Potter goes on to offer several panels of black squares, acknowledging the loss of famous people, those whose lives taken made news for their injustice, and for victims of the Pulse Nightclub Massacre, as well as a couple personal losses from Potter's family. "And so," he closes, "as we’ve endured so many black panels this year, it’s worth noting that, in comics, all panels, black or otherwise, are given meaning by the panels that surround them. And how we choose to fill those panels, as artists and patrons, comprises the politics with which we envision humanity."
The front cover features "The Music Issue, 2016" created for The Massachusetts Review by Bianca Stone, and a full list of contributors with access to some of the works can be found here.
Chagrin River Review online journal of fiction and poetry is edited by faculty at Lakeland Community College, outside of Cleveland, Ohio. The cover photo for their December 2016 issue, with its unique road reflections, is by Michael Kinkopf.
I'm pretty sure that's a cockroach orchestra portrayed on the cover of Cleaver online lit mag #16: "The Maestro” by Orlando Saverino-Loeb.
First Place Winner
“The Secret of White” by Nancy Hewitt
"Ramadan Aubade" by Leila Chatti
"Christ is a Great Blue Heron" by Jennie Maria Malboeuf
"Autumn Aubade with Pigeons" by Leila Chatti
Mud Season Review publishes one story, one portfolio of poems, one essay or piece of narrative nonfiction, and visual art online monthly. The newest issue features artwork by Talal Alyan, who "renders loss into concise and vivid images that feel like an assault on the soul."
Posit online publishes "finely crafted, innovative, contemporary literature and visual art. Our tastes are broad, but we lean towards the experimental." And the cover art of issue #12 is proof positive, featuring Steve DeFrank's “Big Hairy Mess."
Gravity Changes by Zach Powers was awarded the 2015 BOA Short Fiction Prize. The collection of fantastical, off-beat stories views the quotidian world through the lens of the absurd. The stories take wide steps outside of reality as they find new ways to illuminate truth.
Bye-Bye Land by Christian Barter, winner of the Isabella Gardner Poetry Award, “is a medley of voices in dialogue with each other [ . . . ] that represents a mind at work as it considers the destructiveness of human nature, the hypocrisy and artifice of the American dream.”
When I Grow Up I Want to Be a List of Further Possibilities by Chen Chen won the A. Poulin, Jr. Poetry Prize. In this debut, “Chen Chen investigates inherited forms of love and family [ . . . ] all from Asian American, immigrant, and queer perspectives.”
Stop by the BOA Editions website to learn more about the individual titles and pre-order copies.
I was mesmerized by Ann Manuel's "Blur I" on the Winter 2017 cover of The Fiddlehead, Atlantic Canada's International Literary Journal.
And just one more splash of color to brighten a winter's day: "Gouache on Newspaper" by Elizabeth Doran on the cover of Suffolk University's Salamander #43.
With the annual Brick Road Poetry Contest, Brick Road Poetry Press seeks a collection that fits their mission of publishing poetry that entertains, amuses, and edifies.
Winner Susan J. Erickson’s Lauren Bacall Shares a Limousine was published this past December. The collection explores the lives of women across centuries and continents, including narrators like Lady Godiva, Lucy Audubon, Janis Joplin, and Marilyn Monroe, and gives voice to the critical moments of women’s lives.
This is Erickson’s first full-length collection. Sample poems can be found at the publisher’s website.
Nonfiction winner, Run Scream Unbury Save by Katherine McCord, offers brief meditations on family, language, art, and the act of writing.
In fiction, Heavy Metal by Andrew Bourelle took home the prize. This is Bourelle’s first novel and is set to the soundtrack of Metallica, Def Leppard, and Iron Maiden. Readers are pulled into the struggle of Danny, an adolescent dealing with extreme tragedy and the everyday conflicts of high school.
And in poetry, Jane Satterfield won with her debut collection Apocalypse Mix, which was selected by David St. John. Of his pick, St. John says, “these poems balance their raw psychological undercurrents with a calm and masterful stylistic authority.” The collection weaves the reader “into its fabric of individual and historical circumstances, as well within the dense foliation of personal experience.”
Check out the Autumn House Press website for more information about these titles, or stop by the contest page where submissions are now open.
"My Beating Heart" by Rossitza Todorova welcomes readers to Superstition Review's issue 18, a fully accessible online literary magazine produced by creative writing and web design students at Arizona State University.
Next month, readers can look forward to the publication of Novena by Jacques J. Rancourt, winner of the Lena-Miles Wever Todd Prize for Poetry. The poems are formed after the novena, a nine-day Catholic prayer seeking intercession from the Virgin Mary (recast as a drag queen in this collection). Rancourt invites “prayer not to symbols of dogmatic perfection but to those who are outcast or maligned, LGBTQ people, people in prison, people who resist, people who suffer and whose suffering has not been redeemed.”
Advance praise for Novena can be found at the Pleaides Press website, where copies can also be preordered. The Lena-Miles Wever Todd Prize for Poetry is currently open for submissions.
Able Muse Write Prize for Fiction
Final Judge Stuart Dybeck
Winner: "Passerthrough" by Victoria Mlyniec
Able Muse Write Prize for Poetry
Final Judge Patricia Smith
Winner: "Shamrock" by Scott Ruescher
Runner-up: "From the School of Hard Knocks" by Fran Markover
Honorable Mention: "Not" by Colleen Carias
March 15, 2017 is the deadline for the 2017 contest with Judges Annie Finch (poetry) and Jill Alexander Essbaum (fiction).
Pleaides Press annually holds the Robert C. Jones Short Prose Book Contest in honor of Robert C. Jones, a former professor of English at the University of Missouri.In February, the 2015 winner, Among Other Things by Robert Long Foreman, will be released. The essay collection reveals the “depth and significance of mundane objects—a puzzle, a skillet, an antique cannon, an avocado sandwich” and the essays “trace the author’s fraught path from adolescence to adulthood, and contemplate the complexities of family and belonging.”
While Robert Long Foreman has seen his work published in magazines since 2006, Among Other Things is his first collection. Find out more information and pre-order copies from the Pleaides Press website.
[Quotes from publisher’s website.]
During the tail end of 2016, Southeast Missouri State University Press released the winner of the 2015 Cowles Poetry Book Prize: Everyone at This Party Has Two Names by Brad Aaron Modlin. Advance praise dubs the collection “Poignant, quirky, troubled” (Larissa Szporluk), “[a]n impressive debut from a poet who is as interesting as he is unpredictable” (J. Allyn Rosser). While this is Modlin’s first collection, his poetry, fiction, and nonfiction have appeared in Denver Quarterly, The Florida Review, Indiana Review, and DIAGRAM, among others.
Read more about Everyone at This Party Has Two Names at the SEMO Press website, where you can also find more information about the Book Prize, which has an upcoming annual deadline of April 1st.
The contributions fill this annual issue of The Hampden-Sydney Poetry Review, including A.E. Stallings. Stephen Dunn, Jessica L. Wilkinson, Mira Rosenthal, Bob Perelman, Katrina Vandenberg, Jon Pineda, Laynie Browne, Rob Shapiro, Eamon Grennan, and many more.
Of the cover of Winter/Spring 2017 The Southampton Revi Editor-in-Chief Lou Ann Walker comments: "Because this issue's theme is the muse, all of the art in this issue was chosen for its emphasis on story and the fantastical places imagination can go. Take, for example, the cover, 'Stopping by Woods,' created by Corinne Geertsen. How did that ballerina in her tutu come to be juxtaposed with that extraterrestrial spaceship?" Indeed.
The Chattahoochee Review Fall2016/Winter2017 cover art "War Bonnets: Never Out of Style for Long" by Lucy Julia Hale is representative of her artistic approach, which she describes: "I am drawn to see deeply into paper artifacts / mass-produced photographic images of our interiors and exteriors - / where we have lived."