
Published at Suffolk University, the newest issue of Salamander features 2025 Fiction Contest First Place Winner “Scheherazade in the Tropics” by Ivan Suazo and Second Place Winner “The Wild Hunt” by Andrew Joseph Kane as selected by Final Judge Helen Phillips. Readers will also find additional fiction by Bizzy Coy and Kate Lister Campbell, creative nonfiction by Gwen Niekamp, Jillian McKelvey, Sarah C. Baldwin, Acie Clark, and Kristina Garvin, with an art portfolio by Catherine Graffam.
For those looking for more poetry, Salamander 60 offers much to appreciate, with works by Mk Smith Despres, Angie Macri, Hana Damon-Tollenaere, Ansel Elkins, Anastasia Vassos, Emma Bolden, Jonathan Greenhause, Tiffany Promise, Laura Cesarco Eglin, Jane Donohue, Christian Paulisich, Richard Lyons, Jehanne Dubrow, Jill Michelle, Connemara Wadsworth, Eneida P. Alcalde, Allie Hoback, Hope F. Wabuke, Rebecca Foust, Jackie Delaney, Eben E.B. Bein, Bunkong Tuon, Christy Lee Barnes, Emily Schulten, Jeffrey Thompson, Cecil Sayre, Shana Hill, Jeff McRae, Michelle Matz, Dimitri Reyes, David Thoreen, Daniel Gaughan, Carolene Kurien, Sandra Marchetti, Francis Lunney, Julia Lisella, Darren C. Demaree, Gemma Cooper-Novack, Kunjana Parashar, Jonathan B. Aibel, Hanaa Ahmad Jabr, Wadaq Qais, Jennifer Jean, Javen Tanner, Sonya Schneider, and Dina Folgia.












After twenty-seven years, Jennifer Barber has left her position as Editor-in-Chief of
After twenty-six years as editor-in-chief of
With spare yet deeply evocative prose, “Floating Garden” sweeps us up into the span of a singular life, one that is as sacred as any other, one for whom “the words for things take us from what matters.” This story is a profound meditation on the nature of brutality – of man against man, of man against nature – yet it is also an unsentimental song of how we can be redeemed, “like dust into soil, so dark, so primordial.” This is a lovely gem of a tale.
Told in a rollicking, expressionistic voice, “The Hooligan Present” delivers that rarest of reading experiences; it actually makes you laugh, and then it makes you cry, and then it leaves you grateful for such artistry, for such a generous and humane vision of this dirty old world.


