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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

The Briar Cliff Review – 2012

As always, The Briar Cliff Review makes a strong impression from the second it is placed in your hands. The journal’s large pages offer poetry, fiction, and nonfiction room to breathe and allow pieces of graphic art to be reproduced in flattering detail. In her introductory note, Editor Tricia Currans-Sheehan affirms her obvious desire to embrace the “print-ness” of the review. The magazine, she says, “is for holding and looking and for leafing through—with a treat for the eye and mind on each page.” Continue reading “The Briar Cliff Review – 2012”

Chautauqua – 2012

Subtitled “The War and Peace Issue,” this offering considers the stated themes from a wide range of situations and viewpoints. Aside from an introductory editor’s note, Franklin Delano Roosevelt is given the first word. In an address given in Chautauqua, New York, Roosevelt lamented that he had seen “the dead in the mud” and “cities destroyed” and declared how much he hated war. Unfortunately, the nature of war is such that the same man was forced to wage one several years later. Continue reading “Chautauqua – 2012”

Copper Nickel – October 2012

Copper Nickel states on the submission page that the journal publishes no more than 2% of the submissions it receives. After careful study of its October edition, I can easily perceive the appeal: the value proposition of this particular journal exceeds the usual draws—presentation, print and polish. The journal is intelligent in a bold way, showcasing surrealist efforts in at least three of the prose included, and I cage the statistic in “at least,” because the classification “surreal” has been thoroughly extended by popular vernacular: sometimes an exotic dragon making a holographic appearance truly tests the limits of the term. (See Leslie Rakowicz’s short story “Celia,” for an illustration of same.) Continue reading “Copper Nickel – October 2012”

Gargoyle – 2012

Can our literary senses be overwhelmed? Gargoyle #57 was “a 600-page doorstop of an issue!” Gargolyle 58 is another 470 pages. It’s been noted in previous reviews that there’s too much work available and accepted for Gargoyle, and it happened again with #58. But it’s all of great quality! Consequently, the editors decided to divide everything accepted for #58 and print two issues in 2012. Continue reading “Gargoyle – 2012”

The Laurel Review – 2012

The Laurel Review is another solid literary journal from the “Show Me State.” The editors and interns present a collection of strong works without fanfare or pretension. They are simply looking for good writing, and that’s exactly what you can expect to see in their latest issue. Continue reading “The Laurel Review – 2012”

The Malahat Review – Autumn 2012

Two outstanding Canadian literary journals have collaborated on separate issues consisting of work from each other’s patch. This issue of Malahat, based in British Columbia (B.C.), features “Essential East Coast Writing” in collaboration with Fiddlehead, published in New Brunswick. Alternately, Fiddlehead published a West Coast issue. Malahat Editor John Barton traces the idea to a 2010 residency at University of New Brunswick and conversations with Fiddlehead Editor Ross Leckie. The result, at least by reading the Mahalat half, is a celebration of artistic vibrancy on both coasts. Continue reading “The Malahat Review – Autumn 2012”

The Meadow – 2012

While The Meadow, an annual journal published by Truckee Meadows Community College in Reno, Nevada, is not exclusive to any region in its scope, it appears to reflect a cohesive sensibility, a conversational approach to creative writing. It begs the question as to whether or not someday we’ll look back to the poets of the West as a distinct school, like the New York School with O’Hara and Ashbury, except that instead of the MOMA we’ll see the glittering of the Vegas slot machines, the boiling petri dishes of Los Alamos. Continue reading “The Meadow – 2012”

Ping•Pong – 2012

Ping•Pong is the journal of the Henry Miller Library. Their mission statement maintains that they publish a journal because continuing the literary and artistic legacy of Henry Miller does not mean just publishing Miller, but also others, and that “Given our interest in these peculiar and often-overlooked centers and margins, not everything published in Ping•Pong will be pretty.” Continue reading “Ping•Pong – 2012”

Sheepshead Review – Fall 2012

NFL fans who take pleasure in the arts will affirm that Green Bay has more to offer than the Packers. From the University of Wisconsin at Green Bay comes the Sheepshead Review, now in its 35th year of publication. Offering fiction, poetry, creative nonfiction, and a healthy serving of the visual arts, this publication arrives with the smell of a new book, bearing an elusive whiff of fresh bread. Bold graphics lead the way throughout, and not just in the pages designated for the visual arts; the hefty paper and 4-color format contribute to the satisfying feel of the journal. Continue reading “Sheepshead Review – Fall 2012”

Southwest Review – Fall 2012

This is one of those issues that’s a pleasure to read cover to cover. The fiction, including the winner of the 2012 David Nathan Meyerson Prize for Fiction, is outstanding; the brilliant essays take us from Greek isles to the chicken farms of Arkansas, from Salinger to Alain-Fournier to Twain; and the poetry is, without exception, beautiful. Don’t miss any of it. Continue reading “Southwest Review – Fall 2012”

Western American Literature – Fall 2012

Western American Literature, currently housed at Utah State University but seeking a new institutional home, regularly publishes ten or so book reviews plus three or four critical essays on the culture of the American West in each quarterly issue, to an audience focused on critical analysis of the literature and culture of the American West. No fiction, poetry, or creative nonfiction is presented here. Continue reading “Western American Literature – Fall 2012”

Western Humanities Review – Fall 2012

Western Humanities Review is the literary journal of the University of Utah’s Department of English. This special issue, the product of collaboration between the Western Humanities Association (WHA) and the University of California Global Health Institute Center for Expertise in Women’s Health and Empowerment (CEWHE), “represents the intellectual work of contributors as well as the exchanges and discussions at both the annual WHA conference meeting [and] CEWHE colloquia seminars.” There is no fiction, creative nonfiction, or poetry in this issue. Instead, five scholarly essays discuss “the intersection of women’s empowerment, health rights . . . and new science and technologies that are transforming health and health-care in an increasingly globalized world.” Singly and collectively, these arguments are consummate examples of passionate, knowledgeable, logically persuasive prose. The attentive reader is well repaid for her diligence with timely interrogations of political, economic, and ideological assumptions driving global programs allegedly dedicated to women’s empowerment and health. Continue reading “Western Humanities Review – Fall 2012”

Mid-American Review Award Winners

Mid-American Review‘s most recent issue features the winners of several competitions and awards:

The 2011-12 Sherwood Anderson Fiction Award
Winner: Kyle Mellen – “Lighting in You a Tremendous Fire”
Editors’ Choice: Todd Seabrook – “The Elf”

The 2011-12 James Wright Poetry Award
Winner: Sarah Rose Nordgren – “When You Are Dead”
Editors’ Choice: Jonathan Rice – Two Poems

2012 Fineline Competition
Winner: Diane Seuss – “I emptied my little wishing well of its emptiness”
Editors’ Choice: Heather Cox – Two Selections
Editors’ Choice: Richard Garcia – “The Expert”
Editors’ Choice: Lauren Jensen – “Neighbors”
Editors’ Choice: Alexandra Sadinoff – “Symmetry Majors”

Nelligan Prize for Short Fiction

The Nelligan Prize for Short Fiction, established to honor Liza Nelligan, is now in its ninth year. Featured in the Colorado Review‘s Fall/Winter issue, winner Matthew Shaer’s story “Ghost” was select by the final judge Jane Hamilton. Here is what she has to say about the story:

“This story is tightly packed—it has a great deal of the characters’ history and their private and shared suffering in just eighteen pages—and yet the narrative richness is beautifully contained within the boundaries of the story form. There are so many capably written stories—a lot of writers have the hang of it—but when you come across a story that is nearly as distilled as a poem, where all the parts work together, where the language is precise and lyrical, and when the story has ‘an intense awareness of human loneliness,’ the quality that Frank O’Connor believes defines the short story—you’re likely to say, Here it is. The real thing. As I did with ‘Ghosts.'”

This issue also contains writing from Judith Adkins, Peter Balakian, Eric Baus, Hadara Bar-Nadav, Bill Capossere, Maxine Chernoff, Endi Bogue Hartigan, Elise Juska, Erin Kasdin, Alex Lemon, Edward Porter, Tomaž Šalamun, and John Yau.

What’s New with The MacGuffin?

The Fall 2012 issue of The MacGuffin holds a considerable amount of news within the short editor’s note. First off is the announcement of the winner for the Poet Hunt contest. The winning poem, selected by Dorianne Laux, is “Like a Scrap of Michigan Sky” by Sharron Singleton. This poem, along with the Honorable Mention poets—Sophia Rivkin and Kevin Griffin—can be read in the Winter 2013 issue.

The MacGuffin also announces that the next year’s competition will be judged by 2011-2012 Poet Laureate Philip Levine. Poems from Levine are included in this Fall issue.

And lastly, The MacGuffin welcomes three new members to its editorial staff—Ashley Rossi, Connor Armstrong, and Jeaneth Kirkpatrick. “Their enthusiasm and keen eyes and ears are already serving to select the best short fiction, creative non-fiction and poetry we receive,” writes Editor Steven Alfred Dolgin.

Strong Females in Literature 2012

NPR started it with its short list of Best Heroines of 2012, and The Atlantic followed this up with 12 more. Neither list included the publishers, who I think deserve some credit. Several of these are small, independent presses listed on NewPages Guide to Independent Publishers & University Presses, and several are from the literary imprints of major publishers. Click on the story title links to read more about each publication.

NPR Best Heroines of 2012

 Sophie Calle: The Address Book by Sophie Calle
Siglio Press

As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980 by Susan Sontag and David Rieff
Farrar, Straus and Giroux (MacMillan)

All We Know: Three Lives by Lisa Cohen
Farrar, Straus and Giroux (MacMillan)

Carry the One by Carol Anshaw
Simon & Schuster

Antigonick by Sophocles, Anne Carson and Bianco Stone
New Directions Publishing

The Atlantic Greatest Literary Heroines of 2012

Dora: A Headcase by Lidia Yuknavitch
Hawthorne Books

Talulla Rising by Glen Duncan
Knopf

The Vanishers by Heidi Julavits
Doubleday

Where’d You Go Bernadette by Maria Semple
Little, Brown and Company

Maidenhead by Tamara Faith Berger
Coach House Books

How to Get Into the Twin Palms by Karolina Waclawiak
Two Dollar Radio

The People of Forever are Not Afraid by Shani Boianjiu
Hogarth (Crown Publishing/Random House)

Battleborn by Claire Vaye Watkins
Riverhead (Penguin)

Wild by Cheryl Strayed
Knopf

Gone Girl by Gillian Flynn
Crown (Random House)

Press 53 Publishes 100th Title

Press 53 has just published In a World of Small Truths, the debut short story collection from Ray Morrison. This is the 100th book published by Press 53, which celebrated its seventh anniversary in October.

Morrison’s book focuses on the Southern city in a state of flux, jumping from backwoods thieves and farmers to professionals and students. Stories from the collection have appeared in Fiction Southeast, Ecotone, Aethlon, Carve Magazine, and Night Train. Morrison won first prize in the short story category of the 2011 Press 53 Open Awards and has twice received honorable mention in the Lorian Hemingway Short Story Competition.

Congratulations to both Press 53 and Ray Morrison.

Fugue Prose and Poetry Prizes

The Summer & Fall issue of Fugue announces the winner of the 11th Annual Ron McFarland Prize for Poetry. The judge, Rodney Jones, says that the winner, Ansel Elkins, “is a poet we are going to hear from.”

Ron McFarland Prize for Poetry

Winner: Ansel Elkins
“Real Housewives”

Finalist: David Cazden
“Midwest Suite”

Finalist: Dylan Mounts
“Bobby Solomon Found Himself the Owner of a Local Community Lawn Services Organization”

The winner of the 11th Annual Prose Prize is also included. The judge, Pam Houston, says that the winning piece is “the most ambitious of all the contest stories.” She says, “I was both surprised and convinced by the ending, which is a satisfying combination for any story. This is one ending that will stay with me.”

Fugue Prose Prize

Winner: Josie Sigler
“The Watcher in the Woods” [Fiction]

Runner-Up: Natanya Ann Pulley
“The Trickster Surfs the Floods” [Essay]

Fat Characters in Contemporary Literature

In her essay on Salon.com Contemporary Literature’s Obesity Epidemic, Hannah Rosefield of the LA Review of Books examines “fat characters” in modern literature beginning with this: “…there aren’t nearly as many fat characters in modern fiction as you’d expect, considering how many fat people there are in the world today.” Rosefield draws upon Virginia Woolf’s “On Being Ill” (1926) to set the analysis of Big Ray by Kimball, Heft by Liz Moore, The Middlesteins by Jami Attenberg, and Erin Lange’s young adult novel Butter, each of which “have protagonists who are double or even triple their ‘healthy’ weight.”

Thunderbird

The “other” world is a refrain throughout Dorothea Lasky’s startling new collection Thunderbird, which seeks the origins of creativity in the dark corners of anger, frustration, and even boredom. “I don’t live in this world,” Lasky writes (in “Death and Sylvia Plath”). “I already live in the other one.” These second worlds are easy to “breeze” into (“When you breeze upon the other world / O you are already there / O you are already there”); alternately, they seem impossibly insular (“Sweet animal, they locked us in this life / But I think we still have time before we have to get out of it”). In a book of flights—“Thunderbird” references a Native American spirit, but Lasky also conjures birds, planes, wind, and the mind’s movements—travel means to relinquish control. To disembody: Continue reading “Thunderbird”

Po-boy Contraband

Patrice Melnick’s memoir is a dance with language. Po-boy Contraband is a series of mini essays that outlines Melnick’s diagnosis with HIV and her journey to reclaim her life through music, writing, and relationships. The literary dance she creates is quick and jarring in the opening section “Finding Out,” sweeping us through the wilderness of Africa, where Melnick served as a Peace Corps volunteer in the late ’80s and where she contracted the virus. Characters pop up and out of the essays like soap bubbles, never reoccurring in later scenes—a nod to the flimsiness of relationships but also, at times, unsatisfying to the reader. Her relationship to music has the strongest hold in this book, so I more easily remember the album she listens to in DC when she discovers she’s HIV-positive than the friends she has in Africa. Continue reading “Po-boy Contraband”

Clangings

In psychiatric terms, “clangings” is a thought disorder experienced by those with schizophrenia and manic states in which words are connected by sound rather than concepts, and speech and thoughts can quickly veer in a new direction in a disconnected way. In Clangings by Steven Cramer, each page has a poem of five quatrains that stands alone as a self-contained piece but also furthers the book’s connected story of a narrator reflecting on his life “in his way.” There are two pages that break this pattern and provide clarity of the narrator knowing his misaligned place in the scheme of things. Close to the end of the book: Continue reading “Clangings”

The Fifth Lash & Other Stories

In his preface, Anis Shivani claims that The Fifth Lash & Other Stories is a collection of fiction that is fundamentally the work of a young man. He quickly points the reader to the collection’s immaturities—the anger of the narrators, the stylistic experimentation from story to story, transient identities of characters, and even the youthful rawness of emotions crammed into the assemblage as a whole. Indeed, The Fifth Lash was Shivani’s first collection (later publications include Anatolia and Other Stories as well as his poetry in My Tranquil War and Other Poems), but the poignancy of these sketches deserves more than to simply stand in the shadow of his earlier published—yet later written—work. Continue reading “The Fifth Lash & Other Stories”

The Creek at the End of the Lawns

In capturing the people and place of a small town, Ira Joe Fisher’s fourth poetry collection forges a strong relationship to form, meter, and rhyme. A keen sense of reminiscing for past ghosts filters through poems that range from brief lyrics to grander narratives. The Creek at the End of the Lawns resurrects the need for the performative aspect of poetry in terms of storytelling and mythmaking, prompting the reader to speak these poems aloud rather than remain silent. Continue reading “The Creek at the End of the Lawns”

Conning Harvard

Adam Wheeler was by all accounts a very successful 21-year-old. He entered his senior year at Harvard University with everything going for him: top marks in his courses, a large circle of friends, and a steady girlfriend, not to mention scads of prestigious academic honors and awards. Indeed, it seemed that there was nothing this affable wonder boy couldn’t do. There was just one problem. All of his success—from the impressive academic grants he received to his very admission to Harvard University—was predicated on fraudulent transcripts, fake SAT scores, phony letters of recommendation, and enough plagiarized prose to fill a library. In short, everything people thought they knew about Adam Wheeler was a lie. Continue reading “Conning Harvard”

Circle Straight Back

Noel Sloboda released two chapbooks from different presses in 2012. His screen-printed, stanza-form chapbook, So Below (sunnyoutside, March 2012) contains four short poems and a deftly made two-color fold-out. Unlike So Below, the other chapbook of prose poems, Circle Straight Back, is sparse and unadorned. The effect is matter-of-fact, archival, and unsentimental. This seems an appropriate device for poetry of subtle misery and overt tragedy. It is certainly a theme running through the text. From the first poem, “Birth of Tragedy,” to the end of a species in “Of Species,” the threads of death, destruction, tragedy, and disappointment prevail. Continue reading “Circle Straight Back”

This Is Not the End of the Book

As our age at an ever increasing rate gives birth to what is rightfully referred to as The Rise of the Digital, are printed books going to disappear? This is the largely opaque question at the heart of the lengthy conversation between two accomplished artistic European intellects that forms This Is Not the End of the Book. Umberto Eco is surely the more easily recognizable interlocutor here—his books In the Name of the Rose and Foucault’s Pendulum enjoy a broad readership, especially since the former was made into a film starring a young Christian Slater alongside Sean Connery. Yet Jean-Claude Carrière is a no less distinguished literary figure. A French writer with numerous books to his name, though perhaps not an author widely recognized by English readers, he has also authored several screenplays for films which are likely quite familiar, such as The Unbearable Lightness of Being. Continue reading “This Is Not the End of the Book”

Illustrated Poem: The Nudists by Kevin Simmonds

San Francisco poet Kevin Simmonds sent along this link to his illustrated poem The Nudists about the recent San Francisco nudity ban. The ban goes into effect in February 1, and there are already efforts under way to have the law overturned. The The Poetry Blog published Simmonds’s poem and is making it available as a free download.

October Family Matters Contest Winners

Glimmer Train has just chosen the winning stories for their October Family Matters competition. This competition is held twice a year and is open to all writers for stories about family of all configurations. The next Family Matters competition w ill take place in April. Glimmer Train’s monthly submission calendar may be viewed here.

First place: Soma Mei Sheng Frazier [pictured], of San Leandro, CA, wins $1500 for “Everyone Is Waiting.” Her story will be published in the Spring 2014 issue of Glimmer Train Stories.

Second place: Eugene Cross, of Chicago, IL, wins $500 for “Miss Me Forever.” His story will also be published in an upcoming issue of Glimmer Train Stories, increasing his prize to $700.

Third place: Sofia Ergas Groopman of New York, NY, wins $300 for “A Body, Even.”

A PDF of the Top 25 winners can be found here.

2012 Haiku Year-in-Review

Broadsided’s annual Haiku Year-in-Review is now available for download from their website. Readers voted for their favorite haiku to match artists interpretations of four world events from 2012: The Greek Government Bailouts; The Arab Spring; Droughts in the U.S. Midwest; Death of the Last Pinta Giant Tortoise.

“The 2012 Haiku Year-in-Review” broadside features poems by Matthew Caretti, Sarah Martinez-Helfman, Renee Lacroix, Cynthia Gallaher and art by Lochlann Jain, Cheryl Gross, Sarah Van Sanden.

Read, enjoy, download, share!

Online Resources for Higher Ed Job Seekers

This resource comes from the Eastman School of Music at the University of Rochester, so there is some content specific to that field, but it otherwise provides a lot of good, general sources for those looking to get a job in higher education

And this essay from Inside Higher Ed: Questions They Might Ask You by Katherine Ellison and Cheryl Ball.

Rejection of Rejection

Roxane Gay, co-editor of PANK, contributes an essay to the new issue of Kugelmass titled “The Art of the Rejection of Rejection.” She writes about some of the silly and amusing responses she gets from writers who have been rejected from PANK. One writer responds “Thanks for your thoughtful response. I agree the work is one of my weaker efforts, but I had the idea that I might find a place for it if only I set my sites low enough.” Gay writes, “I did not alter his spelling so the irony, as you might imagine, amused me greatly.”

But still some writers respond in a much more melancholy manner; “[the responses] are tough because it’s clear the writer is having some kind of emotional crisis and/or has their self-esteem inextricably bound to their literary success or lack thereof.” But ultimately, it is not up to the editors to make decisions based on how the rejection “might affect a writer’s life.”

Gay rounds out her essay with a statement that I think we can all identify with, whether it is about ourselves as writers or about writers we have workshopped or worked with: “It is fascinating . . . how writers are not able to separate their writing from themselves. They view constructive feedback as a personal attack, a personal insult, an editorial sin that can never be forgiven.”

There are more essays in this issue from Jenny Allen, Sam Allard, and Katherine Spurlock as well as poetry from Edward Curtis, Denise Duhamel and Amy Lemmon, Jessy Randall and Daniel M. Shapiro, David Kirby, Christopher Citro, Mark Cunningham, and Buff Whitman-Bradley and stories from Robert Atwan, Courtney Maum, Sophie Kipner, Dan Pope, Timothy C. Dyke, and Dan Moreau.

Wanted: Assistant Web Administrator and Editors

Red Feather Journal is a growing online, international, interdisciplinary, peer-reviewed journal that provides a forum for scholars and professionals to interrogate representations of children in film, television, Cyberspace, video games, art, photography, advertisement or any other visual medium in which the image of the child is featured. Red Feather Journal facilitates an international dialogue among scholars and professionals through vigorous discussion of the intersections between the child and the conception of childhood, children’s material culture, children and politics, the child body, and any other intersections of culture and the child image within local, national, and global contexts.

Red Feather Journal is seeking interested applicants who would like to be a part of our exciting and diverse group of scholars in the capacity of editor and/or assistant web administrator.

For the editor position we seek applicants who have published scholarly works or established research in the area(s) of film/media studies, or children and childhood studies, or related field.

For the Assistant Web Administrator position we seek applicants with established research in film/media or children’s studies (or related field) and who have web-page design and maintenance experience. Duties include [Assistant Web Administrator] assisting Web Administrator with journal publication and design (published twice a year), and [Editor] active participation in the double-blind peer review process.

Scholars from outside the United States and Graduate Students who are ABD are encouraged to apply.

Interested scholars please send letter of interest, contact information, CV, and one sample publication (or link to a sample) to Debbie Olson, debbieo-at-okstate.edu or dolson-at-uta.edu

Applications will be accepted until January 31st, 2013.

CFS New Online Dev Ed Journal

EDvance is a practitioner-based resource for developmental educators seeking innovative methods of instruction for their classrooms. The journal publishes research-based pedagogy that challenges students to think deeply about their learning in highly creative and imaginative ways. The purpose of the publication is to extend the scope of what it means to teach students of the developmental level.

Submissions: Lessons must be thoughtfully designed and suited for the developmental English classroom. The editors anticipate a careful consideration of scaffolding that would be appropriate for various levels of developmental English.

Native Filmmakers Fellowship

Sundance Institute’s Native American and Indigenous Program has created a Fellowship to provide direct support to emerging Native American, Native Hawaiian, and Alaskan Native film artists working in the U.S. The Fellowship is a two-stage development opportunity for filmmakers with short film scripts. The first stage of development is an intensive 5-day workshop, held May 20th – 24th, 2013. During the workshop, Fellows received intensive feedback on their projects from established screenwriters and directors.

Sign Petition for Imprisoned Poet

Michael Rothenberg and Terri Carrion from 100 Thousand Poets for Change are asking supporters to sign an extremely important petition in response to Qatari poet Mohamed Ibn Al Ajami‘s imprisonment for the crime of reciting a poem extolling the courage and values of the popular uprisings in Tunisia. He as been sentenced to life in prison. Read the full petition here.

Rothenberg and Carrion write: “As poets and artists we have a personal stake in seeing this poet released from prison. His persecution is the persecution of all poets and we feel this is something we can’t stand by and watch without taking immediate action. We are very excited by the broad community support we have received thus far and it would be a great honor to have you join us in support of this action by signing the petition and forwarding it to like-minded friends.”

Open Utopia

Does the world really need another edition of Utopia? From Open Utopia creator/curator Stephen Duncombe: “This digital edition of Utopia is open: open to read, open to copying, open to modification. On this site Utopia is presented in different formats in order to enhance this openness. If the visitor wishes to read Utopia online they can find a copy. If they want to download and copy a version, I’ve provided links to do so in different formats for different devices. In partnership with The Institute for the Future of the Book I provide an annotatable and ‘social’ text available for visitors to comment upon what More – or I – have written, and then share their comments with others. Those who like to listen will find a reading of Utopia on audio files, and those who want to watch and look can browse the user-generated galleries of Utopia-themed art and videos. For people interested in creating their own plan of an alternative society, I’ve created Wikitopia, a wiki with which to collaborate with others in drafting a new Utopia. More versions for more platforms are likely to be introduced in the future.”

Behind the Editor’s Desk

With the new issue of Iron Horse Literary Review comes two brand new columns. “In the Saddle” will give a sneak peak into the habits and writing rituals of an author that the magazine editors admire. Since it is the first installment of the column, the editors of Iron Horse decided to go first. To the left is a photo of the editors’ desk, labeled and commented on to the right. While some of the comments are insightful (“Once we accept a manuscript, everyone in the office . . . spends a little alone-time with the piece, copy-editing closely and massaging the writing into its best possible shape.”), other comments are playful: “We complain about our office being windowless. Some folks say, ‘Even if you had a window, you’d just be looking out at a brick wall.’ So we hung a photograph of a brick wall, by Marcus J. Weekley.”

In “Bits & Pieces,” Leslie Jill Patterson talks about how Duotrope has wrongly listed Iron Horse as one of “The Slothful” journals, taking around a year to respond to submissions. After crunching numbers on their own, they showed that their average response time is actually more like one to two months. “For complaining and pointing out that what Duotrope is doing might actually be libelous, was certainly unethical, Iron Horse was booted from their Web site,” she writes. “Fine. I like being a rebel. Let’s see if we can set this thing on fire.” She says that more news about this will be posted on their website and social media sites.

The rest of the issue includes new writing from Carrie Shipers, Charles Hughes, Juan Morales, Abby Geni, Asha Falcon, Mary Jo Melone, and more.

Responding to Tragedy in School

From the National Council of Teachers of English (NCTE): “Literacy teachers, working with community members and educators across a school system, have a special responsibility in the wake of school tragedy. They help students build empathy and understanding through reading literature, informational texts, and multimedia accounts of events in and around their school. They help students gain perspective by learning to place events in cultural, social, and historical contexts. And they help students organize evidence so they can write persuasively about changes that will promote safety, security, and healing.

“In a time where violence and social disruption do not stop at the school house door, NCTE honors the vital work of literacy educators, and all who collaborate with them, to advance learning under the most difficult circumstances.

“We’ve assembled these resources on responding to tragedy in schools for you and your school community.”

– Sandy Hayes, NCTE President

The Gift that Gives to All

If you are reading the NewPages blog, chances are you already consider a book to be one of the best gifts out there (to give or receive). But why not consider another literary gift? A donation in someone’s name to an independent publisher gives on multiple levels:

  • You are supporting not just the publisher, but authors (and by extension, readers) as well.
  • In some cases, publishers offer books at a certain donation level, so you’ll still have something for your recipient to unwrap. (And if not, buy one of their books!)
  • Many independent presses, especially non-profit ones, are heavily involved in the improvement of their communities and dedicate funds to literacy and other programs, both local and worldwide. Your donation can have a far-reaching impact.

Unsure how to choose a publisher to support? Just pick a tactic. Go with the well-known: both Coffee House Press and Graywolf Press are non-profits; Graywolf notes on its site that a $25 donation can provide one of their titles to a high school student, and through 1/15/13, Coffee House is donating 10% of its sales to the worldwide literacy program Room to Read. Or go with a cause near to your recipient’s heart: Kore Press, for example, publishes women’s poetry, fiction, and creative nonfiction, including that of writers underrepresented in the cultural mainstream. They also seek to mentor and support women ages 14-20 with their Grrls Literary Activism Program. Find a press that supports GLBT literature…environmental activism…translations of obscure French poetry; whatever your recipient’s interest, there’s likely a small press that caters to it.

Countless publishers would appreciate your financial support, and any reader would enjoy having that support given in her/his name. And perhaps best of all, you don’t have to go anywhere near a mall.

If you know of other presses like those mentioned, please add a comment about who they are and what they do to this blog post. (Comments are moderated to avoid spam, so give us time to post them.)

Technoculture: The Retro Issue

Technoculture (ISSN 1938-0526) is an independent annual peer-reviewed journal. Publishing both critical and creative works that explore the ways in which technology impacts this (or any) society, with a broad definition of technology.

Technoculture seek creative works that use new media and/or are on the subject of technology, and essays from a broad a range of academic disciplines that focus on cultural studies of technology. Essays published examine the topic “technology and society,” or, perhaps,“technologies and societies.”

For Volume 3 (2013), The Retro Issue, the editors are particularly seeking essays and creative works that focus on lost, ancient, old or dead technologies, technologies that no one uses, or very few people still employ. Topics could include depictions of technologies that treat a wide range of subjects related to the social sciences and humanities. These subjects might include:

  • technologies once popular that are no longer used, such as 8-track tape
  • film and television as technologies (especially in the early days of television and film)
  • celebrities’ use of technology in a given historical moment, such as the early days of television or the heyday of radio
  • politics and technology, especially historical approaches
  • music production and dissemination, especially historical approaches (such as Listz’ transcriptions of entire Wagner operas and Beethoven symphonies)
  • visual artists and their use of (or flight from) given technologies, especially historical approaches
  • literary depictions of technologies (especially in works from other decades than our own)
  • computer/video gaming (older games, rather than newer games)
  • the dissemination of the arts via technology to broad or to specialized audiences in particular historical moments
  • the disappearance of a given technology or technologies and what that disappearance/disappearances means/mean for the archival issues that surround the humanities.
  • sports and sports figures of the past
  • memorabilia and collectibles from the past

In particular, the editors are interested in a conception of “technology” and the “humanist impulse” that pushes beyond contemporary American culture and its fascination with computers; they seek papers that deal with any technology or technologies in any number of historical periods from any relevant theoretical perspective with a particular focus on old, dead and lost technologies for this issue.

Technocluture is not interested in “how to” pedagogical papers that deal with the use of technology in the classroom.

Technoculture will publish scholarly/critical papers in the latest MLA citation style, but also creative works including poetry and creative non-fiction are of interest to us. They will publish art work and especially media designed for display/dissemination on a computer monitor including still images, video or audio.

Submissions for Volume 3 (2013) accepted until 31 August 2013.

NewPages Link Updates

Added to The NewPages Big List of Literary Magazines:
Five Quarterly [O] – poetry, fiction
Lunch Ticket [O] – poetry, fiction, nonfiction
New Haven Review Image – poetry, fiction, nonfiction
Midwestern Gothic Image – poetry, fiction, photography
Angle [O] – poetry
Chagrin River Review [O] – poetry, fiction
Glitterwolf Image – LGBT, poetry, fiction, art, photography
Phoenix in the Jacuzzi Image – poetry, fiction, art
Quickly [O] – poetry, fiction, nonfiction, drama, reviews
Sundog Lit [O] – poetry, fiction, nonfiction
The Whole Mitten [O] – fiction
Theodate [O] – poetry
iO Poetry [O]
Broad! [O] – poetry, fiction, nonfiction, visual art
Clockhouse Review Image – poetry, fiction, nonfiction, drama, comics, graphic narrative
Quarterly Literary Review Singapore [O] – poetry, fiction, criticism, interviews
Storm Cellar Image – fiction, nonfiction, poetry, photography, art
Swamp Biscuits and Tea [O] – fiction

[app] = publication available as an app for tablets/phones
[e] = electronic publication for e-readers
Image = online magazines
[p] = print magazine

Added to Literary Links:
Burrow Press Review – fiction, nonfiction, columns, serials, interviews, book reviews
The Dying Goose – fiction
District – poetry, fiction, art
Animal – poetry, fiction, nonfiction
Revolver – an arts and cultural magazine based in Minneapolis
WhiskeyPaper – Drink words
The Barnstormer – to celebrate the intersection of sports and humanity with good writing
Dead Flowers – A Poetry Rag
The Bakery – poetry
Verity LA – (Australia) – creative arts journal, publishing short fiction and poetry, cultural comment, photomedia, reviews, and interviews.

Added to The NewPages Big List of Alternative Magazines:
thisthatSAID [O] – a critical examination of contemporary issues
Gadfly [O] – culture that matters

Added to Writing Conferences, Workshops, Retreats, Centers, Residencies, Book & Literary Festivals:
Whistler Readers & Writers Festival [Canada]
BookFest Windsor
Blood & Tea Mystery Conference

Added to Creative Writing Programs:
Augsburg College (MN) MFA program
Benedictine College [Springfield, IL] BA in Writing & Publishing
Monterey Peninsula College [CA] creative writing classes

Added to Independent Publishers & University Presses
Triangle Square – YA imprint of Seven Stories Press
Great Weather for MEDIA – poetry, fiction, monologues, nonfiction, anthologies
Torrey House Press – fiction, nonfiction, environment, American West
Soberscove Press – art-related books
ANTIBOOKCLUB

Crazyhorse Fiction and Poetry Contest Winners

The Fall 2012 issue of Crazyhorse announces the winner of the Crazyhorse Prize in Fiction: “Candidate” by Amina Gautier, selected by Joyce Carol Oates. The winner of the Lynda Hull Memorial Prize, judged by Carl Phillips, is Lo Kwa Mei-en’s poem, “Man O’ War.” Both winners received $2,000 and inclusion in this issue.

Other contributors to the issue include Karen Brown, Nona Kennedy Carlson, Aaron Gwyn, Caitlin Horrocks, Molly McNett, Karen Munro, Lia Purpura, Peter Stine, Monica Berlin, Traci Brimhall, Daniel Carter, Jean-Paul de Dadelsen, Kara Dorris, John Estes, Elisa Gabbert, Sarah Giragosian, Karin Gottshall, Sarah Gridley, Katy Gunn, Marilyn Hacker, Allison Hutchcraft, Karen An-hwei Lee, G

Tupelo Press 30 Poems in 30 Days

The 30/30 Project is an extraordinary challenge and fundraiser for Tupelo Press, a nonprofit 501(c)(3) literary press. One poet per month will run the equivalent of a “poetry marathon,” writing 30 poems in 30 days, while readers can “sponsor” and encourage her or him every step of the way by making a donation to Tupelo Press in honor of the poet. The first volunteer, Rebecca Kaiser Gibson, is already off and running. Readers can follow the poets by having each new post delivered via e-mail. Tupelo plans to continue the 30/30 Project for a full year. If you’d like to volunteer for a month, contact publisher-at-tupelopress.org with your offer, a brief bio, and three sample poems.