Deadline: December 31, 2020
While the pandemic has ravaged our world, certain populations have been impacted more deeply than others. Essential Voices strives to give voice to those who have been silenced. Send us your poems, stories, recipes, or works of art that reflect upon the experience of COVID and COVID related issues in your life. This anthology will be published by West Virginia University Press. Visit us at www.essentialvoicesanthology.wordpress.com for guidelines before submitting to [email protected].
NewPages Blog
At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!
Call :: 2021 Anthology from great weather for MEDIA Seeks Submissions
Don’t forget great weather for MEDIA seeks poetry, flash fiction, short stories, dramatic monologues, and creative nonfiction for our annual print anthology. Our focus is on the fearless, the unpredictable, and the experimental. Please visit our website for guidelines. Deadline: January 15, 2021.
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2020 Frontier Industry Prize Winners
The 2020 Frontier Industry Prize winners have been announced.
Winner
“The Long Afterlife” by Michelle Phương Ting
To be published on December 2, 2020
2nd Place
“while i walk, my brother assures my nephew there are wildflowers growing in minneapolis” by Chaun Ballard
To be published on November 25, 2020
3rd Place
“Bad Dream With My Grandmother’s Stroke” by Adedayo Agarau
To be published on November 18, 2020
Michelle Phương Ting’s piece was selected by Daniel Slager, Peter LaBerge, and Carmen Giménez Smith, and she took home a $3000 prize.
Visit Frontier Poetry‘s website for author bios, as well as a list of finalists and poets on the longlist.
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Freedom-Granting Poetry by Bethany Bowman
The Main Street Rag forwent their usual beautiful photographic cover art for a cartoon version of Donald Trump behind bars with the Fall 2020 issue. It seemed pretty appropriate, then, that I ended up opening the issue at random to find Bethany Bowman’s “Sometimes After Getting Off the Phone,” which begins with the speaker getting off the phone with their father “who confesses to voting for / Donald Trump to reverse Roe v. Wade” and observing a friend being confronted about her right to choose with her abortion in the 70’s.
The poem begins in a tense spot but we’re given relief, along with the speaker, in the form of animal facts given by the speaker’s son. These facts lead to biblical lessons and connections being “fed to the dogs” as the speaker realizes “you’ve always been filled with the spirit— / no external male force, no deity can grant it / or take it away.” There is power in this realization, a freedom granted from the sins stacked on women’s shoulders from the beginning of time.
While Trump may be behind bars on this issue’s cover, there is freedom to be found in the writing which Bowman graciously reminds us of.
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Event :: Affordable, Virtual Monthly Workshops & Literary Coaching: Caesura Poetry Workshop
Registration Deadline: Year-round
Event dates: Monthly workshops
Event location: Zoom
Caesura Poetry Workshop aims to support, inspire, educate, and energize poets of all backgrounds through affordable monthly Zoom workshops hosted by award-winning poet, editor, and writing coach John Sibley Williams. Workshops include poem analysis, active group discussion, writing prompts, and plenty of writing time. Upcoming classes include Mastering Ekphrastic Poetry ($45; November 18 & Friday, November 20, 1-4pm PT), Poetry of Place ($40; December 16, 1:30-4pm PT), and Writing Evocative Love Poems ($40; January 27, 1:30-4pm PT). 1-1 personalized workshops, manuscript critiques, and regular coaching to keep you writing and inspired also available. More information: www.johnsibleywilliams.com/upcoming-classes. To register, email [email protected].
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Twists and Turns, Taut and Beautiful: Melanie Finn’s ‘The Hare’
Guest Post by Samantha Kolber.
This is the second novel I have read by Melanie Finn, and I am simply in love with her writing! It is smart and atmospheric, with the pull of a literary thriller but with meat and heart.
In her new novel The Hare (available now for pre-order), Rosie is an amazingly complex character, and Finn captures her porous self so well. In the beginning, we are coming-of-age with Rosie as she struggles to find her voice, her artistic vision, and her Self in a world dominated by men—men’s desires and needs have always come first, and Rosie is no stranger to that sublimation. But as the book moves through time, we see Rosie gaining strength, getting strong in the woods where she hunts and forages to keep herself and her infant daughter alive after they are left by the wealthy castaway boyfriend, Bennett.
The book takes some twists and turns, and Rosie grows older, hardened, yet still a loving soul, just like Finn writes of the trees on the barbed wire fence line in the forest: “The trees absorbed the cruel wire, grew straight and tall, regardless.” What an apt metaphor for women in this world: we absorb the traumas, the violence, the sleights to our sex, and grow strong, regardless.
I felt so close to the setting, too, I could often hear the fallen leaves crunching underfoot, or smell the woodstove smoke on a crisp winter evening. The complicated relationship between mother and daughter, cocooned together in a life of survival and secrets in a cabin in Vermont, is also captured well here.
Finn is a master of complication made visible through taut and beautiful words. I highly recommend this book.
The Hare by Melanie Finn. Two Dollar Radio, January 2021.
Reviewer bio: Samantha Kolber of Montpelier, Vermont, is a poet, editor, and author of a poetry chapbook, Birth of a Daughter (Kelsay Books, 2020). Learn more at www.samanthakolber.com.
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2020 Coniston Prize Winner & Finalists Announced
Laura Villareal is the winner of Radar Poetry‘s 2020 Coniston Prize. Her suite of poems will appear in Issue 28. Judge Ada Limón said of Villareal’s poems, “With language that is alive and piercing with rich sound work and haunting images, these poems are both confident and aching.”
Finalists of this year’s prize were Hillary Berg, Mary Craig, Shannon Elizabeth Hardwick, Jessica Hincapie, Amy Miller, Meredith Stricker, and Sarah Wolfson. You can read their poems in Issue 28 as well.
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Steinke’s ‘Flash Count Diary’
For sure, this book is about menopause and all the related inconveniences, silly jokes, and notions—but it’s also about sexuality, patriarchy, mortality, acceptance, spirituality, wisdom, and whales. Yes whales, for it seems those creatures that can live well over a century elect matriarchs who have experienced menopause to lead their packs in something of a crone’s position. And why not? Experience matters. Lack of distraction matters. It’s called wisdom. And this, Steinke tells us, is precisely why women should not pursue hormone treatment, why men should not pursue Viagra. Acceptance of life’s stages and the accompanying wisdom, not denial and infantile retreat.
This book presents Darcey Steinke par excellence, perhaps a bit angrier than her usual when discussing the mostly male-dominated medical and pharmaceutical fields, but then, as she would no doubt insist, she has earned that anger. As have we all.
Flash Count Diary: Menopause and the Vindication of Natural Life by Darcey Steinke. Farrar, Straus and Giroux, June 2019.
Reviewer bio: Joe Taylor has published five novels and three story collections. He is the director of Livingston Press: https://livingstonpress.uwa.edu.
Buy this book from our affiliate Bookshop.org.
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Mudfish Writing Workshop Goes Virtual
Mudfish founding editor Jill Hoffman leads a combined workshop of poetry and fiction in Tribeca, New York. These workshops are open to writers of all levels and are now being conducted virtually via ZOOM. Writers get to read aloud each week and give and receive honest and constructive criticism. Editors for Mudfish are also recruited from these workshops.
Sessions are being offered Monday or Wednesday nights from 7:30 to 11:00 PM. Visit their website to learn more.
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CRAFT 2nd Annual All-Flash November
For the second year in a row, literary magazine CRAFT will be focusing on flash pieces in November. This was kicked off with new flash fiction from Kim Magowan on November 6.
Follow their site for the latest flash pieces from Despy Boutris, Lori Sambol Brody, Lindsey Harding, and Paul Crenshaw. Plus, you’ll also find Amy Barnes tackling Nancy Stohlman’s Going Short and Kristin Tenor’s hybrid interview with Tara Isabel Zambrano on Death, Desire, and Other Destinations.
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An Action Adventure Sports Novel
Guest Post by Lorraine “Lorrie” Morales
If you’re looking for a great story from a self-published author, check our Jim Malner’s Big League. The book is an action adventure sports novel and a great read for anyone who loves hockey and mystery.
David Stone, an undrafted walk-on player, dreams of playing in the NHL. Riley Sawyer, the league’s number one draft pick, is Detroit Red Wings favorite to lead the team to the Stanley Cup. Their meeting at the summer training camp is a battle, not only on the ice, but against Russian mobsters and professional assassins. The boys will discover what real team work is in professional sports and the world of organized crime.
Big League by Jim Malner. Self-published, 2019.
Reviewer bio: Lorraine “Lorrie” Morales is a published author from Alberta, Canada
Press: https://www.lorriemorales.com.
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Are You Somebody I Should Know? Mudfish Individual Poet Series #14

Mudfish has released the 14th installment in their Individual Poet Series. Are You Somebody I Should Know? by Dell Lemmon. Art critic and poet John Yau says that Lemmon’s “memoir poems, as she calls them, are strong rivers pulling you into their currents. Her poems are pared down and direct and move at a rapid clip without ever tripping over themselves.” Jason Koo, Founder and Executive Director of Brooklyn Poets, says Lemmon’s book will convince you that you have missed so “much of your life, haven’t truly seen it, haven’t treasured nearly enough of all your friends, your loves, your family, let alone all the people you thought were not important enough to know.”
Are You Somebody I Should Know is available via SPD, Amazon, and Mudfish‘s website.
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South Dakota Review – 55.1

South Dakota Review is delighted to announce the release of Volume 55 Numbers 1&2. Featuring Marcia Arrieta, Carol Berg, and Anne Barngrover. Plus work by Annie Christain, Lisa Fay Coutley, Aisha Down, Kimberly Glanzman, and Jeannine Hall Gailey.
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Radar Poetry – No. 28

Welcome to the contest issue of Radar Poetry. Read Laura Villareal’s winning suite of poems, as well as work from finalists Hilary Berg, Mary Craig, Shannon Elizabeth Hardwick, Jessica Hincapie, Amy Miller, Meredith Stricker, and Sarah Wolfson. Cover art by Erin Case.
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Plume – Dec 2018

Visit Plume for this month’s Featured Selection: On Queer Poetics, Writing Courageously, and Becoming Otherwise: An Interview with Nomi Stone by Amanda Newell. In nonfiction, Peter Johnson provides “The Edson Letters.” Mark Wagenaar reviews Eric Pankey’s Alias.
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Experience Litquake 2020 on Video
Were you unable to attend the 2020 virtual events and crawls for Litquake: San Francisco’s Literary Festival? Then you are in luck! They have put up an archive of their events on YouTube and Facebook. This includes readings, craft discussions, and more!
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The Main Street Rag – Fall 2020

This issue’s featured interview is with Doralee Brooks, whose poetry is also included. Also in this issue: creative nonfiction by Frederick W. Bassett; fiction by Nathan V. Baker, Mari Carlson, Linda Griffin, Alan Nelson, and Eudora Watson; and poetry by Joan Barasovska, Rachel Barton, Ranney Campbell, Maria Ceferatti, Sally Dunn, Caroline Goodwin, Cleo Griffith, Dorinda Hale, Dennis Herrell, Zebulon Huset, Craig Kittner, Mike Jurkovic, and more.
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Contest :: 2021 Submissions to Progressive Young Artist Awards (PYAA) Open January 1!
Deadline: November 2021
PYAA looks for original works that show cultivated proficiency, artistry, technical skill, and art that expresses students’ individualistic, creative voices and visions. 2021 submissions open January 1st! Visit our website to learn more about categories and how to submit.
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The Gettysburg Review – 33.1

The Gettysburg Review is out and features paintings by Tollef Runquist, fiction by Julialicia Case, Martha Shaffer, Kirsten Vail Aguilar, and Andrea Marcusa; essays by Elizabeth Kaye Cook, Kathy Flann, Don Lago, Christine Schott, Rebecca McClanahan, and Melissa Haley; poetry by Christopher (c3) Crew, Peter Grandbois, Despy Boutris, Douglas Smith & George Looney, John Hazard, Brian Swann, Maura Stanton, Cindy King, John Brehm, and more.
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Call :: Stubborn Artists, Chestnut Review is Open to Submissions Year-round
Chestnut Review (“for stubborn artists”) invites submissions year round of poetry, fiction, nonfiction, art, and photography. We offer free submissions for poetry (3 poems), flash fiction (<1000 words), and art/photography (20 images); $5 submissions for fiction/nonfiction (<5k words), or 4-6 poems. Published artists receive $100 and a copy of the annual anthology of four issues (released each summer). Notification in <30 days or submission fee refunded. We appreciate stories in every genre we publish. All issues free online which illustrates what we have liked, but we are always ready to be surprised by the new! chestnutreview.com
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Anomaly – No 31

In the new issue of Anomaly: comics by Tamara Jong, Jennifer Murvin, Chloe Martinez, Andie Frein, Amelia L. Williams, and Alina Viknyanskiy; poetry by Tian-Ai, Stephanie Jean, Shay Alexi, Saddiq Dzukogi, Noor Ibn Najam, Noʻu Revilla, Michal Jones, KL Lyons, Irteqa Khan, Ima Odong, Heather Simon, Eunice Kim, Chavonn Williams Shen, Bailey Cohen-Vera, Asmaa Jama, and Amanda Holiday, fiction by Laurence Klavan, LaToya Jordan, and Carson Faust; and nonfiction by Tasha Raella, Jody Chan, and Anjoli Roy.
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Accepting Submissions: The Headlight Review Chapbook Prize
Deadline: After 80 submissions received
The Headlight Review’s Annual Chapbook Prize in Prose is open for submissions! Send us your very best literary fiction, 6k-10k words, and you will be considered by our expert panel of judges for a $500 cash prize and publication of your manuscript. Submissions are $20 each, and all finalists will also be considered for publication. Publication in THR’s regular genres (Poetry, Nonfiction, Fiction, Book Reviews, & Interviews) is also year-round, and it is free to submit. Submission Guidelines for The Chapbook Prize, and for our year-round submissions, can be found on our website. We look forward to reading your work!
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Driftwood Press Adrift Contest Winners
Earlier this week, Driftwood Press announced the winners of their third annual Adrift Chapbook Contest.
Winner
Lily-livered by Wren Hanks
Runner-up
Dead Uncles by Ben Kline
Guest Judge Sandra Beasley chose each of these chapbooks which will be available in 2021.
In fiction, T. Geronimo Johnson selected “Myopic” by Mason Boyles as this year’s Adrift Contest winner. This story will appear in the January 2021 issue of Driftwood Press.
If you’re disappointed you missed your chance to submit this year, no worries! The Driftwood Press Poem Contest and the Driftwood Press Short Story Contest are both currently open for submissions until January 15.
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Fresh Fiction from Gilbert Allen
Guest Post by Elizabeth Genovise
If you’re hunting for some fresh fiction from a small press, check out Gilbert Allen’s newest book, The Beasts of Belladonna. This book features fifteen linked tales of quirky characters in a South Carolina foothills community. Expect the unexpected in these unsettling yet often hilarious stories, in which characters rub up against their own failures, yearnings, and secrets.
A minister nails a bird to a couple’s front door; a woman accidentally kills her cat and finds an unconventional way to grieve its loss; a man’s foxy neighbor goes to outrageous lengths to destroy his marriage. Domestic animals have a hefty influence on these people’s lives, sometimes comical and sometimes tragic; the same could be said about church as we’re introduced to the Mosquito Ministry, the Faster Pastor Challenge, and couples who pass witty notes during sermons. We meet “treenappers,” a Grandfather Against Garbage, and a character known as the Jesus of Malibu, and in these encounters are powerful flashes of raw humanity in all its complexity.
The Beasts of Belladonna by Gilbert Allen. Slant Books, October 2020.
Reviewer bio: Elizabeth Genovise is an MFA graduate from McNeese State University and the author of three short story collections, the most recent being Posing Nude for the Saints from the Texas Review Press. https://www.elizabethgenovisefiction.org/
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At Home In The Dark With Carol Morris’s ‘Into The Lucky Dark’
Guest Post by Susan Kay Anderson
Into The Lucky Dark by Carol Morris, who is part of the Diane Wakoski circle, is much like being invited to coffee at a friend’s house where every time you go there you can be yourself and when you leave you feel like more yourself than ever before. Morris believes that life is a struggle but to read her poems and look at her utterly delightful artwork in this book, it would seem that life is also a place that we seem to haunt long before getting to the ghostly stage of things. This takes a bit of getting used to. It takes a while to read Morris’s poems because to languish in their harsh settings of bars and other meetings/gatherings is to feel the freeze, feel the edges of being an outsider even to oneself and then find the self in the touchstones of such leaving: “Houses in which my talents were useless” (from “A June Divorce”) to finding art and abstractions which make concrete sense. Continue reading “At Home In The Dark With Carol Morris’s ‘Into The Lucky Dark’”
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Into the Void Wants Your Work in Issue #18
Deadline: December 7, 2020
Print & online journal Into the Void is open to submissions of fiction, flash, creative nonfiction, poetry, & visual art to Issue #18 through December 7. Payment is $10 per poem/flash/art or $20 per long-from prose piece, a contributor copy, & a one-year online subscription. No theme, & no reading fees until Submittable monthly limits reached. Send us something that makes us feel alive. Details at our website.
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Contest :: Reminder Carve’s 2020 Prose & Poetry Contest Closes November 15
Deadline: November 15
Carve Magazine‘s Prose & Poetry Contest deadline is November 15. Accepting submissions from all over the world, but work must be in English. Max 10,000 words for fiction and nonfiction; 2,000 words for poetry. Prizes: $1,000 each for fiction, nonfiction, and poetry. All 3 winners published online in Spring 2021. Entry fee $17 online only. Guest judges are Shruti Swamy for fiction; Kendra Allen for nonfiction; and Roy G. Guzmán for poetry. www.carvezine.com/prose-poetry-contest/
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Contest :: Reminder Inaugural Acacia Fiction Prize Accepting Submissions
Deadline: December 31, 2020
The Acacia Fiction Prize winner is awarded $1,200, 20 author copies, plus publication and promotion by Kallisto Gaia Press for a collection of short stories, flash fiction, novellas, or any combination of fiction totaling between 40K and 75K words. Richard Z. Santos (Trust Me, 2020) will judge. Runner up receives $100. Entry fee is $25. All entrants receive a copy of the winning collection! Deadline: December 31, 2020. Sponsored by Duotrope. More info at kallistogaiapress.submittable.com/submit.
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Southern Humanities Review – 53.3

Southern Humanities Review has nonfiction by Allison LaSorda and Alexandria Peary; fiction by Marlene Lee, Dennis McFadden, Sean Rose, and Gregory Wolos; and poetry by Ashia Ajani, Jubi Arriola-Headley, Ariana Benson, Nate Duke, Matt Donovan, Bethany Schultz Hurst, Rasaq Malik, Leslie Mcintosh, Mary Morris, Julia Thacker, Marisa Tirado, and Annie Woodford.
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Raleigh Review – Fall 2020

This issue’s featured artist is Janice Joy Little. Fiction by Peter D. Gorman, Trina Askin, James Hartman, Melissa Reddish, and Katherine Conner. Poetry by Melissa Kwasny, Nan Becker, Dionissios Kollias, Colin Bailes, Rob Shapiro, Kabel Mishka Ligot, Hussain Ahmed, Johnny Lorenz, Darius Simpson, Camerin McGill, Jai Hamid Bashir, Melanie Tafejian, Maxine Patroni, Alaina Bainbridge, and Gabriella R. Tallmadge. Check it out at the Raleigh Review website.
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The Lake – November 2020

The November issue of The Lake features Jean Atkin, Joe Balaz, Carol Casey, Robert G. Cowser, Sarah L. Dixon, Edilson A. Ferreira, Nels Hanson, Dierdre Hines, Beth McDonough, Roger Mitchell, Ronald Moran, Angela Readman, Maggie Reed, David Spicer. Reviews of Natalie Scott’s Rare Birds: Voices of Holloway Prison, Ric Cheyney’s In Praise of Nahum Tate, Terry Tierney’s The Poet’s Garage.
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The Wishing Tree
Guest Post by Robert Lamb
It was Union Gen. William Tecumseh Sherman who said, “War is hell.” If you have any doubt that the general was dead right, run and get a copy of The Wishing Tree by Matthew A. Hamilton. You’ll see war up close and personal in his excellent account of the Armenian genocide by the Turks in the early 1900s.
Hamilton, a Richmond, VA writer and former Peace Corps volunteer, shows us through the eyes of a young Christian girl in Armenia how war unleashes unspeakable human savagery in the name of ethnic cleansing.
It is April 1915 and the Turks’ Ottoman Empire, which has lasted for centuries, is on the verge of defeat by the allied forces of Great Britain and the Arabs. In the novel’s first few pages, the heroine, Valia, a teenager, sees her parents, siblings, and neighbors, all Christians, murdered by Turkish “police soldiers,” and flees for her life.
Thus begins an odyssey the reader won’t soon forget. The author’s account of Valia’s struggle to stay alive and hopeful is a hymn to the human spirit, and the story is nothing short of realistic and gripping.
Adding a nice touch of realism, even Lawrence of Arabia and Arab Prince Faisal make cameo appearances near the story’s end.
OK, film producers; you can’t say I didn’t give you a heads up on this novel.
The Wishing Tree by Matthew A. Hamilton. Winter Goose Publishing, September 2020.
Reviewer bio: Robert Lamb is the author of four novels and a book of short stories; he review books for the New York Review of Books; and he has a website at www.robertlamb.net.
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Into the Void Magazine – #17

Welcome to a great issue full of vivid, haunting, charming and thought-provoking pieces with a stunning cover image by Jeff Corwin. Fiction by George Choundas, Kathie Giorgio, Rosalind Goldsmith, Alice Ting Liu, Chris Neilan, and Alexander Woods; nonfiction by Audrey Burges, Marie Kilroy, and Ellis Scott; and poetry by Dianna Vagianos Armentrout, Swapnil Dhruv Bose, James Butler, and more.
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Hole in the Head Review – November 2020

Issue 4 of Hole in the Head Review celebrates our first year. Featuring works by K. Johnson Bowles, Anna Birch, Bob Herz, Christopher Volpe, Ann Pedone, Richard Foerster, Hannah Tarkinson, James Crenner, Zoo Cain, Brendan Constantine, Norma Greenwood, Douglas Cole, and Stuart Kestenbaum. Special Prose Poem Mini Chapbook edited by Peter Johnson, including annotated correspondence of Russell Edson and works by Cassandra Atherton, Nin Andrews, Denise Duhamel, Gerald Fleming, Jeff Friedman, Holly Iglesias, and Anna McDonald.
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Hanging Loose – Issue 111

Our 54th year of continuous publication! Cover art and portfolio by William Linmark. Poems by Sherman Alexie, Indran Amirthanayagam, Jack Anderson, Martine Bellen, Polly Buckingham, Liuyu Ivy Chen, Jiwon Choi, Robert Clinton, John Corley, Sam Cornish, Harley Elliott, Gerald Fleming, Justin Jamail, Daniel Johnson, Faye Kicknosway, David Lehman, Michael Miller, Frank Murphy, and more. Read more at the Hanging Loose website.
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Contest :: National Indie Excellence Awards 2021 Open for Entries
The National Indie Excellence® Awards (NIEA) are open to all English language printed books available for sale, including small presses, mid-size independent publishers, university presses, and self-published authors. NIEA is proud to be a champion of self-publishing and small independent presses going the extra mile to produce books of excellence in every aspect. All entries for the 15th Annual NIEA contest must be postmarked by March 31, 2021. www.indieexcellence.com
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Call :: We Pay Contributors: Driftwood Press Submissions Open
John Updike once said, “Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better.” At Driftwood Press, we are actively searching for artists who care about doing it right, or better. We are excited to receive your submissions and will diligently work to bring you the best in full poetry collections, novellas, graphic novels, short fiction, poetry, graphic narrative, photography, art, interviews, and contests. We also offer our submitters a premium option to receive an acceptance or rejection letter within one week of submission; many authors are offered editorships and interviews. To polish your fiction, note our editing services and seminars, too. www.driftwoodpress.net
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Contest :: The 2020 Jane Underwood Poetry Prize
Deadline: December 1, 2020
The 4th annual Jane Underwood Poetry Prize is accepting submissions! Open to all poets, the prize is awarded for a single poem. For a fee of $15, submit one entry of up to three poems. The prizewinner will receive an award of $250, online publication of the winning poem, and an invitation to do a featured reading. This year’s final judge is David Hernandez. Full guidelines can be found at www.writingsalons.com/awards-resources/jane-underwood-poetry-prize/.
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A Speaker to Root For
During the first few months of the pandemic, I couldn’t read anything. My attention span was gone and anything I did manage to read left my mind immediately. But that ended when I sat in the park and read Dorothy Chan’s Revenge of the Asian Woman (Diode Editions, 2019) from cover to cover. My locked-away ability to read had found its key. Already a fan of Chan’s work, this just helped solidify my love for her poetry even more, and I’m always more than happy to check out any of her newly published poems. The October 2020 issue of Poetry gives the gift of her poem, “Ode to Chinese Superstitions, Haircuts, and Being a Girl.”
The poem flows in a rush, like a held breath finally exhaled. Chan begins with the Chinese superstition “it’s bad luck / to get a haircut when I’m sick” and leads into the role the speaker fulfills as a daughter, as a girl, as someone who “always bring[s] / the party, cause[s] the trouble . . . .” While there are specifics tied to her own self, culture, and family—her brother’s fate, her mother’s thoughts on her future, her father’s opinion on how “good Chinese girls” wear their hair—Chan leaves the reader plenty of room to relate to her words. If we don’t feel like her, we can still root for her and her “short skirt,” her “forehead forever exposed.”
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Into The Void Releases We Are Antifa Anthology
At the beginning of the month, literary magazine Into the Void released it’s We Are Antifa: Expressions Against Fascism, Racism and Police Violence in the United States and Beyond. The anthology features creative nonfiction, fiction, and poetry from diverse writers all over the world, i.e. the US, Canada, Ireland, the UK, Greece, Nigeria, and more.
Into the Void will be donating 100% of proceeds from the anthology’s sales to Black Lives Matter Canada. In order to maximize profits, the book will only be available via Amazon in ebook and paperback formats.
We Are Antifa was edited by Heath Brougher, Jay C. Mims, Amanda Gaines, Andrew Rihn, and Philip Elliot. It features “breathtaking writing condemning fascism, racism and state-sanctioned brutality through powerful expressions of grief, rage, hope and love.”
The title is a response to Donald Trump’s declaration that the US will be designating Antifa as a terrorist organization. The editors encourage readers to check out “A Brief History of Anti-Fascism” in Smithsonian Magazine to better understand why they published this anthology and “how anti-fascism and anti-racism are inextricably linked in the fight against oppression and supremacy.”
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A Playful Conglomeration of Experiments
Patrick Madden’s third collection of essays is a playful conglomeration of experiments (in form, in collaboration, in thought). Interspersed among more traditional personal essays, you will find a menagerie of borrowed forms. The collection opens with an essay masquerading as an eBay listing for “Writer Michael Martone’s Leftover Water.” (Or is it an eBay listing masquerading as an essay? We can’t be sure, which is half the fun.) You will find blackout poetry (“Insomnia”), an essay written with the help of predictive text algorithms (“Unpredictable Essays”), mixed up proverbs (“The Proverbial ____” ), and a series of “Pangram Haiku.” Continue reading “A Playful Conglomeration of Experiments”
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Call :: Girls Right the World Seeks Work for Fifth Issue
Deadline: December 31, 2020
Girls Right the World is a literary journal inviting young, female-identified writers and artists, ages 14–21, to submit work for consideration for the fifth annual issue. We believe girls’ voices transform the world for the better. We accept poetry, prose, and visual art of any style or theme. We ask to be the first to publish your work in North America; after publication, the rights return to you. Send your best work, in English or English translation, to [email protected] by December 31, 2020. Please include a note mentioning your age, where you’re from, and a bit about your submission. Please read our first four issues for an idea of work we like.
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Inside Out & Back Again
Inside Out and Back Again is a novel in verse by Thanhhà Lai. This book won the National Book Award for Young People’s Literature in 2011 and a Newbery Honor in 2012.
Through a series of poems, 10-year-old Hà takes the readers through one year of her life in 1975. It was a life-changing year, beginning with her life in Saigon, then fleeing South Vietnam on a ship as Saigon fell on April 30, 1975. Hà and her family were in a refugee camp before resettling in Alabama, and the family struggled to start a new life there. Hà struggled with the language and fitting in at school.
Many details of this book were inspired by Thanhhà Lai’s own life. She also fled Vietnam at the age of 10 at the end of the Vietnam War, and moved to Alabama. The poems in this book will make you laugh and they will also make you cry. They will make you want to read this book all in one sitting, and when you get to the end, immediately want to read it again, but slowly this time to savor all the words. This book is powerful, poignant, and moving, worthy of all its awards.
Inside Out and Back Again by Thanhhà Lai. HarperCollins, 2011.
Reviewer bio: Chang Shih Yen is a writer from Malaysia, seeing through the pandemic in New Zealand. She writes a blog at https://shihyenshoes.wordpress.com/.
Buy this book from our affiliate Bookshop.org.
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Contest :: 2020 Philadelphia Stories/Sandy Crimmins National Prize for Poetry
Deadline: November 15, 2020
The Sandy Crimmins National Prize for Poetry is an annual national poetry prize featuring a $1,000 cash award for first place. Three runners up will each receive a $250 cash award. The winning and runner up poems are published in the Spring issue with these poems and honorable mentions also appearing online. The Crimmins Prize celebrates risk, innovation, and emotional engagement. We especially encourage poets from underrepresented groups and backgrounds to send their work. philadelphiastories.org
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Call :: Waymark Literary Magazine Seeks Works of an Individual’s Footpath in Life
Deadline: November 20, 2020
Waymark Literary Magazine is an online and physical literary magazine dedicated to publishing the works of an individual’s waymark; their footpath in life. Anyone can submit as long as they have a story to tell. We are looking for nonfiction, fiction, poetry, and art submissions to be published in our biannual publication. Check out our Summer 2020 issue for an idea of what we seek.
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Call :: Heron Tree Volume 8 Open to Found Poems
Deadline: January 15, 2021
Heron Tree Volume 8 will be dedicated to found poems composed from public domain sources. We are accepting submissions in the following categories: found poems crafted from any source material(s) in the public domain in the United States; found poems created from How to Keep Bees (1905), a handbook by Anna Botsford Comstock; found poems fashioned from public domain sonnets other than Shakespeare’s. We are interested in any and all approaches to found poetry construction and erased or remixed texts. For details visit us at herontree.com/how/.
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Contest :: Baltimore Review Wants Prose Under 1,000 Words for Winter 2020 Contest
Deadline: November 30, 2020
No theme for our winter contest. Subject matter is entirely up to you. Surprise us! But keep it short. Two categories: flash fiction and flash creative nonfiction. We want to be amazed at how you abracadabra 1,000 or less into magic. And maybe be a little jealous of how you do that. One writer in each category will be awarded a $300 prize and published in the winter issue. All entries considered for publication and payment. Final judge: Diana Spechler. See www.baltimorereview.org for complete details. Deadline: November 30, 2020. Fee: $5.
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Call :: Auroras & Blossoms Plus FPoint Collective Seek Work Year-round
Deadline: Year-round
Launched in 2019, Auroras & Blossoms is dedicated to promoting positive, uplifting, and inspirational art; and giving artists of all levels a platform where they can showcase their work and build their publishing credits. We publish short stories, six-word stories, paintings, and drawings. We are also looking for work that tells beautiful stories and articles that are helpful to photographers at every level of their career for publication in our sister journal FPoint Collective Photography Magazine. We are interested in photography, along with articles, tips, stories, and essays relating to photography. International submissions welcome. Submission Guidelines and apply here. Check out past issues for a taste of what we like.
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Contest :: Win More than $8,000 of IvyZen’s Premium Mentoring Services
Application Deadline: November 15, 2020
At IvyZen, our greatest joy is helping realize the potential of top students looking to get into Ivy League Schools. The scholarship program provides the following services and totals more than $8,000 worth of our premium mentoring services: How to craft a unique and compelling theme to make your application stand out; Overall application strategy and plan; How to write Ivy League admissions essays; Brainstorming Essays; College List Consultation; Free access to our project management platform to keep all your essays and materials organized; and 24/7 online access to the IvyZen Mentorship Team.
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Picking Up the Fragments
Hildr Fragments, written by Dani L Smith, is a collection of poems covering relationships, notably a lengthy relationship that was both co-dependent and abusive.
Smith is a British expat living in South Korea; she meets a fellow expat, an older Canadian, who proves to be problematic from the start of their relationship. The author is forced to pull herself from the relationship after years of gaslighting (“even when I caught you in a lie you somehow succeeded in making me second-guess myself and making me feel crazy”), cheating, and even physical abuse. The author covers all the heavy aspects of leaving an abusive relationship from losing your household belongings, “11 drunken, psychotic messages within one hour,” and the time that she will never get back.
The word “Hildr” means “battle” in Old Norse, and we see the author battle with the desire to stay in an abusive relationship, her attempts to break from her abuser’s hold over her, her recovering from a miscarriage, and ultimately freeing herself from abuse and looking onward to the future.
Hildr Fragments by Dani L Smith. Independently published, October 2020.
Reviewer bio: Elizabeth Basok is a lecturer at The Ohio State University. Her Instagram is @lizbasok.