Recalibrating and Other Poems by Christopher Norris
Parlor Press, February 2023

These poems in Recalibrating continue Christopher Norris’s spirited exploration of the paths by which contemporary poetry might find its way out of the self-enclosed sphere of lyric subjectivity into the larger air of philosophical, ethical, political, scientific, and environmental debate. They do so through a range of formal resources, among them rhyme and meter, which Norris regards as portals of creative-intellectual discovery. Norris also deploys a great range of stanza forms and verse structures to demonstrate the variety of ways in which technique and prosody can serve not only to emphasize, deepen or qualify a point but to express thoughts and feelings beyond the communicative reach of prose discourse. These aspects of his work are subject to commentary in a concluding essay where Norris talks about his passage from literary theory to philosophy and thence to poetry, although—as the reader will soon discover—without having left those earlier interests behind.

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A Suit of Paper Feathers by Nate Duke
Parlor Press, January 2023

In A Suit of Paper Feathers, Nate Duke writes about Americana singers like Lucinda Williams and Tom T. Hall. Several poems interrogate his experiences working on farms in rural Oregon with WWOOF. The ‘farm’ poems in the manuscript are complemented by some poems about working for his mother’s environmental mitigation company in Arkansas. Duke engages these experiences through an ecocritical lens, which he also turns to broader cultural referents such as installation artist Christo.

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A Short History of Anger by Joy Manesiotis
Parlor Press, February 2023

Both a book-length poetic hybrid and a live performance, A Short History of Anger takes as its source material the Destruction of Smyrna, the Turkish army’s genocide of Smyrna’s Greek citizens in 1922, and the resulting population exchange. Used as a blueprint for state-sponsored ethnic cleansing and forced migration, The Destruction of Smyrna is an event about which the world has remained strangely silent. Governed by its musical, ritualistic construction and lament structure, A Short History of Anger attempts to excavate the legacy of genocide and displacement that has resonated from The Destruction. It is meant to be deeply affective, rather than narrative, and move in the way historical occurrences pass into the present and live through subsequent generations. A Short History of Anger combines prose and poetry, essay and verse, persona and chorus; built with many voices, layers and fractures, it employs a modern-day Greek Chorus.

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pH of Au by Vanessa Couto Johnson
Parlor Press, January 2023

Through chemistry, alchemy, citizenship, and social connections, the speaker of pH of Au navigates location and displacement, physical and otherwise. A Brazilian, a Texan, a granddaughter, a periodically long-distance partner—through her various identities, some properties of gold manifest.

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General Release from the Beginning of the World by Donna Spruijt-Metz
Parlor Press, January 2023

In General Release from the Beginning of the World, Donna Spruijt-Metz attempts to reconcile the death of the father, the lies of the mother, a hidden half-sister, and the love for a daughter – with the impossible desire to banish the past from the present. She examines shifting relationships with the holy, referred to in the book only as ‘YOU.’ She asks: “Do YOU hear / a whisper / in YOUR // constant night / -and then listen?” She breaks her own heart to touch yours.

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& there’s you still thrill hour of the world to love by Aby Kaupang
Parlor Press, February 2023

Aby Kaupang’s & there’s you still thrill hour of the world to love invokes life’s relentless suffusion of “&,” forging a conjunctive body in which an inevitable landscape of contemporary crisis, suicide, disability, failed promises & the quotidian accrue. In the Sisyphean challenge of day after day, how does one helm stone? Through the page’s shattered frame, & in formally audacious exchanges, Kaupang risks recombinatory possibilities arising not as recovery, per se, but as endurance, awe, & possibly joy. Inflorescence is cyclic, turns towards fodder, feeds the day, recedes. The poems are beautifully complemented by images of James Sullivan’s sculptures, one of which adorns the book’s cover.

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