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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

Hope-Giving Horror

Guest Post by Lauren Mead

ST is concerned about his owner Big Jim when his eyeball falls out and lands in the grass. He should be, considering that Big Jim has just turned into a zombie thanks to a mysterious virus that travels through screens. When it becomes clear that cheering Big Jim up with his favourite beer and a bag of Cheetos isn’t going to help, ST (a domesticated crow) and Dennis (a dog) set out across the wilds of post-apocalyptic Seattle to find a cure.

On his journey, ST encounters hordes of vicious humans who are suffering from the same malady as Big Jim. He braves a deadly market (for doughnuts), the aquarium (for answers) and follows cryptic rumours of the one remaining human who can save them all. ST must set aside his fears to find a way forward in this new, and often frightening world.

I read Hollow Kingdom before COVID-19 was a phrase in my everyday life. I can remember thinking that I was glad there wasn’t some deadly virus on the loose, because gosh, wouldn’t that be awful? At the time, it kind of felt like it would be the end of the world. I’m a germaphobe, so I don’t handle sickness very well on a good day. Throw in a worldwide pandemic and you’ve got a recipe for this girl to never leave her house again. I didn’t, for awhile.

But if ST can face his fears in a zombie-infested world, I can sure as heck set foot outside. It’s funny how horror stories can have the opposite effect of real fear. Instead of making us want to hide, it makes us bolder to know that even if the worst, most terrifying thing were to happen, there would be a way forward. Horror gives us hope.


Hollow Kingdom by Kira Jane Buxton. Grand Central Publishing, August 2019.

Reviewer bio: Lauren Mead has been published in The Danforth Review, The MacGuffin, Soliloquies and Forest for the Trees. She also writes for her blog, www.novelshrink.com.

Buy this book at our affiliate Bookshop.org.

Sleet Magazine – Spring Summer 2020

Sleet Magazine‘s slim Summer Edition has arrived! We promise you will not be disappointed; the pieces have heart and guts. Proud to showcase work by poets B. Baumgart, L. Castle, M. Dillon, J. Palen, O. Umukoro; Fiction by E. Ferrell, P. Sterling, SF Wright, K. Skiles Law; and CNF by A. Schur and W. Thornton.

Missouri Review – Spring 2020

The “Elemental Force” issue of Missouri Review is out. Inside: The 2019 Jeffrey E. Smith Editors’ Prize winners, and Stephanie Carpenter on Little Women and Louisa May Alcott. Featuring John Balaban, Nathan Greenberg, Daniel Hornsby, Melissa Studdard, Diana Xin, Javier Zamora, and many more.

The Iowa Review – Spring 2020

The latest issue of The Iowa Review is out. In this issue: birthday cake, auctioneering school, the 2018 Hawaii false missile alert, a male masseuse in Kanagawa Prefecture, a love performance, the winner of the 2019 David Hamilton Prize for Iowa Review Alumni, and tributes to Connie Brothers.

Tolsun Books Seeks Volunteers

Tolsun Books is looking to expand our small, collaborative, remote team of volunteers. If you are passionate about energetic works of literature, and have experience in aspects of literary publishing, especially copy-editing and/or proofreading, please send us an email at [email protected].

The Georgia Review – Summer 2020

The Georgia Review‘s latest issue features new writing from Garrett Hongo, Aimee Nezhukumatathil, Laura van den Berg, A. E. Stallings, and many other exciting voices! Original translations of poetic works by Hisham Bustani and Shuzo Takiguchi. Illustrated features on the theme “Shelter in Place,” by Lindsey Bailey, Kaytea Petro, and Bishakh Som. Cover art and portfolio by Doron Langberg. This issue is not to be missed—read selected online features today!

Mayday Makeover

Mayday Magazine‘s website has a had a makeover! The new set-up has different genres in the header so readers can choose their favorites there, and the homepage displays new, featured work. The newly designed site looks modern and is easy to navigate. Who doesn’t like to experience some change once in awhile? Check it out for yourself and sign up for the magazines newsletter while you’re there for even more updates from Mayday.

Dip Your Fingers in a Faraway World

Guest Post by Karabi Mitra

Julia Phillips’s Disappearing Earth opens on the shores of a sea lapping at the edges of the Siberian Peninsula. Two young sisters are playing on the beach. It’s a simple enough setting. The older one is trying to get the younger one to come home. You don’t yet know why, but you’re starting to feel unsettled and you can almost feel the oncoming danger. By the end of the chapter, the girls have disappeared.

The chapters that follow are not an investigation into the disappearance. Instead they are stories of various inhabitants located in and around the Kamchatka Peninsula. The disappearance of the girls hangs over each of them, but the stories are about their own lives. A new mother struggling to come to terms with staying at home and giving up her career. A mother whose child similarly disappeared three years ago. And that’s when the patterns start emerging. The complexity of relationships, the underlying beliefs and mistrust towards certain groups of people. Natives are treated in a slightly different way. There is a distrust towards the so-called new people who have migrated to the region. There are superstitions and practices. And you realize that ultimately people are the same, no matter where they are. We’re all dealing with the same issues.

The setting of Disappearing Earth makes you feel as though you’ve dipped your fingers into a faraway world. The descriptions of the volcanoes and open tundras and thermal springs and open fields add an allure to the overall story. You sometimes feel as though you really are at the end of the world. The ending is stunning, and Julia Phillips ties up at the loose ends in a way that makes you close the book with a satisfied hush.


Disappearing Earth by Julia Phillips. Penguin Random House, April 2020.

Reviewer bio: Karabi Mitra is an avid reader, based in Toronto. She also enjoys writing and has been published in various literary magazines such as Litro Magazine and Volney Road Review.

2019 Carve Prose & Poetry Contest Winners

Carve annually hosts the Prose & Poetry Contest for submissions in fiction, nonfiction, and poetry. There is one winner in each genre category, each awarded a $1000 prize.

Readers can find the winners of the 2019 contest in the Spring 2020 issue.

Fiction
“A Simple Case” by Nancy Lundmerer

Nonfiction
“From the Book on Pit Firing Pottery” by Sarah Sousa

Poetry
“Cleft” by Jason M. Glover

The judges for this past year’s contest were Lydia Kiesling in fiction, Analicia Sotelo in nonfiction, and Benjamin Busch in poetry. Submissions for this year’s contest will reopen at the beginning of October.

2019 Able Muse Write Prize Winners

Able Muse‘s annual Write Prize awards $500 for the best submitted poem, $500 for the best submitted flash fiction, and publication in the print journal. The Winter 2019 issue of Able Muse features the winners of the 2019 contest.

Poetry Winner
“Waiting for the Angel” by David MacRae Landon

Poetry Finalists
“Dear Sonnet” by Amy Bagan
“Paradox” by Beth Paulson
“Postcard, Vermont” by Miriam O’Neal

Fiction Winner
“To the Bottleneck Fiction” by Erin Russell

Stay tuned for the winners of the 2020 contest, which closed this past March.

Maggie Smith Writes to America

Magazine Review by Katy Haas

In Cave Wall Number 16, Maggie Smith writes a poem to America. “Tender Age” focuses on the reality of the country, which is decidedly “not what I learned / in grade school.” Instead, this America “caged / even the babies.”

She questions who our laws serve, questions where the country’s conscience lives, or where it’s been removed from. Reminiscing on the past, Smith writes of the street she grew up on and the church she attended, as well as the handbells played there. These memories are unburied again as she wonders whether there will be “neighborhoods / named for this undeclared war” like we’ve named ones “Lexington, / Bunker Hill, Valley Forge.” Finally, the piece ends on the images of the handbells again ins sobering stanza:

America, when we want to silence
the bells, we extinguish
their open mouths
on our chests.

This poem is unfortunately continuously timely and relevant with the continued practice of caging migrant children and following the recent news that another 1,500 have been “lost.” Smith’s poem encourages readers to join in as she speaks to America and against the horrific, harmful systems we’ve created.

Natasha Reads ‘The Jane Austen Society’ by Natalie Jenner

Guest Post by Natasha Djordjevic

Natalie Jenner’s debut novel, The Jane Austen Society, is a delightful, insightful tribute to the author who brought us so many memorable characters. The story is set at the end of WWII in Chawton, where Jane Austen spent the last part of her life and where she wrote her final three novels. A group of unlikely people become friends and form a society that has a mutual love for Jane Austen. They want to use their love to save her home and make it a museum with items of the era she resided in.

We’re introduced to Adam Berwick, a farmer who is the character we meet first, upon meeting with a stranger looking for Austen, develops an affection of Austen’s works; Dr. Gray, who is grieving over the loss of his wife; Mimi Harrison a Hollywood actress with a soft spot for Austen; Frances Knight, a descendant of Jane Austen’s brother; Evie Snow a housemaid working at the estate and who secretly catalogs the library; Adeline Lewis, an English teacher who has experienced a series of losses; Andrew Forrester, a lawyer handling the estate’s affairs; and Yardley Sinclair, an estate sales expert of Sotheby’s in London.

With an easy pace, a well-executed plot, and its ability to explore themes of grief, loss, identity, love, this is a novel that is sure to delight both Austen fans and newcomers to the author.


The Jane Austen Society by Natalie Jenner. St. Martin’s Press, May 2020.

Reviewer bio: My name is Natasha Djordjevic. My favorite genre to read is Historical Fiction, especially books set in the Tudor times. You can find my blog at poetryofreading.blogspot.com.

Buy this book from our affiliate Bookshop.org.

NewPages Book Stand – June 2020

This month’s Book Stand is now up at our website. Visit for new and forthcoming book titles, including five featured books.

I’ll Be Here For You: Diary of a Town by Robert McKean is made up of interconnected stories and takes readers to the hardscrabble western Pennsylvania mill town of Ganaego.

In Johnny Cash International: How and Why Fans Love the Man in Black, Michael Hinds and Jonathan Silverman examine Cash’s fan communities and the individuals who comprise them, revealing new insights about music, fandom, and the United States.

Eric Pankey’s Alias: Prose Poems investigates the flexibility and possibility of the prose poem.

Demon Barber by Ruth Bardon explores the grace notes we celebrate in life, and the absences that makes those celebrations ache.

Kari Gunter-Seymour’s A Place So Deep Inside America It Can’t Be Seen explores beyond the boundaries of feminism, science, and spirituality, and renews a sense of understanding and discovery of today’s Appalachian woman.

You can learn more about each of these New & Noteworthy books at our website. Our featured titles can also be found at our our affiliate Bookshop.org. You can find out how to place your book in our New & Noteworthy section here: https://npofficespace.com/classified-advertising/new-title-issue-ad-reservation/.

The Shore – Summer 2020

The summer issue of The Shore features dazzling poetry by: Catherine Pierce, Kim Harvey, Beth Gylys, Joshua Garcia, Sara Moore Wagner, Kristi Maxwell, Dillon Thomas Jones, Matthew Bruce, Lorrie Ness, C.C.Russell, Travis Truax, Stanley Princewill McDaniels, Njoku Nonso, Erin Rodoni, Phillip Sterling, William Doreski, and more.

Presence – 2020

The 2020 issue of Presence features poets Sean Thomas Dougherty and Angela Alaimo O’Donnell. Also in this issue: translated work by María Eugenia Vaz Ferreira, Laura Chalar, Julio Herrera y Reissig, Federico García Lorca, Lucía Estrada, Fina García Marruz, and more; poetry by Ann Applegarth, Collin Becker, Aaron Brown, Ann Cefola, Paola Corso, Susan Cowger, Janet McCann, Stephen Paling, Skip Renker, and others; and interviews with Christian Wiman and Paul Mariani. There is a lot more to discover in this issue, including an “in memoriam” section, book reviews, and a “life’s work” section.

The Briar Cliff Review – 2020

The 2020 issue of The Briar Cliff Review explores themes of violence, disconnectedness, and the legacy of slavery. Find poetry by Jed Myers, Claude Wilkinson, AE Hines, Lindy Obach, Doug Rampseck, Laura Stott, Melanie Krieps Mergen, Mary Fitzpatrick, Dar Hurni, and more; fiction by Deac Etherington, Carrie Callaghan, and others; and nonfiction by Karen Holmberg, Ryan McCarl, and more. Plus, two book reviews and pages of art.

Inaugural Nina Riggs Poetry Award Winner

author head shotRhett Iseman Trull, Editor of Cave Wall poetry magazine has announced the first winner for The Nina Riggs Poetry Award.

“We were thrilled with the many nominations that came in from individuals, presses, and journals,” Rhett commented. “The 10 finalists that went to the guest judge were powerful poems, all worthy of the award, poems everyone should read.”

Guest Judge Maria Hummel chose Rachel Eliza Griffiths’ poem “Good Mother,” which first appeared in Tin House, as this year’s inaugural winner. Griffiths’ poem can be read here.

The Nina Riggs Poetry Award is a crowd-funded award, with the winner receiving at least $500. “Thanks to the generous donations of so many supporters,” Rhett shared, “we were able to award Rachel Eliza $1,000.”

Honorable Mention went to Melissa Crowe for “Dear Terror, Dear Splendor.”

Finalists

Traci Brimhall, “Oh, Wonder”
Tiana Clark, “A Louder Thing”
Carrie Fountain, “Will You?”
Keetje Kuipers, “Still Life with Small Objects of Perfect Choking Size”
Megan Peak, “What I Don’t Tell My Mother about Ohio”
Thomas Reiter, “Companions”
Anna Ross, “One Time”
Molly Spencer, “A Wooing, Outright, of My Beloved Ones”

Rhett added, “We hope many people will nominate poems for the next round. Any poems received before Nov. 1 will be considered for the 2021 award. We are looking for the finest poems on family, relationships, or domestic life published in the last three years. No self-nominations.”

For more information, visit: http://www.cavewallpress.com/ninaaward.html

Jessica Hertz Examines Five Fictional Women

Magazine Review by Katy Haas

In the latest issue of Pembroke Magazine, Jessica Hertz writes of the “Fictional Women I Have Known.” This five-part piece focuses on Alice from Alice in Wonderland, the mermaid from Hans Christian Andersen’s or Disney’s The Little Mermaid, Persephone, the sister from “The Six Swans” fairy tale, and Eve.

Each section explores the complexities of their feelings, their desires, and their realities. They’re not flat women on a page but are thought-out and developed even in the small space provided. I enjoyed Hertz’s take on each of them, and my favorites were the mermaid and Eve. The mermaid is faced with having to choose between a voice or the ability to dance, a choice she wishes she did not have to make. Eve is faced with a choice—eat the offered fruit or don’t—and Hertz asserts she knew exactly what she was doing when she accepted, a take I appreciated.

Peer into the inner thoughts and feelings of these five fictional women with Hertz as your guide.

Merging Memory with Storytelling

Guest Post by Kate Gaskin

In Wider than the Sky, Nancy Chen Long’s second book of poetry, the biological constraints of memory merge with the practice of storytelling to show how families create intimate legacies and private lexicons that both heal and stifle.

Long uses the language of science to meditate on the power of stories to determine—or even rewrite—reality. In “Interstice,” she writes “Our memory is flooded with holes, pocked like cotton eyelet.” To participate in narrative, then, is to admit its fallibility: “There are gaps in our stories / and in our history. People are missing.” “In the Family of Erasure” shows a daughter and mother engaged in a complicated dance through each other’s individual memories in order to arrive at a shared history they can both tolerate.

Throughout this collection, Long mines both the personal and the general to show how memory is a mutable and ever-evolving force that steers migrating butterflies around long-gone mountains and compels a daughter to clean “off the family’s stains . . . to keep her memory-rooms blameless.” In the closing poem “Wordlust,” Long writes of the bittersweet futility of determining shared history: “The world is filled / with words. We are a seaward-bound people, / chasing a flood / of sorrows our stories cannot explain.” These are tender and insightful poems that probe the fallibility of memory, asking which parts of our legacy we can control and which parts are inherited by complex forces that stretch back into our DNA.


Wider than the Sky by Nancy Chen Long. Diode Editions, March 2020.

Reviewer bio: Kate Gaskin is the author of Forever War (YesYes Books 2020). She is a poetry editor for The Adroit Journal. 

2020 Jeff Marks Memorial Poetry Prize Winner and Finalists

The latest issue of december includes the 2020 Jeff Marks Memorial Poetry Prize winner and finalists.

First Place
“River” by Kimani Rose

Honorable Mention
“The Mirrored Room” by Carolyn Foster Segal

Finalists
“The Chosen” by Partridge Boswell
“An Invitation to an Eclipse Party” by
“Going to Church” by Gibson Fay-LeBlanc
“Ars Poetica With Clickbait” by Rebecca Foust
“Pink Peonies” by Valentina Gnup
“On Midwest Marriage” by Gina Keplinger
“My Daughter Makes Pan Dulces” by Abby E. Murray
“Origin of a Disaster” by Purnama
“House Bill #118” by Molly Bess Rector
“Rupture” by Raisa Tolchinsky

You can view a selection of these at the magazine’s website, or grab yourself a copy to check out all the placing poems.

A Time of Hope: Hatchet

Guest Post by Zizheng William Liu

Hatchet is the depiction of a world gone wrong. The book details the life of Brian Robeson, the son of divorced parents, and victim of a horrific plane crash. Left alone in the midst of the Canadian wilderness with nothing but a windbreaker and hatchet, Brian must tame himself to survive.

The story begins in the city, where 13-year-old Brian boards a bush plane to see his father for the summer. Miles up into the air, the plane pilot suffer from a heart attack, rendering the plane flying aimlessly above the Canadian landscape. But Brian had always been under tough situations. Ever since he had witnessed the dreaded secret that led to his parent’s divorce, Brian’s life had spiraled out of control. No, literally. The Cessna 406 bush plane that Brian was riding to see his father crashes, and Brian is forced to live his life in the wild. All the luxuries from the city are gone. Food needs to be hunted, shelter needs to be built, and the pesky mosquitoes need to be repelled. Over a month passes since the initial plane crash, and Brian finally finds a solution. He scavenges a transmitter from the plane ruins and that ultimately leads to his rescue. A fur buyer had been alerted to Brian, but the 54 days that Brian spent in the wilderness had still taken its toll.

A thrilling and powerful piece, Hatchet shows that any problem can be solved, even when life is on the line. In a time when the Covid-19 pandemic has swept through our nation, this book is an insight into the true potential that we all have. When utilized, no problem is too big to be solved.


Hatchet by Gary Paulsen. Scholastic Press, 1986.

Reviewer bio: Zizheng William Liu is an avid writer. His works have been published in multiple literary journals and he is an editor for Polyphony Lit Magazines.

A Thought-Changing Read

Guest Post by Mia Willardson 

On May 19th, 2020, Hunger Games author Suzanne Collins released the novel The Ballad of Songbirds and Snakes. This dystopian piece is a prequel to Collins’s bestselling series. The Ballad Of Songbirds and Snakes takes place during the tenth annual Hunger Games and centers around young Coriolanus Snow. Snow is chosen to mentor in the Hunger Games and feels mortified when he is assigned the tribute from district twelve, Lucy Gray Baird. In the capital, district citizens were inferiors—less than people. Coriolanus felt disgraced to be assigned a girl from district twelve. However, Snow begins to learn that Lucy Gray isn’t just a girl from district twelve. She’s a very smart young woman who likes to wear rainbow dresses, sing, dance, and make a scene. She begins to become a hit in the capitol and Snow begins to see her in a new light. He begins to believe that she has a shot at winning the Hunger Games.

This story helps Hunger Games fans understand how Katniss and Peeta’s world came to be. The reader is taught the history of the dystopian country, and the hardships Snow and his family faced.

The reader learns how certain events and traditions came to place in the Hunger Games universe. Readers will fall in love with the bold characters in the novel, and will definitely find themselves audibly gasping and laughing along with the story. Collins’s use of striking imagery will make the reader feel as though they are apart of the journey. Collins shocks readers with how much the story can compare to our world and our real-world issues. The story revolves around power, control, and how people will react to it on larger scales. You’d be surprised how children fighting for their lives in an arena would compare to what is happening now. The Ballad of Songbirds and Snakes is a must-read and is the thought-changing tale of the year.


The Ballad of Songbirds and Snakes by Suzanne Collins. Scholastic Press, May 2020.

Reviewer bio: Mia is a fifteen-year-old upcoming high school sophomore who adores creative writing and dystopian literary pieces.

Buy this book from our affiliate Bookshop.org.

A Meditation on Friendship

Guest Post by Leah Browning

I Refuse is a novel by Per Petterson about two childhood friends. Tommy and Jim are now adults and have been estranged for many years when they unexpectedly cross paths on a bridge outside Oslo.

Per Petterson, who also grew up in Norway, is a thoughtful and moving writer. Overall, I see this book is a meditation on friendship, not only between the two main characters, but between others as well. There are several instances where a spontaneous act of kindness reverberates through another person’s day or even, in at least one case, an entire lifetime.

The book also focuses on something slipperier: the role of persistence or determination in a person’s life. One of the boys has a harsh, even brutal home life; the other has, in many ways, been luckier. Either could be destroyed by his circumstances.

At the beginning of the book, one of the men has been fishing, but it could have been either one: “As a rule I drove home before the first cars came down the hill towards the bridge, but today I had frittered my time away. I hadn’t even started to pack my bag, and the cars that were coming were classy cars, expensive cars. I turned my back to the road, my frayed navy blue reefer jacket wrapped tightly round me. I’d had that jacket ever since I was a boy in Mørk, and only one of the old brass buttons was still intact, and I had a woollen cap on as blue as the jacket, pulled down over my ears, so from behind I could have been anyone.”

Ambition has pushed one of the men in a strange, sometimes cruel direction. In this time of social distancing, reading about the powerful impact of friends and family members feels especially relevant.


I Refuse by Per Petterson (translated from the Norwegian by Don Bartlett). Graywolf Press, 2015.

Reviewer bio: Leah Browning edits the Apple Valley Review, which publishes short fiction, personal essays, and poetry in spring and fall issues. She occasionally blogs at https://leahbrowning.blogspot.com/.

Buy this book through our affiliate Bookshop.org.

Event :: Storyville Writing Workshop Offers Online Workshops

Storyville Writing Workshops logoOngoing Enrollment; Location: Online
Storyville Writing Workshop offers virtual writing workshops online for a wide variety of skill levels. Workshops provide personalized critiques, ongoing email access to the instructor, writing resources, personal virtual meetings via Google Meet, as well as access to writing forums. storyvilleworkshop.com/online-workshops/

If Borges is a Writer’s Writer Then Calveyra is a Writer’s Writer’s Writer

Guest Post by Jason Gordy Walker

Reading the prose poems of Calveyra, one feels the guiding presence of an enthusiastic genius, a soft-spoken bard, an artist of nature and deep emotional impression. With his subtle touch, the poet paints miniature landscapes of the mind and the natural world it experiences: “I came looking through loose autumn and slowed to a thistle beside the slide piled high with dead leaves. Wild! recently bloomed and gone into the raw milk.” These poems, all untitled, have a cumulative, epiphanic effect. His common tropes, such as chickens, the wind, the moon, the horizon, and the expanse of the countryside, shimmer with meaningfulness.

Calveyra’s verse pays respect and close attention to the local language of the region he grew up in, Entre Ríos. In translation, the result is occasionally clipped syntax and/or off-beat slices of language thrown into the midst of clear sentences, which leads the reader into a dreamlike state of consciousness: “Oh, the chicken’s already come in clucking with huge umbrella wings and this cheep-cheep will pass will pass and the last one will stay!” He has a talent for switching tones in a single poem. One moment the mood may be ecstatic, the next sorrowful or contemplative, the next whimsical, curious.

Elizabeth Zuba’s breezy translations do the poems justice. Perhaps the best way to absorb the book is to read the Spanish aloud first, refining a taste for Calveyra’s internal rhymes and rhythms. Next, with the originals in mind, read the English translations; the effect is often mesmerizing. During the pandemic, with all of the stress, worry, and panic that comes with it, reading Calveyra prompts one to think, as the poet opens the final piece in his collection, “Please don’t be worried, I’m not.” Calveyra, who fled Perón’s Argentina for Paris in 1961, deserves a wider audience.


Letters So That Happiness by Arnaldo Calveyra. Ugly Duckling Presse, May 2018.

Reviewer bio: Jason Gordy Walker, a student at MFA@FLA, has published poetry in Confrontation, fiction in Monkeybicycle, and criticism in Birmingham Poetry Review and Alabama Writers’ Forum. He is against American Fascism.

Buy this book through our affiliate Bookshop.org.

A Study in the Miraculous: The Only Dance There Is

Guest Post by MG Noles

 The Only Dance There Is is the story of Dr. Richard Alpert, the man who had it all. He had attained the pinnacle of success as a tenured professor of psychology at Harvard University. He had the cars, the girls, the motorcycles, and the friends. He was regarded as a genius by colleagues and students. He was the cool professor all the kids wanted to study with.

It was the 1960s, baby, and Dr. Alpert was riding the wave of social evolution. He wanted to change the world and yearned to break free of the post-1950s zipped-up norms that continued into the early ‘60s. Continue reading “A Study in the Miraculous: The Only Dance There Is”

Poetry – June 2020

New poetry by Karen An-Hwei Lee, Jan Freeman, Ashanti Anderson, Ken Babstock, Drew Swinger, W. Todd Kaneko, Susan Parr, Noah Baldino, Faylita Hicks, Erika Martínez, Ian Pople, Bradley Trumpfheller, Alla Gorbunova, Marion McCready, Eleanor Hooker, Tim Seibles, Carol Ann Davis, Karisma Price, Rita Dove, Fran Lock, Emily Fragos, Rajiv Mohabir, Cynthia Guardado, Sandra McPherson, Elizabeth Metzger, Miller Oberman, Catherine Cleary, and more. In “The View from Here” section: Nicolas Bos, Zach Pino, Leah Ward Sears, Mairead Case, and John Green. Plus two essays by Torrin A. Greathouse and Christian Wiman. Check out other poetry contributors at the Poetry website.

Still Point Arts Quarterly – Summer 2020

This issue’s theme is “Making a Mark,” and the current art exhibition explores this theme. Featured artists include David Sapp, Mary Macey Butler, Cary Loving, and others. Featured writers include Karla Van Vliet, Wally Swist, Paula Penna, Dave Gregory, Bethany Bruno, Gergory Stephens, Mary Lane Potter, Roudri Bandyopadhyay, Sarah Brown Weitzman, Mark Tulin, Joe Kowalski, and more. Find more info at the Still Point Arts Quarterly website.

The Main Street Rag – Spring 2020

In the Spring 2020 issue: fiction by Jarrett Kaufman, Emily Alice Katz, J.T. Ledbetter, John Mancini, David Pratt, and Timothy Reilly; poetry by Jeffrey Alfier, Tobi Alfier, John Azrak, Tara Ballard, Chris Bullard, Dorritt Carroll, Ricks Carson, George Bishop, Sudasi J. Clement, Joan Colby, and more; and six book reviews. Be sure to check out our featured interview with Tim Bascom by Beth Browne.

Hiram Poetry Review – Spring 2020

In the Spring 2020 issue of Hiram Poetry Review, find poetry by Jo Brachman, R. Steve Benson, Dan Cardoza, Daniel Daly, J. David, Lynn Domina, Ben Goluboff, Stuart Gunter, Alec Hershman, Joanne Holdridge, Henry Hughes, Richard Jones, Peycho Kanev, Kara Marell, Jose Oseguera, Jonathan Andrew Pérez, William Snyder, and more.

december – Spring Summer 2020

Our latest issue features poetry by Kenda Allen, Jamaica Baldwin, Ronda Pizza Broatch, Satya Dash, Gibson Fay-LeBlanc, Rebecca Foust, Valentina Gnup, Tate Lewis, Abby E. Murray, Phong Nguyen, Eric Pankey, Kimani Rose, Joel Showalter, Ellora Sutton, Raisa Tolchinsky, and more; and fiction by Stacy Austin Egan, Lucy Ferriss, Tyler McAndrew, Casey McConahay, Susan Mersereau, and Griffin Victoria Reed. Read more info at the december website.

Event :: The Center for Creative Writing Offers Online Courses & Community

Deadline: Year-round
The Center for Creative Writing has been guiding aspiring writers toward a regular writing practice for more than 30 years. Our passionate, published teachers offer inspiring online writing courses in affordable six-week sessions, as well as one-on-one services (guidance, editing) and writing retreats (virtual for 2020). Whatever your background or experience, we can help you become a better writer and put you in touch with the part of you that must write, so that you will keep writing. Join our inclusive, supportive community built on reverence for creativity and self-expression, and find your way with words. Creativewritingcenter.com.

Call :: The Daphne Review Seeks Mentors & Student Writers

The Daphne Review 2020 Summer Mentorship bannerDeadline: July 31, 2020
The Daphne Review is hosting an online mentorship program for talented high school student writers and established writers/teachers acting as their mentors. We’re currently taking applications for both types (students and qualified mentors) until July 31st! To apply, submit a resume and brief cover letter to [email protected]. Start Date: August 3-28. Format: online. Classes: flash fiction, poetry. Pay for mentors: $50 per hour for skype or $200; $25 per hour for email or $100; total: $300 via paypal. www.thedaphnereview.org

Fresh First Poetry Collection Draws on Women of Myth

Guest Post by Rebecca Moon Ruark

“Eve, / How often do you think of me? / the house now, the kids, and / Everyone needs to eat, I know how tired / You are to mother the world”— “Oh” from The Desperate Measure of Undoing: Poems by Jessica Fischoff

Poetry is meant to be read aloud, preferably to an in-person audience. Luckily, one of the last live poetry readings I attended pre-pandemic featured Jessica Fischoff reading from her poetry chapbook.

The Desperate Measure of Undoing: Poems is a little book with big impact. Fischoff’s poems borrow from women of myth but are their own unique creations. The poet plays with persona, writing her poem, “Oh,” quoted above, not from Eve’s perspective but from that of the serpent. In a recent interview, Fischoff told me that “Oh” came from a prompt to write from the perspective of a villain. The poem reads as a letter from the serpent, who has been abandoned in the garden by Eve, and grants age-old Eve new agency and power.

There is a lot to admire in this chapbook that explores the feminine through the ages and through fresh takes. Original cover art and flower-illustrated front and back pages complement the poems and provide the reader a garden-like respite from our world’s current situation.

Read more about Fischoff and her debut poetry chapbook in a new interview at Parhelion Literary Magazine.


The Desperate Measure of Undoing by Jessica Fischoff. Across the Margin, 2019.

Reviewer bio: Rebecca Moon Ruark is features editor for Parhelion Literary Magazine, which publishes features, along with fiction, nonfiction, and poetry in winter, summer, and fall issues.

2020 Lamar York Prize Winners

Pick up the Spring 2020 issue of The Chattahoochee Review for the winners of the Lamar York Prizes.

Fiction
“With Mercy to the Stars” by Lisa Nikolidakis

Nonfiction
“Catharsis, Diagnosis” by Rachel Toliver

The nonfiction winner was selected by judge Alice Bolin, who says the essay, “begins as straightforward memoir and blooms into something stranger and more wonderful: a treatise on the obsessive-compulsive act of storytelling, analysis of classic graphic novel, a meditation on how comics tell stories, and on how our lives, with their nonsensical, sometimes brutal vignettes resemble comics.”

Fiction judge Anthony Varallo writes that he was “drawn in from the first page, happy to be in the company of a young narrator who is just starting to glimpse the limitations of the adulthood that awaits her, as confining as the cage that houses her father’s prized bear.”

Be sure to check out these pieces for yourself in The Chattahoochee Review.

Challenging “Supposed To”

Magazine Review by Katy Haas

If you’re using pride month as a time to become more familiar with LGBTQIA+ writers, I recommend grabbing a copy of the Spring 2020 issue of Hiram Poetry Review. Inside is the four-page poem “I Didn’t Know You Were Transgender” by Mercury Marvin Sunderland. This poem is a response to the observation cisgender people have made: “I didn’t know you were transgender / they tell me / I thought you were a cis man.”

Sunderland spends the poem speaking to these people, asserting his place in the gender spectrum. At one point he declares:

if you knew
even a scrap
of trans culture
you’d know i
already do look
like a trans man
because we are a diverse multitude all over the earth.

With this poem, he challenges the idea of what someone is “supposed” to or expected to look like, challenges the argument that using “they” as singular “destroy[s] the english language,” challenges the idea that “stick[ing] medicine in me” means “i want to be cisgender.”

Throughout the four pages, Sunderland provides a better understanding of what it means to be a trans man, and what it means to be Sunderland himself.

Thrive with The Tiger Moth Review

Last month, Esther Vincent of The Tiger Moth Review was invited to read poetry on the Thrive Hour Community Corner Facebook group. This group is provides free live sessions to help keep users thriving and accepts donations for families in need.

You can now find these readings on the literary magazine’s website. Each of the three videos includes several poems. Most of these have appeared in The Tiger Moth Review, like “Tree” by Lee Soo Jin or “Elegy for a Silent Stalker” by Ow Yeong Wai Kit. There are also other familiar names such as Mary Oliver and Joy Harjo included.

Take a moment to appreciate eco-poetry read aloud for you by visiting The Tiger Mother Review‘s website.

Step Into the Library with Carolyn Rhodes

Guest Post by Suzanne G. Beyer

I just finished reading Library Girls of New York, Carolyn Rhodes’s 2019 memoir of growing up in two New York City libraries. I had no clue that Andrew Carnegie provided an apartment above NYC libraries for the custodian and his family to live in. But there’s a lot I didn’t know until I read her book.

You’d think that such an upbringing—no picket fence, no grassy yard, no flowerbeds—could be a reason for an under-privileged childhood . . . quite the opposite for author Rhodes! Continue reading “Step Into the Library with Carolyn Rhodes”

Ethan Hayes Reads ‘One Hundred Years of Solitude’

Guest Post by Ethan Hayes

“Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.” These are the immortal opening lines of Gabriel García Márquez’s One Hundred Years of Solitude, a novel filled with so many more beautiful lines. The novel is concerning the generational story of Maconda and its founders, the family of Jose Arcadio Buendia.

I have found the novel to be filled with a wonderful whimsy that has made García Márquez famous. Every line is poetry that flows through the magical story that fills the pages. The main characters are the motley crew of Jose Arcadio Buendia’s family, who range from the dirt-eating Rebeca who wandered into the family to Jose Arcadio, the first-born son of Jose Arcadio Buendia who inherited his strength.

The novel is told in such a wonderful fairy tale style that blends magic into the storied events that plague this family and the town that they founded. One of García Márquez’s best works.


One Hundred Years of Solitude by Gabriel García Márquez. 1967.

Reviewer bio: My name is Ethan Hayes. I am a writer from Colorado. I like to write fiction and fantasy as well as short prose. You can find my blog at https://ewwhayes.wordpress.com/.

Buy this book through our affiliate Bookshop.org.

Poetry – May 2020

In the May 2020 issue of Poetry, find work by A.E. Stallings, Perry Janes, Raymond Antrobus, Mary Ruefle, D. M. Spratley, Desirée Alvarez, Kelle Groom, Kayleb Rae Candrilli, Safia Elhillo, Janice N. Harrington, Zakia El-Marmouke, Eileen Myles, Lupe Mendez, TC Tolbert, Karen Skofield, Daniel Poppick, Jennifer Barber, Inua Ellams, Stuart Barnes, Travis Nichols & Jason Novak, Kyle Carrero Lopez, Ricki Cummings, Dean Browne, Jennifer L. Knox, Jayme Ringleb, Gerard Malanga, Helen Mort, and Srikanth Reddy. Plus, Vidyan Ravinthrian in the Comment section.

Plume – #106

This month’s Plume featured selection: Reginald Dwayne Betts: On Art, Poetry, the Particular Fucked Up Parts of Incarceration, and the Multitudes of I. Work by the poet is introduced with an interview by Amanda Newell. In the Essays & Comment section, find “Rescuing Ourselves” by Celia Bland. Chelsea Wagenaar reviews Sara Wainscott’s Insecurity System.

A Graceful Revelation

The Off-Season by Jen Levitt

Guest Post by Heidi Seaborn

Finishing up my MFA at NYU, I wanted to read a first collection by a poet who had travelled this same path, Jen Levitt. While I waited for the delivery of Levitt’s The Off-Season from my local bookstore, I went in search of her poetry online. When I found “The Reality Show,” I knew I had met a kindred spirit—someone who delivers ironic humor but approaches it without a suit of armor. Her emotional temperature is tempered only by coolness of her cultural references.

Any poem about physique, about not feeling attractive and the brutality of middle school brings its own pathos, but this poem embeds, “In montage I mourn the boy killed by this classmate / for liking to wear heels & makeup, / also the jury’s devastating hearts / that go out to shooter / because twenty-one years is a lot of time” in the middle, a turn that is both jarring but important to weight this poem. The stakes are suddenly clear. With the line, “like the time it takes to get over middle school,” the reader accepts the burden of living in the speaker’s body, as well as one’s own.

Body and sexuality dominate this Levitt collection. In the titular poem, “The Off-Season”, the speaker wrestles with the awkwardness of coming of age—made more acute by her growing awareness of her sexual orientation. When I read this poem to my queer daughter, she said the poem was so evocative of that ‘puzzling’ experience. Levitt is piecing together the puzzle that is her—as she matures. She is also coming of age as a poet, under the influence of Elisabeth Bishop and Emily Dickinson. Yet, her poems in conversation with Bishop and Dickinson steer clear of worshipful dialogue, instead they reveal a more naked self. The Offseason is a graceful revelation of body, sexuality, growing into one’s self as a person and a poet.


The Off-Season by Jen Levitt. Four Way Books, 2016.

Reviewer bio: Heidi Seaborn is Editorial Director of The Adroit Journal and author of the award-winning collection Give a Girl Chaos (C&R Press/Mastodon Books, 2019) and two chapbooks.

Buy this book through our affiliate Bookshop.org.

Recommended Meditative Read

Guest Post by Christina Francine

The Healing Riverbeds is a sharing of reflections about being human at a time when the world suffers from a pandemic, contains violent unrest, and deals with brutal worldwide environmental concerns. Shobana Gomes considers humans accountability for these “calamities” and examines herself as well. At the same time, she takes a stand as a witness. She thinks about the positives around her too and considers her daughter’s unique way of viewing.

From a children’s point of the world, the solutions are clear: “The world outside was a messy world. It had become toxic and dangerous, and the ones who would be most affected were the children.” In order for her to continue, she would leave her “coloring for another day . . . till the riverbeds heal, till its waters flow freely once again.”

Gomes’ examination and reflection is thought-provoking, one that contemplates human’s positive and negative effects on the world. She also contemplates the challenges of being human and questions the “maze” we’ve all been placed into.

A stirring read that asks the deep questions of life and points toward innocence for answers. The type of read all humans should explore. A recommended meditative read.


The Healing Riverbeds by Shobana Gomes. Independently Published, April 2020.

Reviewer bio: Christina Francine is an enthusiastic author of a variety of work for all ages. When not weaving tales, she teaches academic writing at the college level. She’s also a licensed elementary teacher. Picture books: Special Memory and Mr. Inker. Academic: Journal of Literacy Innovation.

Never Give Up: The Charmed Circle

Guest Post by Dawn Corrigan

As a child I read voraciously, but erratically. When it was time to pick a new Nancy Drew, I made my selection based on the cover art, rather than reading in sequence. I reread old books just as often as seeking new ones. It wasn’t always clear where the books had come from.

Thus I had in my adolescent collection a copy of The Charmed Circle, a 1962 “teenage novel” by Dorothea J. Snow. Somewhere along the way it disappeared, but in 2014, in a fit of nostalgia, I ordered a used copy from Amazon, sorting through more than a dozen “Charmed Circle” titles until I found the right one. Then I stuck it on a shelf and forgot about it. But recently, in my search for comfort food reading, I took it down.

I thought I’d read a little and then quickly fall asleep. Instead, I stayed up past two and finished it. That’s how it was when I was a teenager, too. Sometimes I’d finish it, then immediately flip back to the first page and start again.

Which is funny, because even back then the class stuff annoyed me, and it annoyed me even more this time. For instance, it had not occurred to me previously that our heroine, Lauralee Larkin, is elected Homecoming Queen mainly because her parents are willing to host (and fund) an endless array of pizza parties.

Nonetheless, there’s obviously something about the book I really like, and this time I figured out what: Lauralee tries things that scare her, and never gives up, even when those things don’t work out.

It occurs to me now that reading this book over and over again as a youth may have contributed to my ability to keep trying—to keep submitting my writing, to keep applying for jobs that seem like long shots, even to keep asking guys out (right up through my husband). This tenaciousness in the face of much rejection has served me well. It’s pretty much my only move! Fortunately, it’s the only one I’ve needed.


The Charmed Circle by Dorothea J. Snow. Whitman, 1962.

Reviewer bio: Dawn Corrigan‘s poetry and prose have appeared widely in print and online. She works in the affordable housing industry and lives in Myrtle Grove, FL.

Best American Essays 2020 Sponsor Spotlights

Best American Essays 2020Congratulations to two of NewPages sponsored magazines for having selections included in the Best American Essays 2020 due out on November 3, 2020. This year’s anthology was curated by guest editor André Aciman and series editor Robert Atwan.

“My Pink Lake and Other Digressions” by Alison Townsend was originally published in an issue of Cimarron Review. Jerald Walker’s “Breathe” was featured in New England Review 40.3.

Three Books to Read

Guest Post William V. Ray

As a retired teacher, I’m someone whose reading habits haven’t been much affected by the pandemic. I’m usually reading several things at once. Currently, I’ve caught up with Simone de Beauvoir’s Memoirs of a Dutiful Daughter. I used to teach one of her novels but had never read this early but nevertheless striking piece of writing. It is a remarkable read not only because one senses on every page the relentlessly probing mind of the author, but also because of the window it provides into the emergence of the individual who is now recognized as breaking ground for the feminist movement. Although she is not alone in being someone who slowly departs from a bourgeois, Catholic background, she is particularly well suited to describe the journey.

I’ve also been reading Kevin Young’s poetry. At his best, he is one of the poets that makes me wonder at his ability to put together words and images that, while seemingly simple, knock one over with their power to reveal. Blue Laws: Selected and Uncollected Poems, 1995-2015 is an excellent survey of his work, showing his range—from searing exposés, as it were, of the enslavement of African Americans to concise universal cries such as the two-line poem ¨Grief¨:  “In the night I brush/ my teeth with a razor.” Cultural icons—Basquiat, Jack Johnson, Miles Davis among others—appear.

For those of us lucky enough to be able to get out to enjoy nature in the midst of the coronavirus crisis, Sydney Lea’s most recent book of poetry, Here, is a nice companion. You can read my short review on Amazon.


Memoirs of a Dutiful Daughter by Simone de Beauvoir. HarperCollins, August 2005.

Blue Laws: Selected and Uncollected Poems, 1995-2015 by Kevin Young. Knopf, September 2017.

Here by Sydney Lea. Four Way Books, September 2019.

Reviewer bio: William V. Ray is a retired English teacher who has also been a textbook editor, freelance writer, and, of late, a café owner. His published work includes textbooks as well as poetry and poetic prose. His work appears in Poetry East, The Write Launch, Subprimal Poetry Art, Pudding, The Opiate, The Art Bin, Painters & Poets, Mass Poetry, Poetry Pacific, and elsewhere. He is the editor of the online journal The Courtship of Winds. He lives outside Boston, Massachusetts.  For more detail, please visit his page at LinkedIn: https://www.linkedin.com/in/williamvray

A Relevant Classic Inspiring Resiliency

Guest Post by Kathryn Sadakierski

Little Women is a timeless classic and remains relevant during unprecedented days. On the surface, the endearing stories of Meg, Jo, Beth, and Amy March may seem to recount simpler times, but greater complexity underlies what appears to be sentimental. At its heart, Little Women is about family, growing stronger despite distance.

While their father serves as a chaplain in the Civil War, the March daughters, with the loving guidance of their mother, adapt, soldiering on together, each making their own destinies. They support each other through adversities, sharing in triumphs. When Beth falls ill, Amy stays with Aunt March, avoiding catching scarlet fever, but while distanced, she learns about herself, ultimately maturing. Their “castles in the air,” innermost dreams of places far-removed from their Concord home, sustain them, until the Marches realize that the lives they lead are better than anything they could have dreamed, finding beauty even in the bittersweet, as they come of age, surmounting the burdens they once lamented. It is not tangible walls that make up their home, but the love of their family.

Reading Little Women at home during the quarantine came not to be an escape from reality, so much as a telling reflection of it; the novel captures the ebbs and flows of life and time, which, as the Marches saw, are to be cherished. Being at home, away from their father and the promising reaches of the world they had yet to see was difficult for the spirited March girls, but in time, they turned what were once limits into opportunities, each contributing her own gift to the world, from Jo with her imaginative writing, to Beth with her music and compassionate heart. Challenges they overcame shaped them, becoming a source of empowerment. This message of resiliency continues to inspire.

Little Women by Louisa May Alcott. 1868.

Kathryn Sadakierski is a 20-year-old writer whose work has appeared in The Ekphrastic Review, Dime Show Review, Nine Muses Poetry, iō Literary Journal, and elsewhere.