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The newest issue of Digital Humanities Quartely is now available online and features an editorial by Martin Mueller, “Shakespeare His Contemporaries: collaborative curation and exploration of Early Modern drama in a digital environment,” as well as articles on a range of digital issues: “Social Networks and Archival Context Project: A Case Study of Emerging Cyberinfrastructure” by Tom J. Lynch, “Digital Caricature” by Sean Strum, “J. M. Coetzee’s Work in Stylostatistics” by Peter Johnston, and “Computers, Comics and Cult Status” by Jaime Lee Kirtz. DHQ accepts a wide variety of submissions: articles, editorials, reviews, and interactive media.

American Life in Poetry: Column 498
BY TED KOOSER, U.S. POET LAUREATE

Here’s a lovely poem for this lovely month, by Robert Haight, who lives in Michigan.

Early October Snow

It will not stay.
But this morning we wake to pale muslin
stretched across the grass.
The pumpkins, still in the fields, are planets
shrouded by clouds.
The Weber wears a dunce cap
and sits in the corner by the garage
where asters wrap scarves
around their necks to warm their blooms.
The leaves, still soldered to their branches
by a frozen drop of dew, splash
apple and pear paint along the roadsides.
It seems we have glanced out a window
into the near future, mid-December, say,
the black and white photo of winter
carefully laid over the present autumn,
like a morning we pause at the mirror
inspecting the single strand of hair
that overnight has turned to snow.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2013 by Robert Haight from his most recent book of poems, Feeding Wild Birds, Mayapple Press, 2013. (Lines two and six are variations of lines by Herb Scott and John Woods.) Poem reprinted by permission of Robert Haight and the publisher. Introduction copyright © 2014 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

From the Library of Congress, Letters About Literature is a reading and writing contest for students in grades 4-12. Students are asked to read a book, poem or speech and write to that author (living or dead) about how the book affected them personally. Letters are judged on state and national levels. Tens of thousands of students from across the country enter Letters About Literature each year. Young authors in grades 4-12 can enter, with levels set at 4-6, 7 & 8, and 9 – 12. Different deadlines apply, so see the guidelines.

The Letters About Literature also provides a Teaching Guide with activities teachers can use to guide their students through the book discussion and letter-writing process. The guide addresses the LAL teaching strategies and ways in which the program can dovetail with national standards for teaching reading and writing as well as Common Core State Standards (CCSS). Also included are worksheets for duplication and assessment checklists.

American Life in Poetry: Column 497
BY TED KOOSER, U.S. POET LAUREATE

I’d guess everybody reading this has felt the guilt of getting rid of belongings that meant more to somebody else than they did to you. Here’s a poem by Jennifer Maier, who lives in Seattle. Don’t call her up. All her stuff is gone.

Rummage Sale

Forgive me, Aunt Phyllis, for rejecting the cut
glass dishes—the odd set you gathered piece
by piece from thirteen boxes of Lux laundry soap.

Pardon me, eggbeater, for preferring the whisk;
and you, small ship in a bottle, for the diminutive
size of your ocean. Please don’t tell my mother,

hideous lamp, that the light you provided
was never enough. Domestic deities, do not be angry
that my counters are not white with flour;

no one is sorrier than I, iron skillet, for the heavy
longing for lightness directing my mortal hand.
And my apologies, to you, above all,

forsaken dresses, that sway from a rod between
ladders behind me, clicking your plastic tongues
at the girl you once made beautiful,

and the woman, with a hard heart and
softening body, who stands in the driveway
making change.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2013 by Jennifer Maier from her most recent book of poems, Now, Now, University of Pittsburgh Press, 2013. Poem reprinted by permission of Jennifer Maier and the publisher. Introduction copyright © 2014 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

American Life in Poetry: Column 496
BY TED KOOSER, U.S. POET LAUREATE

One of Grant Wood’s earliest paintings is of a pair of old shoes, and it hangs in the art museum in Cedar Rapids, Iowa, where Wood grew up. Here’s a different kind of still life, in words, from Jim Daniels, who lives in Pittsburgh. The shoes we put on our feet gradually become like the person wearing them.

Work Boots: Still Life

Next to the screen door
work boots dry in the sun.
Salt lines map the leather
and laces droop
like the arms of a new-hire
waiting to punch out.
The shoe hangs open like the sigh
of someone too tired to speak
a mouth that can almost breathe.
A tear in the leather reveals
a shiny steel toe
a glimpse of the promise of safety
the promise of steel and the years to come.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem reprinted from Show and Tell, Univ. of Wisconsin Press, 2003, courtesy of the University of Wisconsin Press. Copyright ©2003 by the Board of Regents of the University of Wisconsin System. Jim Daniels’ most recent book of poems is Birth Marks, BOA Editions, Ltd., 2013. Introduction copyright © 2014 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

The fall issue of Brevity: A Concise Journal of Literary Nonfiction features three new craft essays: “Consider the Prompt” by Dinah Lenney; “When Writing Will Not Make You Free: Resistance Training for Writers” by Judith Pulman; and “On Riding and Writing Boldy” by Monica McFawn. Whle Brevity’s nonfiction submissions are capped at 750 “brief” words, these craft essays go well beyond, allowing writers to freely share their advice and give us readers a great deal from which to glean.

American Life in Poetry: Column 495
BY TED KOOSER, U.S. POET LAUREATE

We’re at the end of the gardening season here on the Great Plains, and the garden described in this poem by Karina Borowicz, who lives in Massachusetts, is familiar to tomato fanciers all across the country.

September Tomatoes

The whiskey stink of rot has settled
in the garden, and a burst of fruit flies rises
when I touch the dying tomato plants.
Still, the claws of tiny yellow blossoms
flail in the air as I pull the vines up by the roots
and toss them in the compost.
It feels cruel. Something in me isn’t ready
to let go of summer so easily. To destroy
what I’ve carefully cultivated all these months.
Those pale flowers might still have time to fruit.
My great-grandmother sang with the girls of her village
as they pulled the flax. Songs so old
and so tied to the season that the very sound
seemed to turn the weather.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright © 2013 by Karina Borowicz, whose most recent book of poems is Proof, (Codhill Press, 2014). Poem first appeared in the journal ECOTONE and is reprinted by permission of Karina Borowicz and the publisher. Introduction copyright © 2014 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

Another commntary of interest from Psychology Today, this time from reporter and storyteller Greg O’Brien whose memoir ON PLUTO: Inside the Mind of Alzheimer’s is out this September from Codfish Press. O’Brien uses the Black Dog from literature – engaging refrences to Robert Bly, Homer, Apollonius of Tyana, Robert Lewis Stevenson, Winston Churchill – as a means of exploring the “demons of depression.” O’Brien writes about the misunderstandings of what depression means: “It is not a mood swing, a lack of coping skills, character flaws, or simply a sucky day, a month or a year; it’s a horrific, often deadly, disease. . . In depression, there is no off button.”

O’Brien’s book is also the subject of the short film, A Place Called Pluto, directed by award-winning filmmaker Steve James. In 2009, he was diagnosed with Early Onset Alzheimer’s. His maternal grandfather and his mother died of the disease. O’Brien also carries a marker gene for Alzheimer’s.