weave Magazine. Deadline: JUNE 1, 2014.

Summer Teaching Fellow in Fiction

Summer Teaching Fellow in Fiction Antioch College, an independent, selective liberal arts college located in Yellow Springs, Ohio, invites applications for a three-month teaching fellowship in fiction for Summer 2014. The Summer Teaching Fellow will teach two courses in his/her area of expertise, including one workshop-style creative writing seminar (LIT 250) and one course intended to offer undergraduate students an introduction to the genre (LIT 242).

Responsibilities

  • Teach one creative writing workshop-style seminar and one introductory-level literature course to undergraduate students focusing on fiction during Antioch College’s Summer session (July 8-September 19)
  • Give one public reading of current work
  • Assist students in the coordination of a student-led fiction reading in September 2014

Qualifications

  • MFA or comparable degree in creative writing
  • Record of publication in fiction
  • Enthusiasm for and experience teaching fiction

Application Process
To apply, submit a cover letter, curriculum vita, brief writing sample, and three letters of recommendation, to: nwilburnATantiochcollegeDOTorg

Electronic submission of all materials is strongly preferred. If necessary, hard copies may be mailed to Literature Faculty Search, c/o Nancy Wilburn, Antioch College, One Morgan Place, Yellow Springs, Ohio, 45387. Applications will be reviewed as received. Deadline for submission of materials is May 15, 2014.

Lit Mag Covers :: Picks of the Week

Michigan Quarterly Review‘s Winter 2014 issue features quilt art by Rachel May. The issue contains a story from her along with more of her pieces. Although I don’t see a link for it on their site yet, you will be able to see her story and art pieces in full color.

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Workers Write!‘s 2014 issue, “More Tales from the Cubicle,” features the side of, well, a cubicle. It’s not fancy or flash, but it’s perfect for this issue.

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The Laurel Review‘s latest issue is very simple, but oh-so-juicy. I selected for a cover of the week purely because seeing it instantly made my lips purse.

2014 Bellevue Literary Review Prize Winners

Bellevue Literary Review‘s latest issue (Spring 2014) features the winners of the 2014 BLR Prizes:

Goldenberg Prize for Fiction, selected by Nathan Englander
Winner: “Pediatricology” by Abby Horowitz
Honorable Mention: “Death Defiant Bomba or What to Wear When Your Boo Gets Cancer” by Lilliam Rivera

Felice Buckvar Prize for Nonfiction, selected by Helen Benedict
Winner: “Forty-One Months” by William McGrath
Honorable Mention: “Double Exposure” by Elisha Waldman

Marica and Jan Vilcek Prize for Poetry, selected by Tina Chang
Winner: “Chronic Care: ‘Broken Leg’ by Keith Carter, Photograph” by Laurie Clements Lambeth
Honorable Mention: “The Rules of Surgery” by Kristin Robertson

The issue also features fiction by Susan Bartlett, Sean Kevin Campbell, Lillian Huang Cummins, Soniya Greenfield, Abby Horowitz, D. Quentin Miller, Billy O’Callaghan, Lilliam Riverea, Pamela Ryder Jean-Marie Saporito, Sheena Suals, and Jessica Stults; nonfiction by Mary Arguelles, Will McGrath, Leslie Van Gelder, and Elisha Waldman; and poetry by Alison Bradford, Steven Cramer, Catherine Freeling, Rachel Hadas, Kip Irwin, Will Johnston, Laurie Clements Lambeth, Laura Lauth, Michal Lemberger, Kaitlin LaMoine Martin, Marty McConnell, Thomas R. Moore, Jennifer Perrine, Kristin Robertson, Avery Leigh Thomas, Amy Tudor, Kathryn Weld, and Stacia Gyrene Yearwood. See more information about the issue and contest winners here.

Ecology and Science Fiction

I am happy to shamelessly assist Gerry Canavan* with his shameless self-promotion of  Green Planets: Ecology and Science Fiction, a collection of essays he has put together with Kim Stanley Robinson. The book is due out next month from Wesleyan University Press in paperback, hardback, and on Kindle.

Here’s a table of contents borrowed from Gerry’s blog:

Preface by Gerry Canavan
Introduction: “If This Goes On” also by Gerry Canavan

Part 1 Arcadias and New Jerusalems
1 ► “Extinction, Extermination, and the Ecological Optimism
of H. G. Wells” by Christina Alt
2 ► “Evolution and Apocalypse in the Golden Age” by Michael Page
3 ► “Daoism, Ecology, and World Reduction in Le Guin’s Utopian Fictions” by Gib Prettyman
4 ► “Biotic Invasions: Ecological Imperialism in New Wave Science Fiction” by Rob Latham

Part 2 Brave New Worlds and Lands of the Flies
5 ► “‘The Real Problem of a Spaceship Is Its People’: Spaceship Earth as Ecological Science Fiction” by Sabine Höhler
6 ► “The Sea and Eternal Summer: An Australian Apocalypse” by Andrew Milner
7 ► “Care, Gender, and the Climate-Changed Future: Maggie Gee’s The Ice People“ by Adeline Johns-Putra
8 ► “Future Ecologies, Current Crisis: Ecological Concern in South African Speculative Fiction” by Elzette Steenkamp
9 ► “Ordinary Catastrophes: Paradoxes and Problems in Some Recent Post-Apocalypse Fictions” by Christopher Palmer

Part 3 Quiet Earths, Junk Cities, and the Cultures of the Afternoon
10 ► “‘The Rain Feels New’: Ecotopian Strategies in the Short Fiction of Paolo Bacigalupi” by Eric C. Oto
11 ► “Life after People: Science Faction and Ecological Futures” by Brent Bellamy and Imre Szeman
12 ► “Pandora’s Box: Avatar, Ecology, Thought” by Timothy Morton
13 ► “Churning Up the Depths: Nonhuman Ecologies of Metaphor in Solaris and ‘Oceanic’” by Melody Jue

Afterword: “Still, I’m Reluctant to Call This Pessimism” by Gerry Canavan and Kim Stanley Robinson

There’s also a lengthy “Of Further Interest” appendix that’s an annotated list of some key texts in the subgenre of ecological science fiction.

*In case you’re wondering why I would do this for Gerry, check out his blog. I have followed it for YEARS and it’s like having an aggregate of all things I am interested in. Well, except Star Trek, but then, I have lots of people I share that stuff with and they love it. Not to mention, this collection of essays just sounds amazing.

David James Poissant on Rejection

In this month’s Glimmer Train Bulletin, David James Poissant, author of The Heaven of Animals (Simon & Shuster March 2014) writes “On Relentlessness, Or, How to Make Submitting Your Superpower.” In this featured essay, he advises writers, “don’t let the first dozen rejections stop you” when it comes to submitting works. A story oft told, and yet, relentlessly needing to be oft told. Poissant’s more humorous than stern approach may help some new writers better understand, three or four rejections is no big deal: “Invariably, my response is, ‘Three or four?’ Then, I lead said student or writer to my office where a corkboard hangs prominently above my computer. To the face of the corkboard, I have thumbtacked about fifty rejection slips.” But it’s not just about rejection, but about the sensibility of revision and in some cases, knowing when a work is “probably a dud” and may just need to rest a while.

Terrain.org’s New Face

Exciting new things are happening over at Terrain.org, a literary magazine that “publishes editorials, poetry, essays, fiction, hybrid forms, articles, videos, reviews, an interview, the ARTerrain gallery, and the UnSprawl case study.” Now, Terrain.org has a newly designed website that makes it easier to move through genres while “continuing with [their] image-rich and multimedia focus.” And indeed, the new website is much more image heavy, with rolling landscape pictures that help emphasize the theme of the journal. There’s also a cleaner font and easier-to-read layout. I’d say it’s a nice move forward for the magazine.

In other news, they’ve also switched from putting out issues to publishing on more of a rolling basis, currently with three or four contributions per week. Another minor change is that the blog is now part of the site, instead of hosted at a separate URL.

The latest contributions include three poems by Beth McDermott, a video essay about glaciers by Nancy Lord and Irene Owsley, an interview with Derrick Jensen, and some reviews and recommended reads. Check it out here.

MQR 2013 Literary Award Winners

Michigan Quarterly Review has announced this year’s three annual literary prize winners whose works are selected from those published in MQR throughout the year.

Laurence Goldstein Poetry Prize 2013 ($500): Benjamin Busch for his poem “Girls” which appeard in the Winter 2013 issue of MQR. [Photo credit: Richard Mallory Allnut]

Lawrence Foundation Prize 2013 ($1000): Cody Peace Adamns for his story “Victory Chimes” which appeared in the Winter 2013 issue of MQR.

Page Davidson Clayton Prize for Emerging Poets ($500): Anne Barngrover for her poem “Memory, 1999” which appeared in the Fall 2013 issue of MQR.

Read more about the winners and the selection process here.

Alimentum YUM! Menu Poems

Alimentum: The Literature of Food online journal celebrate National Poetry Month each year with MENUPOEMS. This year, poets include Esther Cohen, Oded Halahmy, Dania Rajendra, Miriam Halahmy, Tony Fallon, Dean Lavin, Margaret Waldhelm, Lois Vendon, and Linda Larson.

While you’re there, check out this page of Recipe Poems, where, as a fan of pho, I discovered Kelly Morse’s poem “Phở bò Hà Nội” which she notes was inspired by a pho shop in Hanoi, Vietnam named Phở Thìn 13 Lò Đúc. Morse provides a narrative on her experience, and some great history on this culinary staple. You can’t help but salivate to read it:

Add a spoonful of tiny red chilis, and garlic,
fatly diced in their vinegars.
With spoon and chopsticks together give a heave

to the mass of white noodles and flip like an omelet,
dragging up from below the fresh herbs hidden in the inner curve.

YUM!

Guerrilla Poetry

Ah, spring has (almost) returned to Michigan. The NewPages CEO and second-in-command have enjoyed our first “porch beer” – albeit wearing layered sweatshirts. Still, the sun is shining, the spring rains and the hurricane winds are reduced to intermittent. Time to get back to postering poetry around the city. A staple gun and a backpack filled with a variety of poems, my dog as cover (just a lady out walking her dog…), I staple up poems to utility poles along my route.

Of course, poems can come from any source, but I try to keep them short enough to be read quickly, one page with large font, or if it’s longer, eye-catching helps (like the Broadsided Press monthly vector poems). I also try to maintain some sensibility for the fact that kids may be reading these, so try to make them “safe” as well as appealing. Can’t hit every audience, but when postering near the schools or parks, I tend more for those kid-friendly poems.

One year, on Memorial Day, I noticed youthful handwriting on a posting and saw that some neighborhood kids had written their own poems honoring local troops and tacked them up where I had been posting poems. Pretty darn cool. Guerrilla poetry works. Try it yourself! Staple gun. Poems. Go!

[Pictured: “The Second Fallacy.” Poem by C. Dale Young; Art by Amy Meissner; Design by Debbie Nadolney. Broadsided April 1, 2014.]

Buy This Man a Shirt! Please!

Our buddy M. Scott Douglass at Main Street Rag has an invitational for readers and Harley fans alike. He is a MAJOR collector of Harley-Davidson t-shirts. Apparently, THE t-shirt is a big deal among fans… So, buy Scott a Harley t-shirt from your local Harley shop (around $30), send it to him, and he’ll give you a two-year subscription to Main Street Rag (worth $45).

Specs from Scott: “Must be a short sleeve t-shirt, XL, color… I’m not a brown or pink kinda guy, black is always good, but I have a lot of those already as well as a lot of orange–one of Harley’s other colors. I don’t have any bright yellow or cream–lighter colors like baby blue or light green–but almost any color is cool. Here’s where I get prissy: I prefer only one or two colors on the back. Harley dealerships customize the backs to advertise themselves. A lot of them do a full color display of some unique image–often significant to the region. Full color means a lot of lay down of ink, vinyl screen printing ink, as many as five layers (if you are printing on black). I plan to wear every one of these shirts at some point. Do you know how heavy four layers vinyl color gets when riding in the hot Carolina sun? One color is cooler, easier to read, AND cheaper. And one more thing: My wife would frown on me wearing one with scantily clad women with big boobs, so please avoid those. I’m traditionalist. I like the variety of crests and logos Harley offers, wings and bars and even an occasional skull.”

There you have it: Buy Scott a Harley Davidson dealer t-shirt from your local HD dealership. Mail it to him at Main Street Rag, PO BOX 690100, Charlotte, NC 28227-7001 and earn a 2-year subscription worth $45.

Radio Silence :: New Digital Editions

Radio Silence, the somewhat new, print “magazine of literature and rock & roll” (which by the way also raises money to buy books and musical instruments for kids), has released a new monthly digital edition, which started in February. You can read the first issue for free here. And from there you can decide to subscribe for a yearly cost of $29.99 or purchase individual issues for $2.99 each. The issues are available to read on phones, tablets, and desktops.

2014 Dartmouth Poet in Residence

In March, The Frost Place (a nonprofit arts organization and museum established to honor the legacy of Robert Forst and encourage the creation and appreciate of poems) announced the 2014 Dartmouth Poet in Residence at the Frost Place: Rebecca Foust.

Here’s a description from the press release: “Every year, a poet is selected from a group of applicants based on the quality of her/his work to live and work in the historic house where Robert Frost lived from 1915 – 1920. In 2011, The Frost Place and Dartmouth College honored their shared connections with Robert Frost by renaming the residency program The Dartmouth Poet in Residence at The Frost Place.”

This from Rebecca Foust: “My goal is deep work, the kind a writer can do only in an atmosphere both free of distraction and full with inspiration and hope. The ability to spend such a substantial block of time immersed in reading and writing is, by itself, of great practical value. In the privacy, beauty and inspiration of this unique setting, I plan to re-read Frost’s poems and essays while writing new ones of my own. I also hope to make progress on my next book manuscript. Finally, I am happy for the chance to live, work, and do readings in New England.”

Read more about it here.

MFA at University of Massachusetts-Amherst Celebrates 50 Years :: Special Issue of MR

To celebrate the 50th year anniversary of the MFA program for Poets & Writers at the University of Massachusetts-Amherst, The Massachusetts Review released a special issue featuring some of the “remarkable writers who have graduated from the program,” which include Mira Bartok, Valerie Martin, Domenic Stansberry, Gillian Conoley, Matthew Zaprunder, James Haug, Ellen Dore Watson, and more.

In an introduction to the issue Editor John Emil Vincent writes, “We ourselves have attempted a little revisiting of our usual format—we actively sought and happily found longer poems, two lovelies from Gillian Conoley and Brian Baldi in particular—but also generally solicited works in clusters. The hope is to create a novel texture for our special issue, one up to exploring the pleasures and peculiarities of duration.

Glimmer Train January Very Short Fiction Winners :: 2014

Glimmer Train has just chosen the winning stories for their January Very Short Fiction competition. This quarterly competition is open to all writers for stories with a word count not exceeding 3000. No theme restrictions. The next Very Short Fiction competition will take place in April. Glimmer Train’s monthly submission calendar may be viewed here.

First place: Lee Montgomery [pictured], of Portland, OR, wins $1500 for “Window.” Her story will be published in Issue 93 of Glimmer Train Stories.

Second place: Calvin Haul, of Salt Lake City, UT, wins $500 for “The World Within Reach.”

Third place: Auguste Budhram, of Austin, TX, wins $300 for “My Father’s Vacation.”

A PDF of the Top 25 winners can be found here.

What is Story?

Story magazine, like a story passed on over time, has evolved. It started in 1931, lasting until 1964, as “the most important literary short fiction publication, founding editors Martha Foley and Whit Burnett discovering and publishing … storytelling greats,” write Vito Grippi and Travis Kurowski. Then it was revived by Lois Rosenthal, running from 1989 to 2000. Now, it’s in the hands of Kurowski and Grippi: “As great as the original Story was, we don’t want to recreate that magazine; though short fiction holds a singular place in contemporary letters, our net is wider. We hope for a diversity of narrative mirroring our contemporary, transnational lives: memoirs, interviews, superhero poetry, sci-fi, case studies, maps, machines.”

The first issue under their reign is double-sided, with two different covers and two different sets of writing. Side A features work from Andrew Malan Milward, Mary Miller, K. Silem Mohammad, Tao Lin, and Marinaomi, and Side B’s cover boasts “Hand Models Run Amok!” and “Family Caught Hiding Dreamers!” and “New Gadgets to Hook up? Jim Shepard Tells All!” It’s hard to believe it’s only 8 bucks. And if you scan the QR code inside, you’ll be taken to a page where you can download a digital copy for free.

Online Class :: Writing translation / translating writing

Chicago School of Poetics is offering a one-day online class with with Pierre Joris. “Writing translation / translating writing” inverts the traditional relationship of original text and translated copy and reinscribes the activity of translation as core process of the act of writing. Students will be simultaneously involved with writing and with translation from a language of their choice into English in a range of forms proposed by their own practice and culture. The class runs for three hours and will be held  online, in a video-conferenced classroom, so you can attend from your own home, from anywhere in the world. Class size is limited to 10 students.

Date: April 26th, 2014
Time: 1-4 p.m. Central Time
Tuition: $250

It’s Here! National Poetry Month!

“Inaugurated by the Academy of American Poets in 1996, National Poetry Month is now held every April, when schools, publishers, libraries, booksellers, and poets throughout the United States band together to celebrate poetry and its vital place in American culture. Thousands of organizations participate through readings, festivals, book displays, workshops, and other events.”

Visit POETS.ORG for posters, poems, ideas on how to celebrate, poem-a-day, and – my personal favorite – POEM IN YOUR POCKET DAY! April 24 is Poem in Your Pocket Day – carry a poem with you, as you meet with friends, sit next to a stranger on the tram, hanging out in the grocery store line, simply pull the poem out and read it to others – Happy Poetry Month! (Seriously, I haven’t been arrested for it yet.) Poets.org provides a variety of pocket-sized poems to share.

Lit Mag Covers :: Picks of the Week

The Spring/Summer issue of Alaska Quarterly Review features an appropriate image for the weeks to come (at least I’m hoping for more rain and less snow): Yellow umbrellas, 2014 by Clark James Mishler.

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This cover of Room is a pastel on vellum by Cathy Daley. “Since the mid-1990s when I began the current body of work known as the dress series or dancing legs,” she writes, “my drawings have been untitled. Because I was so depicting the body and gestures of the body I wanted the work to speak through the body and a title seemed limiting. The postures and gestures in the work create meaning for the viewer through cultural associations and subjectivities.”

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The cover of Hunger Mountain‘s Winter 2013/2014 issue is by Lucinda Bliss with details from Atlas of American War Book 4: Hearts and Octopus with graphite and colored pencil on found paper.

Museum of Haiku Literature Award

The Museum of Haiku Literature Award is award to the best previously unpublished work appearing in the previous issue of Frogpond, selected by the HSA Executive Committee. In Volume 37 Number 1, Tom Tico from San Fransisco, CA is announced of the winner of the $100 for this haiku (originally published in Volume 36 Number 3):

her letter . . .
I’d forgotten
paper can cut

Poet-in-Residence Tim Bowling Contributes

In 2009, Arc Poetry Magazine started a poet-in-residence program in which the poet in question guides a number of poets through refining their craft. “This is a response to our mission to support Canadian poetry,” write Rhonda Douglas and Chris Jennings, “but also partly in response to the many submissions we receive each month that are so close, but just not yet quite ready for publication.” Tim Bowling was the poet-in-residence for 2012-2013, working with approximately 25 poets, and the latest issue of Arc (73) showcase some of Bowling’s work alongside a selection from eight of the poets he worked with: Vincent Colistro, Rod Pederson, Michelle Brown, Jordan Mounteer, Heather Davidson, Helen Marshall, Ann Graham Walker, and Jordan Tannahill.

As an introduction to the special section in the magazine, Russell Thornton writes, “Bowling’s poetry conjures a world. That world includes one of the grand rivers of Canada and the greatest salmon river on the plant, and the town of Ladner with its fishing community underlife… His rapt awareness of the concrete particulars of his actual place allows Bowling to execute poetry that is, at its most striking, complete in its interconnections, and visionary. His passion for his locale and its inhabitants lifts that locale onto the mythic level.”

Poems included from Bowling are “Christmas Near Vancouver,” “Dread,” On the Morning of New Life,” High Summer,” “High Water,” and more.

Wilkes University New Playwriting and Screenwriting MFA Degree

Wilkes University has launched a new option for an MFA program, in screenwriting and playwriting, located in Meza, Arizona. It will be a hybrid program involving both online classes and weekend classes, and the first program starts in August 2014.

“We believe there is sufficient interest in these two areas to open this new way of delivering the program on the ground in Arizona,” says Bonnie Culver, co-founder and director of the Wilkes graduate creative writing program. “We have several Los Angeles-based faculty and producers who are eager to work with us to deliver these degrees in Mesa.”

Read more about the program and upcoming workshops here.

2013 Flash Fiction Open Results

In 2013, Unstuck magazine held a Flash Fiction Open Contest, judged by Amelia Gray. The winning results are featured in issue 4 (2014) of the magazine: Emily Kiernan’s “Palinopsia” and Dennis James Sweeney’s “When He Comes Home from the War.”

Gray writes this about Kiernan’s piece: “There are a few tricks here that might grow dull employed with a bigger word count … but which sparkle nicely in a piece of this length. This is bold and surprising short work, it is arresting, and proves to me that our subject can be well known, even a little quaintly known as a piece of culture … and fine work prevails to create a thing which is wholly new. Here also lies the first footnote I’ve liked outside of Infinite Jest, which frankly deserves its own sub-prize.”

And about Sweeney’s piece, she writes, “This is a lovely, efficient piece and perfectly presents outright danger in the post-trauma mundane. This is a story that I could spend hours going through with students were I not legally barred from interacting with young people.”

High School Lit Mag Awards

The 2013 results are in for the Program to Recognize Excellence in Student Literary Magazines through the National Council of Teachers of English. Organized by state, you can see the awards of these high school literary magazines. There were a total of 373 entries with 26 Highest Award recipients.

New Lit on the Block :: The Austin Review

The Austin Review, a neatly-bound, fit-in-the-palm-of-your-hand journal, is now being produced in Austin, Texas, three times a year. Editor-in-Chief Michael Barrett says that Austin “is home to an incredibly talented group of writers and publishers, and we thought the city deserved a journal bearing its name.” Publishing four short stories, four pieces of flash nonfiction, and on essay or work by a notable author in each issue, The Austin Review is also available as a Kindle version.

But with so many literary magazines already out there, the question is always, why start another? Well, along with the common mission to discover new work from emerging authors, Barrett, to some extent, wants to “highlight the talented authors coming from Austin and help expand the literary community in the city.”

As the magazines grows, Barrett—along with Managing Editor Tatiana Ryckman and Associate Editor Wendy Walker—plans to keep to the nine works per issue but to eventually share a limited number of additional works on their website. “We also intend to expand our nonprofit and outreach efforts and help promote the love of literature in our community,” he states.

The first issue features short stories by John Jodzio, T Kira Madden, Derrick Brown, and Boomer Pinches; flash nonfiction by David Olimpio, Lisa Wells, Caitlyn Paley, and Patrick Madden; and an essay by Sheila Heti. “Readers can expect to find contemporary works of the highest quality, curated with great care and attention to detail,” says Barrett.

The magazine accepts submissions year-round through Submittable, and you can purchase a print copy from their website or a digital version from Amazon.