“A short story should always move forward in time!” and “Use strong action verbs” and “Only leave the words that do the most work emotionally” are phrases former students of Alan Cheuse may have heard often. “He pushed for more drama, more emotion, fewer words,” writes Phoebe Editor-in-Chief Amanda Canupp Mendoza. “He wanted us to live up to our full potential not only as writers, but as humans.” In July of 2015, Alan Cheuse passed away and this issue, in collaboration with Alan Cheuse Literary Review, opens with a special section dedicated to the late George Mason University professor.
NewPages Blog
At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!
Phoebe – Fall 2015
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Lorca’s Glowing Moon
Well, this is a first for me in all the years I’ve been working with literary magazines. The July/August 2016 cover of Poetry is a special treat for those who can access the print version. Artist Chris Hefner has created a glow-in-the-dark moon to celebrate the “moon poems” by Federico García Lorca, translated by Sarah Arvio. The issue features “Two Evening Moons,” “Of the Dark Doves,” and “Ballad of the Moon Moon.” Read more about the translations as well as a statement from the artist about his work and several other images from his collection here.
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Florida Review 2015 Editors’ Awards
Issue 40.1 of The Florida Review features the winners and finalists of the publication’s 2015 Editors’ Awards. This is an annual contest which awards $1000 to each winner and publication to winners and finalists.
Poetry
Winner Christine Poreba for “Negative Miracle”
Finalist Rachel Flynn for “America, February”
Fiction
Winner Matthew Lansburgh for “The Lure”
Finalist Jacob Appel for “The Dragon Declension”
Finalist Miriam Cohen for “Recess Brides”
Creative Nonfiction
Winner Melanie Thorne for “What We Keep”
Finalist Carol Smith for “Tearing Down the House”
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Amercian Life in Poetry :: Sharon Chmielarz
American Life in Poetry: Column 589
BY TED KOOSER, U.S. POET LAUREATE
We hope that you will visit, from time to time, our archived columns at www.americanlifeinpoetry.org, where you may find other poems by the poets we feature. Today’s is the third we’ve published by Sharon Chmielarz. a Minnesota poet with several fine books in print, including The Widow’s House, just released by Brighthorse books.
Fisher’s Club
A roadside inn. Lakeside dive. Spiffed up.
End of a summer day. And I suppose
I should be smiling beneficently
at the families playing near the shore,
their plastic balls and splashes and chatter.
But my eye pivots left to a couple;
he is carrying her into the water.
He’s strong enough, and she is light
enough to be carried. I see
how she holds her own, hugging
his neck, his chest steady as his arms.
I have never seen such a careful dunk,
half-dunk, as he gives her. That beautiful
play he makes lifting her from the water.
And I suppose I should be admiring
the sunset, all purple and orange and rose now.
Nice porch here, too. Yeah, great view.
But I have never seen such a loving
carrying as he gives her. Imagine
being so light as to float
above water in love.
We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2015 by Sharon Chmielarz, “Fisher’s Club,” from The Widow’s House (Brighthorse Books, 2015). Poem reprinted by permission of Sharon Chmielarz and the publisher. Introduction copyright ©2016 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
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Nimrod International LGBTQIA Issue
Mirrors & Prisms: Writers of Marginalized Orientations & Gender Identities is the title of Nimrod International‘s Spring/Summer 2016 issue. Editor Ellis O’Neal writes in the editor’s note:
Mirrors & Prisms feature the work of writers who identify as lesbian, gay, bisexual, transgender, queer, intersex, or asexual, or anywhere under the umbrella term MOGAI (marginalized orientations, gender identities, and intersex). While Nimrod has always published the work of such authors (and indeed James Land Jones, Nimrod”s founder, was himself gay and fought for gay rights in Georgia in the 1970s as a professor of literature), we have never before devoted an entire issue to LGBTQIA writers. To do so now, we believe, is not only to continue Nimrod‘s tradition of bringing less-heard writers to the literary forefront, but to make clear what Nimrod has always known: that LGBTQIA writers have stories that can make a differences to all readers, of all sexualities and gender identities.
See the complete table of contents here with links to some works which can be read online.
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The Market Wonders
The Dow that can be named is not the eternal Tao. This is the message of Susan Briante’s great and fun new work The Market Wonders. The economic market is a man made concoction, yet it behaves in an almost random manner that seems to follow rules of nature. In the beginning of the book she quotes, “Blake reminds us, ‘For everything that lives is Holy!’” and sure enough the market seems to be alive. This book associates a volatile reverence to money. The subject is about as transgressive as can be. Most people do not read poetry, half of us that read barely understand it, and certainly, nobody is making a living from it. That is to say, unless you’re Tao Lin or Ben Lerner who undoubtedly have other means of income. The rare Ted Kooser who can make a rock star’s living at poetry is once in a lifetime. But Briante builds a relationship between the flow of the market and the flow of words and poetry. The ticker at the bottom of the book is definitely the philosophical icing on the cake.
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A Crowd of Sorrows
“The body of a child is a playground” -from “Red Rover”
Lisa Anne Gundry’s often sparse lines of poetry about childhood sexual abuse and its lingering effects is haunting. While some of her poems reflect a juvenile attention to the art, Gundry’s grasp of the subject matter is spot on—partly because she lived it and partly because she has clearly carefully researched each phase of her own pain and healing and just as carefully referenced these phases in her work. At 116 pages, A Crowd of Sorrows addresses neither too little or too much, spanning accounts of the abuse, counseling, trauma, and the reactions of family members to her confession that her grandfather was a pedophile who had violated both she and her sister in cars and on couches, during the day and at night.
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Are You Here for What I’m Here For?
Tinged with mystery and magical realism, Brian Booker’s Are You Here for What I’m Here For? is an outstanding collection of self-contained short stories with themes of sleeplessness, sadness, and sickness. The characters, setting, and point of view vary from each story, which demonstrates the wide range of Booker’s fiction writing skills. Furthermore, the stories occur in different, sometimes undeterminable time periods, adding flavor and movement to the reading experience.
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The Sorrows of Young Alfonso
“We live for a brief moment en este valle de lágrimas”
Maybe that’s why there is no resolution in my letters. There is no hero announcing at the end that good will triumph over evil [ . . . ] If my letters were a plea for sanity, then writing them was worthwhile [ . . . ] Remember, the observer of any artistic work changes the work, and in turn is changed by it.
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Return to Arroyo Grande
When filmmakers turn to fiction, plot is always king. Characters and their motivations take a back seat, and the subtle components—the way fiction can get deep inside your mind and play with your inner voice—are often forgotten.
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You Must Fight Them
Maceo Montoya’s You Must Fight Them, a debut collection which begins with the namesake—a ninety-nine-page novella, in which Chicano stereotypes are deciphered, defined, mocked, challenged and rendered in heart-shattering detail—is poignant and entertaining. Montoya’s narrators are mostly bookish and well-educated. They are searching for identity and often do not find what they are expecting. The doctorate student is supposed to be tough and fight the brothers of a girl he worshipped in high school. Why tough? Why fight? Because that is how it is and always will be. Lupita, the girl, wants out of this macho-viciousness, but can’t figure out how. Nothing is cut and dry. Montoya deals with smudged borders and crooked lines.
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Jewish Noir
A short story is the perfect medium for busy people, and Jewish Noir, heralded as the first book of its kind, presents a month’s worth of short stories to delight any reader of the genre. Editor Kenneth Wishnia sums up the lure: “[ . . . ] a majority of the world’s Christians are taught that if you follow the right path, everything will turn out well for you in the end. In Judaism, you can follow the right path and still get screwed (just ask Job). That’s noir.”
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Bittersweet Brick
Issue #97 of Brick, writes Publisher Nadia Szilvassy, if it had a theme, would be “bittersweet,” as it pays tribute to the life and work of two of the magazines “longtime contributors and dear friends, C. D. Wright and Jim Harrison.” The issue is also the last for Szilvassy as publisher. After over nine years with the magazine, she leaves Editor Laurie D. Graham, Managing Editor Liz Johnston and Designer Mark Byk to steer the publication. “You will…” Szilvassy promises, “find yourselves newly inspiried and delighted.” Farewell Nadia. Our best to you.
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Eight Years of The Write Place at the Write Time
This week marks the eight-year anniversary of online literary magazine The Write Place at the Write Time, founded July 3rd 2008. In those eight years, the journal has been read in 80 countries, and the editors have published 29 issues with over 338 contributors of ranging ages, cultures, and publication credits. More than producing a literary magazine, the editors have also organized projects throughout the years, such as a Filmed Poetry Reading, a Pay-It-Forward Initiative, a Twitter Tales experiment where a group of writers created a story via tweets, and more.
To celebrate the anniversary, check out the Spring/Summer 2016 issue, which includes new fiction, poetry, nonfiction, and art, with an anniversary scrapbook that looks back at past anniversaries. The Writers Craft Box features an opportunity for writers to explore the significance of numbers for a prize, and in interviews, Tracy Chevalier, author of Girl with a Pearl Earring, discusses her latest novel, At the Edge of the Orchard, as well as the themes found in her work.
Happy anniversary, The Write Place at the Write Time. We at NewPages wish you many more years to come.
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Of Rivers Chapbook Special Feature
The newest issue of Southern Humaniites Review (v49 n2) includes a special poetry section of selections from Of River, a chapbook edited by Chiyuma Elliot and Katie Peterson, who also each contribute a piece.The entire chapbook is available to read for free online here. The editors open the collection with this explanation:
We began with Langston Hughes’s 1921 award-winning poem “The Negro Speaks of Rivers” and the charge to write something in response. There was something in the invitation about nature poetry and how that seemed important, but otherwise the instructions were open-ended (perhaps scarily so). We asked poets of very different styles and sensibilities, only some of whom were already engaged with Hughes’s work: F. Douglas Brown, Jericho Brown, Katie Ford, Rachel Eliza Griffiths, Derrick Harriell, Dong Li, Sandra Lim, and Michael C. Peterson. We wanted to see what each of these writers would make. In both the individual poems and the group as a whole, we weren’t disappointed; the poems ask, reach, and posit literary relationship in phenomenally different ways.
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Ready! Set! Write! Poetry Marathon 2016!
The Poetry Marathon is an annual event that challenges participants to write 24 poems in 24 hour, posting the writing online via a shared WordPress site. This year’s marathon begins at 9 AM EDT on Saturday, August 13, 2016 and ends at 9 AM on Sunday. There is also a half marathon from 9 AM until 9 PM Saturday.
The Poetry Marathon is run (no pun intended) by Caitlin Jans (Thomson) and Jacob Jans, two writers and web publishers living in the Pacific Northwest. There is no charge to participate in the marathon, and in 2015, over 300 writers participated from nearly every continent but one (c’mon Antarctica!).
The Poetry Marathon website has an FAQ that answers the burning questions, like: How do I prepare for the Marathon? What if I can’t be at a computer all day? What happens to the poems once I post them? and more. The site also features blog posts from previous participants who offer commentary on their marathon experience.
This year, the organizers plan to publish a Poetry Marathon Anthology of poems written during the marathon.
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10th Annual August Poetry Postcard Festival
The tenth annual August Poetry Postcard Festival opens for registration on July 4, 2016!
For you newbies, the August PoPo Fest goes like this: You sign up. You get a list of 31 names/addresses of other people who signed up. Starting late July, you write a poem a day on a postcard and mail it off to the next person on the list, so by the end of the month, you will have (hopefully) written and sent 31 poems and (hopefully) received 31 poems.
The poems are not supposed to be pre-written or something you’ve been working on for months. This is an exercise is the spontaneous, the demanding, the gut-driven, the postcard inspired – whatever it is that gets you to write once a day, each day, and send it off into the world.
New this year: poems from this year’s fest can be submitted for the 1st Poetry Postcard Fest Anthology, a project led by three volunteers.
I’ve done this event since it began! I don’t always keep to a poem a day; sometimes I get ahead one day, or catch up another, with several poems in one day. But I try my best. The event does get me thinking of poetry in my every day, when I rarely have time for it, and writing it down – something I have time for even more rarely.
I’ve received poems from across the state, the country and around the globe. I’ve gotten postcards made from cereal boxes, some with gorgeous original artwork, and lots of the lovely tacky tourist cards from travel destinations. I have cards from “famous” poets, and some who have since become more famous, and some never signed, so I’ll never know, and it hardly matters. I’ve gotten poetry. Sent to me directly. From strangers. Lovely, strange, absurd, and funny. Poetry.
It’s an amazing event, and I hope you will take the challenge and join in this year. For the first time EVER, the organizers have decided to charge a nominal fee for the event ($10). I can only imagine the amount of work it is to run this (with up to 300 people participating), and keeping up virtual space to promote it. I’m not dissuaded by the fee, knowing the extraordinary event that it is, and knowing I’ve spent 100 times that on conferences from which I’ve gotten a great deal less inspiration…
So, please writers, wanna-bes and needs-a-kick-in-the-arsers, poetry lovers, postcard lovers – this event is for you. Join us!
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Portable Stories Inaugural Contest Winner
Every four months, Portable Stories holds a short story writing contest based on a theme. The winning story is then recorded by a narrator at CDM Sound Studios and posted online along with a behind-the-scenes video about the winning story. There is a $10 entry fee, and the winning author receives $250, or 75% of the proceeds generated from story submissions (whichever is greater). Listeners can download the story for free or make a contribution to one of several featured organizations.
“How You Like”, by Jari Chevalier [pictured], is the winning story for the inaugural Portable Stories contest theme: HUNGER. This story was performed by January LaVoy and runs 23 minutes 52 seconds.
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Words Without Borders Campus Expansion
Words Without Borders promotes cultural understanding through the translation, publication, and promotion of the contemporary international literature. Words Without Borders Campus brings that literature to high school and college students, teachers, and professors. On their website, you’ll find fiction, poetry, and essays from around the world, along with resources for understanding it, ideas for teaching it, and suggestions for further exploration.
Most of the literature presented comes from the online magazine, Words without Borders. Words Without Borders Campus is asking for your help to reach more students and add new countries and literature to their site. With their collections of literature from Mexico, China, Egypt, and Japan, WWB Campus has already reached more than 1,500 high school and college students in the United States and throughout the world, with access to their site remaining completely free.
To take their program to the next level, WWB Campus is asking its supporters — readers, educators, and even students – for help with a new crowd-funding campaign and to spread awareness of WWB Campus. WWB Campus would like to double the number of students reached, adding new features to the website, and introducing literature from more countries (Russia, Iran, and West Africa are in the plans). For more information about how you can help, visit the WWB Campus website. You don’t have to donate money – using the site and spreading the word about it helps too – #InspireGlobalReaders!
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Amercian Life in Poetry :: Peter Everwine
American Life in Poetry: Column 587
BY TED KOOSER, U.S. POET LAUREATE
Someone told about a blind man who stood at a busy intersection, waving toward all the passing cars. When asked why he did that, he said that there might be someone in one of those cars whom he knew and he didn’t want to miss the opportunity. Peter Everwine, a California poet, here gives us another such waver, from his book Listening Long and Late, from the University of Pittsburgh Press.
The Girl on the Bullard Overpass
The girl on the Bullard overpass
looks happy to be there, getting soaked
in a light rain but waving her hands
to the four o’clock freeway traffic
in which I’m anything but happy.
You might think she’s too dumb
to come in out of the rain, but rain
or shine, it doesn’t seem to matter.
She’s there most every afternoon,
as if she does this for a living.
Some living, I’d say. Doesn’t she ever
get bored, or wish someone would stop
and say, “Where to?” and her life would change?
That’s how I’d be, hating the noise,
the stink of exhaust, the press of people.
I can’t imagine what her life is;
mine is confused and often fretful.
But there’s something brave about standing alone
in the rain, waving wild semaphores
of gladness to impatient passersby
too tired or preoccupied to care.
Seeing her at her familiar station
I suddenly grin like a fool, wave back,
and forgive the driver to my right,
who is sullen and staring as I pass.
I find her in my rear-view mirror,
then head for a needed drink and supper.
I don’t know where she goes, but I hope
it’s to a place she loves. I hope the rain
lets up. I hope she’s there tomorrow.
American Life In Poetry does not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2004 by Peter Everwine, “The Girl on the Bullard Overpass,” from Listening Long and Late (University of Pittsburgh Press, 2013). Poem reprinted by permission of Peter Everwine and the publisher. Introduction copyright ©2016 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
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Glimmer Train Fiction Open Winners
Glimmer Train has just chosen the winning stories for their March/April Fiction Open competition. This competition is held twice a year and is open to all writers. Stories generally range from 3000-6000 words, though up to 24,000 is fine. The next Fiction Open will take place in July. Glimmer Train’s monthly submission calendar may be viewed here.
First place: Taiyaba Husain [pictured], of Mumbai, India, wins $3000 for “How You Respond in an Emergency.” Her story will be published in Issue 99 or 100 of Glimmer Train Stories. This is Taiyaba’s very first published story!
Second place: Edward Porter, of Oakland, CA, wins $1000 for “Storm Dogs” and publication in a future issue of Glimmer Train Stories.
Third place: Anne Vinsel, of Salt Lake City, UT, wins $600 for “Goyische Turkey with Post-its.”
A PDF of the Top 25 winners can be found here.
Deadline soon approaching!
Short Story Award for New Writers: June 30
This competition is held quarterly and is open to all writers whose fiction has not appeared in a print publication with a circulation over 5000. No theme restrictions. Most submissions to this category run 1500-5000 words, but can go up to 12,000. First place prize wins $2500 (increased from $1500!) and publication in Glimmer Train Stories. Second/third: $500/$300 and consideration for publication. Click here for complete guidelines.
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The Louisville Review :: Kid’s Corner Spring 2016
The Louisville Review accepts submissions from students in grades K-12 to feature in “The Children’s Corner” section of the journal. In the Spring 2016 issue, four young writers were published:
Kate Busatto, “The Communion”
Kiran Damodaran, “Collision Theory”
Andrew D. Swann, “Jelly Dreams,” “God Didn’t Make the World Round,” and “Worn and Broken”
Isabel Young, “Our Romance is Kamikaze:”
Get a copy of The Louisville Review to check out these new writers.
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Poetry Magazine June 2016 Cover Art
The June 2016 issue of Poetry features cover art by Anna Maria Maiolino. On Harriet: The Blog, Fred Sasaki provides more information about this artist who, it turns out, also creates visual and written poetry with all her works considered to be “poetic actions.”
Maiolino speaks about her series Photopoemaction, from which the June 2016 cover art comes:
“The photographic series Fotopoemação is a result of the elaboration of images that emerged from my written poems. [ . . . ] These series, other than constituting a challenge to the poetic labour, are efficient instruments of both innovation and freedom. They result from thinking about the things of the world, from the attempt to transform what we live through into consciousness in a poetic operational movement of conduct.”
Check out the full blog post to read more, or stop by the Poetry webpage to listen to this month’s podcast and check out the work inside the June 2016 issue.
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Ninth Letter’s 2015 Literary Award Runners-Up
Among the blue-font decorated pages of the latest issue of Ninth Letter, readers will find an art feature and interview with Bert Stabler and Katie Fizdale, a look at Detroit by Caitlin McGuire in the “Where We’re At” section, and the 2015 Literary Award Runners-Up, listed below.
Creative Nonfiction:
Julie Marie Wade, “The Regulars”
Fiction:
Zach VandeZande, “Status Updates”
Poetry:
Monica Sok, “Here Is Your Name”
Rachael Katz, “All About Flash”
Check out all the other goodies inside this new, shiny (no, really, it’s literally shiny) issue of Ninth Letter and grab yourself a copy.
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RHINO 2016 Prize Winners
The 2016 issue of RHINO is out and includes the 2016 Editors’ Prize winners and the 2016 Founders’ Prize winners inside.
Editors’ Prizes 2016:
First Prize
Lee Sharkey, “Tashlich”
Second Prize
Catherine Wing, “Report from the Neandertal Mind”
Honorable Mention
Teresa Dzieglewicz, “Stranger, thank you for giving me this body”
Translation Prize
Anonymous translated from the Anglo-Saxson by Bill Christopherson, “The Seafarer”
Founders’ Prize 2016:
First Prize
Greg Grummer, “The Great Butterfly Collapse”
Runners-Up
Katie Hartsock, “On the Heat of Upstate Travel in the Advancing Polar Air”
Teresa Dzieglewicz, “St. Maria Goretti speaks to the girl”
Readers can find these poems on the RHINO website, with a full table of contents linking to the writers’ websites.
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december’s 2016 Jeff Marks Memorial Poetry Prize Winners
The Spring/Summer 2016 issue of december features the winner and finalists of the Jeff Marks Memorial Poetry Prize (with submissions opening back up in autumn). This year, the magazine received over 1,200 contest entries, which were then narrowed down to 20 semi-finalists. From these selections, judge Marge Piercy selected the following for the winner, honorable mentions, and finalists.
First Place:
Jim Dwyer, “Enlightenment”
Honorable Mention:
Kate Gray, “Reassurance” and “For Every Girl”
Finalists:
José Angel Araguz, “Cazar Means to Hunt Not to Marry”
Debbie Benson, “Uchi Vallai”
Kierstin Bridger, “Preparing to Sink”
Tova Green, “March Storm at Abbots Lagoon”
John McCarthy, “What I mean When I Say I Don’t Box Anymore”
M.H. Perry, “Cardamom, Osprey, Banff, Us”
Cocoa M. Williams, “Leda on a Stoop in St. Bernard Projects (1974)”
Grab a copy of december’s Spring/Summer 2016 issue to read these poems.
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The Aurorean – Spring/Summer 2016
Issues of The Aurorean give readers glimpses into the seasons, the Spring/Summer 2016 issue sporting a bold, bright cover photograph of magenta petals. The flyleaf is a light, complementary pink, bringing forth the fresh feelings of spring and new flowers.
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Posit – June 2016
Carl Heyward’s “Box/SING” is featured as the cover art for the 10th issue of Posit. The colorful, chaotic mixed media collage has been aptly chosen to greet readers, representing the work found in the new issue: the poetry, prose, and art all sing while pulling no punches.
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Epiphany – Fall 2015
Epiphany’s mission statement describes the word epiphany as a “moment of sudden revelation.” Combine that with this issue’s theme—pent up humanity—and the options are tantalizing. Writers respond with reflections on the various meanings of ‘pent up’: feelings that are restrained, confined, or bottled up. Some of those feelings may ultimately, though not always, explode.
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The Wallace Stevens Journal – Spring 2016
Wallace Stevens (1879-1955) is getting a lot of attention lately in The Atlantic, The New Yorker, Harper’s and other publications featuring reviews of Paul Mariani’s book The Whole Harmonium: The Life of Wallace Stevens. So what better time to check out The Wallace Stevens Society’s publication titled—you guessed it—The Wallace Stevens Review, which not surprisingly carries a review of Mariani’s book.
Continue reading “The Wallace Stevens Journal – Spring 2016”
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The Conium Review – 2015
The design of The Conium Review itself has a simple beauty. The design element of octopus tentacles wrap the outside white cover, and is repeated inside for each story title page. On the flipside of the story title pages, readers see what was on its other side, backwards and fading, as if looking out from inside a shop’s window—inviting readers to enter into the story to look at it from the inside out.
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Apogee – 2015
If you’re looking for something to read that departs from the literature written about white folk by white men, you need to pick up a copy of the latest issue of Apogee. Rife with culture and social commentary and a myriad of international authors both male and female, Apogee delivers a collection of fiction, poetry, nonfiction, and art that I simply did not want to end.
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Concho River Review Celebrates 30 Years
Concho River Review recently launched their Spring 2016 issue which marks the beginning of their 30th year of publication. With the first issue released in the spring of 1987, founder Terry Dalrymple expected the journal to last for only five years. Now, he estimates CRR has published around 7000 pages throughout the years with 250 pieces of fiction, 900 poems, 200 pieces of nonfiction, and 300 book reviews. Whew!
Happy anniversary, Concho River Review. We hope to see you around for many more years (and pages).
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Agni Online Exclusives
Agni Online offers free access to fiction, poetry and essays as an extension of their print publication. These contributions are offered exclusively online, and recent works include “Pinays” an essay by Ricco Villanueva Siasoco; “Seam Ripper” flash fiction by Kathryn Hill; “I Fell Asleep Among the Horses” poem by Kathryn Starbuck; “One Hundred Years of Solitude, or The Importance of a Story” an essay by Oksana Zabuzhko; “Sibboleth” an essay by Dan Beachy-Quick; “First Boyfriend” a poem by Chase Twichell; and “Jury Duty” a story by William Virgil Davis.
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Books :: New Flint Anthology
Belt Publishing, publisher of city-based anthologies written by and for Rust Belt communities, are releasing a new anthology in the first week of July: Happy Anyway: The Flint Anthology. Edited by Flint writer and Belt Magazine contributor Scott Atkinson, Happy Anyway reveals Flint “at its funniest, its weirdest, and its saddest.”
There’s more to Flint than the water crisis that’s gathered the country’s attention in the past months. Preorder a copy of Happy Anyway to see all sides of this Michigan city, or check out the other anthologies which look at Detroit, Pittsburgh, Youngstown, Cincinnati, and Cleveland, with Akron and Buffalo anthologies in the making.
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Carve Magazine Premium Editon Contest Winners
Carve Magazine offers all of its stories online for free for readers because, the editors write, “good honest fiction should never disappear into obscurity.” The Premium Edition is what they call their print issue, which includes content readers cannot find online. The Spring 2016 issue features winners of their inaugural Premium Edition Contest, an annual open October 1 – November 15 for fiction, poetry, and nonfiction. One winner in each genre is awarded a $1000 cash prize and publication in the spring print edition. The 2015 contest winners are:
FICTION: Joe Dornich in Lubbock, TX for “The Reluctant Son of a Fake Hero”
POETRY: Moira Thielking in Katonah, NY for “Pirating (Salt Enough)”
NONFICTION: Kerry Muir in Annapolis, Maryland for “Martin”
A full list of semi-finalists and finalists can be found here.
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Books :: Manifest West #5
Forthcoming in July is the 2016 installment of the Western Press Books (University Press of Colorado) series, Manifest West. Published annually, the series produces one anthology focused on Western writing, and is edited and produced by students in the Certificate in Publishing program at Western State Colorado University.
The fifth volume of this annual anthology features the theme “Serenity and Severity.” The twenty-nine included writers explore the theme, the duality impacting identities, lifestyles, outlooks, worldviews, and values. Contributors include Rebecca Aronson, Heidi E. Blankenship, William Cass, David Lavar Coy, Gail Denham, John Haggerty, Ellaraine Lockie, Juan J. Morales, Scott T. Starbuck, and more.
For more information and a full list of contributors, check out the University Press of Colorado website.
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Books :: Coming Soon from Open Letter
Open Letter has announced they will be publishing Gesell Dome by Guillermo Saccomanno this upcoming August. Translated from the Spanish by Andrea G. Labinger, the novel won the 2013 Dashiell Hammett Award (annually given to a book published in the field of crime-writing), and chronicles the passion, violence, crime, and corruption that take place during a winter in Villa Gesell. Recording the various voices in the town is Dante, the local newspaperman, resulting in a thrilling and captivating read.
Preorder a copy of Gesell Dome now at the Open Letter website, where you can also find an excerpt of the novel.
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The Common Contemporary Arabic Stories
Issue number 11 of The Common is co-edited by Acker and prominent Jordanian author Hisham Bustani is titled “Tajdeed: Contemporary Arabic Fiction.” The publication features the work of 31 contributors from 15 Middle Eastern countries: Algeria, Bahrain, Egypt, Iraq, Jordan, Kuwait, Lebanon, Morocco, Oman, Palestine, Saudi Arabia, Syria, Tunisia, the United Arab Emirates, and Yemen all translated for contemporary English-speaking audiences.
Teachers: The Common in the Classroom provides a way to introduce your students to global literature. Students recieve a discounted subscription price (2 issues) and you recieve a desk copy and sample lesson plans along with an in-person or Skype visit from Editor in Chief Jennifer Acker, or one of the publications participating authors.
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The Missouri Review 2015 Jeffery E. Smith Prize Winners
The Spring 2016 issue of The Missouri Review is titled “Wonders and Relics” and some of the wonders readers can find in the issue include the winners of the 2015 Jeffrey E. Smith Editor’s Prize.
Fiction Winner:
Emma Törzs, “The Wall”
Poetry Winner:
Phillip B. Williams, Four Poems
Essay Winner:
Genese Grill, “Portals: Cabinets of Curiosity, Reliquaries, and Colonialism”
Excerpts from the winning pieces and a foreword by the magazine’s editor, Speer Morgan, can be found on The Missouri Review website.
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Carolina Quarterly Artist Monica Canilao
Monica Canilao’s art is featured on the cover of The Carlolina Quarterly Summer 2016 issue, and even though is only a section of a larger work, I was struck immediately by the image. Canilao is an artist who describes her work as “stitching, painting, printing, and breathing life into the refuse that dominates our time and place.” The Carolina Quarterly provides Canilao 16 full-color pages in addition to the artist’s introduction, in which she writes: “My art practice is a way to generate a personal and living history. My community and collaborators, my roots and their neraly lost traditions, my neighborhood and its trash piles are all integral, necessay parts of my life and art.” A quick internet search of Monica Canilao provides a wealth of images of her work, from the canvas to murals in city buildings, installations within building spaces, and into the desert. Originally from Califormia but spending time in Detroit, Michigan, I was pleased with this introduciton to her work; I hope to see more of it in the future – perhaps even in real life.
Image: Slab City desert, part of a collaborative project with photographer Aaron Huey for the forthcoming book Shelter. The home Canilao built also doubled as a set for a short film called Bring Water, in which she played a role.
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TriQuarterly – 2007
The fiction in TriQuarterly ranks among the best today, but whereas many journals contain excellent fiction of one variety, TriQuarterly’s strength lies in its diversity. Jonathan David’s hilarious “The Sub” tells the story of a horrendous substitute teacher through (mostly) anonymous letters from the students themselves. “The Sub” is (intentionally?) reminiscent of Donald Barthelme’s classic “The School.” The latter’s strength lies in how the stakes are raised, the former’s is in the variety of voices, the smart and the not-so, the misbehaving and the apple polishing, the liars and the too-honest.
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Tin House – Winter 2007
Tin House continues their run of excellence with this superb issue – one of their finest. The hot-button piece is Steve Almond’s collection of responses to the hate mail he received as a result of quitting his position at Boston College in protest of Condoleezza Rice being named commencement speaker. The e-mails are shocking, and Almond’s responses vary from whip-smart to insightful to hilarious to scathing all the way to heartbreaking. Almond’s concern for Tom and Katie’s baby in the face of being compared – no, equated – to bin Laden and Zarqawi is touching.
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Tampa Review – 31/32, 2007
Tampa Review does not look like a literary magazine. The size and shape of a children’s storybook, this hardcover journal elicits the same expectation of entertainment – some pictures, stories, perhaps a lesson or two. There are plenty of pictures, in all types of media. Charlee Brodsky photographs calves and feet, and Jim Daniels describes them in poetry in a series of four connected works. Daniels opens “Glow” with the memorable lines, “The scarred knees of the world / imagine their prayers might be / forgiven.”
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Santa Monica Review – Fall 2006
An exceptional collection as is typical of this attractively presented journal.
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Rattle – Winter 2006
I’ve always enjoyed the poetry magazine Rattle for its modernity and humor, its willingness to mix the political, the sublime, and the silly. Each issue, in addition to a selection of poems, reviews, and interviews, contains a special tribute section, and this issue’s theme is The Greatest Generation. I loved the plainspoken-ness, the bald, unbeautified statements made in the poems of these elder writers, who maybe don’t have it all figured out, as Nan Sherman in “Don’t Ask Me Any Questions”:
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The Rambler Magazine – March/April 2007
So this magazine rambles, big deal! We all do, and for this magazine, it’s a positive quality. What’s original about this magazine is that a portion of the short stories and poems are inspired by artwork and photography that can be found on the magazine’s website. In this issue, it’s the short stories that stand out. Some of the pieces are thought provoking, like “Short Letters I’ve Been Meaning to Write” by Dave Korzon.
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Poet Lore – Fall/Winter 2006
Editor of Poet Lore Rick Cannon describes the sound of a poem’s beauty as “a steady hum.” I don’t think he could have described it any better. A consistent vibration sounds through the pages of this sleek, perfect-bound journal.
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The Paris Review – Winter 2006
There’s a division in literary magazines that’s becoming more pronounced as time goes on – there are those that treasure new voices and are a beacon of hope to the unpublished, and then there are those that serve as a seemingly untouchable golden palace upon a hill to be envied from afar. Both are viable, and as journals proliferate, this division was inevitable and necessary. The Paris Review is one of the most blindingly golden palaces in all the land, with a statue of George Plimpton standing watch, perhaps in the uniform of his Paper Lion days.
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The New Quarterly – Winter 2007
A Canadian acquaintance recently bemoaned the state of American small publishing to me: why, even in San Francisco – clearly the New New York of the Lulu.com era – is it impossible to find work in publishing? I had no answer for him. Canadians are indeed a lucky bunch. For a land with such a sparse prospective audience, there is an abundance of funding for the arts. Thus, we shouldn’t be surprised to find it more exuberant about its own import. The New Quarterly has devoted an issue to the topic of “The Artist as Activist.”