Stanford Institute for Creativity and the Arts
Stanford Humanities Center
The Stanford Institute for Creativity and the Arts (SiCa) and the Stanford Humanities Center intend to offer one residential fellowship at Stanford for academic year 2008-09 to a practitioner who is also a writer, scholar, or critic pursuing a research project in the arts. This fellow will be the first in a pilot fellowship program bringing together the humanities and arts in a research and creative environment on Stanford campus.
The fellowship recipient will be in residence at the Stanford Humanities Center and will be part of an intellectual community of about 25 fellows working on projects in history, literature, philosophy, and other humanities fields. The fellow will be affiliated with one of the three SiCa centers: The Center for Arts, Science and Technology, The Center for Global Arts, and the Center for Humanities and the Arts.
This fellowship seeks to bridge the worlds of art practice, on the one hand, and writing and thinking about art, on the other. The successful applicant will be both an arts practitioner and a scholar or critic interested in entering into dialogue with scholars in a wide range of humanities disciplines.

To kick of National Poetry Month on the blog, I offer this delightful poem by Kristin Berkey-Abbott from her book Whistling Past the Graveyard (Pudding House Publications, 2004). It has been featured on Writers Almanac as well as on countless other blogs and sites over the years. Through sheer literary luck, NewPages just happened to have an illustration (by Karen McGinnis) in the
Celebrating the 125th Anniversary of the Chelsea Hotel
Dith Pran, the Cambodian-born journalist whose harrowing tale of enslavement and eventual escape from that country’s murderous Khmer Rouge revolutionaries in 1979 became the subject of the award-winning film “The Killing Fields,” died Sunday. He was 65.
An intriguing marketing move from Fence Magazine, good until April 30, 2008:
In his essay, “Waylaid by Weirdness: On Q&As, Pop-Tarts, and Asian Porn Stars,” Ed Lin takes a hindsight humorous look at the “Weirdies” that seem to crop up regularly at public readings. “The only downside to readings is when the Weirdies show up. Weirdies love mouthing along during the reading; asking many, many questions during the Q&A; and following the author for blocks afterward.” For specific examples, visit Lin’s piece on The Stranger.
Tom Batiuk spent several years as a middle school art teacher before creating the comic strip Funky Winkerbean in 1972. Originally a “gag-a-day” comic strip that portrayed life in high school, Funky has evolved into a mature series of real-life stories examining such social issues as teen dating abuse, teen pregnancy, teen suicide, violence in schools, the war in the Middle East, alcoholism, divorce, and cancer.
My Mother Wears Combat Boots
“Namarupa, Categories of Indian Thought, is a new journal that conveys the vast scope of sacred philosophical thought that has emanated from the land and people of India over many millennia.” Issue Number 7 (November 2007) of Namarupa features The Beatles on the cover and the article “The Beatles in India” by Paul Saltzman.
As if the idea of owning and operating an independent bookstore hadn’t been de-romanticized enough, enter Paul Constant’s “Flying Off the Shelves: The Pleasures and Perils of Chasing Book Thieves” published in Seattle’s The Stranger. Yet, for all the possible laments, Constant expresses pleasure in his literary taunting of literate unlikelies who come in with the “top five” fencable books to check his inventory. And given the comment on the masturbating chain-store security guard, staying independent and investing in a good pair of running shoes seems the better alternative. Maybe independent isn’t so unromantic after all.
“A group of international movie-goers announced today that they are backing filmmaker Jessica Mae Stover’s fundraising project around her original motion picture, Artemis Eternal, and are inviting other film fans to do the same. On the official site for the project, visitors can explore an interactive map of the movie’s development, track progress and impact production by contributing funds directly. By relying on contributors to promote the website, reach out to local press and even create press releases [such as this one], Stover has cut out the middleman, and allied with the audience to break ground on a new formula for film finance, production and exhibition.”


Apple Valley Review
“The Key West Literary Seminar has been drawing lovers of literature to our small island in the subtropics for more than a quarter of a century. Each January an audience of passionate readers gathers together under the tropical sun for three and a half days of conversations, readings, panel discussion, lectures,and festive Key West parties where it is possible to mingle with the world’s most illustrious writers.
30 Years of J. Hoberman