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RYPA 2021

I am delighted each time the annual Rattle Young Poets Anthology appears wrapped in the package with the companion issue of Rattle. Over twenty poets ranging from age five to fifteen are featured in this year’s publication. It would be easy to fall into the trap of saying, “These are great poems for writers so young,” when the truth is quite simply: These are great poems. The opening work by Maria Arrango, “¿Identity?” which begins “El president Donald Trump said / they’re bringing drugs. They’re bringing crime. They’re rapists. // My brown sugar skin delicately / compresses me with warmth / as I try to understand / the anatomy of my body.” is the immediate indicator that these young poets hold their own among their elder peers. Age is indeed just a number.

There are poems that disrupt the idea of idyllic youth, such as Matthew Burk’s “The Roller Coaster” and Maria Gil Harris’s “Like Magic,” as well as those that confront reality, like Adrianna Ho’s “Pasta Sandwiches in Quarantine” and Ivy Hoffman’s “Only Days Before Leaving for College, I Note the Existence of My Brother.” Some poems reach deep to connect imagery and emotion: Ha Trang Tran’s “A Love Letter for Home,” imagining a “grand return” to Hà Nộ, and Hannah Straub’s “Cadillac Mountain” with haunting lines like, “Though I was not falling / I was stumbling, in the way I clung to people / I could not reach, memories as useless / As the wire guardrails.” And there are plenty of works that raised a smile through their intellectual rhetoric, like “The Weight of Heavens” by Emma Hoff, which begins with the barb, “Was the minotaur / Really / A monster?” Kakul Gupta’s “Ten Haiku” are each effective meditations, and Mackenzie Munoz’s “Catching Dreams” reaches the metaphysic, while other works were just plain fun, like Paul Ghatak’s “Counting to One,” Grant’s “Lions Roar,” and Melissa A. Di Martino’s “Saive Me By Thes Wendrous.” Shreya Vikram’s “DIY Project” is the kind of poem that can only be experienced, and with good reason, as, in response to the Contributor’s Note question, “Why do you like writing poetry?” Vikram’s answer begins, “Without poetry, I’d waste language.”

For any readers out there with young writers in your circle, please introduce them to Rattle and this annual collection. It’s essential for young writers to connect with other young writers and find encouragement for their own reading, writing, and submissions. For more resources, check out the NewPages Young Writers Guide to Publications and NewPages Young Writers Guide to Contests.

[It is challenging to include mention of every work in a review, but I want to acknowledge the remaining poets from this collection and commend them for their contributions, all of which brought me immense pleasure to read: Natalia Chepel, Natalie Friis, Kevin Gu, Jessie Johnson, Dahee Joy Kang, Chloe Lin, Naomi Ling, Joseph Miner, and Perry Sloan.]

The Shore – Summer 2021

The summer issue of The Shore is stocked with simmering poetry by Linday Lusby, Jenn Koiter, Sarah Brockhaus, Grace Li, Karen Rigby, Brittany Atkinson, Erin Wilson, John Sibley Williams, Paul Ilechko, Audrey Gidman, Stella Lei, Todd Osborne, Bobby Parrott, William Littlejohn-Oram, David Ford, Matthew Valades, and more.

Poetry – June 2021

The June 2021 issue of Poetry is out. In this issue, we are brought back to the body. Poetry by Lauren Whitehead, Felicia Zamora, Xaire, Cathy Linh Che, Lindsay Stuart Hill, Darius V. Daughtry, Christa Romanosky, Annik Adey-Babinski, Susan Browne, Sandra Gustin, Michaella Batten, Julia Edwards, Austin Rodenbiker, Tina Mozelle Braziel, Nyah Hardmon, Amorette “Epiphany” Lormil, Nicole Cooley, Ray McManus, and Marlanda Dekine-Sapient Soul. Nonfiction by Laura Kolbe.

The Georgia Review – Summer 2021

The Georgia Review’s Summer 2021 issue is now available for purchase. This issue features new writing from Eliot Weinberger, Laura Kasischke, jayy dodd, Shangyang Fang, Alison Hawthorne Deming, and many more, along with a translation of Kim Seehee’s fiction by Paige Aniyah Morris, an interview with Charlayne Hunter-Gault and Calvin Trillin on desegregation at the University of Georgia, and a special section on W. E. B. Du Bois’s influential 1900 data portraits on Black life in Georgia, which includes responses from both sociologist Janeria Easley and poets Vanessa Angélica Villarreal and Keith S. Wilson.

Call :: Our Doors Are Still Open

Blue Mountain Review 2021 call for submissions flier screenshot
click image to open full-size flier

Deadline: Year-round
The Blue Mountain Review launched from Athens, Georgia in 2015 with the mantra, “We’re all south of somewhere.” As a journal of culture, the BMR strives to represent all life through its stories. Stories are vital to our survival. What we sing saves the soul. Our goal is to preserve and promote lives told well through prose, poetry, music, and the visual arts. We’ve published work from Jericho Brown, Kelli Russell Agodon, Robert Pinsky, Rising Appalachia, Turkuaz, Michel Stone, Michael Flohr, Lee Herrick, Chen Chen, Michael Cudlitz, Pat Metheny, Melissa Studdard, Lyrics Born, Terry Kay, and Christopher Moore. bluemountainreview.submittable.com/submit

Bellevue Literary Review – No 40

In this issue, find poetry by contest winners Saleem Hue Penny and Eileen Elizabeth Waggoner, as well as Stephanie Berger, Joanne Godley, Haolun Xu, Kwame Dawes, Chelsea Bunn, Kai Coggin, Pooja Mittal Biswas, and more; fiction contest winners Galen Schram and Benjamin Kessler as well as James Prier, Douglas Fenn Wilson, Jacob R. Weber, Emily Saso, Hadley Leggett, Moshe Zvi Marvit, and David Allan Cates. Read more at the Bellevue Literary Review website.

Good River Review Issue One

Good River Review Spring 2021 cover

Back in October of 2020, we let you know that Spalding University’s School of Creative and Professional Writing was launching online literary magazine Good River Review in 2021. Well, the first issue has officially launched!

The first issue features prose by Rigoberto González, Pico Iyer, Brian Leung, Chris Offutt, and Julie Ann Stewart; lyric by Susan Campbell Bartoletti, Alan Chazaro, Molly Peacock, Charlotte Pence, J.D. Schraffenberger, Evie Shockley, Katerina Stoykova, and Claire Wahmanholm; and drama by Ifa Bayeza and Kia Corthron.

They also feature book reviews of Dinty W. Moore’s To Hell with It: Of Sin and Sex, Chicken Wings, and Dante’s Entirely Ridiculous, Needlessly Guilt-Inducing Inferno; Zadie Smith’s Intimations; and Julia Phillips’s Disappearing Earth. Under “The Practice of Writing” heading, they feature an excerpt of Felicia Rose Chavez’s Anti-Racist Writing Workshop: How to Decolonize the Creative Classroom.

You will also find interviews with Keven Willmott, Lydia Millet, and Pico Iyer.

Between their biannual issues, they will regularly feature book reviews, interviews, and essays on the practice of writing, along with other important literary news. Swing by their listing on NewPages to learn more and don’t forget to read their inaugural issue!

Their submissions period is open and ongoing and they do accept work written for children and young adults, too! Since they love work that doesn’t fit neatly into genre categories, that is why they publish work under the headings of prose, drama, and lyric.

Unclassifiable Content in Arts & Letters

In the table of contents of Arts & Letters latest issue, the heading “Unclassifiable” caught my eye, promising a walk off the beaten path. This section features the winner of the journal’s annual Unclassifiable Contest.

When I paged to this winning piece—”Voidopolis” by Kat Mustatea—I was greeted with a series of photos with accompanying text. This excerpt is from a project Mustatea began on an Instagram page, loosely retelling Dante’s Inferno. Throughout this 46-part series, Mustatea never uses words with the letter “E.” This combined with the format of the photo-sharing app gave me a burst of inspiration to try new things and to challenge myself while doing it.

There is just enough included in the issue to hook the reader along and lead them to check out the rest of the story on Mustatea’s Instagram. The project has ended, so there’s no wait for new readers to reach the conclusion. Step away from the usual, the classifiable, and check out this piece in the Spring 2021 issue of Arts & Letters.

Sou’wester – Spring 2021

In this issue of Sou’wester, find fiction by Karin Aurino, Joe Baumann, Matthew Bruce, Bryana Fern, Rachel Furey, Justin Herrmann, Siew David Hii, Mehdi M. Kashani, Kate LaDew, Nathan Alling Long, Lope López de Miguel, Fejiro Okifo, R.S. Powers, Katie Jean Shinkle, Noel Sloboda, RaShell R. Smith-Spears, Samantah Steiner, Matthew Sullivan, and Tina Tocco; and nonfiction by Martha Phelan Hayes, Louise Krug, and Cynthia Singerman.

Rattle – Summer 2021

The Summer 2021 issue of Rattle features a tribute to Appalachian Poets. The 22 poets in this special section write about family, history, and modern life. The tribute section was so good, we had to stretch the issue to 124 pages to fit it all in. In the open section, the poems are as strong as ever, featuring reader favorites Francesca Bell and Ted Kooser, along with several excellent poets new to Rattle’s pages, writing about everything from sexual desire to cancer, big foot to peeing in the pool, including a long poem from Clemonce Heard on the 100th anniversary of the Tulsa Massacre.

The Lake

The June issue of The Lake is now online featuring Estaban Allard-Valdivieso, Georgi Bailey, Daisy Bassen, Sylvia Freeman, Neil Fulwood, Margaret Galvin, Maren O. Mitchell, Fiona Sinclair, J. R. Solonche, Richard Allen Taylor, Damaris West, Sarah White, Rodney Wood.

Boulevard – Spring 2021

The Spring 2021 edition of Boulevard is now available with winning poems from the 2020 Poetry Contest by Bryan Byrdlong, the winning essay from the 2020 Nonfiction Contest by Jonathan Wei, and a craft interview with Emily St. John Mandel. New poetry by Adrian Matejka, Adedayo Agarau, JD Amick, Clare Banks, Lory Bedikian, Ava C. Cipri, Laura Davenport, Kwame Dawes, Rosalind Guy, Rachael Hershon, Lisa Low, Jane Morton, and more.

Touch-Starved Poetry

Magazine Review by Katy Haas.

In Volume 33 of The Briar Cliff Review, readers can find a poem that I think most people can relate to after the past year. “Gargoyles” by Sara Wallace describes the empty of feeling of craving someone else’s touch. While the poem does lean toward the romantic side of touch (“No one’s biting your lips, / no one’s tasting you.), it comes at a time when I’m seeing my friends celebrate the ability to hug their loved ones again after, and ends up feeling more general. After being separated from friends and family during the pandemic, who hasn’t missed the intimacy of touch?

Wallace carries the idea of gargoyles through the poem, first as a smoker standing in a doorway of a bodega, and finally as the game “statues, / how when you were tagged // you had to pretend you were stone,” and could only move again when “someone touched you.” I love this thread she carries through from present to past, keeping with that yearning for physical touch.


Gargoyles” by Sara Wallace. The Briar Cliff Review, 2021.

Plume – May 2021

This month’s Plume featured selection is “Five Contemporary Love Songs edited by Leeya Mehta,” with work by five contemporary Indian poets: Tishani Doshi, Rajiv Mohabir, Jerry Pinto, Arundhathi Subramaniam, and Jeet Thayil. Chelsea Wagenaar reviews Music for the Dead and Resurrected by Valzhyna Mort. In nonfiction: “The Mind’s Meander: Indirection, Ambiguity, and Association in Poetry” by Rachel Hadas.

Cimarron Review – Fall 2020

In this issue of Cimarron Review: poetry by Ken Autrey, Martha Silano, Sandra McPherson, Daniel Bourne, Erin McIntosh, George Bilgere, Annie Christian, Rebecca Cross, Chloe Hanson, Austen Leah Rose, Millie Tullis, Avra Wing, Amy Bagan, and more; fiction by Jason K. Friedman, Laura Dzubay, David Philip Mullins, and Ashley Clarke; and nonfiction by Brenna Womer, Andrew Johnson, and Lindsay Shen.

Anomaly – No 32

Our new issue, ANMLY #32, features a special folio Neighbor Species and Shared Futures curated by Kristine Ong Muslim. Featuring work in various genres from Tilde Acuña, Richard Calayeg Cornelio, Reil Benedict Obinque, Regine Cabato, Pedantic Pedestrians, Melvin Clemente Magsanoc, and more. See what else you can expect to find in this issue at the Anomaly website.

The Main Street Rag – Spring 2021

The Spring 2021 issue features Postscript to a Postscript: an interview with Bill Glose, Winner of the 2020 Main Street Rag Poetry Book Award, interviewed by M. Scott Douglass. Fiction by Abe Aamidor, Allison Daniel, Tony Hozeny, Michele Lovell, Bob Moskowitz, Robert Stone and poetry by Bill Glose, Joan Bauer, Frederick W. Bassett, Joan Bernard, Burt Beckmann, Ace Boggess, Marion Starling Boyer, and more.

Carve Magazine – Spring 2021

The Spring 2021 issue features short stories by and interviews with Sydney Rende, Sam White, Kimm Brockett Stammen, and Caroline Kim. New poetry by Michael Quinn, Ruth Baumann, Will Thomas, and Mureall Hebert and nonfiction by Jory Pomeranz and Christie Tate. Prose & Poetry Contest winners: Mona’a Malik, Ryan Little, and Alisha Acquaye. Read more at the Carve website.

About Place Journal – May 2021

“Geographies of Justice,” edited by Alexis Lathem with Richard Cambridge and Charles Coe. An extraordinary testament to extraordinary times: includes poetry from Susan Deer Cloud, Tammy Melody Gomez, Richard Hoffmann, Jacqueline Johnson, Petra Kuppers, and Danielle Wolffe; nonfiction from Teow Lim Goh, Andréana Elise Lefton, David Mura, Nicole Walker, and Catherine Young. Find more contributors at the About Place Journal website.

The Necessity of Human Myth

Guest Post by Adrian Thomson.

Jesse Lee Kercheval’s “The Boy Who Drew Cats” speaks both to our current time and to the necessity of human myth. Confined to a house in Uruguay as her children face quarantine in Japan, Kercheval connects to the hero of a Japanese fable, the titular drawer of cats, in an attempt to find solace within herself through her own artistic ventures.

This connection to cultural myth—and Kercheval does cement her own tale very concretely to the modern as well as the mythical—inspires the author in its assertions of safety, balance, and a sense of stability. The myth helps her recapture her own love of art and facilitates a return to  the page where flowers transform into felines. Kercheval does not uphold the myth as a perfect guideline, either—she comments upon it, accepting the good she sees there while acknowledging elements she appears to dislike.

But her inclusion of the fable also speaks to the wider purpose of human myth—as a necessity of the imagination to allow us to “visit” faraway places and to inspire. Kercheval places both within the story to generate trust that the world will get better, as well as trust in her own abilities.


The Boy Who Drew Cats” by Jesse Lee Kercheval. Brevity, January 2021.

Reviewer bio: Adrian Thomson is a graduate student at Utah State University, currently working toward his MS by way of a thesis in poetry.

Magazine Stand :: Wordrunner eChapbooks – 2021

Our theme for this issue is LOVE in all its painful, confusing, passionate, and joyous diversity. Featuring fiction by Louise Blalock, Margaret Emma Brandl, Ed Davis, Stefan Kiesbye, and Nick Sweeney; memoir by Jane Boch, Ruth Askew Brelsford, Laura Foxworthy, and Carmela Delia Lanza; and poetry and prose poems by Leonore Hildebrandt, Robert Murray, and Jacalyn Shelley.