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NewPages Blog

At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

Wordrunner eChapbooks

ovenbirds coverWordrunner eChapbooks publishes an annual themed anthology, taking submissions just prior to publication, but also then publishes two e-chapbooks of fiction each year. While they have a submission fee, they are also a paying market (with a better return than I’ve been getting for playing the lottery lately). “Our aim is to make high quality writing available free or at very low cost, much like the original chapbooks that were hawked in the streets of 18th and 19th century London for pennies,” the editors note. Yet web publishing opens up all kinds of new options for digital-aged readers: “In many issues, hyperlinks to photos, videos, background articles, maps, poetry, and artwork add new dimensions to the online reading experience.”

The current chapbook is Ovenbirds and Other Stories by Dorene O’Brien, with a full archive of previous e-chapbooks and anthologies going back to 2008. Submissions for the spring anthology will open January 1 with submissions for the e-chapbook fiction series running from May 1 – June 30. Lots of time to get your manuscripts ready!

Glimmer Train New Writers Winners

Glimmer Train has just chosen the winning stories for their May/June Short Story Award for New Writers. This competition is held three times a year and is open to all writers whose fiction has not appeared in a print publication with a circulation greater than 5000. The next Short Story Award competition will start on September 1: Short Story Award for New Writers. Glimmer Train’s monthly submission calendar may be viewed here.

victoria alejandra garayalde1st place goes to Victoria Alejandra Garayalde of San Juan, Puerto Rico, who wins $2500 for “American Dream.” Her story will be published in Issue 104 of Glimmer Train Stories. This will be her first print publication. [Photo credit: Rebecca Titus]

2nd place goes to Jenzo DuQue of Brooklyn, NY, who wins $500 for “How to Harbor an Illegal.” His story will also be published in an upcoming issue, increasing his prize to $700. This will be his first print publication.

3rd place goes to Sena Moon of Ann Arbor, Michigan, who wins $300 for “Sugar.”

A PDF of the Top 25 winners can be found here.

Deadlines soon approaching!

Fiction Open: August 31 (grace period extends through September 10)
Glimmer Train hosts this competition twice a year, and first place wins $3000 plus publication in the journal, and 10 copies of that issue. Second/third: $1000/$600 and consideration for publication. This category has been won by both beginning and veteran writers – all are welcome! There are no theme restrictions. Word count generally ranges from 3000 – 6000, though up to 28,000 is fine. Stories may have previously appeared online but not in print. Click here for complete guidelines.

Very Short Fiction Award: August 31 (grace period extends through September 10)
This competition is also held twice a year, with first place winning $2000 plus publication in the journal, and 10 copies of that issue. Second/third: $500/$300 and consideration for publication. It’s open to all writers, with no theme restrictions, and the word count range is 300 – 3000. Stories may have previously appeared online but not in print. Click here for complete guidelines.

New Lit on the Block :: Thriller Magazine

thriller magazine july 2018With a name like Thriller Magazine, there’s little room for mistaking the genre of this new online biannual publishing short stories and flash fiction under the umbrella of thriller/suspense/mystery. And with Editor in Chief Ammar Habib’s background, readers of this publication can expect to experience quality genre literature, while writers can expect that their work will be respectfully considered. Continue reading “New Lit on the Block :: Thriller Magazine”

The Carve Classroom Online

carve classroomCarve Magazine, which offers readers new “honest fiction,” poetry, nonfiction, illustrations, and interviews in its quarterly print publication has even more to offer in its online Carve Classroom.

For teachers, Carve can re-print bulk orders of back issues (most of which are sold out in single copy), and also provides free lesson plans for single stories online. The lesson plans are availabe to download as Word documents and include a link to the story, some of which feature audio readings. The plans include group activites, discussion prompts, and critical reading and writing exercises. Just in time for the new school year!

For writers, Carve offers online writing classes exploring elements of craft. Writers can choose a self-study or community platform option, with six weekly lessons composed of assigned readings, notes on a particular craft element, questions to apply to the assigned reading, and writing exercises to practice the craft. Self-study students receive guided feedback on the reading and writing assignments (NOT manuscript critiques). The community platform options utilizes Wet Ink for a full course interaction with peers.

Also available for writers is a manuscript critique service, and for readers and writers alike, there is a free sign-up for Carve Tips for Writers delivered weekly to your mailbox or using RSS Feed or Apple News.

Much to be discovered and enjoyed at Carve!

Books :: Press 53’s 2018 Short Fiction Winner for Preorder

early delights other apocalypses jen julianIf you’ve been itching to get your hands on copies of the 2018 Press 53 Award for Short Fiction winner, now you can. Readers may now preorder copies of Jen Julian’s Earthly Delights and Other Apocalypses which will ship early October and is available in both paperback and hardcover.

Publisher and Editor-in-Chief Kevin Morgan Watson says the collection:

held my interest while taking me on a variety of journeys, both real and surreal, from a paleontologist who spontaneously crumbles to dust during a lecture, to siblings dealing with their hoarder-father’s estate. These stories ranged widely in theme and style, and after finishing one story I looked forward to where I would be taken in the next.

While you’re waiting on your signed copy of Earthly Delights and Other Apocalypses, you can stop by TriQuarterly’s website for a taste of Julian’s writing with “Attachment,” published this past July.

Lit Mag Covers :: Picks of the Week

malahat review

“Regret” by Shary Boyle featured on the cover of The Malahat Review is a unique porcelain sculpture, china paint, horse and synthetic hair, and velvet (2015). See more of Boyle’s work here.

meadow truckee community college

I love the fairy tale aura of Wes Lee’s “Day 242” on the cover of 2018 issue of The Meadow from Truckee Meadows Community College, as well as the magazine’s new logo design.

macguffin

I’m a sucker for a good old-fashioned fisheye lens, and luckily, The MacGuffin‘s own nonfiction editor, Michael Dyke doubles as a photographer, providing this view of Belle Isle Aquarium, Detroit, Michigan for the Spring 2018 cover.

Here – 2017

“. . . poetry is no more or less important now than it ever has been,” writes Professor and Editor Daniel Donaghy in the inaugural issue of Here: a poetry journal. Published out of Eastern Connecticut State University, Here engages student readers and editors for its submissions process, and seeks “diverse, wide-ranging, and powerful responses in poetry to the essential and endless questions related to ‘being here’ that are implied by the journal’s title.” After reading this first issue, there is no doubt that Here has established a place for itself.

Continue reading “Here – 2017”

Lou Lit Review – 2018

Having traveled down south on numerous occasions, I have found there is much to love about North Carolina. Lou Lit Review adds to that adoration, a new international journal of fiction and poetry published at Louisburg College. While a slim inaugural installment, with solid mentorship from the editors of Raleigh Review, Lou Lit has established itself with resounding force. As Co-editors Tampathia Evans and Tommy Jenkins express in the Editors’ Note: “Lou Lit is still ‘becoming’ and we are not quite sure what we are as of yet. What we do know is that we will continue to publish writers whose work represents the complexity of the human condition and makes us want to read on.” Absolutely.

Continue reading “Lou Lit Review – 2018”

True Story – 2018

Each issue of True Story shines a spotlight on one nonfiction piece by one writer. As one of my favorite print magazines, I always look forward to finding out which each new issue’s story will be. This year’s issues have, among other stories, featured a neighborhood coming together to search for a missing woman with dementia (“Search Party” by Stewart Lawrence Sinclair), and a camp counselor reflecting on his treatment of a particular camper in the wake of a sex abuse scandal involving the camp where he was once a camper himself (“Unmolested” by Michael Lowenthal). Readers never really know what to expect with each issue, part of the beauty of the little, pocket-sized magazine.

Continue reading “True Story – 2018”

The Florida Review – Fall 2017

Before I get into discussion of interesting pieces, I want to stop for a moment and draw attention to The Florida Review’s commitment to the education of budding artists. In the Fall 2017 issue, The Florida Review gives a generous note about editorial interns, both graduate and undergraduate, who are “involved in reviewing and discussing submissions in a way that helps the senior editorial staff stay sharp and articulate [their] own reasons for [their] choices.” In addition, on the journal’s website, they outline their educational mission which helps interns to “thrive as writers and to appreciate the intense and collaborative nature of publications.” As a recent graduate, I greatly appreciate and support The Florida Review’s commitment to education which contributes to the literary world.

Continue reading “The Florida Review – Fall 2017”

Split Rock Review – Spring 2018

The image that greets readers at Split Rock Review’s Spring 2018 issue is a photograph of forest that takes up the entire computer screen. Leaves blanket the floor and climb up trees, a perfect visual companion for mid-summer reading. It’s the pieces that resonate with this image of nature that spoke to me the loudest this issue, fully immersing myself in the greens of summer.

Continue reading “Split Rock Review – Spring 2018”

Exciting News from Nimrod

nimrod blogLast week, Nimrod International Journal announced exciting news for writers: they are now a paying market. For work printed in the two upcoming 2019 issues, the editors will pay $10/page with a maximum of $200, visual artists will receive $10 per image used, and all contributors will continue to receive two copies of the issue in which their work appears.

Writers whose work is selected through the journal’s two annual contests (Nimrod Literary Awards and the Francine Ringold Awards for New Writers) will also receive the new payment, though the monetary prizes for winners will remain the same.

Learn more and submit your own work at Nimrod’s website.

Reflecting on Rejection

carve“Rejection doesn’t have to be the end of the line” according to Carve Magazine. To which end, they include the coolest column in each issue: Decline/Accept, with commentary from a writer whose work, originally declined by Carve, has been accepted elsewhere. The author writes about their rejection/revision/acceptance, a snippet of the original work is included with Carve editors’ comments as well the snippet revised (if applicable) along with editors’ comments from the publication that accepted the work.

The Summer 2018 issue features Kelly Hill, whose story “The Bearded Loon” was published in the July 2017 issue of Upstreet. Hill comments on the rejection and subsequent acceptance, “I’ve been doing this writing thing long enough to understand that the story I set out to tell is not always the story I write or the story that others ultimately read. I’m always thankful for good feedback from insightful readers, although any feedback can be useful if it helps you mentally justify your stylistic choices.”

Decline/Accept is a great craft component for readers and writers alike, and you can see a full listing with links out (when available) to the final published work here.

Gulf Coast 2017 Prize Winners

lisa carterThe Summer/Fall 2018 issue of Gulf Coast features several contest winners:

2017 Translation Prize
Chosen by John Keene
from Time to Be
by Camila Reimers
Translation by Lisa Carter [pictured]

2017 Barthelme Prize for Short Prose Winner
Chosen by Roxane Gay
“Pedro” by D.J. Thielke

Honorable Mentions
“The Things We Could Not Say” by Lishani Ramanayake
“Sunscreen” by Eric Schlich

The Inaugural Toni Beauchamp Prize in Critical Art Writing
Chosen by Darby English
“Dust Balls” by Brandon Brown

Lit Mag Covers :: Picks of the Week

georgia review

Poet, teacher and visual artist Truong Tran’s works are featured in the Spring 2018 issue of The Georgia Review. In addition to a full color portfolio inside, “Lost Poem #3” is featured on the cover.

colorado review

The Colorado Review cover photo by Brian Holland is luscious, and even more so when viewed full spread with the entire night-lit bridge in the background.

michigan quarterly review

And a final splash of red and summer with “Picnic, Long Island, New York” by Ralph Gibson on the cover of the Summer 2018 issue of Michigan Quarterly Review.

New Lit on the Block :: Months To Years

months to years smallDeath. Dying. Terminal illness. Words – and experiences – we tend to avoid, not want to talk about and, most certainly, not want to experience. Yet, as Founding Editor Renata Khoshroo Louwers says, these are topics that touch everyone’s life at some point. Which is why she and her husband began Months To Years, the online quarterly of creative nonfiction, poetry, photography, and art, as a response to their own experiences with loss as well as a way to support others. Continue reading “New Lit on the Block :: Months To Years”

CNF :: Starting Over

That’s what writers do: we start over. For a writer, every day is a new day with a new beginning. Even if we are writing an essay or a book chapter we have been working on for days or months—or years!—we face our notebook or keyboard not really knowing what is going to happen to our work next. We may think and hope that we know, but we really don’t—at least until we are deep into the story. Even then, we are invariably surprised.

Lee Gutkind from his What’s the Story introduction to the 4th Annual Readers’ Choice Theme issue of Creative Nonfiction – Starting Over: Hitting the Reset Button

Get In Shape :: Writer’s Regimen

Perfect for the start of the new school year – whether or not you’re a student! The Southeast Review is offering its second Writer’s Regimen for poets, essayists, and fiction writers who would benefit from incorporating structure into their daily writing practice – or perhaps get a daily practice started! Editor Dorothy Chan explains:

ser wr kao kalia yangThis October, The Southeast Review 30-Day Writer’s Regimen returns with daily prompts, daily exercises, and daily quotes to cure your writer’s block and give you an endless source of creative inspiration! We’ve added daily themes, so get ready to immerse yourself into different worlds every day! We’re also proud to announce craft talks by esteemed writers Ching-In Chen, Kao Kalia Yang [pictured], Sam Herschel Wein, and Timothy Liu. Registration is open now. This October, write lots of short stories and poems you’ll be proud of. We hope you enjoy our regimen!

In addition to all the daily features, Writer’s Regimen offer flashback craft talks from previous WRs for “more writing heavyweights” as well as a free copy of The Southeast Review.

For a PDF sample of the first regimen day, click here. Chan says, “This summer we’ve decided to innovate the regimen by including themes, and you’ll notice the theme of Day 1 is ‘secrets.’ These themes will carry on for a few days and each day, subscribers will experience a variation of that theme. Other themes include translation, the body, Hollywood, and seduction.”

New Books of the Month Deals at Press 53

press 53 blog imageReaders, do you find yourself wanting to support small presses, while not wanting to break your bank? Look no further than Press 53. Each month, they’ll now offer up a selection of their titles at a discounted price. Visit their website to see the current titles in poetry and fiction, including Mary Akers linked story collection Bones of an Inland Sea, and Stacy R. Nigliazzo’s award-winning poetry collection Scissored Moon.

Lit Mag Covers :: Picks of the Week

american poetry review

Regular readers of The American Poetry Review will be exicted to see the new cover design starting with the July/August 2018 issue. We love it here at NewPages World Headquaters! Nicely done APR!

nimrod

Diversity and the Arts is the theme of the Spring/Summer 2018 issue of Nimrod International Journal, featuring “Tree of Life,” a gorgeous canvas, acrylic paint, composition leaf and embroidery piece by the Tulsa Girls Art School: “an afterschool, social service program that uses art as a vehicle to reach girls.” 

louisville review

“Cedar Waxwing,” a photo by AJ Reinhart, draws readers to this Spring 2018 issue of The Louisville Review. Check out more of his nature photography and artwork here.

Another Beautiful Broadside

song of extinctionsA while back, NewPages introduced Under a Warm Green Linden online poetry journal which had expanded its publication efforts to include environmental activism under its “Green Mission.” This mission promises to donate a portion of its proceeds to reforestation efforts (through the Arbor Day Foundation and the National Forest Foundation).

To date, Under a Warm Green Linden has funded the planting of 170 trees, and with the help of poetry lovers, hopes to continue this effort. One easy way to participate is by purchasing their limited edition broadsides which accompany each new journal issue. These are bea-u-ti-ful prints – I know because I have purchased every one of them! They are reproduced on high quality paper, full color, carefully packaged for safe shipping and, best of all, SIGNED by the authors. Pictured: “Song of Extinction” by David Axelrod.

Under a Warm Green Linden has also begun publishing chapbooks and has two available for purchase: Tempo Rubato  by Boyer Rickel, A Place Where One  by Barbara Cully, and bonehouse  by Erika Brumett (forthcoming).

August Broadsided and CFS

ghost mantisBroadsided Press art and poetry collaboration posters are available for free download and postering all about town as well as in PDF to share electronically.

August’s Broadsided collaboration with words by Marci Calabretta Cancio-Bello and art by Elizabeth Terhune resulted in “Ghost Mantis.”

In addition to their ongoing CFS, Broadsided is looking for “multilingual writing” for a special edition: “Many writers grow up in or become part of families and communities that speak more than one language, and at Broadsided Press, we think that’s worth celebrating. In this special ‘Broadsided Responds’ feature, we will offer a folio of work that speaks between and with multiple languages.”

Not Elegy, But Eros

Nausheen Eusuf’s debut collection Not Elegy, But Eros is conversing with giants. Wallace Stevens, Robert Frost, Emily Dickinson, T.S. Eliot, Freud, and a slew of other great names are sitting at the table. In both form and content, Eusuf is serving what these great minds have tackled before.

Continue reading “Not Elegy, But Eros”

Experience in Groups

Let’s start here: Experience in Groups is a book of poetry. Specifically, it’s a book of poetry written by a well-established poet—Geoffrey G. O’Brien—which means that I’m sure that a lot of it went right over my head. But, all I can do is explain the things that I thought I understood, and see where it goes from there. Perhaps everything I say in the next seven hundred words or so is gobbledygook, but then again, there’s a chance that it’s not. Overall, that’s kind of how I felt about Experience in Groups.

Continue reading “Experience in Groups”

Buddha’s Dog & Other Meditations

Buddha’s Dog & Other Meditations by Ira Sukrungruang is a testament to the variety of forms nonfiction writing can reach as well as this author’s mastery of each. For teachers of creative nonfiction, this text models a range of approaches; for students of CNF (whether formally enrolled or not), this is a wonderful mentor text; and for us more general readers, this is a book to expand our experience with great satisfaction.

Continue reading “Buddha’s Dog & Other Meditations”

Starting with Goodbye

Starting with Goodbye: A Daughter’s Memoir of Love after Loss is a powerful new book by Lisa Romeo about the way our relationships with those we love change and deepen, even after death. Telling the story both of her father’s death and of her need to heal and go forward, this memoir is a moving account of the never-ending love between a father and daughter.

Continue reading “Starting with Goodbye”

The Lion’s Binding Oath and Other Stories

Ahmed Ismail Yusuf’s The Lion’s Binding Oath and Other Stories, presents an insider’s view of everyday life in Somalia during the mid to late 20th century. Yusuf had fled his birth country in the late 1980s during the Somalia civil war, and has since lived, educated himself, and worked in Minnesota.

Continue reading “The Lion’s Binding Oath and Other Stories”

The Undressing

The Undressing examines the physical, bodily relationship with the spiritual relationship between two lovers. There are elements of the political—the strongest portions of the book—and of the foreign. Li-Young Lee’s collection is philosophical, not exactly accessible for a first-time poetry reader, but one that with re-readings gathers depth and meaning each time.

Continue reading “The Undressing”

The Drowning Boy’s Guide To Water

Whereas the race card is now everyone’s card
in a deck I did not cut. I hate card games,
the conceit of the shuffle. I hate when white people
hate white people because hating white people
is fashionable. A person’s color is a still thing
to hate.
        —from “Nonbinding Legislation, or a Resolution”

Cameron Barnett’s first collection, published by Autumn House Press, is powerful. Each poem in The Drowning Boy’s Guide to Water is a full meal, and not always easy to digest. His craft is superb, pure excellence in both expression and thrust, but the themes are exhausting, necessary, and yes, every single thing is race. Barnett’s endurance analyzing America’s binary black and white world is honorable, essential, and true, yet leaves the reader bone-tired.

Continue reading “The Drowning Boy’s Guide To Water”

Dots & Dashes

        . . . I met my husband in a class
on Ovid where we learned longing
changes us
        to limestone, or causes us
to caress the white bull—no matter
that he’s animal and his child minotaur,
the divided

                    offspring of our love.
—from “At the Reading of the Antiwar Poets, 2007”

Every time I read Jehanne Dubrow’s work, I write a good poem. In fact, after reading and reviewing her book The Arranged Marriage over a year ago, I wrote a whole chapbook, published the following year. Perhaps she is something of a muse to me. Perhaps this is why, after spending nearly two years in Denton, Texas, and nearly also working as an adjunct instructor at the University of North Texas where she serves as an associate professor, I did not try to meet her even though I was encouraged to.

Maybe our muses are best left alone, enigmas granted asylum from gaze and inquiry. In any case, Dubrow continues to bring me good luck and inspire more poems.

Continue reading “Dots & Dashes”

Swim

With the #metoo movement still changing the conversation on how women are treated in the US, this book of stories set in the 60s felt culturally relevant rather than retro. In three short fictions, Sandra Scofield examines the ambivalence and vulnerability of three women as well as the entitlement and ignorance of the men in their lives. Gender, more telling of one’s mobility and expectations in the 1960s than today, casts the male and female characters in narrowly defined roles. Women long for masculine freedoms and adopt a rebellious edge to keep themselves out of prepackaged social norms, while the various men in their lives conform to egoism, salvific nostalgia, and violent acts of privilege.

Continue reading “Swim”

The New Academy :: Cast Your (Nobel) Vote

Following the suspension of the 2018 Nobel Prize for Literature, The New Academy was created “to warrant that an international literary prize will be awarded in 2018, but also as a reminder that literature should be associated with democracy, openness, empathy and respect.”

Librarians from across Sweden were invited to submit nominations of authors for the prize; voting opened to the global public on July 10 and will close on August 14.

The top four nominations from this long list will receive final assessment for the award by an “expert jury” comprised of: Jury President Ann Pålsson, editor and independent publisher; and Jury Members Lisbeth Larsson, Professor of Literature, Gothenburg University;  Peter Stenson, editor and critic; and Gunilla Sandin, librarian director.

The winner will be announced October 14.

 

Black Warrior Review – Spring/Summer 2018

Lisa Krannichfeld’s “Undomesticated Interior No. 7” dominates the cover of the spring and summer issue of Black Warrior Review. Its subject, a young black woman wearing a flashy blue suit, mint green button down, and screaming red boots, sits defiantly at the edge of a chair, ready for movement. An image of a snarling wolf hangs on the wall just behind her. In her artist’s statement, Krannichfeld says: “Images are vehicles for the teaching of history and it is the historical imagery of the female gender I aim to counterbalance.” Looking over the eight other images Krannichfeld has contributed to the issue, all of women in ornamentally-patterned suits, sitting in wallpapered rooms with framed images of bared fangs surrounding them like a warning, an aura, it’s clear that these are not the “doll-like women,” the “decorations” of the past; instead, Krannichfeld’s subjects throw the male gaze back at their viewers, watching with confidence, hands running together as they contemplate their opponent’s next move. And that move had better be good.

Continue reading “Black Warrior Review – Spring/Summer 2018”

North Dakota Quarterly – Summer/Fall 2017

Published by the College of Arts and Sciences from the University of North Dakota, the North Dakota Quarterly is a literary and public humanities journal that has existed for over 100 years, providing articles, essays, fiction, and poetry. They bring readers another great issue filled to the brim with a wide variety of enjoyable stories, essays, and poems.

Continue reading “North Dakota Quarterly – Summer/Fall 2017”

The Gettysburg Review – Spring 2018

“A good story was always about more than true or false. It was always about more than the story,” contemplates the narrator of Kyle Mellen’s fiction piece “Ladies and Gentlemen, the Couch.” The Spring 2018 issue of The Gettysburg Review offers something more than “the story”: authors and poets share truths, laughs, sometimes along with tears, and always new discoveries. This generously-sized and curiously-executed issue is a great example of editors’ commitment: they “look for writers who can shape language in thoughtful, surprising, and beautiful ways and who have something unique to say, whatever the subject matter or aesthetic approach.”

Continue reading “The Gettysburg Review – Spring 2018”

Creative Nonfiction – Spring 2018

With Mary Shelley’s fiction as the creative muse, it’s unsurprising that Creative Nonfiction’s issue, dedicated to real life Frankenstein stories, boasts all six essays by women. But while editor Lee Gutkind warns, “this issue is not for the faint of heart,” I disagree: the horror elements sprung from Shelley’s novel remain peripheral. This issue establishes the need for compassion, no matter the monsters in our lives.

Continue reading “Creative Nonfiction – Spring 2018”

MAKE – 2017-2018

MAKE, published annually out of Chicago, dedicates this issue to belonging. This theme is unsurprising given the journal hosts the annual Lit & Luz Festival of Language, Literature, and Art in Chicago and in Mexico City, encouraging cross-pollination of creativity across culture and language. Bringing together fiction, nonfiction, poetry, and translation, this issue of MAKE stretches belonging to encompass belonging in our bodies, belonging within (and to) a place, and belonging within language.

Continue reading “MAKE – 2017-2018”

Goodbye Glimmer Train

glimmer trainAfter nearly 30 years of continuous publication, Glimmer Train has announced that they will be closing shop after this next year of publication. Submissions are still being accepted to finish out with issue #106, but after that, sisters Linda Swanson-Davies and Susan Burmeister-Brown – or as we call them, The Glimmer Train Sisters – plan to retire the publication entirely.

While they have received many offers and inquiries to let others take over the renowned journal, The Sisters had already decided against this option. In a form letter response to such inquiries, The Sisters. . . 

Continue reading “Goodbye Glimmer Train”

American Life in Poetry :: Terri Kirby Erickson

terri kerby ericksonAmerican Life in Poetry: Column 695
BY TED KOOSER, U.S. POET LAUREATE

In one of my recent columns I wrote about the importance to the overall effect of a poem of having a strong ending, and here’s a fine example of that. It’s by Terri Kirby Erickson, a North Carolinian, from her book, Becoming the Blue Heron, published by Press 53. Others of Erickson’s poems are available in the column’s archives at www.americanlifeinpoetry.org.

My Cousin, Milton

My cousin, Milton, worked for a cable company.
The boy I knew when we were children

had fists that were often clenched, his face set like
an old man whose life had been so hard,

it hardened him. But the man’s hands opened to let
more of the world in. He sent the funniest

cards to family and friends at Christmas, laid down
cable so others could connect. Yet, he lived

alone, kept to himself much of the time, so when
his sister found his body, he’d been gone

a good while. He died young at fifty-seven, without
fuss or bother. No sitting by the bedside

or feeding him soup. He just laid himself down like
a trunk line and let the signal pass through.

We do not accept unsolicited manuscripts. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2017 by Terri Kirby Erickson from Becoming the Blue Heron  (Press 53, 2017). Poem reprinted by permission of Terri Kirby Erickson and the publisher. Introduction copyright ©2018 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

Trump Sonnets by Ken Waldman

ken waldmanFrustrated with the current policital administration? You protest, rally, write letters, get yourself and others ready to vote…what more can you do? For poet and musician Ken Waldman (aka Alaska’s Fiddling Poet), there’s poetry. Sonnets to be exact, and a lot of them. With two volumes already completed and one more (at least) on the way, Waldman is taking this administration to task – and perhaps salvaging his own sanity as well as that of his readers – responding to the daily fodder by turning it to his muse for poetry.

Like many of us, in a stunned stupor the day after the election, Wednesday, November 9, 2016, Waldman writes that he was “processing Donald Trump’s surprise victory in the 2016 U.S. presidential election, and wrote, ‘You make George W. seem a statesman–your opening trick,’ which I turned into the first line and a half of a sonnet. A week later I wrote two more Donald Trump-inspired sonnets. Between Thanksgiving and Christmas, another 68. That’s 71 sonnets, a full-length collection. 41 were written in the voice of Donald Trump. The rest were addressed to him.” The book’s subtitle – The First 50 Days – speaks to the process many of us went through at the start.

Now in our second year of Trump’s reign, Waldman continues to see us through with Trump Sonnets Volume 2: 33 Commentaries, 33 Dreams. “Half of this sequel’s 66 poems is incisive commentary,” writes Waldman,. “Half, dreams that I imagine Donald Trump might have, and those are in Trump’s voice.”

Both volumes, as well as Waldman’s other books, are available through SPD Distribution or directly from Waldman. Visitors to his website can also view YouTube videos of Waldman reading the poems with a little bit of his iconic fiddling style thrown in.

HA&L Celebrates Bertrand Russell

rick stapletonIn addition to celebrating its tenth anniversay of publication, the newest issue of Canada’s Hamilton Arts & Letters (11.1) is also a celebration of Bertrand Russell and the 50th Anniversary of the Russell Archives.

Guest Editor Rick Stapleton [pictured] writes in his introduction, “In 1968 McMaster University purchased the first instalment of the archives of Bertrand Russell (1872-1970), a vast collection of letters, manuscripts, photographs, books and other personal material of one of the 20th century’s greatest philosophers, writers, and peace activists. At the time, the 96-year-old Russell was in need of funds to support his peace work, and McMaster’s university librarian, William Ready—renowned for his ‘buccaneering’ style of acquiring collections—was able to bid successfully for the archives. Now, 50 years later, we celebrate that event with this special issue of Hamilton Arts & Letters magazine, devoted to Bertrand Russell.”

The issue is packed with poetry, artwork, and articles, including an Interview with Kenneth Blackwell, the original Bertrand Russell archivist by Wade Hemsworth; “’I Have Never Been a Complete Pacifist’: Bertrand Russell on Peace and War in the Twentieth Century” by Andrew Bone; “Bertrand Russell and The Revolution in Twentieth Century Philosophy” by Nicholas Griffin; “A Rivalry? – Russell’s Lovers, Lady Ottoline Morrell and Lady Constance Malleson” by Sheila Turcon; “Hanging out with Bertrand Russell” by Terry Fallis; and “Bertrand Russell: Remembering a Public Intellectual for Our Time” by Henry A. Giroux.

Hamilton Arts & Letters is an online publication; the full issue can be accessed here.

 

Books :: The Esthetic Apostle Introduces First Chapbook

absences john a griffinNew out this month is the first chapbook from literary magazine The Esthetic Apostle: Absences: A Sequence by John A. Griffin. Accompanied by collages by artist Martine Mooijenkind, the chapbook explores forms of loss. In “Relic,” the speaker notes: “It is November and a concussed fog hangs above the lake,” and this fog seems to settle over the rest of the pieces within the collection, somber and haunted by absences.

From the publisher: “Absences addresses the themes of loss of youth, loss of innocence, isolation, separation, exile, death, the absence of familiarity, affection, and above all the loss or absence of love. The sequence meditates on the natural world but finds little comfort there. There are no idyllic, romantic refuges from the self, and pathetic fallacies remain just that: instead of providing a balm to the sick heart, the dales of Arcady merely accentuate its angst. The poems find fitting motifs in poetic echoes and these are channeled into the poems’ movement to harmonize their rhythms and oscillations and to achieve a kind of unsettling but restorative equipoise. The sequence resonates with allusions to classical mythology, Virginia Woolf, Gabriel Garcia Marquez, Julio Cortazar, Franz Kafka, Johann Georg Hamann, Paul Celan, and Bruno Schulz, and tries to weave its patchwork aesthetic by drawing on their disparate but unified themes. Ultimately, the sequence is a celebration of life, even if life’s great peroration is death, and even if we all die the same death over and over again.”

Visit the publisher’s website to pick up your copy.

Aquifer Now Accepting Film Submissions

florida reviewThe Aquifer, the online journal of The Florida Review, is now accepting film and video work as they expand their visual arts and new media offerings for readers. 

“We are looking for experimental works of film or video that are 15 minutes or less and utilize moving images as a means to poetic expression, formal exploration, or abstract and open-ended narratives. Compelling, personal works that push the boundaries of cinematic convention will also be considered for publication.”

For more information, see the Aquifer announcement.

[The Florida Review 42.1 2018 cover art: Dengke Chen, “Tank Man,” digital illustration]

Latinx Latina Latino Writers Wanted

nicole oquendoThe Florida Review is seeking submissions from Latinx / Latina / Latino writers for a special feature. Work submitted to this category will be considered for both the digital and print editions of this feature. Fiction, creative nonfiction, poetry, graphic narrative (color or black-and-white), hybrid writing, visual art, and digital media are all welcome. Edited by Nicole Oquendo [pictured]. Submissions accepted through September 1, 2018. For more information, click here.

Spend a Night with F. Scott and Zelda

fitzgerald museumIf you’re traveling anywhere near Montgomery, Alabama, consider spending the night in the former home of F. Scott and Zelda Fitzgerald which now houses the Fitzgerald Museum and a two-bedroom apartment. “This historic home houses the only dedicated museum to F. Scott & Zelda Fitzgerald in the world. The family lived here from 1931 until 1932, writing portions of their respective novels, Save Me The Waltz  and Tender Is The Night,  during their time here.”

The apartment is listed on Airbnb and can be rented for $150 a night. Guests can also visit the museum during its open hours, maybe helping make Montgomery your destination!

Calling All Crones!

gyroscope reviewGyroscope Review: Fine Poetry to Turn Your World Around has announced a call for submissions for The Crone Issue to feature contemporary poetry from poets who identify as women and are over the age of 50.

“Women over 50 are often underrepresented in poetry publications, so we are choosing to offer a space and a voice to the wise women out there. We want work that celebrates the ideas of crone, wise woman, matriarch, post-menopause, grandmother, elder, strength, experience,” the editors write in their CFS. They challenge: “Shake up our ideas of the female over-50 demographic. Show us something fierce, something powerful, something that cannot be ignored. Cast off the restrictions around what you have been told you can talk about. Break your silence.”

Submissions are open until September 15 or until the editors have accepted enough content to fill the issue – whichever comes first. So – don’t delay! Send your best work today!