The summer/fall 2016 issue of Gulf Coast, in addition to a lot of great writing for their themed “Archive Issue,” includes winners from two of their contests:
The 2015 Gulf Coast Prize in Translation
Judged by Ammiel Alcalay
Winner ($1000 + Print publication)
Samantha Schnee for her translation from Carmen Boullosa’s The Romantics’ Conspiracy.
Honorable Mention ($250 + Online publication)
Rebeca Velasquez for her translation from Irma de Águila’s El hombre que hablaba del cielo, or The Man Who Spoke About the Heavens.
Brad Fox for his translation from Sait Faik Abasiyanik’s novella Havada Bulut, or A Cloud in the Sky.
Commendation
Jonathan Larson for his translation of Friederike Mayröcker’s études.
J. Bret Maney for his translation of Guillermo Cotto-Thorner’s Manhattan Tropics.
2015 Barthelme Prize for Short Fiction
Judged by Steve Almond
Winner ($1000 + Pring publication)
“Taylor Swift” by Hugh Behm-Steinberg
Honorable Mention ($250 + Print publication)
“The Deer” by Nickole Brown
“Threeway” by Wes Wrobel

“Literature and the Anthropocene” is the title of The Kenyon Review Editor’s Notes in the May/June 2016 issue. The term ‘anthropocene, Editor David H. Lynn explains, is “a term coined by Paul Crutzen and Eugene Stoermer in 2000 to denote the current epoch, ‘in which many geologically significant conditions and processes are profoundly altered by human activities’ . . . As one response to these vast and accelerating changes we offer in this issue a special section of EcoPoetry, work that self-consciously addresses the relationship between the human and the natural world, gathered by our poetry editor David Baker. This is the second iteration—last year’s received wide acclaim—and my intention is that it will be an ongoing feature in our pages.”
Becky Hagenston brought home the 2015 Permafrost Prize Series Award with her story collection Scavengers, chosen from nearly 150 entries. As the winner, Hagenston saw her collection (her third) published by the University of Alaska Press this year in both paperback and digital editions.
The spring/summer 2016 issue of Alaska Quarterly Review includes the special feature “Sparks: A Conversation in Poems and Paintings” with Poet Peggy Shumaker [pictured] and Artist Kes Woodward.
Volume 26 of The Briar Cliff Review includes the winning entries from their 2015 annual writing contest.
You know you’ve got a great idea when you create something that makes others say, “IT’S ABOUT TIME SOMEONE DID THAT!”
The Spring/Summer 2016 issue of Black Warrior Review features the winners of the publication’s 11th Annual Contest in Prose, Poetry, and Nonfiction. Each winner received $1,000 and publication; each runner-up received $100.
Still Life with Apple by David Harrison is a rich oil on canvas acquired for the Spring 2016 issue of Crazyhorse, which also includes the winners of their Crazy-shorts! Short-Short Fiction Contest.
I liked this slightly dizzying photo on the cover of Big Muddy: A Journal of the Mississippi River Valley. Credit goes to German photographer Sarah Katharina Kayß, whose work provides unique perspectives on architecture.
I want to believe it is the Blue Bird of Happiness that adorns the Spring 2016 cover of Colorado Review [no photo credit given].
The Spring 2016 issue of The Bellingham Review features their 2015 literary contest winners.
Forthcoming from Able Muse Press in August 2016 is Sir Gawain and the Green Knight, a new Modern English translation by John Ridland. Advance praise calls this edition one of the most readable and complete translations of the classic tale. Illustrations by Stephen Luke are found inside the pages, and provide the front and back cover art, the cover design similar to that of an old fairytale storybook.
Winning entries for the 2106 Malahat Review Open Season Awards can be read in the newest issue (#194). Interviews with each of the winning authors can be found on The Malahat Review website.
Glimmer Train has just chosen the winning stories for their 2016 January/February Short Story Award for New Writers. This competition is held three times a year and is open to all writers whose fiction has not appeared in a print publication with a circulation greater than 5000. The next Short Story Award competition is open now: Short Story Award for New Writers. Glimmer Train’s monthly submission calendar may be viewed here.
Benjamin Duke’s Home Again, Home Again fills the front and back covers of the Spring 2016 (#10) issue of 3 Elements Literary Review, an online publication that challenges writers and readers alike with issues themed with three elements. Spring’s elements are Measure, Cleave, and Sliver.
Six Million is the photograph by Conor MacNeill on the cover of Winter 2016 Michigan Quarterly Review. It was taken in Berlin at the Denkmal für die ermordeten Juden Europas – the Memorial to the Murdered Jews of Europe, and is companion to the opening essay by Philip Beidler, “This Way to the Führerbunker: Gertrud-Kolmar-Straße, Berlin, Mitte.”
If you haven’t joined the adult coloring book bandwagon yet, now is a great time to hop on. Black Squirrel Books, an imprint of The Kent State University Press, released a new coloring book last month. The Inklings Coloring Book—with illustrations by fantasy illustrator James A. Owen—features 15 line drawings inspired by the works of Oxford’s famous Inklings.
The Spring issue of Bellevue Literary Journal features the winners of their 2016 BLR prizes:
Poet Lore Spring/Summer 2016 features Jesse Lee Kercheval’s translation of Uruguay poet Idea Vilariño. In her introduction, Kercheval writes of Vilariño’s book-length work, Poem de amor, “her own Leave of Grass. . . stands as a testament to both the necessity and the impossibility of love in this world, especially for a passionate, independent woman determined to speak with her own voice.” Kercheval adds, “I believe it is important for English-speaking poets and poetry readers in general to have access to work, and am delighted to this selection of poems – in both Spanish and English – in Poet Lore. I hope all of Poemas de amor will soon be available in translation.” Several of the works are available in English on the Poet Lore website. A Guest begins:
The Southeast Review spring issue (34.1) is chock-full of finalists and winning contest entries from their 2015 season.
The 28th annual Publishing Triangle Awards were presented on April 21, 2016.
G. Davis Cathcart is the artist behind this sugar-crazed untitled work of a young man/boy enjoying his morning dose of Sugar Pops on the Winter 2016 cover of The MacGuffin.
Another comic cover on Green Mountains Review (v29 n1) is an illustration by Tim Mayer from OldGuy: Superhero. Selections of both poetry and images from the illustrated chapbook by William Trowbridge are featured within the issue.
Chinua Achebe fans: You’re going to want the newest issue of The Massachusetts Review (v.LVII, n.1; Spring 2016) “A Gathering in Honor of Chinua Achebe” on the front cover doesn’t quite convey the powerhouse of essays included within. The editor’s note gives more specific context: “In our Spring issue the Massachusetts Review is honored to feature the contributions to a recent symposium held at the University of Massachusetts Amherst on October 14 and 15, 2015. ‘Forty Years After: Chinua Achebe and Africa in the Global Imagination’ was hosted by the university’s Interdisciplinary Studies Institute . . .” and included physician-executive Dr. Chidi Achebe (third son of Chinua and Christie Achebe), Johnnetta Betsch Cole, Ekwueme Michael Thelwell, Denja Abdullahi, Jule Chametzky, Caryl Phillips, Okey Ndibe, Chika Unigwe, Chuma Nwokolo, Maaza Mengiste, and Achille Mbembe. Each of their contributions are included in this issue along with the originating essay, “An Image of Africa: Racism in Conrad’s Heart of Darkness” by Chinua Achebe.
The Spring 2016 issue of Rumninate Magazine celebrates ten years of publication! The volume features comments from readers, staff, and contributors who share their experience with “ruminating and contemplation – being still and attentive, pausing and listening.” The cover art, “Rhino” by Nicholas Price, actually appeared on the very first cover of Ruminate. Editor Brianna VanDyke says it is featured again as “a playful nod to our roots and the beautiful and gusty perserverances of a little arts magazine celebrating ten years.” And, in gratitude to their readership, tucked into each anniversary issue of Rhino is a gorgeous letterpress broadside which reads, “Always We Begin Again” – After St. Benedict. What a treat Ruminate has been for the past decade, and we all hope for many more to come!