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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

Tyranny from Good Intensions

Guest Post by Claudia Gollini

Animal Farm by George Orwell was first published in 1945 and will be celebrating its seventieth birthday next year.

One of Orwell’s finest works, it is a political fable based on the events of Russia’s Bolshevik revolution and the betrayal of the cause by Joseph Stalin.

Parents need to know that Animal Farm is a biting satire of totalitarianism, written in the wake of World War II and published amid the rise of Soviet Russia. Although it tells a fairly simple story of barnyard animals trying to manage themselves after rebelling against their masters, the novel demonstrates how easily good intentions can be subverted into tyranny.

The fable is alive with brilliant touches. At first the victorious pigs write out a set of revolutionary rules, the seventh and most important is of which is “All animals are equal.” It was a brilliant idea to have the clever pigs simplify this for the dimmer animals (the sheep, hens and ducks) into the motto “Four legs good, two legs bad.” But it was a real stroke of genius for Orwell to later have the pigs amending these rules, most notoriously amending rule seven to become “All animals are equal—but some are more equal than others.“ This says something so profound about human beings and our laws and rules that it can be applied anywhere where laws are corrupted and distorted by the powerful.

The book seems relatively simple on the first read but there are several layers of complexity to represent the Soviet government. The novel contains a fair amount of satire and humor, which personally is one of the main reasons why I recommend reading it.


Animal Farm by George Orwell. 1945.

Reviewer bio: Claudia Gollini is a makeup artist, fashion/beauty blogger and journalist, editor and writer, and body painter of events and TV show (Make-up Deborah-Gucci and Castrocaro TV talent show, body painter to Art gallery ‘Spazio l’altrove’ and TV show Sky 869 Village festival and another fairs & exhibition on Italy).

Call :: Rockvale Review Issue 7

Deadline: September 30, 2020
We love image-driven poetry that is both bold and vulnerable. Send us 1-3 poems in a single document through Submittable. Every submission is given careful consideration and is read by multiple editors. We care about your work! We also love blending poetry with art and music. All accepted poems are paired with an original piece of art and 5 are chosen for a musical response. Please read all guidelines carefully. We read blind, so no names on the uploaded poems please. To submit, visit: rockvalereview.com/submissions/.

Escape from Reality with Classic Fantasy

Guest Post by Chang Shih Yen

Perhaps you need a little bit of an escape from reality at the moment. This is a good book to do that. The Princess and the Goblin is a classic fantasy novel written by Scottish writer George MacDonald (1824-1905). It first appeared in 1871, before being published in book form in 1872.

The Princess and the Goblin tells the story of Princess Irene who is rescued from a goblin attack by a miner boy called Curdie. The book tells of a battle between goblins who live underground and humans. With her new friend Curdie and some magical help, Princess Irene must find a way to defeat the goblins and save her father’s kingdom.

Despite being written in the Victorian era, the language in this book is very easy to follow. You can’t tell that it was written almost 150 years ago. This was a very enjoyable book. It’s the type of book where illustrations are not necessary because it’s better to use your own imagination to picture all the goblins and other creatures. This classic fantasy novel inspired Tolkien’s Lord of the Rings and The Chronicles of Narnia by C.S. Lewis. George MacDonald wrote at least 50 books, but most of his work is not remembered now, which is a shame. George MacDonald deserves more recognition.


The Princess and the Goblin by George MacDonald. 1872.

Reviewer bio: Chang Shih Yen is a writer from Malaysia, seeing through the pandemic in New Zealand. She writes a blog at https://shihyenshoes.wordpress.com/.

Buy this book from our affiliate Bookshop.org.

Call :: Nzuri Seeks Work for Fall 2020 & Spring 2021 Issues

The objective of Nzuri (meaning Beautiful/Fine in Swahili) is to promote the artistic, aesthetic, creative, and scholarly work consistent with the values and ideals of Umoja community. African American and Other Writers and Artists are urged to submit their best written or artistic work for consideration. Check out open submission opportunities for Nzuri Journal of Coastline College at nzuriumojacommunity.submittable.com/submit. We are now accepting submissions in all categories for the Fall 2020 and Spring 2021 issues. Essays and fictional pieces should be a maximum of 4,000 words. Website: nzuriJournal.com.

Call :: Chestnut Review Invites Submissions Year Round

CHESTNUT REVIEW (“for stubborn artists”) invites submissions year round of poetry, fiction, nonfiction, art, and photography. We offer free submissions for poetry (3 poems), flash fiction (<1000 words), and art/photography (20 images); $5 submissions for fiction/nonfiction (<5k words), or 4-6 poems. Published artists receive $100 and a copy of the annual anthology of four issues (released each summer). Notification in <30 days or submission fee refunded. We appreciate stories in every genre we publish. All issues free online which illustrates what we have liked, but we are always ready to be surprised by the new! Check out the Summer 2020 issue featuring work by Victoria Nordlund, Juliana Chang, James Owens, Wolff Bowden, Steven Ostrowski, Rick Rohdenburg, Richard Newman, Elisabeth Sharber, Carrie Albert, Angelica Esquivel, Adriana Morgan, Jamie Tews, Erin Little, and William Crawford. chestnutreview.com

Hole in the Head Review – August 2020

Issue 3 of Hole in the Head Review is out. New work from Betsy Sholl, Charles Simic, Alison Harville, Amalia Galdona Broche, Patrick Cole, Dawn Potter, Linda Aldrich, Janet Powers, Peter Bruno, Jaina Cipriano, Alice B. Fogel, Greg Clary, Richard Heckler, and many others. Michael Hettich interviews Denise Duhamel. In commentary: Baron Wormser.

Crazyhorse – Spring 2020

The Spring 2020 issue is here and it features the winner of the Crazyshorts! Short-Short Fiction Competition (“Spinning Stories” by Bailey Cunningham) alongside outstanding stories, essays, and poems by Rebecca Morgan Frank, Afabwaje Kurian, Iheoma Nwachukwu, W. Scott Olsen, Ira Sukrungruang, Amy M. Alvarez, and more. Read more at the Crazyhorse website.

Cimarron Review – Winter 2020

In the Winter 2020 issue of Cimarron Review: poetry by Allison Hutchcraft, Jennifer Funk, Toshiaki Komura, Amy Bilodeau, Monica Joy Fara, Darren C. Demaree, Laura Read, Isabelle Barricklow, Amber Arnold, Meriwether Clarke, Amie Irwin, Ben Swimm, Sophia Parnok, Brooke Sahni, Will Cordeiro, and Patrick Yoergler; fiction by Nancy Welch, Dan Pope, and Michael Deagler; and nonfiction by R Dean Johnson and Jon Volkmer.

Event :: Center for Creative Writing Offers Virtual Opportunities for Writers

Deadline: Year-round
The Center for Creative Writing has been guiding aspiring writers toward a regular writing practice for more than 30 years. Our passionate, published teachers offer inspiring online writing courses in affordable six-week sessions, as well as one-on-one services (guidance, editing) and writing retreats (virtual for 2020). Whatever your background or experience, we can help you become a better writer and put you in touch with the part of you that must write, so that you will keep writing. Join our inclusive, supportive community built on reverence for creativity and self-expression, and find your way with words. Creativewritingcenter.com.

Baltimore Review Summer 2020 Contest Winners

Have you visited the latest issue of Baltimore Review yet? In the Summer 2020 issue, readers can find the latest contest winners.

Flash Fiction
“Telephone” by Cara Lynn Albert

Flash Creative Nonfiction
“Kept Miniature in Size” by Ellie Roscher

Prose Poetry
“Absence Archive” by Anita Olivia Koester

Check out the full new issue, or spend some time just taking in the contest winners. Either way is a great way to spend some of your Sunday.

Finding Relief in Anne Kilfoyle’s Fiction

Magazine Review by Katy Haas

In the early days of lockdown, I had friends comment to me that they felt almost a sense of relief. Despite the tragedies reported in the news and the uncertainty of the new world we found ourselves in, they felt like they were able to breathe for the first time—to spend days resting or creating or getting personal work done or fully focusing on their families, none of which they were able to accomplish during the busyness of everyday life.

In the Spring/Summer 2020 issue of Salamander, Anne Kilfoyle’s story “Double-Yolked” reminded me of those conversations and feelings. As narrator Keera and her husband Jesse prepare for an emergency evacuation following an unnamed global threat, she reflects:

The last three days have been good days, some of the best. We have been holding our breath but also our problems got smaller. [ . . . ] Our biggest fear wasn’t mass annihilation, it was that we’d have to go back to how things were, back to our jobs and our lives [ . . . ].

Despite their lack of preparation, she feels okay with what’s coming to them, feels capable knowing they have each other, now somehow stronger together, as they move forward.

The short piece is relatable and timely: empty store shelves, last minute orders from Amazon in an attempt to ease the new worries, the uncertainty that surrounds them, and that strange relief of being released from normal life. It can be difficult to read disaster-themed writing while living through a similar situation, but Kilfoyle manages to cover the topic in a way that’s casual and comforting without adding to the current, similar stresses.

Sponsor Spotlight :: Radar Poetry

Radar Poetry is an online literary magazine devoted to publishing poems from both established and emerging writers. The journal was founded in 2013 by Rachel Marie Patterson and Dara-Lyn Shrager. Each issue features pairings of poetry and visual art, selected by the editors and contributors. They seek to feature visual art that interprets, reimagines, or responds to the poem with which it appears.

Issues are published quarterly and the founders and editors also host workshops and retreats.

Each year, Radar Poetry hosts the Coniston Prize. This award is open to female-identifying poets writing in English. The prize is currently accepting submissions through September 1. This year’s judge is Ada Limón. The winning poet receives $1,500 and publication. $10 reading fee.

Issue 27, published in July, features poetry and art by Lauren Camp, Walker Evans, Jen Jabaily-Blackburn, Dante DiStefano, Honour Mack, Martha McCollough, Jack Delano, and more.

Stop by their listing on NewPages to learn more.

A Dose of Fantastic

Guest Post by Christopher Linforth

In her debut collection Collective Gravities, Chloe N. Clark offers a dose of the fantastic into the ordinary, and sometimes humdrum, lives of her characters. Twenty-five aesthetically similar stories make up the book, which dilutes the power of the collection as a whole, but shows the range of Clark’s fascination with parallel universes, zombies, and the breakdown of relationships. The strongest stories reveal Clark’s gift as a storyteller and as a purveyor of the weird.

In the collection’s opener “Balancing Beams,” the astronaut narrator Ava struggles with an unknown, debilitating ailment in a futuristic America. In a beautifully written flash of insight, she tells us:

I couldn’t speak for a moment. The weight of words on my tongue. In the Out, there had been so many times I fumbled words, slurred them. They don’t tell you that zero-gravity even affects your tongue. Your mouth can feel so heavy when you try to say something.

Other stories seem to take their cues from B-movies and horror stories and the world of science fiction. Throughout the collection, Clark remakes these historically male-dominated forms to center her stories on women and the deleterious effects of culture on their bodies.

Clark’s debut is a mixed collection, yet it shines so brightly in spots that it’s clear she is destined to wow us with her next book.


Collective Gravities by Chloe N. Clark, Word West Press, 2020.

Reviewer bio: Christopher Linforth is the author of three story collections, The Distortions (Orison Books, 2021), winner of the 2020 Orison Books Fiction Prize, Directory (Otis Books/Seismicity Editions, 2020), and When You Find Us We Will Be Gone (Lamar University Press, 2014).

Buy this book at our affiliate Bookshop.org.

Narrative Pattern & Design

Guest Post by Anthony DiAntonio

Jane Alison’s Mender, Spiral, Explode, is a nonfiction, creative writing guidebook for both writers and avid readers alike. Alison argues that there are multiple ways to craft a narrative, other than the Aristotelian “masculo-sexual arc” we have all come to know and love. Narratives can follow many patterns that we see in nature, like the spiral, the fractal, or even the meandering trail of snails. Alison provides examples from multiple contemporary works of fiction to prove her premise, including Murray Bail’s Eucalyptus, Marguerite Duras’ The Lover, and Sandra Cisneros’ The House on Mango Street. Starting each part with a personal reflection, Alison connects her own experience with these patterns to further validate their influence on human life. Through exquisite vocabulary that fuels a powerful, humorous, and direct work, Jane Alison’s Mender, Spiral, Explode is a must-read for those who admire pattern and design in any narrative.


Meander, Spiral, Explode: Design and Pattern in Narrative by Jane Alison. Catapult, April 2019.

Reviewer bio: Anthony DiAntonio is a high school English teacher at Cumberland County Technical Education Center in New Jersey. He is also currently studying for his Masters in Writing Arts at Rowan University. To achieve his Masters, he will be completing a novel focused on mindfulness, positivity, and moving forward from emotional trauma.

Buy this book from our affiliate Bookshop.org.

Contest :: Gemini $1,000 Flash Fiction Prize

Deadline: August 31
Got a great short-short story? Win $1,000 for a story of 1,000 words or less in the 12th annual Gemini Magazine Flash Fiction Contest. Second prize: $100. Four honorable mentions: $25 each. Entry fee: $6. Any subject or style. Except for the word limit, we have no rules and are open to your most creative work, whether literary, noir, historical, sci-fi or any other category. All six finalists will be published online in the October 2020 issue of Gemini. Read any of the dozens of previous winners/finalists online to see the wide variety of flash fiction we have published. www.gemini-magazine.com/flashcomp.html

Contest :: Fiction Southeast Seeks to Highlight Writers with Story of the Month Contest

Each month, the editors of Fiction Southeast will select one short-short story (under 1,000 words). The winning story will grace the front page of the website for the entire month and will be listed on the Stories of the Month Page, as well as the Fiction Page. The reading fee is $10, and the winner receives $50. Submit here: fictionsoutheast.submittable.com/submit/163713/story-of-the-month. Read the first Story of the Month winner. Serena Ferrari’s “Zp, Signed with Love.”

Contest :: Minds on Fire Open Book Prize—$1500 and Publication

Conduit Books & Ephemera logoDeadline: October 31, 2020
Our third annual open book prize is accepting manuscripts. If you have a manuscript or know someone who does, please give us a shot. Open to any poet writing in English regardless of previous publication record, the prize seeks to represent the best contemporary writing in high quality editions of enduring value. Prospective entrants are encouraged to familiarize themselves with Conduit, which champions originality, intelligence, irreverence, and humanity. Previously unpublished manuscripts of 48-90 pages should be submitted through our Submittable page or via the USPS. Please visit www.conduit.org/book-prizes for details.

Contest :: The Hunger Press Tiny Fork Chapbook Series Open through September 1

Deadline: September 1, 2020
There is under one month left to submit to the Tiny Fork Chapbook Series. The Hunger Journal has expanded to include The Hunger Press, starting with the Tiny Fork Chapbook Series. We believe art and literature is eternally important, and we want to use this opportunity to welcome new writers and readers into The Hunger community by producing well-designed, dynamic, hand-bound chapbooks. We welcome poetry, prose, and hybrid manuscripts of 15–40 pages. For more details on the Tiny Fork Chapbook Series and submission process, please go to www.thehungerjournal.com/tiny-fork-chapbooks.

Call :: Bending Genres Accepts Submissions Year-round

Send us your zany, innovative best fiction, poetry, and CNF. We publish bimonthly, and year round. We at Bending Genres also host monthly weekend workshops and retreats. Visit  www.bendinggenres.com to check out Issue 15 which features work by Gary Fincke, Ilse Griffin, Max Heinegg, and more.

Call :: Haunted Waters Press Seeks Fiction, Poetry, Flash for Paid Print Publication

Haunted Waters Press 2020 submission period flierDeadline: August 31, 2020
Haunted Waters Press now seeking submissions for consideration in Tin Can Literary Review—our upcoming fiction anthology celebrating the works of new, emerging, and seasoned authors. We seek stories told in as little as 500 words and as many as 12,000. Contributors to be paid $250 per published story. Also seeking works of fiction, poetry, and flash for paid print publication in the 18th issue of From the Depths and for 2020 HWP Awards. Details: www.hauntedwaterspress.com. Visit the HWP Contributor Showcase to learn more about our published authors and poets: www.hauntedwaterspress.com/contributor-showcase.

Call :: trampset Now Paying for Quality Work

trampset, an online literary journal of fiction, poetry, and nonfiction, seeks new submissions on a rolling basis. They want your best brain, your beating heart. Send that good human stuff their way. They are a paying market and pay $25 per accepted piece. They have 50 free submissions a month through Submittable as well as Tip Jar and Quick Response options. Visit our submissions page: trampset.org/submissions-6e83932b0985.

Plume – August 2020

Visit this month’s Plume featured selection: “From Lewisburg to Syracuse: An interview with Bruce Smith by Chard deNiord.” Sydney Lea, in nonfiction, writes “Inviting the Reader: Narrative Values, Lyric Poems” and Donovan McAbee reviews Kontemporary Amerikan Poetry by John Murillo.

The Lake – August 2020

The August issue of The Lake features Rey Armenteros, Robert G. Cowser, Rhienna Renèe Guedry, Stella Hayes, Karen McAferty Morris, Anthony Owen, Fiona Sinclair, Shelby Stephenson, Hannah Stone, Grant Tarbard. Reviews of Oz Hardwick’s The Lithium Codex, Jeffrey McDaniel’s Holiday in the Islands of Grief, and J.R. Solonche’s The Time of Your Life.

Call :: Into the Void Wants Your Work in Issue #17

Into the Void coverDeadline: September 7, 2020
Award-winning print & online Into the Void is open to submissions of fiction, flash, creative nonfiction, poetry, & visual art for Issue #17 through September 7. Payment is $10 per poem/flash/art or $20 per long-from prose piece, a contributor copy, & a one-year online subscription. No theme, & no reading fees until Submittable monthly limits reached. Send us something that makes us feel alive. Details: intothevoidmagazine.com/submissions/.

Chinese Literature Today – Vol 9 No 1

Chinese Literature Today Volume 9 Number 1 features short science fiction by Liu Cixin, Isaac (Shuntang) Hsu, and Dung Kai-cheung; an exploration of Xu Zechen’s urban fiction; a novella by Li Jing; and a look at diverse works by Sinologist Michael Berry.

Call :: Speckled Trout Review Fall 2020 Issue

Deadline: October 15
Speckled Trout Review is planning a special print issue on the theme of CRISIS for its Fall 2020 (2.2) publication. In a lifetime we experience crises of the heart, the mind, and the body, as well as global crises—the present COVID-19 pandemic, racial unrest and social injustices, natural catastrophes, and many others that leave indelible impressions. We want to hear from poets whose speakers come out stronger after a crisis. The deadline is Oct. 15. Please read the guidelines carefully before submitting. Specific guidelines can be found here: speckledtroutreview.com/2019/08/04/welcome-to-my-blog/.

Contest :: 2020 Tom Howard/Margaret Reid Poetry Contest

Winning Writers Tom Howard/Margaret Reid Poetry ContestDeadline: September 30, 2020
18th year, sponsored by Winning Writers. Win $3,000 for a poem in any style and $3,000 for a poem that rhymes or has a traditional style. Total prizes: $8,000. The top two winners will also receive two-year gift certificates from our co-sponsor, Duotrope (a $100 value). Both published and unpublished work accepted. Winning entries published online. Fee: $15 per poem. Length limit: 250 lines. Judged by S. Mei Sheng Frazier, assisted by Jim DuBois. This contest is recommended by Reedsy as one of the best of 2020. See past winners, advice from the judge, and submit online at winningwriters.com/tompoetry.

Call :: We Pay Contributors! Driftwood Press Submissions Open

Driftwood Press website screenshotSubmissions accepted year-round.
John Updike once said, “Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better.” At Driftwood Press, we are actively searching for artists who care about doing it right, or better. We are excited to receive your submissions and will diligently work to bring you the best in full poetry collections, novellas, graphic novels, short fiction, poetry, graphic narrative, photography, art, interviews, and contests. We also offer our submitters a premium option to receive an acceptance or rejection letter within one week of submission; many authors are offered editorships and interviews. To polish your fiction, note our editing services and seminars, too. www.driftwoodpress.net

Sponsor Spotlight :: Rockvale Review: Bold & Vulnerable Poetry

Rockvale Review screenshotRockvale Review was founded in 2017 as an online journal devoted to “bold and vulnerable poetry.” They publish work from new, emerging, and established writers and feature image-driven poems that are hard-edged and finely crafted. They do offer optional print editions of their issues which are released in May and November of each year.

They have a unique feature where every poem accepted for publication is paired with a piece of art created by a Featured Artist. A Featured Musician will also craft music to respond to several of the poems in each issue. In doing so, Rockvale Review produces a journal that speaks beyond words, moving into the visual and auditory layers of the human spirit.

Their sixth issue was published in May 2020 and features work by Travis Stephens, Ivo Drury, Kate Deimling, Shannon Wolf, M.G. Hofmann, Wendy Drexler, and more. Stop by their listing at NewPages to learn more.

Black Warrior Review Now Offering No-Fee Contest Submissions to Black Writers

Black Warrior Review - Spring 2020Black Warrior Review is a biannual print literary magazine that has been publishing exciting established and emerging literary talents since 1974. The journal is published by the students in The University of Alabama’s MFA Program in Creative Writing.

In an effort to do their part and stand in solidarity with the Black Lives Matter movement, they have gathered donations to launch an effort to provide free contest submissions for up to 400 Black writers to their annual writing contest. This will not be a one-off initiative, but a sustained effort they will continue into the future. In their July 28 announcement, the BWR staff stated “This is part of a much larger effort/wish of the BWR staff to do away with contest fees, but an undertaking such as this has to start somewhere, and in this pivotal moment this is our focus.”

They recognize this effort alone is not enough and are doing their best to continue to prioritize ways in which they can make their journal a more equitable place where all Writers of Color can feel welcomed and supported.

The 2020 contest judges are Paul Tran, Lucy Corin, Mayukh Sen, and C Pam Zhang. Categories are Poetry, Fiction, Nonfiction, and Flash. The winners of Fiction, Nonfiction, and Poetry will receive $1,000 and publication in the Spring 2021 issue. The Flash winner will receive $500 and publication in the Spring 2021 issue. Deadline to submit is September 1.

You can read their full announcement here.

They the Mothers

Magazine Review by Katy Haas

From Issue 38 of Bellevue Literary Review, Kathi Hansen’s “We the Mothers” (honorable mention in the 2020 BLR Prize) imagines the mothers of boys who have been accused of sexual assault. They meet together in book-club-like fashion, able to speak freely with one another when no one else understands.

Hansen writes of them in a collective. They speak of their sons as one being as they look back to their childhoods, their teenage years, and the ways their boys were raised in their homes. Only when one woman begins to question her son’s innocence does the story diverge, separating her from the rest of the group, finally naming her apart from the others. I found this to be a cool, well done device for this piece, and a unique point of view to have on these now familiar stories.

Despite focusing on this side of the story, Hansen does a good job of avoiding too much sentimentality. The mothers tell their collective story without demanding understanding or sympathy from the reader. After all, as they point out, only those in their group can truly understand.

Call :: Grand Little Things Seeks Formal Poetry

Deadline: Rolling
Grand Little Things
 is open for submissions! Visit us at grand-little-things.com/submission-information/ for more info! GLT is looking for formal poetry (think sonnets, villanelles, etc.) or blank/free verse that uses traditional poetic techniques. Open to never-been-published-writers and up and comers, as well as established writers. No fee required.

Witness. Vulnerable. Mystery.

Guest Post by Susan Kay Anderson

Witness.

Fred Marchant views the inexplicable and gives us the air it breathed in his poems in Said Not Said. I have been looking at this book, reading it, studying with Marchant, and looking at it again for the past three years. Most of that time I worked as a graveyard-shift custodian cleaning university buildings. Now, I live at my parents’ and take care of the both of them during the days of the pandemic. What Marchant sees in his life is revealed in this book. He sees what is not fair. He sees reality but events he cannot control. Here we are in 2020: sitting ducks. Marchant’s poems get into the feeling of this but also access the profound stability of peace and understanding. In “Fennel” he writes:

At the end maybe you were thinking
of Whitman and his claim that dying
was luckier than we had supposed.
Or not. Or not. Here is the bee . . .

Marchant shows us that nature with a capital N intercedes, maybe not to change the course of events he witnesses, but to carry an event to another place, a different emotion. Continue reading “Witness. Vulnerable. Mystery.”

Contest :: Tinderbox’s 2020 Brett Elizabeth Jenkins Poetry Prize

Deadline: August 31, 2020
Tinderbox Poetry Journal is pleased to announce its fourth annual contest, the 2020 Brett Elizabeth Jenkins Poetry Prize, judged by torrin a. greathouse! There are no limitations in form or content; we are interested in everything from traditional forms to free verse to lyric essay to flash fiction. The winner will receive $750, and the runner-up will receive $500. All finalists will be published and paid the standard rate of $15/contributor. Semi-finalists will also be considered for publication. Please submit up to three (3) pieces ($15, or $20 with feedback) here: tinderboxpoetryjournal.submittable.com/submit. We look forward to reading your work!

Call :: Superstition Review Issue 26

Deadline: August 31
On behalf of Arizona State University and the College of Integrative Sciences and Arts, Superstition Review is dedicating Issue 26 to work that promotes inclusion and explores new ways to dismantle racial and social inequality. We have chosen this theme in order to magnify voices that have been traditionally undermined by our histories, institutions, policies, laws, and habits of daily life. Our submissions will be open August 1st-31st. We accept art, fiction, nonfiction, and poetry. superstitionreview.asu.edu

Call :: Storm Cellar Open to Submissions – Surprise Them!

Deadline: Rolling
Storm Cellar, a journal of safety and danger, seeks amazing, adventurous new writing, art, and photography. Indigenous, Black, POC, gender nonconforming, women, LGBTQIA+, disabled, neurodivergent, fat, poor, and border-straddling authors encouraged. Midwest connections a plus. Specific, strong, and strange voices welcome: surprise them! Full guidelines at stormcellar.org/submit and submission manager at stormcellar.submittable.com.

Program :: University of South Alabama’s MA in English with a Concentration in Creative Writing

University of South AlabamaSpring 2021 Application Deadline: December 1
The MA in English with a concentration in Creative Writing offers students an opportunity to develop their writing in a variety of genres (including screenwriting) and to work with the writers sponsored by the Stokes Center for Creative Writing. The Stokes Center enhances the English department’s offerings in creative writing by sponsoring readings, lectures, forums, community projects, and other events that are free and open to the public. It also supports students through its undergraduate and graduate awards in poetry, fiction, and creative nonfiction. A number of competitive scholarships are available to augment the assistantships and tuition waivers such as summer creative writing awards for work on individual projects. For students who enroll full time, the MA in English can be completed in four semesters. Students also have the option of enrolling part time and/or completing the degree through evening coursework. Come develop your craft in a diverse and vibrant city near world-class beaches.

What Is Real?

Guest Post by Susan Kay Anderson

Rereading The Intangibles by Elaine Equi, during the pandemic, it suddenly reads like a meditation, yet it was published “before” in 2019. Well, it matches the feeling of ennui of the pandemic, police brutality, and the more overarching panic of the climate crisis. This is also true of a lot of poetry I read now, Because of my state of mind, and I am sure others would agree (desperate/bored/searching/hopeful/raw/terrorized), we are also mesmerized by poetry and what poets have to say.

What Equi has to say in The Intangibles is as straightforward as she’s always been. From her titular poem: “Prove you’re not a robot / Answer the question: / What color is the silver basket?”

Her poems are directed outwards but also fold endlessly in on themselves. They are playful in their sense of what it feels like to be confined, in quarantine, yes, and even before the quarantine period we are currently in even happened. From her poem “Faces” we see ourselves and others in a bleak, yet hopeful way: “I love to watch / the dough of faces / flower.”

This book slays with amazing titles. Here are some:  “Deep In The Rectangular Forest,” “Ode To Weird,” “Ghosts and Fashion,” “Home On The Range” (okay, not such a weird title, but a very exquisite and wonderful poem), “Granular Time/Granular Distance,” and “Looking Out The Window In A Novel.”

Each of these poems blossoms into a novel (and not a virus).


The Intangibles by Elaine Equi. Coffee House Press, 2019.

Reviewer bio: Susan Kay Anderson’s first book of poems is Mezzanine, from Finishing Line Press, 2019. She also has work forthcoming in Sleet, and another book from Finishing Line Press. She lives in Oregon.

Contest :: The 2020 Coniston Prize for Women Poets

Radar Poetry 2020 Contest banner adDeadline: September 1
The Coniston Prize from Radar Poetry recognizes an exceptional group of poems by a woman writing in English. This year’s judge is Ada Limón. The winner will receive $1,500 and publication. Up to 10 finalists will also be awarded publication in the contest issue. Coniston Prize entries will be accepted through Submittable until the deadline of September 1, 2020. The reading fee is $20. Visit www.radarpoetry.com/contest to review the guidelines and read the work of past winners.

Weaponized Information

Guest Post by Eron Henry

Information and news are increasingly weaponized. While not new, the weaponization of news and information has been set on steroids by the rise of social media. Facebook, Twitter, YouTube and their counterparts in other countries, such as in Russia and China, have become the main source of news for citizens.

It is in and through social media that propaganda, misinformation, and disinformation thrive. The first, propaganda, is a way to tell one’s own story and can be used for good or ill. Advertising, for instance, is a form of propaganda. The second, misinformation, is false and faulty news that need not be deliberately false but can be harmful. The last, disinformation, is the deliberate spreading of false and misleading news and information with the intention to create confusion and cause harm.

Because social media is now the most widely used source of news and information, persons become easily misled and fooled because social media is a fertile breeding ground for misinformation and disinformation.

In Information Wars: How We Lost the Global Battle Against Disinformation and What We Can Do About It, Richard Stengel tells how false and faulty news is now normalized. The former editor of Time Magazine, Stengel was recruited by the State Department during the Obama Administration to counter misinformation and disinformation, especially those put out by Russia and ISIS, the terrorist group.

It was a Byzantine experience. An admixture of outdated technology, ill-prepared and ill-informed government officials and workers, turf wars, career ambitions, ego, and more, got in the way of countering the coordinated and concerted attack on truth and facts, both within the United States and globally.


Information Wars: How We Lost the Global Battle Against Disinformation and What We Can Do About It by Richard Stengel. Atlantic Books, October 2019

Reviewer bio: Eron Henry is a communications consultant. He blogs at https://oletimesumting.com.

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Call :: Raleigh Review Open to Submissions through Halloween 2020

Deadline: Halloween 2020 at Midnight
The Raleigh Review believes that great literature inspires empathy by allowing us to see through the eyes of our neighbors, whether across the street or across the globe. They are currently open to general submissions for poetry and flash fiction through Halloween 2020 at Midnight. There is a small convenience fee to submit to their general submission categories as this helps to defray the costs associated with operating via the Submittable platform, a necessary resource for them as their staff is located across the country and at times the world. They encourage you to check out their free full-issue online archive to find out more about them: www.raleighreview.org.

Call :: Fleas on the Dog Open to Submissions for Issue 7

Deadline: August 30
They’re the site your teacher warned you about! The no frills brown bag in your face thumb your nose online psychotropolis for the literarily insane. Get committed today! The infamous dude sextet is bustlin’, hustlin’, itchin’ and twitchin’ for QUALITY short fiction, nonfiction, poetry, plays and screenplays that smell ripe and kick ass for their cage-rattling upcoming Issue 7. If they like what you submit they’ll be all over you; if they don’t they promise to be gentle, especially if it’s your first time. See our Guidelines for details: fleasonthedog.com. Runs July 1-August 30. Check out Issue 6 released this past May for a taste of what they like.

Eerie Reflections: Lacrimore

Guest Post by Laura Kincaid

Lacrimore by SJ Costello explores our relationship with grief and tragedy through a speculative lens. The gothic novel draws readers in with beautifully dark prose that builds a haunting world. While the story unfolds slowly, the flawed characters and mystery compel readers to turn the page.

The novel opens with Sivre Sen, a faithless medium journeying across a stormy lake to a small island. There sits Lacrimore, a crumbling labyrinth of a mansion shrouded by legends. During a vision, a ghost called her there to complete his funeral rites. In Costello’s Victorian-inspired world, mediums are revered and influential, especially after a recent epidemic. However, Sen has never before experienced visions of the dead. After arriving, she meets the dead man (who is still alive), a staff trapped by circumstances, and a dubious doctor in exile. As Sivre searches the house for answers and closure, she discovers dark secrets in its rotting walls. The book is like Lacrimore itself—a quiet, mysterious tale standing alone in a much larger world.

Though in development before the COVID-19, the novel was a poignant and refreshing take on pandemic literature. Instead of focusing on dystopian survival, the story centers on what happens after survival. How do we process our grief? How do we reflect on the societal failures that came to light? What change is required to be better? Lacrimore doesn’t claim to answers all these questions. It remains a spooky story that is fun to read, but opens the door for those who want to ponder its deeper themes.


Lacrimore by SJ Costello. June 2020.

Reviewer bio: Laura Kincaid is a writer, editor, and lover of the fantastical. Find her work in Twist in Time and at laurakincaidmusings.wordpress.com.

Literature that Rattles the Soul

Guest Post by Brian Phillip Whalen

I’m rereading Peter Orner’s collection of essays, Am I Alone Here?: Notes on Living to Read and Reading to Live. (What a title! I’m also rereading Jonathan Franzen’s How to Be Alone.) Orner’s essays are ideal stay-at-home reading—easy-to-digest, elegantly composed—and his sparing prose is second-to-none at conveying depths of feeling in few words. The result is a perfectly-paced, heartfelt, sad, funny, and breathtaking book.

Orner seamlessly blends craft analysis (examinations of Chekhov, Welty, Malamud, Hurston, Wideman, Kafka, and scores of other writers) with memoir (stories of fathers, children, love, loss, joys, regrets, the pleasures—and solitude—of reading). Each essay is inspired by an act of reading, prompting explorations into the ways in which the books we read inform, intersect with, and sometimes mirror our lives:

It gets me every time. The way a story about characters, nonexistent people, pushes us back to our own, the people who do exist, who do walk the earth.”

It’s Orner’s voice, however, that draws me in. Though I’ve never met him, the feeling I get reading his essays is akin to sharing stories of hurt and redemption with an old friend over a cold beer, sitting on lawn chairs in the yard at sunset.

We have all done things we wish we could erase, forever, from the record. No matter how we airbrush our histories, the hurt we have caused will, always, reach out for us—like for me today—out of the December rain.”

Orner’s objective was to write about literature that “rattles the soul,” and in so doing, he amassed a collection of essays that continues to rattle mine. This is my go-to recommendation for readers wanting bite-size, ruminative literary essays—and these days, for anyone looking, as the title beckons, for some company in isolation.


Am I Alone Here? by Peter Orner. Catapult, 2016.

Reviewer bio: Brian Phillip Whalen’s debut collection of fiction, Semiotic Love [Stories], will be released in 2021 (Awst Press). Find him here: www.brianphillipwhalen.com.

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Call :: Girls Right the World Seeks Submissions from Female-identifying Writers Ages 14-21

Deadline: December 31, 2020
Girls Right the World is a literary journal inviting young, female-identified writers and artists, ages 14–21, to submit work for consideration for the fifth annual issue. They believe girls’ voices transform the world for the better. They accept poetry, prose, and visual art of any style or theme. They ask to be the first to publish your work in North America; after publication, the rights return to you. Send your best work, in English or English translation, to [email protected] by December 31, 2020. Please include a note mentioning your age, where you’re from, and a bit about your submission.

Bluegrass Writers Studio Open to Fall 2020 Applications through August 1

Bluegrass Writers Studio logoThere is still a few days left to submit your application to the low-residency MFA in Creative Writing program at Eastern Kentucky University. The Bluegrass Writers Studio offers one of the most affordable and progressive low-residency programs in the nation.

They offer a close-knit and supportive writing community, are devoted to their students creative and professional success, and are supportive of both literary and literary genre writing. The program offers online workshops conducted with live audio, intensive residency workshops, international literary and cultural experiences, and web-based courses in contemporary literature. Students also have the option of working on Jelly Bucket, the annual graduate-student-produced literary journal.

To be considered for their Fall 2020 program, applications need to be received by August 1. To start their program in spring, applications need to be received by December 1.

Swing by their listing on NewPages to learn more.

Vulnerability Is Strength

Guest Post by Joshua Lindenbaum

When one thinks of courage, they usually think about someone going into a burning building to save a person’s life; however, Dr. Brené Brown provides a unique, much-needed lens in which to view bravery in a broader sense in her book Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead. The writing is a beautiful concert of personal anecdotes alongside empirically-based research. Furthermore, Dr. Brown reveals not-so-flattering details about herself, and therefore lives the practices in which she details in her book. It is a lovely trident of logos, pathos, and ethos designed to pierce into the stubbornness of convention and tradition, especially amongst men who have been taught to not show emotions.

This incredibly organized text uproots widely-held beliefs, such as “vulnerability is weakness.” On the contrary, in her previous book The Gifts of Imperfection, Dr. Brown declares, “vulnerability is our most accurate measurement of courage.” She defines ” . . .  vulnerability as uncertainty, risk, and emotional exposure,” which comprises everyday life, especially during this pandemic. That’s what I think many readers will appreciate about her work: Brown manages to quantify concepts like vulnerability, shame, and even joy. She includes accounts from her own qualitative research alongside a panoply of reliable sources. In addition to providing background, there are also practical steps in, for example, fostering trust. For instance, there’s a section on “the marble jar,” a metaphor used to help us in assessing whether an individual is trustworthy or not based upon specific criteria. This approach allows one the ability to express themselves while also creating boundaries against those that don’t deserve our trust.

I know what you’re thinking: this sounds like a corny self-help book. You are wrong. It is a humanity book. Step into its pages!


Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead by Brené Brown. Avery/Penguin Random House, April 2015.

Reviewer bio: Joshua Lindenbaum’s poetry has appeared in Drunk Monkeys, Breadcrumbs, Yes Poetry, The Bangalore Review, Five:2:One, 3Elements ReviewTypishly, and elsewhere.

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