Scarcely published in his lifetime, Hyatt’s work survives thanks to the intervention of poets and friends who saved his manuscripts and kept his poems in circulation. Queer in the decades before Gay Liberation; Romani; incarcerated in prisons and asylums; illiterate into adulthood: it’s tempting to read Hyatt according to the familiar script of the doomed poet, resounding with loneliness and isolation. But his poetry—“hot and tender,” funny and sad—tells another story: of love, liberatory commitment, and desire.
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Recalibrating and Other Poems by Christopher Norris Parlor Press, February 2023
These poems in Recalibrating continue Christopher Norris’s spirited exploration of the paths by which contemporary poetry might find its way out of the self-enclosed sphere of lyric subjectivity into the larger air of philosophical, ethical, political, scientific, and environmental debate. They do so through a range of formal resources, among them rhyme and meter, which Norris regards as portals of creative-intellectual discovery. Norris also deploys a great range of stanza forms and verse structures to demonstrate the variety of ways in which technique and prosody can serve not only to emphasize, deepen or qualify a point but to express thoughts and feelings beyond the communicative reach of prose discourse. These aspects of his work are subject to commentary in a concluding essay where Norris talks about his passage from literary theory to philosophy and thence to poetry, although—as the reader will soon discover—without having left those earlier interests behind.
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Diving at the Lip of the Water, Karen Poppy’s debut full-length collection of poetry, explores the mystery and beauty of nature alongside the human potential that lives somewhere beyond our imposed boundaries. While the collection shows the author’s ability to move from precise individual worlds to political critique and macro ideas about human nature, each poem offers something of a contemplative nudge. Poppy’s gentle call to action is summarized as she writes, “The poetic voice has / Invisible instructions: / Crack open in case / Of emergency.”
Perhaps we are all living that emergency and in need of the voices that stand up for the magic of existence and refuse to over-define and confine. These poems offer philosophy, relational stories, and appreciation for the natural world. They invite readers to look to the wisdom around us, in all that nourishes, urging, “Growth will come Don’t let / This slowness burden you.” Anyone looking to remember the beauty of life or hear the sweet song of voices that do not shout will find a journey and a gift in Karen Poppy’s collection.
Reviewer bio: Jen Knox is a writer based in Ohio. Her work appears in Chicago Tribune, Chicago Quarterly Review, Room Magazine, and The Saturday Evening Post. She was the recipient of the Montana Prize for Nonfiction from CutBank. Jen’s first novel, We Arrive Uninvited, was released in March 2023. Jenknox.com
NewPages receives many wonderful book titles each month to share with our readers. You can read more about some of these by clicking on “New Books” under the NewPages Blog or Books tab on the menu. If you are a publisher or author looking to be listed here or featured on our blog and social media, please contact us!
Poetry The Boxer of Quirinal, John Barr, Red Hen Press Brother Poem, Will Harris, Wesleyan University Press Chariot, Timothy Donnelly, Wave Books Dear Outsiders, Jenny Sadre-Orafai, University of Akron Press A Duration, Richard Meier, Wave Books The Flowers of Buffoonery, Osamu Dazai, New Directions Publishing Fulgurite, Catherine Kyle, Cornerstone Press Hydra Medusa, Brandon Shimoda, Nightboat Books Iggy Horse, Michael Earl Craig, Wave Books Imaginary Sonnets, Daniel Galef, Word Galaxy Press In Deep, Judith Sanders, Kelsay Books Lucky Breaks, Yevgenia Belorusets, New Directions Publishing
The poems of Ron Slate’s Joy Ride look for the connections and listen for the echoes between world events, family lore, work, mortality, and art. Slate examines the intangibility of the past by exploring the notion of storytelling itself—the stories we tell ourselves, our families, and our communities about the events that have shaped our experience.
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Named for the glassy, mazelike structures that can form underground when lightning strikes sand, Fulgurite weaves together reality and myth. Informed by fairy tales, domestic fabulism, and environmental concerns, Catherine Kyle examines gender on large and small scales. Patriarchal influences in domestic spaces are compared to patriarchal influences on national and global levels, and identity is made complex by the fusion of survival, dissociation, and promise. The collection bears witness to the grief of the everyday while simultaneously pursuing hope.
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The Middle Daughter by Chika Unigwe Dzanc Books, April 2023
When seventeen-year-old Nani loses her older sister and then her father in quick succession, her world spins off its axis. Isolated and misunderstood by her grieving mother and sister, she’s drawn to an itinerant preacher, a handsome self-proclaimed man of God who offers her a new place to belong. All too soon, Nani finds herself estranged from her family, tethered to her abusive husband by children she loves but cannot fully comprehend. She must find the courage to break free and wrestle her life back—without losing what she loves most.
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Catherine Pioli’s medical graphic memoir Down to the Bone: A Leukemia Story will make you cry. Much like Tolstoy’s “The Death of Ivan Illych,” you already know how the story ends before even turning the first page. Pioli, an illustrator and graphic designer, chronicles her journey from the diagnosis of acute leukemia to her metaphorical last breath – a touching scene where her partner leans over her in bed with a worried look but is relieved, when Catherine snores loudly, to realize she is still alive. The next two pages are blank except for the text: “Catherine drew her last breath on July 31, 2017.” Niagara Falls – because readers cannot help but follow her hope with each new diagnosis, each technical nuance explained, and drawings of cute plump little characters: red and white blood cells, platelets, stem cells, and those blasted blasts. Her self-characterizations express her range of attitudes and emotions through various stages: stubbornness, physical illness, exhaustion, not-telling-the-whole-truths to protect other’s (as well as her own) sense of hope. The lack of frames captures the lost sense of time throughout, one event melding into another. Backgrounds are simple line sketches with color on main characters and objects, the overwhelming white space a constant presence of the sterile medical environment. There is humor but far more humanity in Pioli’s story about a ‘rare’ cancer, but one that takes away a beautiful life and leaves sorrow in its wake. Pioli’s book helps touch this sweet spot in us all while educating readers about cancer and how they can help.
Down to the Bone by Catherine Piolini. graphic mundi, December 2022.
Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.
Lifeline to a Soul: The Life-Changing Perspective I Gained While Teaching Entrepreneurship to Prisoners by John McLaughlin was released this month in celebration of Second Chance Month: “On March 31, 2023, President Joseph R. Biden proclaimed April 2023 as Second Chance Month and called for observance of the month with appropriate programs, ceremonies, and activities.” For John McLaughlin, this was the perfect time to share his experiences with others. After devoting half of his lifetime transforming his start-up business into a multi-million dollar industry leader, McLaughlin set out in a new direction: to teach what he had learned to others. Due to a lack of teaching experience, his only job offer was to teach entrepreneurship to prisoners at a minimum-security camp in North Carolina. McLaughlin gradually built an effective program until a scandal involving prison officials blindsides his progress and threatens to bring his teaching career to an unceremonious end. Lifeline to a Soul takes readers inside the fence and chronicles the victories and challenges one man faced as a first-time teacher in the strange world of prison life. McLaughlin also works with Lifeline Education Connection, which offers low-cost classes to the public, allowing individuals “who have faced obstacles in their life achieve their aspirations in the areas of personal finance and entrepreneurship,” hosted by Founder Tavares James.
Queering the Border: Essays by Emma Pérez Arte Público Press, November 2022
The essays in Queering the Border by Emma Pérez reveal the influence of Gloria Anzaldúa’s scholarship; recount the controversy surrounding artist Alma López’s digital print, “Our Lady,” in which the Virgin of Guadalupe appears in a provocative bikini; and evaluate interviews with 25 LGBTQ people in the El Paso/Ciudad Juárez area to expose life on the border as a queer of color. This collection also includes short fiction and an epistolary love poem to the first feminist of the Americas, Sor Juana Inés de la Cruz, or in this case, Sor Juanx. Bringing together the work of a noted Chicanx writer and academic, this volume reinforces the body of work by LGBTQ people of color dealing with racism and sexism, conquest and colonization, power and privilege, all with a particular emphasis on the Southwest borderlands.
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A Suit of Paper Feathers by Nate Duke Parlor Press, January 2023
In A Suit of Paper Feathers, Nate Duke writes about Americana singers like Lucinda Williams and Tom T. Hall. Several poems interrogate his experiences working on farms in rural Oregon with WWOOF. The ‘farm’ poems in the manuscript are complemented by some poems about working for his mother’s environmental mitigation company in Arkansas. Duke engages these experiences through an ecocritical lens, which he also turns to broader cultural referents such as installation artist Christo.
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Ephemera by Sierra DeMulder Button Poetry, June 2023
In Sierra DeMulder’s melancholic yet beautifully hopeful poetry collection, Ephemera, she writes with the wisdom of someone who has learned to love and lose. Each poem reads delicately and elegantly, just fleeting memories on the page. Split into four sections detailing intimate experiences from the painful deaths of family members who clung to life, to passionate love she feels for her own mortal wife, DeMulder plays a sweet song by pulling on her own well-worn heartstrings. DeMulder ruminates on what will come and what will fade. Despite this impermanent nature, you can feel the tender warmth DeMulder holds for her family in every line, even the moments she wishes she could forget.
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This powerful collection of poems draws on American and African-American experimental lyric traditions, pushing language and form to their limits. Geoffrey Jacques’s poetry inspires deep thought, taking up themes of music, psychology, and literature. This work embodies the potential of poetry to forge new connections between aesthetic expression and the often onerous facts of human existence. Poems such as “Still Life” and “Detour Ahead” produce a juxtaposition of inspired poetic form and rich, complex realities of life, addressing topics of joy and love, race, class, politics, and the aesthetics of the everyday. With a contemporary and sophisticated tenor, Jacques lends his uniquely moving and provocative perspective to advancing discourse in these critical topics.
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Her Scant State by Barbara Tomash Apogee Press, March 2023
In Her Scant State, Barbara Tomash’s brilliant reworking of Henry James’s The Portrait of a Lady, the continuity and causality of the nineteenth-century novel are transformed into the isolate flecks of twenty-first-century poetry. Through excision and refashioning, Tomash has uncovered the troubling, luminous strands within the text, and provided a revelatory and radical new experience of her protagonist, Isabel. If the novelist built a world that is stable, the poet unveils a world that is fluid or broken or shifting and shimmering, in which the language has its own story to tell. When that language is set free in the poem, placed in dialogue with silence, what do we find in Her Scant State? America, men, marriage, money: the familiar detritus of our capitalism. And also a breathtaking lyricism, alive inside every word of this powerful poem.
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On the surface, I Have Some Questions For You by Rebecca Makkai looks like another addition to the true crime genre, an appearance reinforced by the fact that Bodie Kane runs a podcast devoted to true crime. She returns to the boarding school she attended as a student to teach classes on podcasting and film studies, only for one of her students to work on a podcast investigating the death of one of Bodie’s classmates. However, Makkai goes well beyond this genre—subverting it at times, in fact—to explore the patriarchal structures women have to navigate on a daily basis and the real risks to their safety that come up again and again. Makkai has written a novel that raises questions about masculinity, internet culture, true crime, feminism, privilege, and justice, but she doesn’t provide any answers, as good novels are wont to do. The impressive part is that she has done all of that while telling a compelling story with characters readers care about. Readers will want to turn the page, not to find out about one more murder or microaggression, but to see what happens to Bodie and her classmates and students. Hopefully, they’ll see the world differently by the time they find out what has happened, as well.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.
A Short History of Anger by Joy Manesiotis Parlor Press, February 2023
Both a book-length poetic hybrid and a live performance, A Short History of Anger takes as its source material the Destruction of Smyrna, the Turkish army’s genocide of Smyrna’s Greek citizens in 1922, and the resulting population exchange. Used as a blueprint for state-sponsored ethnic cleansing and forced migration, The Destruction of Smyrna is an event about which the world has remained strangely silent. Governed by its musical, ritualistic construction and lament structure, A Short History of Anger attempts to excavate the legacy of genocide and displacement that has resonated from The Destruction. It is meant to be deeply affective, rather than narrative, and move in the way historical occurrences pass into the present and live through subsequent generations. A Short History of Anger combines prose and poetry, essay and verse, persona and chorus; built with many voices, layers and fractures, it employs a modern-day Greek Chorus.
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Staying Right Here by Usman Hameedi Button Poetry, April 2023
Usman Hameedi’s debut collection, Staying Right Here, is a journey in finding home. Hameedi invites readers to bear witness to vignettes of joy and hardship as he navigates finding his place in America. From an ode to Bodegas, an autobiography of his eyebrows, and elegies for lost friends, Hameedi’s thematic metaphors for family, wellness, and American biases weave a literary tapestry. Reading Usman’s work is like drinking a warm chai while watching the sunset in Brooklyn, or coming home to an aromatic Biryani. Hameedi writes with an unmistakably unique voice that is not afraid of who he is.
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Marc Vincenz’s The Pearl Diver of Irunmani charts the paths of consciousness on an aquatic journey into the heart of mind and matter. What does it mean to be alive? What does it mean to be alive preparing for death? What animates the soul moments before death? In this collection, Marc Vincenz trans-navigates the oceans of consciousness that contain all the elements of life and death. . . and rebirth. In a language that is spare and ghostly, the narrator embarks upon finding that pearl of knowledge embedded in the heart of meaning.
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Between Twilight by Connie Post NYQ Books, February 2023
In Between Twilight, Post delves deep into the difficult journeys of everyday life and intersects those with the difficult maps of the past. There are “atrocities in the body” and many ways a person can falter, fall or rise from “the hue of an unseen self.” Post explores the necessary truths, the ones we can no longer hide, the ones we’ve held on to, for too long. In these poems, the reader will more fully understand Faulkner’s “the past is never the past in never past, it’s not even dead.” The poet infuses elements of evolution, illness, astronomy, humanity, internal travels inside our bodies, and travels back in time “before shadows understood their first for light.” Post’s poems will seep into our subconscious and help us see how a room can be “dark and iridescent all at once.”
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In this memoir, The Longest Race, Kara Goucher, with Mary Pilson, tells the story of how she became a world-class runner, focusing on her time at the Nike Oregon Project. Goucher talks about the mental abuse she endured as a woman, especially the intense scrutiny of her weight and appearance, but also her pregnancy. She was in the program during the doping scandals of the early part of the century, which later led her to testify against her former coach and teammates. She endured sexual harassment and assault on several occasions. Throughout all of this mental and sexual abuse, she was trying to be one of the best runners in America and the world. Goucher’s memoir reveals the realities of what has happened at the top of various sports throughout the past few decades, especially the ways people in power have abused and ignored women. As Pilson writes in the introduction, “If you’ve ever bought a shirt or pair of shoes with a swoosh, you need to know this story. If you’ve ever tuned in to watch an Olympic final, a World Series, a Super Bowl, or any other professional sporting event, you need to know this story.” Even non-runners need to know this story.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.
Before After by Owen McLeod Saturnalia Books, March 2023
From action figures to alcoholism, mental illness to mortality, devotion to divorce, Before After interrogates yet celebrates the paradoxes of living in a world both beautiful and brutal—a world, according to these poems, in which Jesus texts random emojis from the cross, people suddenly sprout wings, human hearts are replaced by Platonic machines, and caskets are shrunk down to serve as symbolic trinkets. Along this journey through the real and surreal, the works of great poets—Hopkins, Plath, Lowell, and more—are lovingly subverted in the search for novel meanings that match this world. Written by a self-taught and award-winning poet, Before After challenges, with wit and compassion, our distinctions between thinking and feeling, sacred and profane, wellness and madness, before and after.
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Far From New York State by Matthew Johnson NYQ Books, March 2023
Matthew Johnson’s second poetry volume constructs a space where the rural communities of Upstate, the suburban living of the Lower Hudson Valley, and the metropolitan landscapes of the City are woven together in a mosaic snapshot. A collection of poems where the historical and cultural traditions of New York State meet, the reader is acquainted not only with seminal figures across the cultural channels of literature, music, and sports, such as Washington Irving, Paul Robeson, and the ’86 Mets, but to the author himself. Tender, playful, and meditative, Johnson presents stories that he has lived, and shares others that have been passed down through familial storytelling around the kitchen table and cookout barbecue pit.
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Whatever’s Forbidden the Wise by Anthony Madrid Canarium Books, April 2023
In Anthony Madrid’s fourth book, Whatever’s Forbidden the Wise, the poet appraises this world “full of ancient things whose shapes and colors have changed,” as his singular, unforgettable and voice resonates in ghazals, rubai, ditties, and “gnomic stanzas.” A polymath and iconoclast, Madrid knows the names of the stars and turns their light into astonishing music.
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Tess Gunty’s debut novel, The Rabbit Hutch, is so weird and wild, with characters that can strike readers as so unlikable, I’m worried people won’t stick with it, which they definitely should, if for no other reason than her astonishing comparisons. Gunty’s title refers to a public housing unit where several of the main characters live, but it also refers to people whom society has put in a small cage, specifically people society has damaged in some way. For example, Blandine (originally Tiffany) has grown up in the foster care system and ends up living with three boys who have come up in similar circumstances, all of whom suffer from a lack of meaningful relationships. Moses and his mother—a woman who became famous as a child star on a TV sitcom—also have no real relationship, leaving Moses adrift as an adult, taking petty vengeance on those who hurt him. The novel sounds dark, and it is, overall, but not in a gratuitous manner. Instead, Gunty spends most of the book setting up the darkness—not just the characters’ immediate conditions, but also the realities of climate change and urban development—only to reveal a select few moments of light, just enough to remind readers of what is still good in the world and what can continue to be good, if only they work to make it so.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.
Whether crisp and understated or capacious and kinetic, the poems in Lee Upton’s seventh collection are lyrically dexterous and reverberant. Shrewd, formally ambitious, excavating cultural myths and contradictions, these poems allow the ordinary and the supernatural to inhabit one another. The poems are often attentive to suffering: torture as it persists through centuries, the extinction of species, and the agonies of illness, grief, and the blasting of innocence are meditated upon. At the same time, in this book of mysteries, the cultivation of the redemptive energy of wit, in favor of the sensual and tender, performs as a means to resist violence.
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Rattle Poetry Chapbook Prize Winner, The Fight Journal by John W. Evans is a heartsick elegy for a failed marriage. Written in couplets that mirror the back-and-forth of two parties alternately warring with each other and struggling to hold a family together, Evans explores the depths of longing, bitterness, resignation, and hope that humanize the struggle to live and parent during and after divorce. As much a story of resolve as it is vulnerability, The Fight Journal is a bittersweet account of the complexities of connection, the power of sympathy, and the many forms that love takes in lives that continue. This chapbook currently comes free with all spring-issue subscriptions to Rattle poetry magazine. Subscribers receive four issues of Rattle and four chapbooks for $25. See their website for more information.
Two extraordinary North American poets have come together in this shared book of poetry that exemplifies the depth to which the natural world and our place in it is perceived. Whether it’s Silvia Scheibli’s ability to connect with a Latin American culture that has been so influential on her own work, or Patty Dickson Pieczka’s wanderings through the dream-like reality of her ever-deepening world, these are all poems from poets who have not only earned their words but lived them as well.
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pH of Au by Vanessa Couto Johnson Parlor Press, January 2023
Through chemistry, alchemy, citizenship, and social connections, the speaker of pH of Au navigates location and displacement, physical and otherwise. A Brazilian, a Texan, a granddaughter, a periodically long-distance partner—through her various identities, some properties of gold manifest.
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The Mare by Seth Christian Martel is a graphic novel that takes readers on a paranormal adventure with Indigo, a post-senior-year teen whose next steps are uncertain due to her rocky home life. As with any good YA story, Indigo has a best friend who is both a sidekick and a guide. Kasia is the steady rock with a summer internship and plans to go to medical school, a foil to Indigo’s widowed and now divorced alcoholic father whose need for caretaking causes Indigo to lose her job. All of these could be contributors to Indigo’s strange nightmares in which she is possessed by some ethereal being. Concern for Indigo’s health due to lack of sleep leads the two teens to explore remedies for her nightmares, or a “Mare” as they learn from a book – “the spirit of someone wronged that saps its victim’s energy at night.”
The images throughout are black and white with graywash and bold outlines that add a sense of 3-D. Blue enters as highlights in Indigo’s hair and as she transitions into her sleep-induced possessions. The full blue hue wash with white electric scribbles creates the eerie effect of paranormal embodiment. The pacing drives readers through several well-connected layers of development: teen summers, angst over outfits, indie band concerts, and crushes, but also the mystery of The Mare and Indigo’s finally coming to solve it.
My only criticism is that I wished the story was longer and more developed. There were details left unexplored that would have helped connect readers more to the main characters and repulsed us from others. The psychopathology related to The Mare is present but also underdeveloped, especially for as serious a topic as it is in our society.
This could also certainly leave room for a sequel or series. There were enough dropped clues and lesser-developed content to make The Mare a solid premier to connect with subsequent storylines, and Indigo is endearing enough to create a following.
The Mare by Seth Christian Martel. graphic mundi, March 2023.
Reviewer bio: Denise Hill is Editor of NewPages.com and reviews books she chooses based on her own personal interests.
The Exhausted Dream by Joshua Edwards Marfa Books, March 2023
Also known as A Monthly Account of the Year Leading Up to the End of the World, by AGONISTES, Prophet and Fulfiller, this is Joshua Edwards’ longish poem in iambic pentameter about Love, Television, Philosophy, Prophecy, and the transience of Worlds. It’s also about the swiftness of iambic time, as the reader’s experience of the book’s nominal subjects is secondary to their experience of time as structured in this way. Sitcoms, French restaurants, favorite museums, incense, Atlas, and Caspar David Friedrich are all grains of sand in this small, though finely shaped hourglass.
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Failures of the Poets by Anthony Robinson Canarium Books, April 2023
After more than 20 years of publishing poems in magazines and chapbook, Anthony Robinson has brought together an incredible collection for his long-awaited first full-length book, Failures of the Poets. Full of beauty, heartbreak, humor, pain, absurdity, sorrow, friendship, and love, as well as bridges, family, lakes, God, feathers, and food, this is a book brimming over with thinking and with things, as Robinson’s intense attention collides with the world. “All winter we waited / For the sun and now he’s here but will / He make it through another year?”
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Taking its name from a line in Rilke’s second Duino Elegy, “For our own heart always exceeds us,” at its core, this is a book about new love and underlying illness. A lyric pursuit of our existence among the natural world, these poems keep in mind that existence is transient. They straddle reality lines, often stepping over into dream spaces or pushing against a linear world. But they are solidly of this world, its ground and various bodies of water, where a boy can become a field and a girl can drown in the rivers of her own body. At once intimate—“I would know you in someone else’s life, someone else’s storm cellar”—and expansive—“We rape the landscape / we can see, start with what covers the light”—Osowski is a poet of language, of notice, and of inquiry. Rilke writes, “Wasn’t love and departure placed so gently on shoulders that it seemed to be made of a different substance than in our world?” Exceeds Us is interested in that substance and the notion that our lives are not singular. These poems exceed the pair at their center, they exceed the one life we’re granted, and they are not bound to the laws of our earth. “Prove how weather is not a god and I’ll believe in you.”
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Fittingly, I read Saving Time by Jenny Odell during my Spring Break and during the shift to Daylight Savings Time. The latter exemplifies Odell’s critique of time as a construct, especially one that portrays time as a series of boxes to fill. She sees such approaches to time as problematic in two ways: 1) they help create the idea that there is an inexorable future coming; 2) they reinforce systems of control. Odell draws from a variety of subjects—apocalyptic language, incarceration, productivity, climate change, and geography, for example—to reveal how those in power use time to reinforce hierarchies, often based on race, ability, or gender, but especially socioeconomics. Odell questions the assumptions embedded in such systems, such as whether one person’s hour is actually equal to another person’s, an idea that seems to be logically true, but that Odell shows to be nothing but another construct. During my Spring Break, Odell might be pleased to see, I’m not using my time productively, at least not as typical Western societies see productivity. Instead, I’m engaging in creativity for its own sake, including writing this review. Her book isn’t self-help or time management, so readers shouldn’t expect tips for living, but they should expect Odell to help them see time—and, thus, the world—differently.
Saving Time by Jenny Odell. Random House, March 2023.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.
The London Revolution 1640–1643: Class Struggles in 17th Century England chronicles England’s history through the revolution in 1641–1642, which toppled the feudal political system, and its aftermath. It explores how the growing capitalist economy fundamentally conflicted with decaying feudal society, causing tensions and dislocations that affected all social classes in the early modern period. In contrast with most other works, this book posits that the fundamental driving force of the revolution was the militant Puritan movement supported by the class of petty-bourgeois artisan craftworkers, instead of the moderate gentry in the House of Commons. This is a peer-reviewed publication.
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General Release from the Beginning of the World by Donna Spruijt-Metz Parlor Press, January 2023
In General Release from the Beginning of the World, Donna Spruijt-Metz attempts to reconcile the death of the father, the lies of the mother, a hidden half-sister, and the love for a daughter – with the impossible desire to banish the past from the present. She examines shifting relationships with the holy, referred to in the book only as ‘YOU.’ She asks: “Do YOU hear / a whisper / in YOUR // constant night / -and then listen?” She breaks her own heart to touch yours.
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Explorers Kristen and Ville Jokinen met and fell in love while scuba diving in Vietnam. Ville then left his native Finland to join Kristen in Oregon and together they embarked on a life-changing two-year cycling adventure covering 18,000 miles from Prudhoe Bay, Alaska, to Ushuaia, Argentina. Despite never having cycled further than around the block, they persevered unrelenting, punishing rain and wind, altitude sickness, dog attacks, bike accidents, and countless flat tires to cycle between the ends of the earth. Kristen and Ville believe that kindness connects us to our shared humanity. They held babies, attended quinceañeras, drank pulque, played soccer, and visited schools. People in Mexico, Central America, and South America invited them into their hearts and homes, allowed them to camp in their fields and farms, and acted as personal tour guides. Kristen and Ville are love on wheels, and who doesn’t need a little more love in their lives?
Eleanor Catton’s title, Birman Wood, should immediately make the reader think of Shakespeare’s Macbeth; however, Catton isn’t writing a contemporary retelling. That said, Catton’s characters have ambition and are willing to do what they need to do to achieve those ambitions, but the characters are more nuanced than in a typical tragedy. Mira has created Birnam Wood, a collective that legally (and not) plants crops in undeveloped areas, but is struggling to stay afloat and might suffer because of Mira’s ego. She meets Robert Lemoine—an American billionaire who has created the persona of a doomsday prepper to purchase land in New Zealand for which he has other, even-less-savory plans—and he agrees to help Mira fund a development on the land he has not quite purchased. Tony used to be a member of Birnam Wood, but he has been teaching overseas for the past several years and now wants a career in investigative journalism, so he sees a career-propelling story in Lemoine’s plans. Shelley has been working with Mira since Tony left, but she’s now considering leaving Birnam Wood, tired of Mira and of living on the margins. While the clearest tragedy in the novel is climate change—the moving of woods, in a different sense—there will be others, and, as in a Shakespearean drama, perhaps nobody is innocent.
Birnam Wood by Eleanor Catton. Farrar, Straus, and Giroux, March 2023.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.
Rooted in the classical tradition of the Chinese “reversible” poem, 回 / Return is engaged in the act of looking back—toward an imagined homeland and a childhood of suburban longing, through migratory passages, departures, and etymologies, and into the various holes and voids that appear in the telling and retelling of history. The poems ask: What is feeling? What is melancholy? Can language translate either? A former Margins Fellow at the Asian American Writers’ Workshop, Emily Lee Luan is the author of I Watch the Boughs, selected by Gabrielle Calvocoressi for a Poetry Society of America Chapbook Fellowship. She lives in New York City.
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Down to the Bone: A Leukemia Story by Catherine Pioli, trans. J.T. Mahany graphic mundi, December 2022
When Catherine is diagnosed with acute leukemia, a deadly form of cancer that attacks the immune system, her life is turned upside down. Young and previously healthy, she now finds herself catapulted into the world of the seriously ill—constantly testing and waiting for results, undergoing endless medical treatments, learning to accept a changing body, communicating with a medical team, and relying on the support of her partner, family, and friends. A professional illustrator, Catherine decides to tell the story of her disease in this graphic novel, and she does so with great sincerity, humor, and rare lucidity. We accompany her through the waiting, the doubts, the fears, and the tears—but also the laughter, the love, and the strong will to live.
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In Springtime, Sarah Blake’s epic poem of survival, we follow a nameless main character lost in the woods. There, they discover the world anew, negotiating their place among the trees and the rain and the animals. Something brought them to the woods that nearly killed them, and they’re not sure they want to live through this experience either. But the world surprises them again and again with beauty and intrigue. They come to meet a pregnant horse, a curious mouse, and a dead bird, who is set on haunting them all. Blake examines what makes us human when removed from the human world, what identity means where it is a useless thing, and how loss shapes us. In a stunning setting and with ominous dreams, In Springtime will take you into a magical world without using any magic at all—just the strangeness of the woods. Includes an art portfolio by Nicky Arscott.
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The Mare by Seth Christian Martel graphic mundi, March 2023
Everyone else may be enjoying the summer, but Indigo’s life isn’t going so well. Her dad’s marriage just ended in a very public divorce, and now he’s drinking again. Indy barely graduated from high school, she just lost her job, and she doesn’t know what to do with her life. The stress is causing her nightmarish sleep paralysis—or so she thinks. Indy confides in her best friend, Kasia, who blames “The Mare” for her troubles—the spirit of someone wronged that saps its victim’s energy at night. It sounds crazy to Indy, but is it? Steeped in the nostalgia of lazy summers and mixtapes, concert tickets, and coffee, The Mare is a story about friends, family, and finding one’s way—with a touch of the supernatural and a powerful, surprising twist.
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& there’s you still thrill hour of the world to love by Aby Kaupang Parlor Press, February 2023
Aby Kaupang’s & there’s you still thrill hour of the world to love invokes life’s relentless suffusion of “&,” forging a conjunctive body in which an inevitable landscape of contemporary crisis, suicide, disability, failed promises & the quotidian accrue. In the Sisyphean challenge of day after day, how does one helm stone? Through the page’s shattered frame, & in formally audacious exchanges, Kaupang risks recombinatory possibilities arising not as recovery, per se, but as endurance, awe, & possibly joy. Inflorescence is cyclic, turns towards fodder, feeds the day, recedes. The poems are beautifully complemented by images of James Sullivan’s sculptures, one of which adorns the book’s cover.
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Winner of the River Teeth Literary Nonfiction Prize, Disequilibria: Meditations on Missingness is a hybrid memoir that recounts the 1982 disappearance of the author’s stepfather, James Edward Lewis, a pilot and Vietnam veteran. Recounting his family’s experiences in searching for answers, Lunday interrogates the broader cultural and conceptual responses to the phenomenon of missingness by connecting his stepfather’s case to other true-life disappearances as well as those portrayed in fiction, poetry, and film. In doing so Disequilibria explores the transience in modern life, considering the military-dependent experience, the corrosive effects of war, and the struggle to find closure and comfort as time goes by without answers.
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W. E. B. Du Bois Souls of Black Folk: A Graphic Interpretation by Paul Peart-Smith Rutgers University Press, April 2023
“The problem of the twentieth century is the problem of the color line.” These were the prescient words of W. E. B. Du Bois’s influential 1903 book The Souls of Black Folk. The preeminent Black intellectual of his generation, Du Bois wrote about the trauma of seeing the Reconstruction era’s promise of racial equality cruelly dashed by the rise of white supremacist terror and Jim Crow laws. Yet he also argued for the value of African American cultural traditions and provided inspiration for countless civil rights leaders who followed him. Now artist Paul Peart-Smith offers the first graphic adaptation of Du Bois’s seminal work.
Peart-Smith’s graphic adaptation provides historical and cultural contexts that bring to life the world behind Du Bois’s words. Readers will get a deeper understanding of the cultural debates The Souls of Black Folk engaged in, with more background on figures like Booker T. Washington, the advocate of black economic uplift, and the Pan-Africanist minister Alexander Crummell. This new release vividly conveys the continuing legacy of The Souls of Black Folk, effectively updating it for the era of the 1619 Project and Black Lives Matter.
Some Days the Bird by Heather Bourbeau (HB) and Anne Casey (AC) is an epistolary exchange written between Northern California and Sydney, Australia in 2021 during the COVID-19 pandemic. As Bourbeau puts it in “The letting,” the poem-letters track the “conjunction” of how “People have become numbers, corridors are morgues” with “the tenacious need of green to grow.” In “Coastal descent,” Casey adds her “changing / tableau” from Australia’s “megafires” and “wreckage.” There’s the feeling from these pandemic dispatches, from their different continents and opposite seasons, that the description of each poet’s physical and natural surroundings offers solace, connection, and awareness; a saving formula, as Bourbeau writes in “This is not an inauguration poem” against “heat and fire and fear.” Throughout the exchange, the poets look more carefully, more completely at flowers, insects, and animals, at the “never before noticed” (“Equinox,” HB).
A high point in the exchange came via the corresponding poems “Our Prime Minister stands by” (AC) and “Pause” (HB), where the poets confront “gendered violence” (AC) and “value” (HB). In her poem, Casey takes on “this country // long at war with / its women”; while Bourbeau notes “Next week will mark my menopause.” I hoped for more of this direct engagement “with things we have been taught / are not worth savoring, / hold no value” (“Pause,” HB), but the poems relegated these gender concerns to subtlety and foregrounded lockdown, exile from family, daughters’ relationships to fathers, and Mother Nature: “this messy line between accustomed / and detached” (“Richter’s scale,” HB). Regardless of what I hoped for, Some Days the Bird is Heather Bourbeau’s and Anne Casey’s “song / of survival” (“Days of wild weather,” AC), “their song of freedom” (“Season’s greetings,” AC) across a “relentless distance” (“Solstice,” HB).
Some Days the Bird by Heather Bourbeau and Anne Casey. Beltway Editions, 2022.
Reviewer bio: Jami Macarty is the author of The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona, and three chapbooks, including Mind of Spring (Vallum, 2017), winner of the 2017 Vallum Chapbook Award. Jami’s writing has been honored by financial support from Arizona Commission on the Arts, British Columbia Arts Council, and by editors at magazines such as The Capilano Review, Concision Poetry Journal, Interim, Redivider, Vallum, and Volt, where Jami’s poems appear. More at https://jamimacarty.com/
Icelight, Ranjit Hoskote’s eighth collection of poems, enacts the experience of standing at the edge—of a life, a landscape, a world assuming new contours or going up in flames. Yet, the protagonists of these poems also stand at the edge of epiphany. In the title poem, we meet the Neolithic cave-dweller who, dazzled by a shapeshifting nature, crafts the first icon. The ‘I’ of these poems is not a sovereign ‘I’. A questing, questioning voice, it locates itself in the web of life, in relation to the cosmos. In “Tacet,” the speaker asks: “What if I had / no skin / Of what / am I the barometer?” Long committed to the Japanese mono no aware aesthetic, Hoskote embraces talismans, premonitions, fossils: active residues from the previous lives of people and places. Icelight is a book about transitions and departures, eloquent in its acceptance of transience in the face of mortality.
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Born and raised in El Paso, Texas, Ray Gonzalez returns to Texas and nearby New Mexico to meditate on love, literature, loss, and la línea in Suggest Paradise. The collection offers readers some of the richest and most complex poems that embody the Southwest and the borderlands, including a poignant look at the massacre at the El Paso Walmart. A unique voice of the Southwest, Gonzalez brings his intellect and his well-honed craft to this work and offers readers a nuanced and powerful perspective on poetry and the Border.
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Our Beautiful Reward, ed. Catherine Rockwood Reckoning Press, March 2023
Our Beautiful Reward is a collection of works from Reckoning Press, a nonprofit, annual journal of creative writing on environmental justice. This special issue on bodily autonomy, edited by Catherine Rockwood, was anthologized on the occasion of the repeal of Roe v. Wade and features work by Mona Robles, Linda Cooper, Dana Vickerson, Leah Bobet, Laurel Nakanishi, Robert René Galván, Anna Orridge, Taylor Jones, Julian K. Jarboe, Dyani Sabin, Annabelle Cormack, Rimi B. Chatterjee, Taylor Jones, Amber Fox, Juliana Roth, Mari Ness, Riley Tao, Taylor Jones, M.C. Benner Dixon, and Marissa Lingen.
There will be a free virtual launch event for the publication featuring eight contributors. For more information and to RSVP, click here.
Our Share of the Night, Mariana Enriquez’s second novel, is a welcome addition to the emerging genre of Literary Horror. Well-defined lines have been drawn to distinguish “literary” fiction from horror, sci-fi, fantasy etc. Enriquez is becoming a name that is defying the pretensions of such categorization.
Our Share of the Night is a family history, primarily following Gaspar throughout his childhood and adolescence. His father, Juan – a medium for a Satanic cult – strives to help Gaspar avoid his fate of also becoming a medium. The story spans 37 years and has the backdrop of Videla’s military dictatorship, a theme common amongst contemporary Latin American writers.
Like with Hereditary and other recent Art House Horror films, a big part of the novel’s success can be attributed to its commitment to allegory, rather than simply using horror tropes for their shock value. The otherworldly forces, with their power to make people disappear, hold clear parallels with the military dictatorship in Argentina.
Enriquez is keen to explore the psychological effects of the narrative on her characters. A great deal of time is given to exploring the damage done to Gaspar through his involvement with the Occult. Gaspar also suffers real-world problems that are at times more psychologically devastating than the Occult horrors that fill the story.
These real-life problems are not sidelined; as it is put following a Satanic ritual, “we get hungry and we eat. . . we need to meet with the accountants. . . what happens is real, but so is life.”
Our Share of the Night by Mariana Enriquez; Illustrated by Pablo Gerardo Camacho; Translated by Megan McDowell. Hogarth Press, October 2022.
Reviewer bio: Colm McKenna is a second-hand bookseller based in Paris. He has published and self-published an array of short stories and articles, hoping to eventually release a collection of stories. He is mainly interested in the works of John Cowper Powys, Claude Houghton and a range of Latin American writers.
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Poetry adjacent islands, Nicole Cecilia Delgado, Ugly Duckling Presse & there’s you still thrill hour of the world to love, Aby Kaupang, Parlor Press Before After, Owen McLeod, Saturnalia Books Between Twilight, Connie Post, NYQ Books The Book of John, Lindsey Royce, Press 53 Boy, Tracy Youngblom, CavanKerry Press Crisis Inquiry, Tony Iantosca, Ugly Duckling Presse The Day Every Day Is, Lee Upton, Saturnalia Books Dreamer: Poems in Culture, Alan Botsford, Cyberwit.net Ephemera, Sierra DeMulder, Button Poetry Exceeds Us, Leah Poole Osowski, Saturnalia Books The Exhausted Dream, Joshua Edwards, Marfa Book Company Exilium, Maria Negroni, Ugly Duckling Presse Failures of the Poet, Anthony Robinson, Canarium Books Far from New York State, Matthew Johnson, NYQ Books The Fight Journal, John W. Evans, Rattle Poetry
