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NewPages Blog

At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

Other Resort Cities

In his second collection of short fiction, Tod Goldberg delivers ten seductive stories that target the traumatic reality of failed dreams and the struggle to make amends with the past. Each kinetic story pulses and pops with authenticity. Goldberg has not a word misplaced, often times weaving tragedy and beauty with the result of heartbreaking height, similar in style to Mark Richard or Thom Jones. His characters find themselves trapped, whether literally or figuratively – lost in a world where they cannot connect with the projected image of themselves or attain the goal of a satisfied life. In one of the most moving and powerful stories “Walls,” Goldberg navigates the fractured childhood of an unspecified number of siblings, using We as the narrator, dissecting their Mother’s sexual relationships to ultimate and devastating effects. Continue reading “Other Resort Cities”

One of These Things Is Not Like the Others

“I try to name the thing we never missed until it was lost, all the things that never stood a chance in this beautiful world.” So ends “My Neighbor Doesn’t Remember Everything She Forgets” from Stephanie Johnson’s debut One of These Things Is Not Like the Others, and it may well serve as a capsule of its concerns: to carefully observe life’s vicissitudes, to spotlight minutiae, to bear witness. The book is filled with internal squalls and domestic squabbles. In story after story, scene after scene, there is Johnson’s unwavering focus, and you can almost see her sharpening her senses. Continue reading “One of These Things Is Not Like the Others”

Van Gogh in Poems

In the introduction to her most recent book of poetry, Van Gogh in Poems, Carol Dine writes of the research she undertook to pen her artist-inspired poems. Her book, she writes, led her to Amsterdam three times, where she visited the Van Gogh Museum to study the artist’s original work – up close. Dine describes how she was allowed to sit in a room while an attendant brought her requested works on paper. She studied them for inspiration, and deemed them holy. Her viewing of the artist’s sketchbook brought her to tears. Van Gogh in Poems contains 18 plates of the artist’s works on paper. Continue reading “Van Gogh in Poems”

After the Honeymoon

The characters that populate Nathan Graziano’s new book of poetry, After the Honeymoon, remind me of my neighbors and friends growing up in working class Philadelphia: many of these folks had rough, troubled lives, and more often than not happiness was squelched by substance abuse, poverty, poor education, and unemployment. It was the rare exception that someone had the self-reflection and self-discipline to ascend the neighborhood’s social pitfalls. While Graziano’s book could be set in almost any working poor urban area in our country, its depictions of hard-scrabbled living – and the desire to rise above it – is utterly familiar to my autobiography and is refreshing to see in contemporary poetry. Continue reading “After the Honeymoon”

Beats at Naropa: An Anthology

In a 1948 conversation with John Clellon Holmes, Jack Kerouac said, “Ah, this is nothing but a beat generation.” The phrase, like Gertrude Stein’s “lost generation,” soon became emblematic of its time, though not all of its adherents approve of the label (Diane di Prima, Lawrence Ferlinghetti, and Gary Snyder are just three of its detractors). What most of the “Beats” found in Beats at Naropa have in common is their connection with Kerouac himself. The book contains mostly transcripts of speeches and conversations held at what is now called Naropa University but what was originally known as the Jack Kerouac School of Disembodied Poetics in Boulder, Colorado. It’s a compulsively readable volume, full of facts and opinions. Continue reading “Beats at Naropa: An Anthology”

Life Goes to the Movies

Life Goes to the Movies tells of the uncanny friendship of two men growing up in the 1970s. Both men struggle to define who they are in a world where they don’t seem to fit in. Nigel DePoli, son of Italian immigrants, wants desperately to be someone with a sense of belonging. Dwaine Fitzgibbon is looking for a way to be separate from society while still intermingling enough to show others the parts of life that they don't normally see. Their bond begins in a mutual love of movies and only grows stronger as they start making short films that show “true life” rather than losing “themselves in some totally made up bullshit that has nothing, absolutely nothing to do with real life.” However, things change as Dwaine becomes more passionate about his movies and Nigel desires more and more the ‘normal’ life that Dwaine diverted him from. The reader will find themselves laughing at some of Dwaine’s outrageous ideas and rooting for the friends when things seem to be at their lowest point. An enjoyable read from the beginning, Selgin grabs the reader’s interest and drags them along for all of Nigel and Dwaine’s fascinating adventures in life and film. Continue reading “Life Goes to the Movies”

Rupert: A Confession

Even for a novella (though the publishers call it a novel) of slightly over one hundred and thirty pages, there is not a lot of plot movement in Rupert: A Confession. The story is basic: the protagonist, Rupert, gives a three-art confession to a jury about a crime he was alleged to commit. In the process, we discover he has a vast array of pornography meticulously cataloged, has been thrown out of massage parlor for ejaculating on the proprietor, and conceives of his own life as either a stage production or an offspring of Japanese warriors. Otherwise, the book centers on the rise and fall of his idealized girlfriend Mira, who at turns is taciturn, cranky, or sexually insatiable. Continue reading “Rupert: A Confession”

Rupert: A Confession

Even for a novella (though the publishers call it a novel) of slightly over one hundred and thirty pages, there is not a lot of plot movement in Rupert: A Confession. The story is basic: the protagonist, Rupert, gives a three-art confession to a jury about a crime he was alleged to commit. In the process, we discover he has a vast array of pornography meticulously cataloged, has been thrown out of massage parlor for ejaculating on the proprietor, and conceives of his own life as either a stage production or an offspring of Japanese warriors. Otherwise, the book centers on the rise and fall of his idealized girlfriend Mira, who at turns is taciturn, cranky, or sexually insatiable. Continue reading “Rupert: A Confession”

Censoring YA Reading – OMG, Seriously?

“This time, the principal at St. Edmund Campion Secondary School has pulled the classic American novel To Kill a Mockingbird from the school’s Grade 10 classrooms. He made the decision after a parent lodged a verbal complaint about language used in Harper Lee’s Pulitzer Prize-winning novel.”

Of course, reader’s circles, certainly not a new idea, is one way to respond to selecting texts for students: let students each choose their own books. I think that might make some people’s(aka parents and adminstrators) heads explode…

New Lit on the Block :: Sunsets and Silencers

Sunsets and Silencers publishes short fiction, flash fiction, creative non-fiction, poetry, essays, paintings, photography, and comic strips as a platform for emerging and established artists to showcase their work. The online journal is a subsidary of Nexus print, a biannual literary, cultural, and art magazine published by NexusCreative, a non-profit public benefit organization interested in opening new and exciting channels for creative expression.

Behind the scenes at Sunsets and Silencers are Founder and Editor Chuckie Campbell, Poetry and Fiction Editors Sarah McCartt Jackson and Bryan Jackson, and “Readers and Contributers,” though plural, lists only Sam Meyer, so maybe there’s room for more here.

This first issue includes contirbutions of fiction, poetry, and various forms of art by Beth Couture, Pete Pazimo, Russell Helms, Peter Scwartz, Christian Ward, Stephen Mead, Christopher Woods, Patrick O’Neil, Ben Nardolilli, Melanie Griffith, Bobi Conn, Jessica McEuen, and Adam Shaw.

Sunsets and Silencers is accepting submissions, and indicates that “On promising work, we may offer feedback, even if the piece didn’t work for us. Please, keep in mind, however, that we do not respond to every piece, mostly because of the volume of submissions received. We want to provide exposure to artists and writers who create out of a restless fever, and who are fearless in their choice to submit.”

Narrative Spring Story Contest Winners

Narrative Spring Story Contest winners and finalists:

First Prize: Anthony Marra
Second Prize: Jane Delury
Third Prize: Paul Griner

Finalists: Alethea Black, Evan Christopher Burton, Vicky Grut, Jeff O’Keefe, Denise Morrissey, Jay Neugeboren, Mohan Sikka, Debra Spark, Jackie Thomas-Kennedy, Jill Widner

Narrative offers the following upcoming contests for writers:

The Fall 2009 Story Contest, with a First Prize of $3,250, a Second Prize of $1,500, a Third Prize of $750, and ten finalists receiving $100 each, is open to fiction and nonfiction entries from all writers. Deadline: November 30, 2009

The Narrative 30 Below Story Contest, with a First Prize of $1,500, a Second Prize of $750, a Third Prize of $300, and ten finalists receiving $100 each, is open to all artists and authors, ages eighteen to thirty. Deadline: October 29, 2009

New Lit on the Block :: Squid Quarterly

Squid Quarterly is an online journal of short fiction and prose poetry founded by Beth Couture and Jeff Tucker, both writers at the Center for Writers at the University of Southern Mississippi.

This first issue includes works by Kristen Eliason, Andrew Farkas, Rachel Furey, Darin Graber, Sarah Jenkins, Jen Marquardt, Tim Marsh, Michelle Nichols, Lance Olsen, Melanie Page, Leigh Phillips, Matthew Purdy, and Wendy Vardaman.

SQ is currently accepting submissions for their second issue. SQ nominates for the Pushcart Prize and plans to publish a print anthology of select works at the end of the year.

Jobs :: Various

Eastern Illinois University has a tenure-track position in Creative Writing to start Fall 2010. Dr. Dana Ringuette, English Department. Nov 6

The English Department of Willamette University invites applications for the tenure-track Hallie Brown Ford Chair in Writing. REview begins Nov 9.

The Department of English at CUNY’s Brooklyn College Assistant or Associate Professor of Poetry. Review begins Oct 21.

The American University of Sharjah, UAE seeks candidates for a Department Head for the Department of English as well as Department Head for the Department of Mass Communication for Spring 2010.

Shippensburg University Assistant Professor of Creative Writing—Fiction, tenure-track. Richard Zumkhawala-Cook, Chair. Review begins Nov 2.

Brooklyn College Assistant or Associate Professor of Poetry. Michael T. Hewitt, AVP for Human Resource Services. Review begins Oct 21.

George Mason University, tenure-track assistant professor of creative writing, poetry. William Miller, Chair/Search Committee. Review begins Oct 1.

Thomas Lux and the Decatur Book Festival

This article on the Decatur Book Festival (Sept 4-6) includes some great comments from poet Thomas Lux – worth reading the whole piece – but here’s a couple clips:

Lux thoroughly appreciates poems with humor. “Why shouldn’t poetry be funny? Life is funny. I don’t like the kind of turd-in-a-punchbowl professor who says ‘Poetry can never be funny! It has to be serious!'”

…Lux’s classrooms take an approach that offers an easier gateway for students and adult readers alike. “I’ve always done something Billy Collins described as ‘teaching backwards.’ You start by having [the students] read the very contemporary poems, the stuff in the language of today, even hip-hop lyrics, then go backward to the classics. For several generations, our students’ introduction to poetry was through great poets, essential poets, who nevertheless didn’t speak in the language that we speak today.”

Passings :: Lindsay Patterson

Author Lindsay Patterson, who wrote several books, anthologized the poems, plays and films of Afro-American artists and taught at a wide range of major colleges and universities (including Hunter and Queens in New York), died Wednesday, August 26 after a six-month battle with cancer. Born in Bastrop, Morehouse Parish, Louisiana, on July 22, 1934, Lindsay was the son of Dr. James and Adele Patterson. He graduated from high school in Winston-Salem, N.C. and received his B.A. in English from Virginia State University before serving in the US Army, where he was a reporter for Stars and Stripes. He is survived by his brother and sister-in-law, James and Mildred Patterson, Jr. of Kernersville, N.C. and his nephews, James III and Roger Lindsay (who was named for his uncle).

He arrived in New York in 1962 to be a writer. And he was indeed a major writer. In his four decades in New York, he was a regular contributor to the New York Times, as well as its book review, Essence Magazine, Newsday, Playbill, ANPI and dozens of other newspapers, magazine and wire services. He hosted an interview program on WRVR-FM and on WPIX-TV for several years, interviewing the major movers, shakers and artists within the black and white theatre and cultural worlds, leading to long-term friendships with Ossie Davis, Ruby Dee and many others. His papers were assembled to form The Lindsay Patterson Collection in Boston University’s Howard Gottlieb Archival Research Center.

According to Lindsay’s friend, fellow writer Pearl Duncan, he was obsessed with American literature. As he lay in the hospital, post-op, Ms. Duncan read to him from Hemingway’s “A Moveable Feast.” “Before I could read the words, Lindsay was reciting them. He knew that book by heart.”

James Patterson described his younger (by ten months) brother as a voracious reader. “He just loved to read. Lindsay also always had an inquisitive mind; he just wanted to know how things worked.” James added, “Several years ago, Lindsay embarked on an investigation into the family ancestry, devoting hours and hours in researching our background.”

Lindsay’s sister-in-law, Mildred Patterson, stressed that Lindsay was an extremely talented person. Very caring, she said. But also very private with a passion for writing and the arts.

His books include:

A Rock against the Wind; African-American Poems and Letters of Love and Passion, edited by Lindsay Patterson with a forward by Ruby Dee

Black Theater, A 20th Century Collection of the Works of Its Best Playwrights, compiled with an introduction by Lindsay Patterson

Anthology of the Afro-American in the Theater

The Afro-American in Music and Art

Introduction to Black Literature in America

T-Baby (unfinished novel, excerpted in Essence Magazine)

Lindsay had been an assistant professor of English (ret) at Queens College; adjunct professor of Afro-American & Caribbean Literature at Hunter and also taught at The College of New Rochelle and The Frederick Douglass Creative Arts Center. Early in his career, he worked as assistant to Langston Hughes and to Mrs. Countee Cullen. He also guest lectured at Columbia, Kent State, Iowa University, Penn State, University of Connecticut, Medgar Evers College, Clark University, 100 Black Women, among many more.

Among the publications for which Lindsay wrote are:

The Black World Today

Kente Cloth/North Texas Press

Upscale Magazine

Shooting Star

Newsday

Playbill

Theater Week

New York City Tribune

Players Magazine

Modern Black Man

Schomburg Center

Essence

New York Times / (regular contributor) plus Book Review; op-ed page My Father, Dr. Pat

Writers Yearbook

ANPI

[From neighbor/friend Ellen Levene.]

New Lit Playground :: NetPoetic

NetPoetic digital poetry portal is a new Electronic Literature/Digital Poetry portal founded by Jason Nelson and Davin Heckman. With over 30 writers, thinkers and artists, NetPoetic is a group conversation, updated near daily with posts, news, theory, artworks and all manner of E-Lit related material.

Currently on the site is feature about The Longest Poem in the World “composed by aggregating real-time public twitter updates and selecting those that rhyme. It is constantly growing at ~4000 verses / day. You can see more verses by clicking the three dots at the bottom (• • •) Made by Andrei Gheorghe.” And you can read more about the project on NetPoetic.

Those who want to “play” do need to send in a request, and once approved will receive a user name and password to log into the portal. Plans for later in the year include the first NetPoetic exhibition and a peer reviewed journal.

Interview with Billy Collins

Littoral, the journal of the Key West Literary Seminar, has a new interview with Billy Collins. In it, the two-time U.S. Poet Laureate and “most popular poet in America” discusses his rivalries with poets from Emily Dickinson to Ron Padgett, explains why “transparency” has no place in poetry, and celebrates the pleasures of disorientation in the age of the GPS.

New Lit on the Block :: Boiling River

Boiling River is a new web-based poetry journal edited by Issa Lewis. The publication accepts “all types” of poetry and encourages its writers to “take risks with their writing.”

Lewis comments that this inaugural issue took a bit more time to bring to publication than she had expected, but it’s no wonder when you take a look at the first issue’s line up: Melissa Amen, Lana Hechtman Ayers, Lea Banks, Cynthia M. Bargar, Lisa Marie Brodsky, Courtney J. Campbell, SuZanne C. Cole, Lea Deschenes, Nancy Devine, Eddie Dowe, Roberta P. Feins, Michael Fisher, John Flynn, Maria D. Laso, Jackson Lassiter, Amy MacLennan , Thomas Michael McDade, Stephen Mead, Laura Miller, Anne Britting Oleson, Alicia Suskin Ostriker, Christina Pacosz, Jacqueline Powers, Michael Schmeltzer, J.R. Solonche, Aline Soules, Alex Stolis, Angela Velez.

Boiling River is currently open for submissions until September 1.

Shark Poetry Winners

Know any shark lovers? The Aquarium of the Pacific (Long Beach, CA) held a poetry contest to salute the Aquarium’s Shark Summer. Aquarium members and guests were invited to participate; poets were asked to express their feelings about sharks and/or rays and to use no more than 200 words. All entries were judged by poets Will Alexander and Jeffrey Yang and Aquarium President and CEO Jerry Schubel and four winners were selected:

First Place – Ellaraine Lockie
Second Place – Anna Leahy
Third Place (tied) – Benjamin Morris and Donna Ashbaugh

All poems are available on the aquarium’s website.

Calls for Submissions & NewPages Updates

Calls for Submissions updated (dated 8/25) – lots of quality publications, anthologies, and inaugural issues looking for fresh, new, writers and established voices.

Welcome these new additions to the NewPages Guides. Visit the NewPages homepage for links to all of our guides.

Contests updated regularly.

Literary Magazines
College Hill Review – essays in criticism of the arts and humanities, review essays, poetry, fiction, and creative nonfiction
There Journal – poetry, art, essays, activism
Aethlon – poetry, fiction, nonfiction, drama, book reviews
Coe Review – poetry, fiction
Euphony – poetry, fiction, essays, reviews, nonfiction, drama
Of(f)course – poetry, fiction, essays, reviews, concerts, art
Poetry Miscellany – poetry, essay, translation, photography
out of nothing – image, sound, text, digital arts

Conferences, Workshops, Seminars
Milton Conference

Indie Record Labels
Fire Museum Records

Interview with Rachel Hadas

Check out Contemporary Poetry Review’s interview with poet Rachel Hadas, which explores the role of poet-critics (“Inevitable task? Obligation?…I think I probably felt fairly early on that reviewing teaches you what you really think about a writer; that I had as much of a right to write about poetry as other young poets did…”) and the “health” of poetry as art (“This question seems to invite a kind of pontificating I’d rather avoid.” – ah, but she doesn’t).

Two Words: New Blog on Lit and Translation

A note from Scott Esposito from The Center for the Art of Translation announcing a new blog, Two Words:

We’re eager to make the blog a resource for people who love literature, especially the translated variety. Already there are a number of interesting articles up, and in the next few months we’ll be publishing interviews with authors and translators, original articles written just for Two Words, and news on international authors.

You’ll also find links to audio from our series of events in San Francisco. We’re working on making several years’ of audio available, and you can currently hear people like Edith Grossman, Robert Hass, and Yoko Tawada talk about literature and translation.

To give an idea of what to expect on Two Words, here are some recent posts:

Susan Bernofsky on translation

Jose Manuel Prieto on diamond forgery and his novel Rex

Yerra Sugarman on the Yiddish modernist poet Celia Dropkin and her ties to Sylvia Plath

Apostrophe Cast Reading Series Podcast

Previously posted but missing link (sorry readers!):

Edited by Guy Benjamin Brookshire, Amanda Choi, Danielle Roderick, and John Dermot Woods, Apostrophe Cast is a bi-weekly online reading series, delivered as a podcast. Every other Wednesday evening they post a new reading from a different writer. One author, one reading. You can listen directly from the site or subscribe to the podcast and have MP3’s of readings delivered to automatically.

With this impressive list of authors, I can’t believe there isn’t someone already there for everyone, with the promise of more to come:

James Belflower
Joan Biddle
Matt Bondurant
Randall Brown
Blake Butler
Amina Cain
Brian Connell
Mark Ehling
Dandy Elf
Brian Evenson
Daniel Groves
Garth Risk Hallberg
Clane Hayward
Sheila Heti
B.J. Hollars
MC Hyland
Kristen Iskandrian
Shane Jones
Porochista Khakpour
Matthew Kirkpatrick
Michael Kimball
Amy King
Mark Leidner
Sam Lipsyte
Andrew Lundwall
Sabrina Orah Mark
Josh Maday
Carson Mell
Richard Nathan
Celeste Ng
Alissa Nutting
Ned Oldham
Danielle Pafunda
Joshua Parkinson
Cecily Parks
Sheri Reynolds
Mary Phillips-Sandy
Jane Sandor
Shanthi Sekaran
Richard Siken
Claudia Smith
Nida Sophasarun
Donna Stonecipher
Michael Swierz
Ben Tanzer
Allison Titus
Jesse Toussaint & Dent Sweat
Harry Thomas
William Walsh
James Warner
Caki Wilkinson
Ryan Wilson
Ying Xu

Passings :: Richard Poirier

Richard Poirier on passed away on August 15, 2009, at the age of 83. The College Hill Review blog has provided an extensive list of web resources associated with his work, recognizing him as “a teacher, mentor, and friend” to many CHR contributors, and that “He taught at Williams and Harvard before coming to Rutgers University in 1962 where he built one of the most respected department of English Studies in the country.”

More Austen Mash-ups Expected.

Apparently, Pride and Prejudice and Zombies just wasn’t enough for fans of the new “mash-up” genre – more adaptations are on the way. As a major Austen fan, I’ll be taking a pass on these. I did try to read P&P&Z, but couldn’t make it past the first dance sequence – reminds me a bit too much of adolescent gore-mongering. I wasn’t into it then, either. Though, perhaps there is a silver lining in that people who might not otherwise have read Austen now are – ? Does this count as reading Austen? Better than Cliff Notes, at least?

iPhone Haiku Contest

“AMF’s [Ann Marie Fleming’s] stickgirl has been busy exploring her brand new iPhone and needs your help in developing her very own free, collaborative poetry application. This application will work like a snow-globe oracle: ask stickgirl a BIG LIFE question, shake the iPhone, letters with float through the air, settling to form a haiku, based on your query. Stickgirl will then interpret the poem, and tell you your fortune, leaving the reader with a pearl of uplifting daily wisdom. In order for this app to be successful we need a lot of poetry. We’re inviting you to fill out the form below and submit your original haikus. We will use your haikus in our iPhone app, and recognize your contribution on our website.” Deadline Sept 1 (Sleepy Dog Film Films)

Fire Museum Records

A very small but amazingly eclectic label, Fire Museum Records is worth checking out. I’ve just ordered AZADI! benefit compilation CD for the Revolutionary Association of the Women of Afghanistan (RAWA). “A diverse 2-CD set of avant-rock, electronic, world, experimental, jazz, folk, noise, improv, hip-hop, dancefloor, and modern classical music.”

20 Minute Loop is one of 34 artists from the SFBay area and around the globe featured on this 2-hour album.

To Hell with Publishing

From Emma Young at To Hell with Publishing, UK:

We’re a young publishing house with a new direction. In our first two years we published works by the likes of Kevin Cummins and Michael Smith, and we are now about to launch the fourth edition of To Hell with Journals, a literary journal with a lifespan of 26 issues. The first three have been guest-edited by Lee Brackstone, Hisham Matar and Lisa India Baker and our new edition will be edited by Hans Ulrich Obrist (curator of the Serpentine Gallery). In Andrew O’Hagan words: “The Kingdom of literature was built on the genius of small magazines, and none is more vital nowadays than To Hell with Journals.”

To Hell with Publishing was founded with the aim of reviving the role of the independent press in the UK’s literary scene and inspired by the movement kick-started by Lawrence Ferlinghetti’s City Lights bookshop.

We’re a small and truly independent publisher with a new business model to limit risk for the first time novelist (without taking the fun out of it).

We want to kick-start the careers of writers who are capable of creating quality fiction and we want the list to reflect our own eclectic and free-spirited reading habits. We choose to champion new writing and have therefore had to find a new way of publishing during these incredibly difficult times.

There’s more info on our new imprint here.

For people who already have a literary agent, we are also now accepting submissions for To Hell with Prizes. The deadline for submissions is October 2009 and all the details are on our website. The inaugural award of £5000 will be presented at an awards ceremony in April 2010.

Arroyo Literary Review – Spring 2009

A promising premier beginning with fascinating cover art – a “threadwork portfolio” by Lisa Solomon whose threadwork images appear throughout the journal – Marvin Bell’s moving “dedication poem” (“The Book of the Dead Man (Arroyo)”) featuring Bell’s signature anaphoric lines; a terrific interview with novelist Eric Miles Williamson, a graduate of the California State University system where Arroyo is published; five strong stories; and contributions from ten poets, including more work by Bell. Continue reading “Arroyo Literary Review – Spring 2009”

Brick – Summer 2009

I have always loved Brick, a handsome, polished, semi-annual from Toronto. The journal typically features some of the finest, and most influential, writers and from across the Americas and around the world (this issue’s stars include Michael Ondaatje, Eduardo Galeano, Edmund White, Dionne Brand, Francisco Goldman, Jim Harrison, Jack Spicer, and Juan Cruz for example); what I’d call “pure and original finds” (a brief essay on Harold Pinter by acclaimed Canadian filmmaker Patricia Rozema, along with a marvelous photo of her and Pinter; and the posthumously published “Three Wishes” by Pannonica de Koenigswarter, fascinating black and white photos of and fragments from bebop and jazz musicians); and terrific graphics (some great photos in this issue). Continue reading “Brick – Summer 2009”

California Literary Review – Summer 2009

This literary review was founded in 2004 and offers literary reviews, author interviews, essays, and publishing news. They also present articles on a variety of topics including art, science, politics, and history. Basically, there is something here for almost everyone. Below are a few juicy tidbits to be sampled in their pages: Continue reading “California Literary Review – Summer 2009”

Canteen – 2009

This summer’s edition to Canteen’s canon is filled to the brim with amusing essays, thought-provoking poems, and a couple of fictional, yet introspective short stories. One such story is Justin Taylor’s “In My Heart I Am Already Gone.” Its protagonist, Kyle, is a cousin of some sort to the family with whom he spends Wednesday nights. His Uncle Danny, in referring to his medically sound, but mentally unhinged cat, says: “This was a long time coming.” He is, of course, talking of rubbing out, or knocking off, the poor, poor Buckles. Danny has asked Kyle to ‘take care of it’. Kyle, as naturally as Holden Caulfield without the sarcasm might, muses that Continue reading “Canteen – 2009”

Glimmer Train Stories – Summer 2009

If you love a good story – and who doesn’t? – you must read Glimmer Train. It never, and I do mean never, disappoints. This issue includes exquisite stories by Carmiel Banaksy, Hubert Ahn, Cynthia Gregory, Johnny Townsen, Marc Basch (first time in print!), Lindsey Crittenden, Diana Spechler, Scott Schrader, Mary Morrissy, and Kuyangyan Huang, as well as a critical essay by Sara Whyatt on the theater of Raisedon Baya and Chris Mlalazi, and an interview with David Leavitt, conducted by Kevin Rabalais. Continue reading “Glimmer Train Stories – Summer 2009”

Hotel Amerika – Spring 2009

Wow! The only thing that would do this astoundingly exciting issue justice is to write a transgenre review. What would that look or sound like? It could be structured as dictionary entries like Jim Elledge’s “Mercy,” “Quarantine,” and “Xyloid.” Or perhaps an eight-page piece broken into segments of single phrases and sentences of no more than three text-lines each, alternating between font styles (regular and bold, serif and sans serif, different point sizes) like Lance Olsen’s “Head of Flames,” which begins: “Look: I am standing inside the color yellow.” (If only my review could have an opening this simultaneously luxurious and spare.) Continue reading “Hotel Amerika – Spring 2009”

Inkwell – Spring 2009

Published by Manhattanville College (Purchase, NY), this issue of Inkwell contains stories and poems that the editor has chosen because they “help us embrace new worlds.” Most of the works indeed strive toward character-based abstraction. The fiction, thankfully, remains grounded in concrete narrative. Continue reading “Inkwell – Spring 2009”

Juked – Winter 2008/2009

Okay, I’ll admit it: I had no idea what ‘juked’ meant. So I consulted my trusty OED, only to find that the word is a football term: sort of. It means, in essence, to fake someone out; pull them offside (this is where the football thing comes in). At any rate, I found that the stories and poems contained within Juked’s pages are, in fact, of the sort that employ a bit of skullduggery. Continue reading “Juked – Winter 2008/2009”

The Labletter – 2009

This is, by far, the most diverse literary magazine I’ve ever encountered. On the Labletter’s introductory pages are art images, followed by fiction, photography, a feature on an improvisational acting company, which includes a scene from their improv play based on Greek tragedy. Finally, under a heading as broad as Gallery, there are photos, art of both two-dimensional and three-dimensional sort, more fiction, and a few poems. That the magazine comes with an equally diverse CD is as astonishing as reading the print edition is. Continue reading “The Labletter – 2009”