Court Green is a natty-looking 220 plus page paperback-sized journal with a pink plaid cover and a world of poetry inside. The first section contains absolute jewels, nothing off-the-wall or experimental, just good poems, a variety to pique every interest. For example, the whimsical “Sexy” by Jack Anderson: “The train stops and people leave – how sexy. / New people step in; they’re sexy, too. / That’s how it goes as stations pass: sexy.” It’s fun and sassy and everything summer should be, subway or no. In contrast to “Sexy,” Kevin Carollo’s “Do I Have a Doctor’s Note?” decries school violence by having a youth pose questions: “I didn’t make it / to the audition? / Because I still / had to learn / how to kiss fire?” He hooks the reader effectively with the tragedy and the greater question “Why?” Continue reading “Court Green – 2008”
NewPages Blog
At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!
Court Green – 2008
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Dark Horse – Winter 2007/2008
Dark Horse: the Scottish-American Poetry Magazine is simple enough to look at: a plain white cover with a mirrored horse icon in the lower right corner, and content items listed plainly. However, it does pack a punch into its ninety-five pages. There is poetry, but it mostly focuses on four poets. Continue reading “Dark Horse – Winter 2007/2008”
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Harvard Review – 2007
Harvard Review is not a first pick among reviewers, and I’m not sure why. Perhaps the name scares some away – too high falutin’? However, in reading this issue, I felt not the least bit shut out of the content, and if anything, found much to access and some enjoyable challenges. Continue reading “Harvard Review – 2007”
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Hotel Amerika – Spring 2008
What struck me first about Hotel Amerika was its gorgeous design and layout. Its pages are taller and wider than most journals – it looks and feels like a trade magazine. Prose is printed in two wide columns of text, while poetry roams freely across the page. Continue reading “Hotel Amerika – Spring 2008”
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Hot Metal Bridge – April 2008
Hot Metal Bridge, the innovative and fiercely imaginative online literary magazine of the University of Pittsburgh, publishes poetry, fiction, nonfiction and criticism that will cause such an extreme variety of reactions that by the time we are done reading, we will be so spent and drained that we will have to go home, rest, dive into a hot vat of peanut oil perhaps, before attempting to peruse any more of its wacky literary experiments. Continue reading “Hot Metal Bridge – April 2008”
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The Hudson Review – Spring 2008
This issue marks The Hudson Review’s 60th anniversary, which is an impressive feat in and of itself, especially in the impermanent world of literary journals. It features two stories by Penelope Fitzgerald who died in 2000. For readers unfamiliar with her work, she won the Booker Prize in 1973 for her novel Offshore and the National Book Critics Circle Award in 1993 for The Blue Flower. Continue reading “The Hudson Review – Spring 2008”
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Knock – 2007
Knock: Hurt on Purpose is as amazing, off-the-wall, and anguished as the title suggests. There are some very strange pieces inside. Weird. Off-beat. Even creepy. And downright original, stunning, hair-raisingly good! Try the odd short-fiction piece, “Artificial Heart” by E.C. Jarvis, which effectively gives the reader a rise with its dark, twisted sense of humor. Then, “Plump” by Matthew Hamity, a love-hurt story, complete with a villainess-narrator that gives a chilly slant on the definition of “love,” complete with tears. Continue reading “Knock – 2007”
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Sport Literate – 2007
Although its content was featured in notable anthologies, Sport Literate has been riding the proverbial pine since May 2005. Thankfully, the publication has returned to the mound and serves up this Chicago-themed issue of creative nonfiction, poetry and photographs. Continue reading “Sport Literate – 2007”
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The Sun – June 2008
Confession: It’s been ten years since I last read The Sun, and I’m not sure why, but now I feel a sense of regret for all I have missed. If you don’t read this three-decades-old, ad-free publication, or don’t know it at all, get this issue (at least). The interview with Edward Tick is an absolute, tell-everyone-you-know-to-read-this-now piece. Tick currently directs Soldier’s Heart, a nonprofit initiative to promote “community-based efforts to heal the effects of war.” As a college teacher working with returning vets, I felt guided by Tick’s insight. The most poignant comment for me: “We have a parade and shoot off fireworks, which scares the hell out of many veterans. A better way to honor them would be to listen to their stories. We should give them new ways to serve and an honorable place in our communities.” Thanks to Tick, I have already started an initiative in my community. This interview, read in combination with Edwin Romond’s poem “Brother in Arms,” about the treatment of ‘Nam vets in a particular workplace, gives voice to the sorry spectrum of response our “warrior class” experience. Continue reading “The Sun – June 2008”
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Witness – 2007
With the tagline “The Modern Writer as Witness,” this publication assembles work by authors from the U.S., South America, Korea, Vietnam and a 10th-century Jewish poet from Muslim Spain. Continue reading “Witness – 2007”
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A Sorta Father’s Day Poem by David Fraser
Here’s one from Killing Trout and Other Love Poems that I thought of on this Father’s Day. It’s fun to hear Dave read this one himself, at the end of it, he gives an incredulous, “Mom!”
My Father’s Old Camera Said…
the old camera said,
when I picked it up,
said something about
3 dozen grey sunsets,
before that, a factory
in Germany, it had
traveled, sat around
the shop, been opened
and closed like the mouth
of a horse, traded
on an impulse,
caught me, young,
leaning against the crescent moon
next to the wishing
well on Belle Isle,
caught my uncle catching
trout, my brother diapered
and crying in my old crib.
and before that, had seen my mother
nearly naked, smiling at it,
adjusting her fake fur stole.
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Rawi Hage Wins International Impac Dublin Literary Award
Author Rawi Hage, born in Beirut, Lebanon and currently living in Montreal, Canada, has been awarded the International Impac Dublin Literary Award for his first novel De Niros Game (2007, Steerforth Press). His work was selected over seven other authors and has received a prize of 100,000 euros. The International Impac Dublin Literary Award is the considered the world’s most lucrative prize in the field of literature.
Hages’s book, De Niro’s Game, revolves around two childhood friends growing up in war-torn Beirut who must choose between self-imposed exile or a life of crime at home. The book is described by the publisher as being “Told in a distinctive, captivating voice that fuses vivid cinematic imagery and page-turning plot with the measured strength and beauty of Arabic poetry, De Niro’s Game is an explosive portrait of life in a war zone, and a powerful meditation on what comes after.”
Hage, who lived through nine years of civil war in Beirut before emigrating to Canada said, “After a long journey of war, displacement and separation, I feel that I am one of the few wanderers who is privileged enough to have been rewarded, and for that I am very grateful.”
Hage was chosen from 137 novelists nominated by 162 public libraries in 45 countries across the globe. Other finalists for this year’s competition, this year’s list of judges and previous winners can be found on the Impac Dublin website.
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Awards :: Bellingham Review Lit Contest Winners
The Bellingham Review has announced the winners of their 2008 literary contests:
The Annie Dillard Award in Creative Nonfiction
Final Judge: Steven Kuusisto
First Place: Lauren Smith Traore, “The Widow’s Tale”
Runner Up: Ona Gritz
Finalists: Mardi Link, Anisse Gross, Natalie Serber, Cate Hennessey, Kay Sather, Liz Stephens
The 49th Parallel Award in Poetry
Final Judge: Aimee Nezhukumatathil
First Place: Kaveh Bassiri, “Invention of God”
Runner Up: Kate Buckley
Finalists: Jonathan Rice, Susan Rich, Rae Gouirand, Lauren Smith Traore, Elisa Palido, Harold Bauld, Tua Chaudhuri, Annie S. Doran
The Tobias Wolff Award in Fiction
Final Judge: Ann Pancake
First Place: Edward O’Connell, “The Hunting Horn”
Runner Up: Margarite Landry
Finalists: Nicholas Maistros, Micah Nathan, Jacob Appel, Tom Smith, Donna L. Trump, Meaghan Mulholland, Eugene Cross, Heather Jacobs
The next BR contests will be held December 2008-March, 2009 (judges to be announced).
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Father’s Day by Bruce Guernsey
Father’s Day
Poetry and Essay by Bruce Guernsey
Wild River Review, June 2008
For the buried, closure.
For the missing, space–
This Illinois distance
Where a man can walk forever,
Stubble and sky,
Where a house on the other side
Is ever the horizon.
Ten years ago this month—June, the month of Father’s Day—what was thought to be the remains of my father’s body were found in some woods along a ridge by a couple of hikers. He had disappeared three years before from a VA hospital in rural Pennsylvania. His Parkinson’s Disease had finally exhausted my mother, and she couldn’t keep him at home anymore. On most days, he was helpless, but every once in a while, he could with a struggle dress himself. Gaining momentum, he’d then shuffle about, gathering speed as he went, head-down and charging like the soldier he once was into enemy fire—that is, into whatever was in the way, be it a lamp or a shelf full of crystal, and down they’d come. And if a door were open, out he’d go, which is exactly what he did that day at the VA…[read the rest on Wild River Review]
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Tupelo Press Submissions – July & Year-Round
While only accepting open submissions for poetry manuscripts during the month of July, Tupelo Press will now read submissions of fiction (including novels and short story collections) and creative nonfiction year-round. All submissions require a reading fee.
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Job :: Editorial Position at Hyperion
Posted on WestConn MFA in Professional Writing , June 11, 2008:
“Hyperion has a terrific entry level opening, working as assistant to an executive editor (Brenda Copeland) and the associate publisher (Kristin Kiser). It’s a fine opportunity that would give the right person some real big-picture experience. A brief job description below. If you want to apply, please send an email to Brenda, with resume attached. Please feel free to forward this email. Brenda Copeland Executive Editor HYPERION 77 W. 66th Street – 11th Floor New York, NY 10023 P: 212.456-0143 [email protected]”
Job Description The editorial assistant provides editorial and administrative support to one Executive Editor and one VP/Associate Publisher. It is the responsibility of the assistant to ensure that the editor’s and AP’s offices are well-maintained, specifically: answer telephones, keep accurate files, and maintain calendars. For the editor, the assistant will also do the following: record submissions and rejections, draft rejection letters, make sure that author checks are requisitioned in accordance with contractual obligations, and make sure that fact sheets and other materials are submitted on time. For the editor, the assistant will also track book projects from the manuscript stage through to the arrival of the finished books and deal with post-production matters. He or she must look out for potential problems, keep an eye on deadlines, and keep editors, authors, and agents informed about production schedules and other significant deadlines. In addition the assistant will be called upon to read and evaluate manuscript submissions and draft promotional material such as flap copy, catalog copy, and audio copy. For the Associate Publisher, the assistant will keep lists for several seasons and update accordingly, schedule campaign meetings and assist with follow up with various departments (editorial, publicity, marketing, and sales), schedule sales meetings and assist with follow up.
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Bob Dylan, Bathtubs, Poetry and Harold Bloom
Here’s a fun interview from Eurozine that goes off into some interesting directions, including discussing poetry writing and Harold Bloom (the comments on him even made me laugh a bit).
Ieva Lesinska, Christopher Ricks
A lesson in Dylan appreciation
April 11, 2008
Christopher Ricks, professor of humanities at Boston University and professor of poetry at Oxford University, is famous for his close readings of Milton, Keats, and Eliot, and also for his passion for the music of Bob Dylan. This culminated in his book Dylan’s Visions of Sin (2003), an analysis of Dylan’s lyrics that had some critics grumble that Ricks could talk one into believing that even a phone book is poetry. Ieva Lesinska, editor of Rigas Laiks, decided to find out for herself.
Ieva Lesinska: Professor Ricks, why do you have a bathtub in your office?
Christopher Ricks: It’s Bob Dylan’s childhood bathtub. It’s where the young Dylan made his first splash. It belongs to two former Boston University alumni. They saw it on e-bay and wondered whether to buy it; I urged them to do so.
IL: One of the things I’d really like to understand is why it is that I fail to appreciate Bob Dylan?
CR: And what does your psychoanalyst say about this problem?
IL: I don’t have one. I mean, I don’t have a psychoanalyst.
CR: I know what you mean: there’s an immense lot of art out in the world that people I care about praise highly that means nothing to me. I’ve been to museums that are full of plates, but I’ve never seen a plate that would make any difference to my life. I’ve never seen a Braque painting that would mean anything to me. But I can’t ignore Picasso or Daumier. On the other hand, you could ask: “I love Leonard Cohen, so how come I don’t love Bob Dylan?”
IL: But I don’t love Leonard Cohen, I find him somewhat tedious.
CR: Well, good. That’s the right answer, as you surely know.
IL: When I read Dylan’s lyrics, I know that I should like him, because the lyrics work for me. But when I hear the voice, first of all I can’t hear the lyrics anymore, there’s just that nasal tone that I don’t much care for. But I’ve really tried.
CR: And why should you like him?
Read the rest on Eurozine.
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SciFi v. Literature – Why?
Science Fiction, literature, and the haters
by Jake Seliger
Posted June 5, 2008 on The Story’s Story
Seliger’s essay begins with this question: “Why does so little science fiction rise to the standards of literary fiction?”
And explores this both from the perspective of a reader AND writer of SciFi. His experiences with rejection of his novel add to the mix of how SciFi is treated, and he comes part way through the essay to this commentary:
“It’s unfortunate that the entire genre gets tarred as junk by some critics and readers when in reality it’s not entirely junk—if it were, I wouldn’t write a long essay describing it. I have a theory as to why science fiction often gets labeled as junk: it values other qualities than aesthetic novelty/skill and deep characterization. It’s more concerned with ideas rather than how ideas are expressed, while the greatest literary fiction sees ideas and their expression as inextricably linked. At the same time, though, I think that science fiction’s defenders might bring on the literary snobs’ ire by doing things like calling them literary snobs when many aren’t actually snobs, but just have standards that science fiction too infrequently reaches in part for the reason I just stated. This is also why, I suspect, science fiction has trouble achieving the critical and academic recognition it should probably have, especially given its larger impact on the culture. I’m one of the defenders of good writing being good writing regardless of where it comes from, but the more science fiction I read, the more I realize so much of it just doesn’t have the skill in narrative, detail, character, sympathy and complexity, language, and dialog that readers of literary fiction demand. I still like a lot of science fiction, but most of it now causes me to roll my eyes and skip pages: characters have no life, the books have no lifeness, clichés abound, and strong setups devolve into variations on cowboys and indians.”
There is more, much more, to this thoughtful and well supported exploration, in which Seliger himself says he comes to no final conclusion. All the more for the readers and writers to consider.
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New Online Lit Mag :: Pulse
Pulse: Voices from the Heart of Medicine. This new magazine is dedicated to publishing personal accounts of illness, fostering the humanistic practice of medicine, and encouraging health care advocacy. Patients and health professionals are invited to sign up as a friend to the magazine to receive the issues and/or to submit original creative work.
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New Online Issues Posted June 11
Stop by NewPages Magazine Stand to find publisher descriptions for new online issus from our sponsor magazines, and a list of new issues of other online literary magazines. If you’d like to be listed on this page, all you need to do is send me notice of your new issues online: denisehill-at-newpages.com. I’d certainly like to see more listings here to keep this feature going.
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New Lit on the Block :: Canarium Journal
Canarium is the occasional journal of Canarium Books. The first issue, Canarium 1, was published in early 2008 at the University of Michigan, and is sponsored by the Institute for the Humanities, the International Institute, Arts on Earth, the MFA in Creative Writing Program, and Rackham Graduate School. Two of Canarium’s editors, Joshua Edwards and Nick Twemlow have co-edited an independent occasional journal, The Canary, with Anthony Robinson since 2002.
Issue 1 includes: Arda Collins, Takashi Hiraide, Sawako Nakayasu, Ed Roberson, Alan Gilbert, Suzanne Doppelt, Cole Swensen, Jibade-Khalil Huffman, Suzanne Buffam, Betsy Andrews, Erica Bernheim, Wayne Koestenbaum, Andy Carter, Eula Biss, Srikanth Reddy, Philip Jenks, Simone Muench, Dunya Mikhail.
“We are dedicated to publishing poetry by established and emerging authors from the United States and abroad.”
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New Lit on the Block :: First City Review
First City Review is “a quarterly journal of pop culture, fiction, essay, poetry, travel, and review that covers the contemporary and idiosyncratic experience of life in Philadelphia and the world beyond.”
Issue 1 features new fiction from Thaddeus Rutkowski, Paula Bomer, Johannah Rodgers, Brooke Comer, Leslie Bienen, Alexa Beattie and Chad Willenborg. Poetry from John Grey, Bryon D. Howell, Youssef Rakha and James R. Whitley. Essay by James Wagner. And featuring new photography work from Heather Weston, found photos, and sketches and pencil drawings.
FCR accepts submissions year-round in fiction, essay, poetry, criticism, review and travel.
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Backwards City Throws in the Towel – Permanently?
It seems a bit odd, but shortly after posting an “Original Editor’s Farewell” on the site, which spoke of the new blood taking over teh publicaiton, this was posted on the Backwards City Review Blog, Thursday, March 20, 2008:
“And With That…
And with that, I have some sad news. Backwards City Review is suspending operation as of its 7th issue, which is now back from the printer and being mailed out shortly. There’ll be more details forthcoming, but for now let me say, on behalf of all the editors, past, past, and future, it’s been a lot of fun, and thanks.”
I dropped BCR an e-mail to ask if this was permanent or not, as so often there is “hiatus” status while publications re-organize themselves, but I have not heard back from them. Sadly, in that founding editor’s farewell was the following comment:
“Yes, the founders of the BCR are stepping down. Our city is ripe for regime change. Citizens with pitchforks. Rhythmic chants. But we have not thrown the baby out with the bathwater. This little toddler will continue, there’s a new mayor in town, and remember, it takes a village. Another squad of hungry editors, right at this very moment, is waiting to get their hands on the next batch of oddities that you so crave. The magazine is in excellent hands. Our neighborhood, our city, our backwards nation is strong. It will prosper, thrive, probably get better, as hard as that is to imagine. And if it doesn’t, we’ll bash the kneecaps of each of those youngbloods.”
I don’t think I want to know if any knees were bashed, but I would hope there is some truth to the strength that can prosper and thrive, and that we might not yet have seen the last of BCR. If not, then perhaps the message is one much more prophetically overarching – as one lit mag fades away, I sit here with three inaugural issues of the new lit mag ventures, the next generation of hope and high energy. It is the way of our world.
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Award :: Tupelo Press 2008 Snowbound Chapbook
Winner of the Tupelo Press 2008 Snowbound Chapbook Award
Judge Dana Levin has selected Stacey Waite of Pittsburgh, PA as winner of the 2008 Snowbound Series Chapbook Award. Her manuscript, titled “the lake has no saint,” will be published by Tupelo Press in 2010.
The runners up are:
Jamie O’Halloran of Los Angeles, CA for “The Visible Woman”
John Surowiecki of Amston, CT for “Mr. Niedzwiedzki’s Pink House”
Deb Casey of Eugene, OR for “Spit & Purr”
Other Finalists:
Lisa Beskin – Belchertown, MA, “Shadow Globe”
Remica Bingham – Norfolk, VA, “The Body Speaks”
John de Stefano – New York, NY, “From: Critical Opalescence and the Blueness of the Sky”
Mary Helen Molinary – Memphis, TN, “The Book of 8:38”
Howard Robertson – Eugene, OR, “Three Odes to Gaia”
Robin Beth Schaer – New York, NY, “Almost Tiger”
Suzume Shi – New London, CT, “Ao”
Jacob Shores-Arguello – Fayetteville, AR, “John Barleycorn Must Die”
Janet Sylvester – Kittery, Maine, “The Unbinding”
Semifinalists:
Hadara Bar-Nadav – Kansas City, MO, “Fable of Flesh”
Colin Cheney – Brooklyn, NY, “Here There Be Monsters”
Mark Conway – Avon, MN, “Dreaming Man, Face Down”
John de Stefano – New York, NY, “From: Three-Body Problems”
Joanne Diaz – Chicago, IL, “Violin”
Jennifer Kwon Dobbs – New York, NY, “Mongrel Angels”
Matthew Hittinger – Astoria, NY, “Spectacular Reflection”
Christina Hutchins – Albany, CA, “Dark Creek”
M. Smith Janson – Florence, MA, “Letter Written in this Life, Mailed from the Next”
Jesse Lee Kercheval – Madison, WI, “My Life as a Silent Movie”
Sandra Kohler – Dorchester, MA, “Final Summer”
Gary Copeland Lilley – Swannanoa, NC, “Wade In Da Wahtuh”
Matthew Lippman – Claverack, NY, “Moses”
Mike Maniquiz – Clovis, CA, “Cooking Frutti Di Mare on This Early Evening Before the
Night Falls on Kentucky Hillsides”
Mary Helen Molinary – Memphis, TN, “This Book of Sun”
Rusty Morrison – Richmond, CA, “Insolence”
Teresa Pfeifer – Chicopee, MA, “Little Matryoshka”
Joseph Radke – Milwaukee, WI, “A Source of Reasons”
Boyer Rickel – Tucson, AZ, “reliquary”
Reginald Shepherd – Pensacola, FL, “Photos of the Fallen World: Poems”
Page Hill Starzinger – New York, NY, “Black Tongue”
Barry Sternlieb – Richmond, MA, “Winter Crows”
Jonathan Weinert – Concord, MA, “Charged Particles”
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Jobs :: Various
The MFA Program of Warren Wilson College seeks a full-time resident Director, effective June 1, 2009.
The Department of English at Medgar Evers College invites applications for a full-time tenure-track position teaching Creative and Professional Writing. July 1.
Williams Collge Writing Coordinator, Academic Resource Center. The College is pleased to announce an opening for a full-time Writing Coordinator reporting to the Director of Academic Resources under the auspices of the office of the Dean of the College. Immediate.
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Advice to Poets from Copper Canyon
Copper Canyon Press offers an “Advice to Poets” page on their website in response to writers seeking the advice of this publishing guru. The page links to several articles, including: “Becoming a Poet: One Step at a Time” by John Haines; “Advice to Young Poets: How to Make It out of the Slush Pile of Submissions” and “The Don’t and Dos of Cover Letters” by editor Eleanor Hamilton; and “Thirty-two Statements About Writing Poetry” by Marvin Bell. Take it from the pros. It’s free.
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Documentary Film :: Including Samuel
“Photojournalist Dan Habib rarely thought about inclusion before he had his son Samuel seven years ago. Now he thinks about inclusion every day. Habib’s documentary film Including Samuel examines the educational and social inclusion of youth with disabilities as a civil rights issue.
“Including Samuel is built on the efforts of Dan Habib and his family to include Samuel, 7, in all facets of school and community. Including Samuel also features four other families with varied inclusion experiences, plus interviews with dozens of teachers, young people, parents and disability rights experts.”
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NYQ Poetry Database
The New York Quarterly has added a unique new feature to their website:NYQ Poets, a searchable database of poets and poems that have appeared in issues of NYQ. Poets whose works have appeared can add their own information to their page, including: photo, announcements, biography, links, audio, video, books and more.
Readers can search poets and poems by name, or browse the full database by leaving search fields blank or entering only a letter (although, avoid the “back” button on your browser – some glitch takes you back to an error page). NYQ links the poem to an order page for the issue in which the work appears. Limited “classic” back issues can be ordered, or digital reprints through Amazon, Barnes and Noble, or Powell’s Books.
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Shambhala Sun Talks to Leonard Cohen
He Has Tried in His Way to Be Free
By Sarah Hampson
Sambhala Sun
November 2007
And to a remarkable extent, Leonard Cohen is succeeding. Sarah Hampson had a rare opportunity to spend an afternoon with the famed singer and poet. He’s got the wisdom of age but he’s still the essence of cool—the perfect reflection of his years of Zen.
[. . .] It is often said that Cohen is hard to define. There’s Cohen, the son of a prominent Montreal clothier and the grandson of a Jewish scholar. Cohen, the law-school dropout. Cohen, the novelist, the poet, the songwriter. Cohen, the sexual bad boy who becomes a monk.
But he disagrees. “I always felt it was of one piece. I never felt I was going off on a tangent. Mainly because I think we develop images of ourselves quite early on, and certainly one of the images I had of myself came from reading Chinese poetry at a very young age. There was a kind of solitary figure in some of those poems by Li Po and Tu Fu. A monk sitting by a stream. There was a notion of solitude, a notion of deep appreciation for personal relationships, friendships, not just love, not just sensual or erotic or the love of a man or a woman, but a deep longing to experience and to describe friendship and loss and the consequences of distance. So those images in those poems had their effect, and thirty years later, I found myself in robes and a shaved head sitting in a meditation hall. It just seemed completely natural,” he says in a quiet manner [. . .]
Read the rest on Shambhala Sun.
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Iowa Review Human Rights Indexes
Human Rights Index
The Human Rights Index, a continuing series, is prepared by the UI Center for Human Rights (UICHR) for publication in The Iowa Review three times annually.
First published in the Fall 2001 issue of the The Iowa Review, it is intended to suggest the global political/socio-economic context within which we read and write, reflecting a shared belief that human rights cannot be truly advanced without the virtues of the intuitive as well as the cognitive that are in each of us.
Each of the indexes provides a number followed by a description of the real life, human situation the number represents. For example, from the 2007-08 Winter issue, index on Indigenous Peoples:
4
Number of states (Canada, Australia, New Zealand, United States), each with sizable indigenous populations, that refused to sign the UN Declaration on the Rights of Indigenous Peoples, endorsed by 143 other nations on 13 September 2007, even though the Declaration is technically non-binding (AFP 2007; OHCHR 2007)
The following are provided full-text on the UICHR site:
Winter 2007-08: Indigenous Peoples (#20)
Fall 2007: Global Climate Change (#19)
Spring 2007: Immigration (#18)
Winter 2006-07: Women and Armed Conflict (#17)
Fall 2006: HIV/AIDS in Africa (#16)
Spring 2006: Human Trafficking (#15)
Winter 2005-06: Water (#14)
Fall 2005: Disaster Relief (#13)
Spring 2005: Darfur (#12)
Winter 2004-05: The Iraq War (#11)
Fall 2004: Health Care (#10)
Spring 2004: Hunger (#9)
Winter 2003-04: Genocide (#8)
Fall 2003: Israeli-Palestinian Conflict (#7)
Spring 2003: The United States (#6)
Winter 2002-03: Refugees, Asylum Seekers and Internally Displaced Persons (#5)
Fall 2002: 9/11 and the “War on Terror” (#4)
Spring 2002: Women (#3)
Winter 2001-02: Child Labor (#2)
Fall 2001: Three Generations of Human Rights (#1)
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New Lit on the Block :: First City Review
“First City Review is a quarterly journal of pop culture, fiction, essay, poetry, travel, and review that covers the contemporary and idiosyncratic experience of life in Philadelphia and the world beyond. We accept submissions year-round in fiction, essay, poetry, criticism, review and travel. All work must be accompanied by an SASE and cover letters are encouraged.”
Issue 1 features new fiction from Thaddeus Rutkowski, Paula Bomer, Johannah Rodgers, Brooke Comer, Leslie Bienen, Alexa Beattie and Chad Willenborg. Poetry from John Grey, Bryon D. Howell, Youssef Rakha and James R. Whitley. Essay by James Wagner. And featuring new photography work from Heather Weston, found photos, and sketches and pencil drawings from some of our friends.
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New Lit on the Block :: The Farallon Review
“The Farallon Review is a new literary review featuring contemporary, engaging, and literary prose fiction with a modern view, a classic sensibility, and a west-coast flavor. The Premier Issue contains stories by Jamey Genna, Abeer Hoque, Ken Rodgers, Lynka Adams, and S.J. Sasken.Read about river rafting in the Rocky Mountains, weddings in India, soldiers seeking comfort, families struggling with their past, pigeons mirroring the emotional wasteland around them. We are currently reviewing submissions for our second issue.”
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Crazyhorse Prize Winners Announced
The editors of Crazyhorse are pleased to announce the 2008 Crazyhorse Prize Winners (prize entry deadline of Dec. 20, 2007).
Crazyhorse Fiction Prize
Judged by Ha Jin
Fiction Winner: Miranda Beverly-Whittemore
for the story “Pertussis”
Fiction finalists: Roy Kesey, Marjorie Celona, Cathryn Alpert, Rachel Cassandra, Devon Code.
Lynda Hull Memorial Poetry Prize
Judged by Billy Collins
Poetry Winner: Jeff Walker
for the poem “Itchy Is As Scratchy Does”
Poetry finalists: Alexis Orgera, Jordan Windholz, Claire Millikin, Michael Robins, J. Mae Barizo, Elizabeth Marzoni, Xu Smith, Christopher Howell, Juliet Patterson, Tobey Kaplan.
The two prize winners will each receive $2,000 and the winning story and poem will be published in Crazyhorse Number 74, due out Nov. 1, 2008.
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NewPages Update :: Book Reviews :: June 2008
New book reviews posted on NewPages include the following titles: Lost Books of the Odyssey :: O Woolly City :: I Am Death :: Woman’s Guide to Mountain Climbing :: Bob, or Man on Boat :: Best of the Bellevue Literary Review :: A Man of Ideas :: Breaking It Down :: Translator’s Diary :: Human Mind :: Ravel :: Double Header :: Oh, Don’t Ask Why :: Proper Knowledge :: Do the Math
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Beloit Poetry Forum Starts June 1
Beloit Poetry Journal
Poet’s Forum
As of June 1, the BPJ site will host a blog. Each month one poet with work in the current issue will post a reflection on that work and invite your questions and comments. The Poet’s Forum poets for the summer issue are:
June 1-30, Erin Malone
July 1-31, Paul Gibbons
August 1-31, John Hodgen
From BPJ: “We hope the forum fosters lively dialogue that strengthens the poetry community the BPJ has contributed to for almost sixty years.” No doubt.
(And might I just say, that IS a lovely zebra you have…)
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Reading the World 2008
4th Annual
Reading the World
June 2008 (and beyond!)
RTW grew out of a series of informal meetings of booksellers and publishers as a way of introducing American readers to more international authors. As Goethe said back in 1827, “Left to itself every literature will exhaust its vitality if it is not refreshed by the interest and contributions of a foreign one.”
This belief that international literature plays a vital role in book culture is one that is shared by all the publishers and booksellers involved in Reading the World. Twenty-five works of literature have been selected to represent a broad range of cultures, from Portugal to Lebanon, from China to Switzerland, from Chile to Japan.
The publishers include: Archipelago; Dalkey Archive; Eccom; Farrar, Straus and Giroux; Houghton Mifflin Harcourt; Knopf; New Directions; New York Review Books; Other Press; Picador; Columbia University; Copper Canyon; Europa; Graywolf; and Grove.
Starting in June, Words Without Borders will be relaunching its Reading the World Book Clubs, featuring reading guides and moderated discussions of several of the RTW titles.
The web site also includes a list of participating bookstores and a bookstore sign-up form.
[Text from the RTW web introduction by: Karl Pohrt, Shaman Drum Bookshop; Chad W. Post, Open Letter/University of Rochester; Jeff Seroy, Farrar, Straus and Giroux.]
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The Lost Books of the Odyssey
Something wired very hard into the human psyche lights up at the notion of discovering hidden things, putting the pieces together and finally accessing occult knowledge – wisdom or treasure or whatever seems to be missing from human experience – things which, when uncovered, could possibly explain our present situation and hopefully unlock the power to choose our future with certainty. Zachary Mason touches, tickles, and strikes these wires in The Lost Books of the Odyssey and, in the end, creates nothing short of a synaptic fireworks display. Continue reading “The Lost Books of the Odyssey”
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O Woolly City
You’re in an abandoned house. The floorboards are damp and creak under you – what was the reason, again, you decided to go bare-footed? And once in a while something brushes against your face. Sometimes it’s the stray end of a cobweb, sometimes the rusty pull-chain to the chandelier. Sometimes you don’t know. Of course, the lights don’t work. You’re not quite ready to leave, but you’re starting to look for a way out. Sometimes you find stairs going up to strange cupboards; other times the stairs bear you down into musty basements. Continue reading “O Woolly City”
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I Am Death
Gary Amdahl’s I Am Death collects two novellas, the crime story “I Am Death, or Bartleby the Monster (A Story of Chicago)” and “Peasants,” a tale of hostile office politics. The two novellas are strikingly different in setting and tone, allowing Amdahl to display a range of abilities as both a writer and a storyteller. Continue reading “I Am Death”
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A Woman’s Guide to Mountain Climbing
The poems in Jane Augustine’s A Woman’s Guide to Mountain Climbing confront, rather than bypass pain, and their “golden and piercing” music is made from a rugged but precise lineation and a relentless eye for detail. Continue reading “A Woman’s Guide to Mountain Climbing”
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Bob, or Man on Boat
The collected work thus far of Peter Markus could be likened to an early earth encyclopedia, or a table of the elements. In Markus’s world, though, the elements are not cryptic chemical symbols devised and laid in line by science. Instead, they are the epoxy of existence – they are the things we know without having to decipher, they are brothers, fish and mud. One could cut to most any page in a Markus apparatus and find these common images there repeated, like age lines encased in a tree trunk. Markus’s word channels the innate. Each sentence placed next to one another as if by nature, his layered phrases cause an incantation. Continue reading “Bob, or Man on Boat”
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The Best of the Bellevue Literary Review
No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than The Bellevue Literary Review. I say this with upmost confidence as an English professor, a registered nurse, and as someone who recognizes the historical and philosophical origins (and namesake) of this fine literary periodical: Bellevue Hospital Center. Continue reading “The Best of the Bellevue Literary Review”
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A Man of Ideas
“Beware the impractical man,” warns the narrator of the title story of David Galef’s chapbook collection of short and flash fiction: “Their wives either cherish or divorce them, and their sons and daughters, in reaction, often grow commonsensical and a little costive.” That’s funny, but we shouldn’t miss the menacing undercurrent. The unfortunate ideas of Bernardo Lazar – a backyard smelter, a “Reaction Recovery” device, and “a project about giant vegetables” – put his wife and young children through a comic set of trials. So light is Galef’s touch that we hardly notice, until the final sentence, that the Lazar family has come undone. Continue reading “A Man of Ideas”
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Breaking It Down
Rusty Barnes’s Breaking It Down collects nearly twenty flash fictions into an attractive, pocket-size book, a rare instance where the size of the book accurately depicts the size of the stories. Luckily, it is only the page counts of the stories that are small, as the themes and characters contained within each tale loom larger than life, like the low-class tall tales they are. Continue reading “Breaking It Down”
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The Translator’s Diary
The cover of Jon Pineda’s second collection, The Translator’s Diary, which depicts a graceful and nebulous spiral, is eerily reflective of the poems it obscures. Pineda’s poems turn in on themselves, each a pointed and intimate introspection sheathed in the gauze of the lyric, accruing momentum in a sort of ripple effect as the book progresses. Continue reading “The Translator’s Diary”
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The Human Mind
It would be easy to urge you to read The Human Mind because of the natural lure of the characters that people its short prose. There’s a man made of smoke and another of glass; a woman who slips her fingers into the stringy coagulation of her thoughts kept in a bowl; an impoverished Edgar Allan Poe who supports himself “on what he could squeeze out of his brain, a kind of black milk of his words.” Continue reading “The Human Mind”
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Ravel
Jean Echenoz’s latest work Ravel, translated from French, is a novelistic rendering of the final ten years in the life of Maurice Ravel, a wildly famous French concert pianist and composer. Adhering to the musician’s real life in extraordinary detail, Echenoz pens a seamless entry and exit into the previously unexplored soundscape of Ravel’s mind. In a novel consisting of only 117 pages, there isn’t one unnecessary syllable, let alone a dissonant note. Continue reading “Ravel”
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Double Header
Suzanne Burns’s Double Header is a slim chapbook comprised of just two short stories, “An Acquired Taste” and “Tiny Ron.” Both stories are full of magic (one more literally than the other), and both have marriage at their centers, both thematically and as plot devices. Continue reading “Double Header”
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Oh, Don’t Ask Why
Dennis Must’s stories are at times both unsettling and tremblingly genuine, and once the reader gives herself over to them, worth consideration. Not that stories about immolation, cross-dressing, prostitutes, Bible study beauty pageants, family, and loss normally aren’t. It’s just that the stories come on slow, and before you know it, you’re sitting in your living room pondering whether you should be imagining a grieving widower dressing up in his dead wife’s clothing. Continue reading “Oh, Don’t Ask Why”
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A Proper Knowledge
A Proper Knowledge, Michelle Latiolais’s follow up to the family-centered novel Even Now, is another novel focused around family and relationships. Luke is a dedicated, perceptive Los Angeles doctor with a practice treating autistic children – his career choice influenced by his own late sister, a schizophrenic whose memory haunts him at times. Continue reading “A Proper Knowledge”