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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

Contest :: Agha Shahid Ali Prize in Poetry 2020

2020 Agha Shahid Ali Prize in PoetryDeadline: April 15, 2020
Agha Shahid Ali Prize in Poetry: A poetry manuscript contest sponsored by The University of Utah Press and the University of Utah Department of English. $1000 cash prize plus publication for your poetry manuscript. Prize includes an additional $500 payment for travel and a reading in the University of Utah’s Guest Writers Series. See www.UofUpress.com/ali-poetry-prize for more details.

The Antioch Review – February 2020

Antioch Review - Fall 2019

The “Atention!” issue of The Antioch Review includes Heinrich Böll’s “Cause of Death: Hooked Nose” (translated by Robert C. Conard) which captures Nobel laureate Boll’s vivid imagery about the corollary of unfettered hatred, unchallenged propaganda, and fearful inertia for countries, communities, and consciences. Rachel Rose’s “Buccal Swab” airs the concerns and realities families face when a member harmlessly hands over DNA to Ancestry.com or some other DNAanalyses company. Stuart Neville’s thriller “Coming in on Time” unfolds in the eyes of a child naïve to passions that stir so strongly and sting so seriously. Find a full list of contributors at The Antioch Review‘s website.

Just a Few Billion Years Left to Go

Until the End of Time graphicUntil the End of Time. Mind, Matter, and Our Search for Meaning in an Evolving Universe By Brian Greene. Book Review, New York Times.

“In the fullness of time all that lives will die.” With this bleak truth Brian Greene, a physicist and mathematician at Columbia University, the author of best-selling books like “The Elegant Universe” and co-founder of the yearly New York celebration of science and art known as the World Science Festival, sets off in “Until the End of Time” on the ultimate journey, a meditation on how we go on doing what we do, why and how it will end badly, and why it matters anyway.

“Until the End of Time” is encyclopedic in its ambition and its erudition, often heartbreaking, stuffed with too many profundities that I wanted to quote, as well as potted descriptions of the theories of a galaxy of contemporary thinkers, from Chomsky to Hawking, and anecdotes from Greene’s own life — of which we should wish for more — that had me laughing.

NewPages Winter 2020 LitPak has been Mailed!

The NewPages Winter 2020 LitPak was mailed to colleges and universities with graduate and undergraduate writing programs and classes last week!

Featured in this LitPak are fliers from

  • Diode Editions
  • Elk River Writers Workshop
  • UNCG MFA in Creative Writing
  • Jackson Center for Creative Writing
  • The MFA at FAU/Swamp Ape Review
  • Killer Nashville
  • Summer Writers Institute at Washing University in St. Louis
  • Los Angeles Review of Books Publishing Workshop
  • Rattle
  • december
  • Nimrod
  • The Fiddlehead
  • Fourth Genre
  • Jacar Press
  • Gival Press
  • EVENT
  • Colorado Review
  • University of Utah Press
  • The Main Street Rag
  • St. Petersburg Review/Springhouse Journal

You can view the majority of the fliers included in this LitPak on our website. Feel free to download, print, and share. If you are interested in getting the next LitPak delivered straight to your doorstep, you can purchase a subscription here: npofficespace.com/litpak/subscription/.

Call :: The Awakenings Review

The Awakenings Review is a literary magazine devoted to publishing works from writers who have some connection with mental illness. The connection can be their own, friends, or family members. Work does not need to be related to mental illness. Submissions accepted year-round. There is no fee. Learn more…

Women of a Certain Rage

Women of a certain ago jpegWomen of a Certain Rage. Two New Books Tackle Getting Older—and More Pissed Off. Bitchmedia.

…I can’t say whether the despair I regularly feel is statistical or situational—the world is both literally and figuratively on fire, after all; I don’t trust anyone who isn’t despairing on some level. But as a woman, I also know that there can’t be any discussion of unhappiness at any numerical point of what we call “midlife” without acknowledging the powerful cultural narratives of gender and aging.

Those narratives, and the economic, political, sexual, and pop cultural impact of them, are at the center of two new books. Ada Calhoun’s Why We Can’t Sleep: Women’s New Midlife Crisis and Susan J. Douglas’s In Our Prime: How Older Women are Reinventing the Road Ahead both approach their subject matter from generational perspectives, each starting from a place of unsettled personal clarity: Well, shit, I got old. Now what? 

Patti Smith awarded PEN Award

Patti Smith jpg2020 PEN/Audible Literary Service Award: Patti Smith. Pen America.

Patti Smith is a writer, performer, and visual artist. She gained recognition in the 1970s for her revolutionary merging of poetry and rock. She has release 12 albums, including Horses, which has been hailed as one of the top 100 albums of all time by Rolling Stone.

Smith had her first exhibit of drawings at the Gotham Book Mart in 1973 and was represented by the Robert Miller Gallery for three decades. Her retrospective exhibitions include the Andy Warhol Museum, the Fondation Cartier, and the Wadsworth Atheneum Museum of Art. Her books include Just Kids, winner of the National Book Award in 2010, Witt, Babel, Woolgathering, The Coral Sea, Auguries of Innocence, M Train, and Devotion.

2020 Rainbow Book List

Rainbow Book ListRainbow Book List – GLBTQ Books for Children & Teens

The Rainbow Book List Committee is proud to announce the 2020 Rainbow Book List. The List is a curated bibliography highlighting books with significant gay, lesbian, bisexual, transgender, or queer/questioning content, aimed at children and youth from birth to age 18. This list is intended to aid youth and those working with youth in selecting high-quality books published in the United States of America between July 1, 2018 and December 31, 2019.

This year, our committee has noticed an abundance of genre fiction, as well as books whose plots do not revolve around anxiety concerning a queer character’s identity. Micro trends that we’ve noticed this year have been books about birds or with birds in the title, and books about queer witches. We’ve also seen an increase in books with non-binary, asexual-spectrum, and bisexual characters.

 

“Poet Laureate? Poet Illiterate? What?”

Luis J Rodriguez poet laureateDoes poetry matter? L.A.’s former poet-in-chief Luis J. Rodriguez explains why it’s life changing. Los Angeles Times.

Confusion aside, I felt it was about time “poet laureate” became a household term. The United States now has more poet laureates than ever before. There are poet laureates for states, counties, cities, communities, small towns, and Native American reservations (Luci Tapahonso became the first poet laureate of the Diné Nation). Claudia Castro Luna, a Salvadoran American, served as Seattle’s poet laureate and later held the same post for Washington state. Two Xicanx poets, Laurie Ann Guerrero and Octavio Quintanilla, did the same for San Antonio. Sponsored by New York City–based Urban Word, there is also a Los Angeles Youth Poet Laureate (I helped pick two of them) and the first ever National Youth Poet Laureate, eighteen-year-old Amanda Gorman.

…It’s hard to figure out poetry’s worth when there is a hierarchy of “values” hanging over our heads determined not by nature or skill but by powerful men in the publishing, media, and political industries — entities that are about making money. I’m not talking about family values or cool traits. I’m talking net worth, the bottom line: “If it don’t make dollars, it don’t make sense.”

If that’s the case, poetry should perish.

 

$2 million book deals about the Trump administration are anything but brave

$2 million book deals about the Trump administration are anything but brave. Vox.

The book publishing industry has many problems, but the one I find most chilling as a former book editor who now reports in the industry is that people who have vital information about our democracy are rewarded for putting such info in books rather than coming forward.

For book lovers such as myself, the silver lining of Trump’s election was the possibility that readers would be looking for escapism and big ideas in art. So it’s particularly demoralizing to watch publishers package the ongoing debasement of our country as entertainment. If Trump’s best political weapon is being at the apex of an infotainment media system that is consumed like cable news, then publishers aren’t obligated to play his game.

Poem: At Least

Poem: At Least. By Ha Jin. Selected by Naomi Shihab Nye. New York Times Magazine.

In a wry poem of direct counsel, Ha Jin dismisses obligatory mingling and networking. He’s talking to himself or to any of us, as the poem quietly advises and reasons. “A Distant Center,” Ha Jin’s profoundly appealing collection of poems written in Chinese, then translated by the author into English, contains so many breathtaking cleanses-of-spirit — begone bombast and posturing! Reading it is better than going to a spa. The title of this poem adds another encouraging nod to the topic. We may not know everything, but “at least” this.

“…Look, this skyful of stars,
which one of them
doesn’t shine or die alone?
Their light also comes
from a deep indifference.”

Call :: The MacGuffin Volume 36 Number 3

The MacGuffin is featuring formal poetical works in Volume 36, No. 3! We’ll take a look at any poem in an established metrical form, but save any free or blank verse for a different issue. Send up to five poems, listing their titles and forms in an email cover letter, using “Form Issue” in the subject line. Submissions also considered via post and Submittable (themacguffin.submittable.com/submit). Please send all work by April 1, 2020. Prose is still being considered for general publication in this issue. For more information, please see our website at www.schoolcraft.edu/macguffin or send us an email at [email protected].

‘Real censorship’: Roxane Gay responds to American Dirt death threat row

Roxane Gay jpg‘Real censorship’: Roxane Gay responds to American Dirt death threat row. The Guardian.

The author argues the debate around Jeanine Cummins’ controversial novel shows how people are threatened for ‘daring to have opinions’

Gay, who explained that she receives death threats every week, and pays for a security service to monitor and protect her, said that it was “important to acknowledge the death threats people receive for daring to have opinions, for daring to be black or brown or queer or disabled or women or trans or any marginalised identity”.

“People need to realise what real censorship looks like. They need to understand how unsafe it can be to challenge authority and the status quo,” she said. “These are not things that should be taken lightly, nor should this level of harassment be dismissed as mere trolling. You never know when one of those so-called trolls is going to take his rage from the internet into the physical world.”

How to Raise a Reader

How to Raise a Reader jpgHow to Raise a Reader (Does Anyone Actually Know?) BookRiot.

From what I can tell, the advice from these books can be distilled into three main points. One, read to your children, all the time, for as long as you can (even after they can read for themselves). Two, surround them with books and make books easily accessible. Borrow books from the library, buy books new, buy books secondhand, whatever it is — just have books at home. And three, model reading to them. One of the best ways to raise readers is to be a reader yourself, and let your child see that.

But thinking about these tips and advice also made me wonder: how effective are these tips? Can readers be made or are they born? The rest of these musings are exactly that: musings based on anecdotes and in no way on rigorous scientific research but it’s interesting to ponder.

Call :: High Desert Journal Spring 2020

Online literary magazine High Desert Journal is open to submissions. They are a “forum for literary, visual and journalistic artists to contribute a deeper understanding of the landscape and people of the interior West.”

Deadline to submit to their Spring 2020 issue is March 15. Learn more…

NewPages February 2020 Digital eLitPak

NewPages has sent out our monthly digital eLitPak to current newsletter subscribers yesterday afternoon. Not a subscriber yet? Sign up here: npofficespace.com/newpages-newsletter/.

Besides our monthly eLitPak featuring fliers from literary magazines, independent presses, and creative writing programs and events, we have a weekly newsletter filled with submission opportunities, literary magazines, new titles, reviews, and more.

Check out the current eLitPak below. You can view the original newsletter email here. Continue reading “NewPages February 2020 Digital eLitPak”

Contest :: Everything Change Climate Fiction Contest 2020

The Imagination and Climate Futures Initiative at Arizona State University is hosting its 2020 Everything Change Climate Fiction Contest. There is no fee. Deadline to submit stories is April 15 11:59 PM Mountain Standard Time. Learn more…

How to Write Fiction When the Planet Is Falling Apart

Weather by Jenny OffillHow to Write Fiction When the Planet Is Falling Apart. New York Times Magazine.

Jenny Offill is the master of novels told in sly, burnished fragments. In her latest, ‘Weather,’ she uses this small form to address the climate collapse.

In 2005, the naturalist Robert Macfarlane asked, in an influential essay in The Guardian: “Where is the literature of climate change? Where are the novels, the plays, the poems, the songs, the libretti, of this massive contemporary anxiety?” How should we understand the paucity of the cultural response to climate change, he asked, compared with the body of work catalyzed by the threat of nuclear war? In recent years, however, planetary collapse has emerged as a dominant concern in contemporary fiction…

The climate crisis, Offill shows, is reshaping not just our world but also our minds. “Weather” joins other new fiction in transforming the novel of consciousness into a record of climate grief. “Sometimes I think that people today must be the saddest people ever, because we know we ruined everything,” the heroine of Lucy Ellmann’s “Ducks, Newburyport” thinks.

‘What Could Possibly Go Wrong?’ Edited by Richard Peabody

What Could Possibly Go Wrong?

Book Review by Katy Haas

As a writer who is very prone to anxiety and stage fright, I’ve always turned down the opportunity to participate in readings. I can’t help running all the worst case scenarios through my head. This led me to picking up my copy of What Could Possibly Go Wrong? the pocket-sized anthology edited by Richard Peabody, featuring 36 writers sharing their own readings gone wrong.

The anthology starts off on a more serious note. Brett Axel’s reading devolves into a protest as police crash it, assuming the worst of teenage attendees. Abby Bardi’s publicity tour ends prematurely as it coincides with 9/11.

But a majority of these horror stories are less serious and more humorous. Mark Baechtel walks himself into a corner with one bad decision he commits to. Barbara Esstman has a selection of not one but four bad readings, and, luckily, she approaches each of them with levity. Alma Katsu is interrupted by a loud cheerleading practice. Both good weather and bad weather interfere with multiple readings. Tim Wendel must compete against the midnight release of his nemesis: Harry Potter.

Each writer presents their story with lightness and humor. Things didn’t go as planned, but they made it through and are still around writing and participating in more readings. I now find some comfort in the seemingly universality of readings gone awry. Sure, things might go wrong, but at least the experience will be there to laugh at (and possibly write about) later.

What Could Possibly Go Wrong? Edited by Richard Peabody. Paycock Press, 2019.

True Story – No. 34

True Story - Issue 34

The single-author True Story has released a new issue. In “Plume: An Investigation” by Mary Heather Noble, a former environmental investigator applies her forensic skills to a family mystery. What happens to us when we are exposed to toxicity, both literally and figuratively? Can we change what we pass on to our kids? And at what cost?

Call :: The Helix Spring 2020 Issue

The Helix Literary and Art Magazine, an undergraduate publication based in Central Connecticut, seeks compelling poetry, prose, and art for its Spring 2020 issue (online and in print). Any and all subject matters considered, but bonus points for topics that might be of interest to a college audience. Submit at helixmagazine.org/submission-guidelines/. Deadline: May 1.

Plume – February 2020

Plume - February 2020

Plume‘s February 2020 issue features selection is “Engraved Phrases on Open Seas: Poems and Notes on Translations of Khal Torabully” by Nancy Naomi Carlson. Charles Simic pens an “Essay on the Prose Poem,” and Mark Wagenaar reviews Mark Irwin’s Shimmer. Poets in this issue include Sawnie Morris, William Logan, Mary Jo Salter, Mark Irwin, Kim Addonizio, Andrea Cohen, Adam Scheffler, and more.

Call :: Jewish Fiction .net Fall 2020 Issue

Jewish Fiction .net, (www.jewishfiction.net) a prestigious literary journal, invites submissions for its Fall 2020 issue. We are the only English-language journal devoted exclusively to publishing Jewish fiction, and we showcase the finest contemporary Jewish-themed writing (either written in, or translated into, English) from around the world. In 9 years we have published 400 stories or novel excerpts, originally written in fifteen languages and on five continents, and we have readers in 140 countries. We’ve published such eminent authors as Elie Wiesel, Savyon Liebrecht, and Aharon Appelfeld, alongside many fine lesser-known writers. For submission details, please visit our Submissions page at www.jewishfiction.net/index.php/contactus/submission/.

The Main Street Rag – Winter 2020

The Main Street Rag - Winter 2020

The Main Street Rag Winter 2020 issue includes featured interview “Living for the Day” with Laura Thurston by Richard Allen Taylor. Also in this issue, find fiction by Nancy Bourne, Michael Gaspeny, Nick Gardner, Don Stoll, Laurence Levey, and Michael Washburn; poetry by Joan Bauer, Ace Boggess, Les Brown, Brian Fanelli, Mary Alice Dixon, Sean Thomas Doherty, Vicki Mandel-King, Gerard Sarnat, Sibani Sen, Young Smith, and more; plus a selection of five book reviews.

Hampden-Sydney Poetry Review – 2020

Hampden-Sydney Poetry Review - Winter 2019

This year’s issue of HSPR is a collection of small things–the way the small things, the things we could almost overlook, often drive art as much as larger considerations. Our 4×4 section this year continues the theme – Richard Kenney, Tobi Kassim, Jessica Fisher and Stephanie Burt all weigh in on the role of small things in both making poems and appreciating them. Contributors include Jena Le, Sandra Lim, KE Duffin, Mary Cisper, Anna Tomlinson, Adam Tavel, Jonathan Wike, Tobi Kassim, and more. A changed logo, different paper, and new fonts are also small physical changes readers can note in this issue.

Contest :: Arts & Letters Prize Competition 2020

Arts & Letters Prizes 2020 flier

For our 22nd annual prizes in fiction, poetry, and creative nonfiction, we offer the winner in each category a $1,000 prize and publication in the next year’s Fall or Spring issue. All writers and poets writing in English are eligible to enter, excepting friends, relatives, or current and former students of the current-year judges. All fiction, poetry, and creative nonfiction prize submissions will also be considered for publication at regular payment rates. The submission period for our annual prizes is February 1 – March 31. The entry fee is $20. Submit now! artsandletters.gcsu.edu

Carve Magazine – Winter 2020

Carve Magazine - Winter 2020

The Winter 2020 issue of Carve Magazine features short stories by and interviews with Alissa Hattman, Emily Howorth, Sam Simas, and Kate Arden McMullen; poetry by Lucia Orellana Damacela, Jessica Hincapie, Cindy Juyoung Ok, and E. Kristin Anderson; and nonfiction by Brittany Coppla and Joel Clotharp. Additional features include Decline/Accept with “Fit” by Rayne Ayers-Debsksi, a “One to Watch” interview with Brandon Taylor by Anna Zumbahlen, and illustrations by Justin Burks.

Call & Event :: Columbus State University Creative Writers Conference 2020

Columbus State University is accepting panel and workshop proposals for its 2020 Creative Writers Conference through February 15. Consider attending the event taking place October 24 in Columbus, GA. Learn more…

Patti Smith on Libraries and the Transformative Love of Books

Year of the MonkeyPatti Smith on Libraries and the Transformative Love of Books. Brain Pickings.

In Year of the Monkey  — her unclassifiable, symphonic exploration of dreams, love, loss, and mending the broken realities of life — Patti Smith recounts how her local childhood library nurtured her inner life, tilling the soil of her becoming.

In consonance with that lovely parenthetical line from one of Nikki Giovanni’s poems celebrating libraries and librarians — “(You never know what troubled little girl needs a book.)” — Smith writes of the endearing, almost unreasonable devotion with which she sought solace for her nine-year-old troubles amid the stacks.

Event :: Los Angeles Review of Books Publishing Workshop 2020

Los Angeles Review of Books 2020 Publishing WorkshopEvent Dates: July 5–24, 2020; Los Angeles
Applications are open for the Summer 2020 Los Angeles Review of Books Publishing Workshop: July 5–24, 2020 at Emerson College’s L.A. campus. Scholarship deadline is extended to March 30; all applications now due by April 13. For more information and to apply, visit thepublishingworkshop.com.

Contest :: 2020 International Literary Awards

2020 International Literary Awards flierThe Center for Women Writers of Salem College is accepting entries of fiction, nonfiction, and poetry for its 2020 International Literary Awards. Deadline to enter is February 29 now March 15. $15 fee. Prize is $1,000/category. Learn more…

‘The Way of the Wind’ by Francine Witte

Way of the Wind by Francine WitteGuest Post by Arya F. Jenkins

In The Way of the Wind, poet and writer Francine Witte’s sparse but packed novella in flash, loss has a dozen names and belongs as much to the present as the past. After being dumped by her boyfriend of five years, the narrator, Lily, finds herself not only overwhelmed with grief but with the memory of other losses and, as she tries to work through them, takes the reader on a frantic, all-too familiar journey.

The Way of the Wind is divided into short, emotionally-charged chapters that grip from the start. Bitter wit provides respite throughout: “Love is a lot like tennis, you know? The ball is everything. Everything. If you’re not watching it, you might as well be sipping tea.”

As is true in the work of any masterful flash fiction writer, the only thing the reader can count on here is the unexpected. As Witte takes the reader on a bumpy ride full of emotional twists, highs and lows, the angst and dramedy feel familiar; the ache, all too real. Lily tries everything to escape her pain, going over the “ifs,” making excuses for the other, fantasizing to keep from acknowledging that her biggest fear—abandonment—has come to pass. The only way out of grief and loss, the narrator seems to suggest, is by uniting with what there is—other humans who care, and acceptance.

The Way of the Wind by Francine Witt. Ad Hoc Fiction, 2019.

Arya F. Jenkins is a poet and writer whose prose has been recently published in About Place Journal, Across the Margins, Cleaver Magazine, Eunoia Review, Five on the Fifth, Flash Fiction Magazine, Metafore Literary Magazine, and Vol. 1 Sunday Stories Series. Her fiction has received several nominations for the Pushcart Prize. Her latest poetry chapbook, Love & Poison, was published by Prolific Press in November 2019, and her short story collection Blue Songs in an Open Key (Fomite, 2018) is here: www.aryafjenkins.com. 

Call :: Apple Valley Review Spring 2020 Issue

Online literary magazine Apple Valley Review is reading submissions for its Spring 2020 issue through March 15. There is no fee submit.

Plus, all work published will be considered for their annual editor’s prize. Learn more…

Call :: Connecticut Literary Anthology 2020

The Connecticut Literary Festival is joining forces with the Central Connecticut State University English Department to publish an anthology. This anthology is open to Connecticut residents only. There is no fee. Deadline is March 31. Learn more…

Call :: Anomaly Open Reading Period

Anomaly Issue 29 screenshotThe online literary magazine from Anomalous Press, Anomaly is open to general submissions through March 1. They charge a $3 fee and offer a modest honorarium.

Plus, they have announced their new issue will launch on April 11. Featured folios include a CantoMundo tribute and Performance Poetry. They will also be doing an event at AWP 2020 with Waxwing and Newfound. Learn more…

Poetry – February 2020

Poetry - February 2020

The Poetry February 2020 issue features work by Zach Linge, Jesus Govea, and Dasiy Fried. More work by Terese Svoboda, Alison C. Rollins, Mia You, Caoilinn Hughes, Virginia Keane, Francine J. Harris, Angela Jackson, Rodney Jones, David Felix, Dujie That, Talin Tahajian, Partridge Boswell, Lani O’Hanlon, Beth Bachmann, John Lee Clark, Maggie Smith, James McCorkle, Zeina Hashem Beck, Jessica Greenbaum, Mei-Mei Berssenbrugge, Mary B. Moore, Gabrielle Bates, Nome Emeka Patrick, Jack Underwood, and Liz Berry. Plus, an essay by Jeffrey Yang.

Call :: Driftwood Press

Driftwood Press January 2020 issueDriftwood Press is not only a biannual digital and print literary magazine, but also a book publisher.

Submissions are accepted year-round with expedited response options available. Besides general submissions for their journal, they are currently open to submissions of novellas, graphic novels, and comic collections.

Many of their authors are offered editorships and interviews.

The Malahat Review – Winter 2019

The Malahat Review - Winter 2019

The Winter 2019 issue of The Malahat Review features 2019 Constance Rooke Creative Nonfiction Prize winner Jeanette Lynes. Also included: Carolyn Nakagawa, Julia Brush, Angélique Lalonde, Franco Cortese, Kurt Marti, Patricia Young, Sherine Elbanhawy, Suphil Lee Park, Emeka Patrick Nome, Hasan Alizadeh, Conor Kerr, Joel Robert Ferguson, Melanie Boyd, Bernadette White, Dominique Béchard, Jon Gingerich, Tatiana Oroño, Robert Hilles, Kulbir Saran, Sarah Yi-Mei Tsiang, Dawn Lo, and Sehrish Ranjha. Cover art by Sandra de Groot.

The Literary Review

The Literary Review - Fall 2019

The “Granary” issue of The Literary Review features poetry by Rosa Alcalá, Mario Ariza, Christian Barter, Samuel Cheney, James Ciano, Heather Derr-Smith, Dalton Day, Michael Farman, Stuart Friebert, Ute von Funcke, Elisa Gonzalez, Benjamin S. Grossberg, Jennifer Grotz, Maricela Guerrero, Hannah Jansen, and more; fiction by Jody Azzouni, James Braziel, Rosy Fitzgerald, Case Q. Kerns, Laura Shaine, Christine Sneed, Eva Taylor, and Jenny Wu; and prose by Kelly Luce, Karen Luper, Toni Maraini, and Josip Novakovich.

The Lake – February 2020

The Lake - February 2020

This week, we have The Lake‘s February issue, featuring Gaby Bedetti, David Butler, Brent Cantwell, Alexandra Corrin-Tachibana, Michael Dureck, Rebecca Gethin, David Krausman, Patrick Lodge, Bree A. Rolfe, Laura Stringfellow. Reviews of Jason Eng Hun Lee’s Beds in the East and Patrick Lodge’s Remarkable Occurrences.