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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

Book Review :: even my dreams are over the constant state of anxiety by Irene Cooper

Review by Jami Macarty

Irene Cooper’s even my dreams are over the constant state of anxiety draws inspiration from Leonora Carrington, adopting the attitude of a surrealist and revolutionary to explore realms of the psyche and tensions between form and content, humor and critique, identity and the socio-political landscape.

The collection consists of six sections, each framed by a psychological term that guides the exploration of its subjects. The first section, “shadows, or structured observation,” presents twelve concrete poems that bolster or subvert the relationship between form and content. Cooper is “deliberate” in her “contraindications.” With “sardonicism as a / brand of humor,” Cooper also critiques institutional structures that perpetuate “senators who abandon,” “abuse of power,” and “misogyny.”

As the collection transitions into exploring “personal unconscious” and the Jewish diaspora, Cooper shares portraits of “great aunt helen,” “aunt chickee’s / ellis / island / ankles,” and a “soldier | medic.” The soldier’s “story” takes form in a “sonnet tiara,” Cooper’s feminist response to a “sonnet crown.”

The third section, focusing on the “collective unconscious,” follows this turn toward shared identity, observing diverse characters — a female driver in an accident, an “irish citizen,” a “toothy love man” on the street, airplane passenger “leo,” and a bartender — “jambed tight against” the poet’s consciousness.

After exploring the collective, the section on “attachment theory” shifts to themes of poetry and sexuality, utilizing the cinquain form and text boxes to probe creative forces. The fifth section, “the strange situation test,” features poems that consider the risks associated with speech and resistance “tendered against the winded heart.” Lastly, “death, or the visual cliff” invites contemplation of “eco-logic” and “uncrushed / species,” challenging readers to consider what “posterity measures.”

Writing her way “in the darkness / if not through it,” Irene Cooper explores the familial, psychological, and structural forces that shape our lives and the interconnectedness of our stories in a world where anxiety lingers like a shadow.


even my dreams are over the constant state of anxiety by Irene Cooper. Airlie Press, September 2024.

Reviewer bio: Jami Macarty is the author of The Long Now Conditions Permit, winner of the 2023 Test Site Poetry Series Prize (forthcoming University of Nevada Press), and The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona. Jami’s four chapbooks include The Whole Catastrophe (Vallum Chapbook Series, 2024) and Mind of Spring (Vallum Chapbook Series, 2017), winner of the 2017 Vallum Chapbook Award. To learn more about Jami’s writing, editing, and teaching practices, visit her author website.

Book Review :: Same As It Ever Was by Claire Lombardo

Review by Kevin Brown

There’s no way to read Claire Lombardo’s second novel without having the Talking Heads’ “Once in a Lifetime” running through one’s head, and it’s clear she means for the reader to do so. The reader follows Julia through three significant periods in her life — her childhood, especially her teenage years; the first years with her son, Ben; Ben’s marriage to Sunny — though the novel doesn’t move chronologically through her life. Julia is wondering, as David Byrne sang, “Well, how did I get here?” The reader not only asks that question, but also where and how Julia will end up.

While I was disappointed with the answer to those questions, as the ending felt too pat, too untrue to the messiness of life, Lombardo crafts Julia’s life — as well as the lives of those around her — so clearly that I cared about the answer throughout most of the novel. Julia and Mark’s marriage seems in danger of ending not once, but several times; Julia has a strained relationship with her mother, for good reasons; Julia is surprised (and not in a positive manner) by Ben’s announcement that he and Sunny are having a child and getting married; Julia struggles in dealing with her teenage daughter, Alma, who is dealing with the college admissions process.

The novel is clear-eyed about the problems in all of those relationships, in addition to some others, which is where the characters live and breathe. Life is found in the struggles, as well as the moments of joy, especially in the quotidian nature of life, which is, as the title reminds readers, the “same as it ever was.” I enjoyed spending time with these characters, not because they were perfect, but because they felt real. And that’s a good way to let the days go by, at least once in a lifetime.


Same As It Ever Was by Claire Lombardo. Doubleday, April 2025.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels.

Where to Submit Roundup: October 3, 2025

Happy Friday—and happy October! Fall is in full swing… but summer isn’t giving up without a fight. Here in Michigan, we’re expecting record highs near 90 degrees this weekend. Honestly, it feels like the perfect metaphor for this year: a continuum of highs and lows.

So, get out and enjoy the last burst of warm weather before sweater season settles in for good. Give your eyes and your brain a little rest. And when you’re ready to dive back in, NewPages is here with fresh inspiration and submission opportunities to keep your creativity flowing.

Continue reading “Where to Submit Roundup: October 3, 2025”

Magazine Stand :: The Shore – Issue 27

The Shore poetry journal Issue 27 celebrates change through shifting shades, morphing shapes and evolving identities, with art by Melissa Marsh completing this issue’s haunting promise that nothing will ever be the same again.

Readers can freely access this online publication, with transformational work by Ashe Prevett, Natalie Homer, Jane Zwart, Jacob J Billingsley, Julia Liu, Ruby Cook, Daniel Lurie, Elizabeth Hazen, Sarah Giragosian, Mubashira Patel, Esmé Kaplan-Kinsey, Anastasios Mihalopoulos, Yong-Yu Huang, Patricia Davis-Muffett, Eleanore Tisch, David Eileen, Amelia Yuan, Ali Beheler, Zackary Jarrell, RK Fauth, Haley King, Caitlin Scarano, Marc Alan Di Martino, Joshua Zeitler, Lily Daly, Michelle Ivy Alwedo, Margaret Hanshaw, Natalie Eleanor Patterson, Gavin Garza, Andrew Kelly, Melody Wilson, Cora Schipa, Alicia Rebecca Myers, Sara Hovda, Caleb Braun, Allison Wu, Ana Paneque, Andy Breckenridge, Jane McKinley, Anders Villani, Hazelyn Aroian, Brendan Payraudeau & Laurel Benjamin.

New Lit on the Block :: Cypress Review

Cypress Review logo

In a world seemingly filled with harshness and hard edges, Cypress Review offers writers and readers a space that cares about helping people share their stories with professionalism, responsiveness, and kindness. The publication is “affectionately named after Cypress Street in Philadelphia,” according to Founder & Editor-in-Chief Shaina Clingempeel. “I wanted our name to have a friendly feel that speaks to what we do here at Cypress, and the publication is open to writers of Philly and beyond, with two online issues per year of fiction, poetry, nonfiction, photography, and visual art, cycling through genres in each issue.”

Continue reading “New Lit on the Block :: Cypress Review”

The Truth Is in the Static: A Writing Prompt for Bold, Experimental Writers

Are you stuck in the same writing patterns? Do your stories feel too safe? If you’re ready to shake things up, this writing prompt is for you.

Why Break the Rules in Writing?

Every writer has a comfort zone—familiar forms, predictable workflows, and polished structures. But the most exciting work often happens when you break your own rules. When you let go of control, you open the door to discovery.

Sometimes an idea arrives that doesn’t fit your usual style. It’s messy. It’s strange. It feels alive. Maybe it starts as color-coded dialogue. Maybe it becomes faux audio transcriptions from a case file. Maybe it looks like a corrupted file or a stack of redacted letters. You’re not sure where it’s going, but you know it’s worth the chase.

This is where the magic happens: when form breaks down, and something more honest breaks through.


Writing Prompt: The Truth Is in the Static

Create a piece that embraces disruption as a path to clarity. Use fragmentation, contradiction, or distortion not as gimmicks, but as tools to uncover something deeper. Try:

  • Found or faux-found forms: transcripts, receipts, redacted documents, corrupted files.
  • Layered media: visual art with embedded text, prose that mimics audio, poetry shaped like data.
  • Intentional gaps: let silence, omission, or ambiguity do some of the storytelling.

The goal isn’t novelty for novelty’s sake. It’s to see what emerges when you loosen your grip and let the form lead. Try something that makes you uncomfortable. Let the piece surprise you.


Why This Matters for Writers

Breaking form isn’t just an experiment—it’s a way to unlock new creative possibilities. Writers who take risks often discover their most authentic voice. Whether you’re working on fiction, poetry, creative nonfiction, or hybrid forms, this exercise can help you:

  • Overcome writer’s block
  • Find fresh ideas
  • Push beyond traditional storytelling

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Magazine Stand :: The 2River View – Fall 2025

The 2River View Fall 2025 poetry magazine cover image

Produced by 2River, The 2River View Fall 2025 issue celebrates 30 years of publishing and is now available to read online as well as in a downloadable format. This newest issue features poetry by Marc Petersen, Deborah Brown, Victoria Chan, John Davis, James Engelhardt, Carmen Fought, Hilary Harper, Carol Hart, Ahrend Torrey, Julie Marie Wade, and Lindsay Wilson. In addition to the text, 2River provides a Soundcloud audio recording of the authors reading their works.

2River also publishes individual authors in the 2River Chapbook Series. All their publications are available to read free online as well as download in printable formats.


Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Magazine Stand :: Blink-Ink – #61

Blink-Ink #61 features ‘the best stories of approximately fifty words’ about “Phones.” As the editors write, “When Alice Cooper sang ‘The telephone was ringing,’ he established a real sense of urgency. Somebody had to deal with the phone! What happened? Now our devices natter away, pulling us this way and that.” The editors asked for stories about how phones and our relationships to them have changed us and our behaviors – past, present, future — pretend, or all too real.

Stories include “Busy Signal” by Robin Stratton, “If the Three Little Pigs Had Smartphones” by Emma Phillips, “A Treehouse Extraction” by Carolyn R. Russell, “Sleep Mode” by Rahel M. Hollis, “Democracy v2.0” by Chris Lihou, “Full Charge” by Kristina Warlen, “Butt Dialed” by Barry Basden, “Where One Phone Breaks, Another Appears” by Mir Yashar Seyedbagheri, “Party Line #2” by Susan Borgersen, and many more, including cover artworks.

Cover art: Modern Fairytales by Francisco “Pancho” Graells

Book Review :: Sanctuary School: Innovating to Empower Immigrant Youth by Chandler Patton Miranda

Reviewed by Eleanor J. Bader

When the 2025-2026 school year kicked off in September, 411,549 public school teaching positions were either unfilled or staffed by an instructor who was uncertified in the subject they’d been assigned to teach. This year alone, more than six million K-12 students – many of them newly arrived immigrants from every corner of the globe – will be impacted. Chandler Patton Miranda’s Sanctuary School not only decries this, but zeroes in on an alternative model of inclusive, welcoming education: A 31-school national consortium called the Internationals Network for Public Schools.

In order to write the book, Patton Miranda spent years at one facility in the Network, International High School (IHS) in New York City, as a participant-observer. She also interviewed dozens of IHS students, staff, teachers, administrators, parents, and alumni. The result is a comprehensive ethnography of an innovative, collaborative, and politically and socially engaged program.

The book introduces an array of instructors, many of whom are themselves immigrants, who are well-equipped with the skills necessary to work with newcomers. Their ability to empathize with their students is exemplary. Furthermore, Patton Miranda describes the faculty as willing to take risks, make mistakes, and constantly adapt the curriculum to meet evolving student needs. Collegiality and open communication, she reports, are woven into the school’s DNA.

Moreover, Sanctuary School details the ways that IHS, like other Network programs, is tailored to meet the individual political, legal, academic, and material needs of the diverse students who enroll. In addition, the faculty’s refusal to fast-track English-language acquisition or “teach to the test” means that the school sidesteps standardized evaluation and instead prioritizes experiential learning and students’ social and emotional well-being over grades and task completion. Similarly, IHS staff members are encouraged to work together and weigh in on all school governance decisions.

These factors make IHS and the Network schools covered by Sanctuary School both inspiring and impressive. It’s a wonderful, empowering read.


Sanctuary School: Innovating to Empower Immigrant Youth by Chandler Patton Miranda with and afterword by Carola Suarez-Orozco. Harvard Education Press, October 2025.

Reviewer bio: Eleanor J. Bader is a Brooklyn, NY-based journalist who writes about books and domestic social issues for Truthout, Rain Taxi, The Progressive, Ms. Magazine, the Los Angeles Review of Books, and The Indypendent.

Book Review :: Suffrage Song: The Haunted History of Gender, Race and Voting Rights in the U.S. by Caitlin Cass

Review by Kevin Brown

Suffrage Song, Caitlin Cass’s Eisner-winning graphic history, delves into voting rights in the U.S., as her subtitle indicates. The reference to that past being haunted comes from two places. First, history has ignored many of the women in this book — effectively turning them into ghosts — and, second, the women most readers will have heard of made significant compromises in order to enable white women to get the right to vote.

The book highlights women (and a few men) most people are unfamiliar with, such as Mabel Ping-Hua Lee (a Chinese American woman who fought for the right to vote, even though she wasn’t allowed to be a citizen), Frances Watkins Harper (she essentially advocated for what we would now call intersectional feminism), and Sue White (best known for burning President Wilson in effigy at the White House Gates), to name a few. Cass resurrects these ghosts to remind readers of how wide and diverse the suffragist movement actually was.

However, she also points out the contradictions and hypocrisy of many of the leaders of the movement, as white women and men quite often turned their backs on those who worked with them in the abolitionist and suffragist movement, almost always over the question of race. Leaders such as Susan B. Anthony and Carrie Chapman Catt were willing to trade away the pursuit of universal suffrage for the less ambitious goal of the right to vote for white women. Cass, though, also includes those activists who weren’t willing to make that trade, again reminding readers of the diversity of thought within the movement.

Cass ends with an epilogue that brings voting rights to the present day, pointing out that there are still a variety of approaches some politicians use to try to disenfranchise voters. She draws strength from the women of the past and is optimistic about the future, as she refuses to give into hopelessness, even as she knows there’s still work to be done. Some might view such an outlook as naïve, but her faith in historical progress thought continued activism might be what we need right now.


Suffrage Song: The Haunted History of Gender, Race and Voting Rights in the U.S. by Caitlin Cass. Fantagraphics, June 2024.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels.

Where to Submit Roundup: September 26, 2025

Happy Friday!
This has been a week that felt both inexplicably long and, somehow, quite short — a perfect reflection of September itself. The month stretched and compressed in strange ways, and now here we are at its end, with a wave of opportunities and deadlines coming next week.

But before diving into submissions, take a pause for an anime break. I highly recommend The Vision of Escaflowne, a series full of fantastical elements and one burning question:
Was it a dream, or just a vision—or was it real?

Continue reading “Where to Submit Roundup: September 26, 2025”

Book Review :: Necessary Fiction by Eloghosa Osunde

Review by Kevin Brown

Many people complain that books set in the LGBTQ+ community focus only on the suffering, a complaint that gets leveled at most books by and about minorities, actually. Eloghosa Osunde’s novel doesn’t take that approach at all. As Akin, a musician, says near the end of the book, “Sometimes everything is tall and scary. It’s valid, and true, and very difficult to live with, but fear doesn’t get to decide for us. We get the last say on what we think is worth the risk. I think love is. I think care is.” This novel is about love and care among a group of friends who make meaningful lives out of some difficult circumstances.

Osunde helpfully provides a cast of characters at the beginning of the novel, as each section focuses on different relationships, both romantic and familial (though the familial is often in connection to the romantic, as some parents are accepting, while others aren’t). There are at least six different romantic relationships, and Osunde often provides back stories for each of those characters, especially when they involve parents who shape their children, for good and ill. While Nigeria outlaws same-sex relationships, Osunde’s characters don’t concern themselves with laws, as they’re more focused on finding family, whether with their biological ones or their found ones.

The novel concludes with a party, primarily to celebrate Maro and Jekwe’s wedding, along with Akin’s album release, but there is a sad undertone, given that people will probably be going in different directions after it’s over. However, just before the novel concludes, Awele, a writer, makes notes for what could be the beginning of an essay, in which she writes about the people she has formed a community with: “You taught me that wounds are not the only things we can respond to.” These characters find themselves through dealing with some wounds, but they have mostly shaped themselves and one another through love and care, which is the real cause for celebration.


Necessary Fiction by Eloghosa Osunde. Riverhead Books, July 2025.

Magazine :: The Malahat Review – 231

The Malahat Review 231 features winners of the 2025 Long Poem Prize judged by Klara du Plessis and Khashayar “Kess” Mohammadi: “Hold a Memory” by Monica Kim and “Boomtimes” by Hamish Ballantyne. The Long Poem Prize is offered every second year, alternating with the Novella Prize.

The issue showcases the best submissions in contemporary poetry by Gbolahan Badmus, Rosebud Ben-Oni, Kate Reider Collins, Kevin Irie, Daniel Good, Veronika Gorlova; fiction by , Katherine J Barrett, Courtney Bill, Jaime Forsythe, C. White; creative nonfiction by , Meghan Fandrich, Jillian Stirk, Moez Surani. Cover art: Terra Solis by James Nizam, and reviews of new fiction, nonfiction, and poetry books.


Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

From Regret to Redemption: A Writing Prompt for Rewriting Your Story

Yes, I’ve been on another Asian drama binge. And it’s not just limited to Asian television—Western shows do this too—where certain themes seem to dominate for a stretch of time. Lately, it’s all about rebirth, restarts, and transmigration.

In these stories, rebirth and reset often mean a character is sent back in time or reborn in a new body—usually to right wrongs, protect loved ones, or seek revenge. Transmigration, on the other hand, whisks souls into past events, video games, novels, or strange alternate worlds.

That got me thinking: what happens when you reach an “end”… but get the chance to go back and change it? Or a chance to live a life completely different from your own? Would you appreciate your dull life more—or find your new one is better?

✨ The Day After “The End” — A Writing Prompt for Rebirth and Redemption

What happens after the final chapter?

This week’s inspiration prompt invites you to imagine rebirth, redemption, and rewriting your story.

You died with regrets. Maybe it was a quiet death, unnoticed. Or maybe it was dramatic—tragic, even. But instead of oblivion, you wake up… somewhere else.

You’ve been reborn.

Maybe you’re back in your own body, but decades earlier, standing at the crossroads that led to your downfall.

Maybe you’re in a new world, one stitched together from myth and memory, where your soul now inhabits a stranger’s form.

Maybe you’ve transmigrated into a book, movie, or game—a story you once loved or feared, now yours to rewrite from within.

Or maybe you’re reborn as someone else entirely, in a life that seems better, brighter—but carries echoes of your past.

You remember everything. The pain. The dreams you never chased. The people you lost. The choices you made.

Now, you have a second chance. What do you do with it?

  • Do you try to fix what was broken?
  • Do you seek revenge, redemption, or simply peace?
  • Do you cling to your memories, or let them go?
  • Do you follow the same path, or carve a new one?
  • And most importantly: how do you continue the story after what should have been “the end”?

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Book Review :: The Boy From the Sea by Garrett Carr

Review by Kevin Brown

The titular boy from the sea in Garrett Carr’s first novel for adults literally arrives from the sea, washing up in half of a blue barrel on the shores of the fishing village of Donegal. The town embraces him, passing him from one family to another for a brief period of time, until Ambrose and Christine take him into their house. Their two-year-old son Declan makes it clear even then that he doesn’t accept Brendan — the name Ambrose and Christine give their new son — as his brother, an assertion he makes for the rest of his childhood.

Donegal becomes a character in and of itself, as Carr uses a first person plural narrator at times to show how the town is changing through Brendan’s life, changes that impact Ambrose and his family. In fact, Carr often uses the phrase “the season turned” before summing up changes in the village to reflect broader shifts outside of Brendan and his family’s life. When Brendan first arrives, Ambrose’s fishing helps them begin to move up economically, but Ambrose falls behind the shift to more industrial fishing, a shift that changes his interactions with his family and friends. Carr sets the novel in the 1970s and 1980s, a time when Ireland’s economy began contracting significantly, leading to many people leaving the country, a theme that comes up throughout the novel.

Both Brendan and Declan struggle to find their place in the village. Brendan has a period of success giving secular blessings to people during the economic downturn, while Declan discovers a talent for and joy in cooking that almost nobody notices or appreciates. Christine drifts away from her father and sister, who live next door, but reconnects with them, at times. Throughout the novel, the characters and town experience tragedies, but still find moments of joy and connection, much as we all do in life.


The Boy From the Sea by Garrett Carr. Alfred A. Knopf, 2025.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels.

New Book :: Where Heaven Sinks

Where Heaven Sinks: Poems by María Esquinca
University of Nevada Press, September 2025

In Where Heaven Sinks, María Esquinca delivers a searing collection of poems that traverse borders — both physical and emotional. Set against El Paso and Ciudad Juárez, these experimental works weave fragmented verses, striking imagery, and bold typography to confront the brutal realities of immigration and identity. Esquinca exposes injustice while celebrating resilience and hope. Her work is shaped by the intersection of cultures, histories, and experiences of the US-Mexico borderlands. Each poem is a tribute to those who have endured and a call to challenge oppressive systems. Where Heaven Sinks is a love letter, a memorial for the lost, and a testament to the transformative power of language.

Magazine Stand :: Tint Journal – Fall 2025

Issue #14 of Tint Journal (Fall 2025), the magazine for English as a Second Language (ESL) writers is where readers can find works on the theme of “Patchwork.” Tint Journal’s second themed issue includes 24 new poems, short stories and nonfiction essays by writers identifying with 22 different countries or regions on this Earth and speaking 21 different first languages who explore the topic of “Patchwork” from a variety of angles, from assembling flyer packs to musings on one’s name, to “Layers of Home.” This issue is yet another celebration of the multivocality of ESL writing and the unique assemblage of every voice in a second language.

Contributing writers and artists include fiction by Tilbe Akan, Chelsea Allen, Áron Bartal, Niels Bekkema,Smita Das Jain, Galina Itskovich, Christian Nikolaus Opitz, Anna Pedko, Johan Smits; nonfiction by Ekow Agyine-Dadzie, Karen Cheung, Anneliz Marie Erese, Sue Tong, Helin Yüksel, Alina Zollfrank; poetry by A.D. Capili, Elina Kumra, Marisol Moreno Ortiz, Hajer Requiq, Rudrangshu Sengupta, Vasiliki Sifostratoudaki, Sarp Sozdinler, Shaira Sultana, Leila Zolfalipour; and art by Douglas Campbell, Cyrus Carlson, Haley Cole, Taylor Daukas, Vanesa Erjavec, Atzin Garcia, Julia Groß, Yewon Kim, Anna Kirby, Anna Major, Milena Makani, Matthew McCain, Joykrit Mitra, Michael Pacheco, Ann Privateer, Radoslav Rochallyi, Eryk Siemianowicz, Maheshwar N. Sinha, Kim Suttell, Brigitte Thonhauser-Merk, Harald Wawrzyniak, Chynna Williams, Leila Zolfalipour.

Call :: The Dolomite Review Debut Issue

The Dolomite Review is currently accepting submissions for its debut issue to be published this winter (2025-26).

Rooted in Michigan and steeped in the spirit of the Midwest, The Dolomite Review features writing that captures the subtle tensions of place and people — the rust belt cities, the wind-battered shorelines, the endless fields and small towns where stillness speaks volumes. It’s about the unsaid, the nearly forgotten, the moment just before everything changes.

The theme of The Dolomite Review inaugural issue is “new beginnings and firsts” — first steps, first frost, first love, first loss. The first time you left home. The first time you came back. The editors are interested in beginnings that don’t announce themselves. They want the quiet moments before or after the turning point — the kind that only feel like a “first” when you look back.

This theme is a guide, not a rule. The Dolomite Review is looking for great storytelling and voices readers will want to come back to. If that might be you, learn more about how to submit to The Dolomite Review here.

Book Review :: the artemisia by William S. Barnes

the artemesia by William S. Barnes book cover image

Review by Jami Macarty

In the artemisia, national winner of the 2022 Hillary Gravendyk Prize, poet and botanist William S. Barnes presents ecstatic love poems in the tradition of Sappho and Rumi. Like his predecessors, Barnes’s poems “sit in the light between” elegy and ode, expressing passionate love and desire. They honor the emotional experiences and “wild abundance” of mortal life, drawing “out from within” an upward reaching “sweetest song.”

In addition to lyric poetry, the domains of the artemisia are mythic, folkloric, and botanical. Artemisia refers to a hardy shrub known for its digestive benefits. In Greek mythology, Artemis is Apollo’s twin sister. She is the goddess of the moon and nature.

Barnes’s ode pays tribute to plants’ “brilliant canopies of leaves” and “chromatic range of green.” His elegy memorializes a “soulfriend.” Excerpts from her letters are interwoven with his lines to create a living dialogue. In these ways, the poems undulate between the “persistence” and “decay” of life: “I’m cut in two and all the leaves are coming out.”

Regardless of what “is nurtured,” whether “laughing or leaving,” every poem a “rising to meet” and “invite you in.” Barnes’s poems welcome us, hold our hands, and teach us. In “the veils (viola adunca),” the poet offers a plantsman’s “truth” as he describes the five-petaled dog violet:

“difficult to press. it is not possible to see the whole

without cutting. and this would make it something else.
the listener must infer what cannot be said.”

While acknowledging the challenge of conveying the deepest human emotions and truths in language, Barnes makes space for the mystery in words and expression, naming “themselves again” for us. The “leaning into” poems of William S. Barnes’s second collection are “evanescent” in their language and in their representation of life’s “pathway” as it “bends into the hills, across the contour, rising.”


the artemisia by William S. Barnes. Inlandia Institute, April 2024.

Book Review :: The Safekeep by Yael van der Wouden

Review by Kevin Brown

The term “safekeep” has echoes of keeping something safe for somebody else, as if a person is holding onto something precious for that somebody. In Yael van der Wouden’s debut, Orange-Prize-winning novel, The Safekeep, it first appears that Isabel is keeping herself safe from the world, though it’s not exactly clear as to why. She has isolated herself in the house where their Dutch family moved during World War II. Their father had died, so their uncle helped them find this house outside Zwolle, to try to keep them safe. Isabel still lives there, more than a decade later, after her mother has died, and her two brothers live in the city.

She has isolated herself from her brothers, as well, as she doesn’t approve of either of their lifestyles. Louis dates one woman after another, yet he is unwilling or unable to commit to any of them for very long. If he does get married, though, the house becomes his, as their Uncle Karel believes he should have it to raise a family. Hendrik is in a long-time relationship with Sebastian, a relationship that 1960s Dutch society doesn’t approve of, though it seems Isabel is also upset at Hendrik for leaving her and the house.

Louis begins dating Eva, whom Isabel clearly dislikes, but his work requires him to go out of town for several weeks, and Eva suggests that she could live with Isabel during this time. Their few weeks together change Isabel’s life, as Eva’s presence first presents her with a realization of who she has always been but could never admit to herself, then leads to an epiphany about the Netherlands and the world, which Isabel has long suppressed.

In this outstanding first novel, Yael van der Wouden raises questions about the ways in which people deny truths about themselves, but also about how people tamp down unpleasant truths about countries and the world. She also provides hope that, if one person can admit to realities they’ve suppressed, perhaps more of us can, as well.


The Safekeep by Yael van der Wouden. Avid Reader Press, May 2025.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels.

Consequence Spring 2026 Reading Period

The reading period for Consequence‘s Spring 2026 issue, Volume 18.1, is open from July 15 through Oct. 15. As always, we’re after the strongest fiction, nonfiction, poetry, and visual art that address the consequences, experiences, or realities of war or geopolitical violence. Unsure if your work meets our themes? You can either check out our FAQs or email us. Have work you want to submit or want to learn about our pay rates? Go here.

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Changing Skies Journal is Open for Submissions!

A poster with a call for submissions for "Changing Skies Vol. IV: Writing Through the Climate Crisis" and "2026 Hindsight Vol. VI." Includes a QR code and is from the CU Program for Writing and Rhetoric.
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Changing Skies, the fall publication of Hindsight Creative Nonfiction Journal, is open to submissions for online and print publication in Vol. IV. Changing Skies accepts all forms of creative nonfiction writing that center on climate and environment-based topics. We accept forms of art, including painting, drawing, photography, and more! Find more submission details and read our latest issues at our website.

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20th National Indie Excellence Awards

A flyer for The National Indie Excellence Awards (NIEA) with information about eligibility, perks, and how to enter.
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The National Indie Excellence® Awards honor outstanding English-language books from self-published authors, indie presses, and university publishers. Now in its 20th year, NIEA celebrates excellence across all genres. Eligible books must be published within two years of the March 31 deadline. See flyer to learn more and submit at our website.

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27th Annual Taos Storytelling Festival

Poster for the 27th Annual Taos Storytelling Festival on October 11, 2025.
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Join us in beautiful Taos, New Mexico, for SOMOS’ 27th Annual Storytelling Festival on Saturday, October 11th, 2025. Participate in a two-hour workshop with featured teller, Eldrena Douma, an afternoon storyswap, and the main event at 6pm. Tellers include Eldrena Douma, Sage Vogel, Celinda Reynolds Kaelin, and musician Chuy Martinez. FMI: view flyer or visit our website.

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Colorado Authors League September 2025 Member Releases

Flyer showcasing new book releases from Colorado Authors League members, September 2025.
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The Colorado Authors League (CAL) supports and promotes its community of published writers while connecting with and adding value to the reading world. Formed in 1931, authors become members to: keep up with changes in the craft of writing, publishing, and marketing, gain greater visibility for their writing, join a group of like-minded people who love writing. View our flyer to see new releases by members and learn more at our website.

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Where to Submit Roundup: September 19, 2025

It’s Friday! Missed our September 2025 eLitPak? It’s packed with submission opportunities, events, and new book releases. Find it online here.

When you’re ready to write and submit, NewPages has you covered—with fresh inspiration and 100+ places to share your work.

Happy foraging!

Inspiration Prompt: Who Can it Be Now?

A knock at the door.
You think you know who it is.
You hope you know.
You dread knowing.

Continue reading “Where to Submit Roundup: September 19, 2025”

Magazine Stand :: Palooka – Issue 15

Palooka celebrates 15 years of supporting the literary arts community as a global literary magazine of ‘daring’ fiction, poetry, nonfiction, artwork, photography, and graphic narratives by new, up-and-coming, and established writers, artists, and photographers. All of Palooka’s published content comes from unsolicited submissions. In keeping with their moniker, Palooka ‘upholds, encourages, and fights for underdogs’ and ‘only pursues the writing and art they love.’

Readers can enjoy this celebratory issue with fiction by Katherine Flynn, Jacqueline Kaufman, Kevin Novalina; poetry by Yvonne Higgins Leach; nonfiction by Eric Day; Ian Dooley’s graphic narrative “The Little World,” and a portfolio of artwork by Judith Skillman. Some content is available for readers to access online.


Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Book Review :: Wild Dark Shore by Charlotte McConaghy

Wild Dark Shore by Charlotte McConaghy book cover image

Review by Kevin Brown

Wild Dark Shore, Charlotte McConaghy’s newest novel, creates Shearwater, an island not far off the coast of Antarctica (based on Macquarie Island, she says in a note at the end), where a family of four lives in a lighthouse. There’s a seed vault there, which they’re supposed to load up and take on a ship which will arrive in six weeks, as the sea will soon engulf the island. While there’s no clear date as to when the novel takes place, the world outside seems to be even more ravaged by climate change than our current world, a reality that serves as the backdrop for everything that happens.

There are ghosts haunting this island, whether the death of the mother of the three children or the violent history of the island, as men used it as a place to hunt whales, club seals, and kill penguins, almost to extinction. The father, Dominic, is haunted by his wife’s death, and his children often overhear him talking to her. Fen, the daughter, is so frightened of something, she sleeps in a boathouse or on the shore of the sea. Raff, the oldest son, has a violent temper, which his father tries to channel into punching a makeshift boxing bag in the top of the lighthouse. The youngest son, Orly, is obsessed with the seeds and can list information and facts about many that most people have never heard of.

The family seems to be functioning, even after the researchers have left, until a woman washes onto the shore. Rowan’s appearance is mysterious, as there shouldn’t be any ship in the area, so the family tries to understand her while she asks questions about the situation there. The mysteries that underlie all five of these characters drive the tension in this novel, as they move from mistrust to building a type of family, which the truth threatens to undercut. In the same way that all of the characters in this novel must face the realities of their lives, McConaghy wants the readers to own up to the realities of climate change. In each case, characters and readers will need to change their approach to the world to have any chance of survival.


Wild Dark Shore by Charlotte McConaghy. Flatiron Books, March 2025.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels.

Book Review :: Kids on Earth: The Learning Potential of 5 Billion Minds by Howard Blumenthal & Robert C. Pianta

Review by Eleanor J. Bader

Over the next 25 years, 5 billion kids worldwide will enroll in primary and secondary schools. These kids will need an education that meets 21st-century challenges, but most programs, Blumenthal and Pianta write, rely on a one-size-fits-all model that assumes that every child can learn the same material in the same top-down way. It isn’t true. “Learning should invite discovery, exploration, and risk-taking,” they write, and should be “personal, relational, and active.”

Retention suffers when this doesn’t happen. According to research and interviews conducted by the authors in more than 70 countries, when a student is academically disinterested, “one-third of the info presented to them is lost within 15 to 20 minutes; half is lost within the first hour, and three-quarters is lost within a day.” After a month, four-fifths is gone. Students may pass a test — hell, they may even get an A — but unless the coursework taps into their curiosity and allows them to investigate, probe, and connect with others, their engagement will likely be stifled and temporary.

But change is possible: Since today’s students are the first generation to be globally connected, Blumenthal and Pianta see endless potential for cross-cultural collaboration, with children, teens, and young adults working together to pursue scientific discoveries and find solutions to poverty, hunger, environmental calamity, and other pressing social issues. It’s an optimistic, if perhaps pie-in-the-sky, assessment.

The book does not tackle political repression, the massive influence of AI, the school privatization movement, or the necessity of teacher buy-in; nonetheless, Kids on Earth is a provocative conversation starter, relevant for everyone who wants to help kids develop the foundational skills they’ll need — including reading, writing, and basic arithmetic — to kickstart their creativity and stoke their passions.

As a roadmap for lifelong learning, the book serves as an antidote to staid scholarship. Provocative and likely to stir debate, the text asks important questions and offers bold suggestions for making education meaningful for future generations.


Kids on Earth: The Learning Potential of 5 Billion Minds by Howard Blumenthal and Robert C. Pianta. Harvard Education Press, September 2025.

Reviewer bio: Eleanor J. Bader is a Brooklyn, NY-based journalist who writes about books and domestic social issues for Truthout, Rain Taxi, The Progressive, Ms. Magazine, the Los Angeles Review of Books, and The Indypendent.

Lightning Returns: What’s Left Behind?

Coming up with new inspiration is never easy. This week, my mind kept circling back to two ideas.

The first was the old saying that things come in threes—a memory sparked by a YA series I read years ago. I thought it might’ve been The Westing Game, though I’m not sure anymore. One character had a string of bad luck, but by the third time something happened, his fortune had shifted. Maybe good things come in threes after all.

Then there’s the idea of lightning.

We often say lightning never strikes the same place twice, a comforting phrase meant to reassure us that rare, painful events won’t repeat. But how true is that, really?

Growing up, we had an ash tree in our backyard that weathered countless storms—until it was struck by lightning not once, but twice. Scarred the first time, split the second. What are the odds?

You be the judge.

✍️ Inspiration Prompt: Lightning Never Strikes the Same Place Twice

Graphic for writing prompt titled “Lightning Never Strikes the Same Place Twice,” inviting creators to explore recurrence and repetition.
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That’s what they say. But tell that to the ash tree in my backyard—scarred but proud after its first strike, split and silent after the second. Now it’s just a memory, like the shed that once stood beneath its branches.

And tell that to the people who’ve survived not one, but multiple lightning strikes—living proof that the improbable can happen again, and again. What does it mean to be marked more than once by the same force? To carry the charge of recurrence in your body, your story, your silence?

This prompt invites you to explore repetitioninevitability, and the myth of safety.
What happens when the extraordinary returns? When the pattern repeats? When the storm circles back?

Write, draw, compose, or create something that wrestles with recurrence—a second chance, a repeated trauma, a rekindled love, or a pattern that refuses to break.

Does lightning strike again in your story?
And if it does, what’s left standing?


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Book Review :: I Want to Burn This Place Down by Maris Kreizman

 I Want to Burn This Place Down by Maris Kreizman book cover image

Review by Kevin Brown

In her collection of essays, I Want to Burn This Place Down, Maris Kreizman doesn’t hide her purpose, stating in the introduction that she has moved further to the political left, and each of these essays ties to that idea in some way. However, rather than writing ideological jeremiads, she uses her personal experiences and her reading of culture to show the problems with America’s move to the right and how a move to the left would be more humane and beneficial.

In “Copaganda and Me,” for example, she writes about the television shows and movies she and her brothers watched when she was younger: Miami Vice, CHiPs, and Police Academy. She excavates what that media taught them about the police and their relationship to the public, contrasting that portrayal with what her experiences in life, such as “stop-and-frisk” laws in New York and George Floyd’s murder, have shown her. Her two brothers become police officers, while she moves in the other direction, protesting police actions; she loves her brothers, but she’s unable to talk to them about politics.

Kreizman circles back to healthcare in several essays, such as the first essay “She’s Lost Control Again” and “I Found My Life Partner (and My Health Insurance) Because I Got Lucky.” In that first essay, she talks about her struggles with Type 1 Diabetes. While she spends significant time talking about trying to keep her blood glucose numbers where they should be, that leads her into an exploration of insulin costs and the ways the healthcare system fails people. In the latter essay, she focuses on healthcare more directly, arguing that nobody should have to rely on luck or marriage to have healthcare, an idea she complicates by pointing out that she’s reliant on her husband for it, taking away some of her freedom/independence.

The weaving of the personal and political works well to remind readers that those two are always cojoined, no matter what politicians argue. She shows readers again and again that policies affect people’s day-to-day real lives because they affect her real life, as they do all of ours. Such an approach is more convincing and more moving than another political screed, so one hopes readers will take note of the effects that political actions have on Kreizman and so many more.


I Want to Burn This Place Down by Maris Kreizman. Ecco, July 2025.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels.

New Book Editor’s Choice :: Black Silk and Other Poems: Creative Work of Ruth Mountaingrove

Black Silk and Other Poems: Creative Work of Ruth Mountaingrove
Edited by Vincent Peloso & Sue Hilton
Many Name Press, March 2025

Ruth Mountaingrove was a songwriter, musician and composer, artist and photographer, editor and publisher of WomanSpirit Magazine and The Blatant Image: A Magazine of Feminist Photography. Mountaingrove was also a playwright, Humboldt State University radio show producer, tech teacher, multimedia performer, and above all, a lifelong poet. This edited collection gathers poems from friends, family, and the University of Oregon archives, along with prints, photographs and art pieces. A passionate lesbian feminist, and a very creative artist and writer, Mountaingrove passed away in 2016 in Arcata, California, at the age of 93. With a generous grant from the Ink People in Arcata, California, this collection is a deserved tribute to this outstanding maverick working for women’s rights, equality, and freedom in all things through art, music, and writing.


To discover more great books from small, independent, and university presses, visit the NewPages Guide to Publishers as well as our Books Received monthly roundup. Subscribe to our weekly newsletter to stay up to date!

Book Review :: If I Had Said Beauty by Tami Haaland

Review by Jami Macarty

In her fourth collection of poetry, If I Had Said Beauty, Tami Haaland honors “known and unknown” ancestors and searches for herself within “The lines leading to this body.” In “Prelude,” the first poem, we learn the poet’s heritage is “mostly Scandinavian, then / British, Irish, German.” Haaland is as interested in “the traits of women and men who / have made me” as she is in the “lines… deeper.”

Her investigation of her people’s “migrations, / and landings,” “their stories, their histories” is geographical, genealogical, “mitochondrial,” psychological, and spiritual. Throughout the collection, the poet poses age-old philosophical and evolutionary questions about who we are and who we “want to be.”

The unstructured sonnet, contrapuntal, palindrome, and prose poem “give form, proportion” to Haaland’s inquiry. Each form provides either a “flip side,” doubling possible inheritances, or a “line between here / and not here,” bordering possible legacies. These “deliberate pairings” of content and form substantiate the exploration of “my recessive/dominant other.”

“Double, double.” While Haaland’s meditative lyrics honor her position between “My mother, long dead,” and “my son / ahead,” she admits she’s “not content with reduction to a few generations.” Haaland’s “in a long / conversation about omens.” Her poems are populated by “ghosts,” “angels,” “shadows,” and, in a “desire” to “expand the circle,” various other beings, including dogs, flies, and trees. Each is as much a “part of the conversation” as the “watcher,” “protector,” “coward,” and “romantic” aspects of herself.

Instead of a fixed identity, Haaland views herself in a process of “becoming” that allows her to continually rethink her existence, which in turn allows her poems to reframe it. Death’s “eccentric shadow” coexists with beauty’s “brilliance on a hill / covered in blossoms, each / a cluster, a spear.” And in Haaland’s poems, each is “a glimpse of the infinite.”


If I Had Said Beauty by Tami Haaland. Lost Horse Press, March 2025.

Book Review :: Things in Nature Merely Grow by Yiyun Li

Review by Kevin Brown

Yiyun Li’s memoir, Things in Nature Merely Grow, is a meditation on the suicide of her youngest son, James, who died at the age of nineteen. That death took place a bit over six years after the suicide of her older son, Vincent. This book is not an attempt to explain why James made the same decision as his older brother or to come to any sort of understanding of what Li and/or her husband could have done differently. Li is clear that speculation doesn’t do her or her husband or her sons any good at all. Instead, as the title of one of her chapters says, “Children Die, and Parents Go on Living.” One of the threads that runs through this book is the idea that she must take life as she finds it, not as it might have been.

One of the other main ideas is that of the abyss, which is where Li and her husband now find themselves. She reflects on the idea of grief and how some people view it as something one gets through, an idea that seems to repulse Li. She sees it as an insult to the dead if, at some point, she were to believe she has gotten through grief, dusted herself off, and gone back to life. Instead, she believes that she now lives in the abyss and will always live there, that the grief is simply a part of her life and that she will always shape herself around.

It might strike readers as odd, then, that Li talks about how she behaved after her son’s death, as she had a piano lesson days after receiving the news, in addition to her continuing her work writing a novel and teaching. If someone didn’t know her well, if they were only looking at the outside, it would seem her son’s death hadn’t affected her. However, as Li uses her title to remind readers, her way of dealing with grief is to continue doing what she loves and what makes her who she should be, just as nature will continue to grow, whatever happens in the world.

Li’s approach to grief is not one that some readers will share, which is all the more reason for them to read her book. We can never understand how others sustain themselves when such tragedy strikes their lives, but works such as Li’s provide an insight into at least one person’s way of processing such suffering. Reading such a work should provide us with more empathy not only for Li, but for ourselves and others, especially when we deal with grief and loss in ways others might not understand.


Things in Nature Merely Grow by Yiyun Li. Farrar, Straus and Giroux, May 2025.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels.

Where to Submit Roundup: September 12, 2025

Happy Friday!
Just like that, another week has flown by. With September nearly halfway over, many submission deadlines are fast approaching—don’t miss your chance to share your work! And keep an eye out for our monthly eLitPak newsletter, arriving next Wednesday afternoon—packed with extra literary goodies and submission calls.

Remember to take a break, stay hydrated, and indulge in that movie marathon or back-to-back album binge while catching up on your reading list. When you’re ready, NewPages is here with our weekly roundup of submission opportunities and inspiration to help keep your writing flowing and your submission goals going strong.

Continue reading “Where to Submit Roundup: September 12, 2025”

New Magazines August 2025

Discover new works to read with NewPages.com New & Noted Literary & Alternative Magazine Issues, highlighting literary and alternative magazines with new issues of poetry, fiction, nonfiction, and art.

Each month, we offer readers a round-up of new issues with content blurbs for our featured publications. The newest in poetry, fiction, nonfiction, comics, artwork, photography, media, contest winners, and much more!

Find out more about many of these titles with our Guide to Literary Magazines and our Big List of Literary Magazines and Big List of Alternative Magazines.

Want your publication listed here or featured on our blog and social media, please contact us.

Subscribe to our weekly newsletter to stay the most up-to-date on all things literary!

American Diary Project

“What should I do with these old diaries?”

A question you may have asked upon inheriting family heirlooms or perhaps as you consider the future of your own collection of life writing. And now, an answer!

American Diary Project is a 501(c)(3) nonprofit dedicated to collecting, archiving, and honoring American stories by preserving diaries and journals from everyday individuals. Much of their collection is available online for free for educational and research purposes, ensuring these personal histories are not lost. They accept diaries from both living and deceased individuals, with their physical collection housed in Cleveland, Ohio. The project also publishes articles on the significance of diaries and supports LGBTQ+ and BIPOC experiences.

American Diary Project employs a meticulous approach to archiving diaries and journals, beginning with documentation, where each item is categorized by details like year, location, and author information, with ongoing efforts to digitize the collection for online access. Following Library of Congress guidelines, the project ensures careful handling and storage. Journals are protected in acid-free boxes within a temperature-controlled, dry environment with minimal light exposure. Strict rules prevent damage from food, drink, paper clips, tape, or sticky notes, ensuring these memories are preserved for the future.

Magazine Stand :: Baltimore Review – Print Annual 2025

Baltimore Review 2025 literary magazine cover image

Baltimore Review 2025, an annual print compilation published by The Baltimore Review, features the poems, fiction, and creative nonfiction — the work of 63 writers — in the summer and fall 2024 and winter and spring 2025 online issues. The book also includes the winners of the summer 2024 (Final Judge Kathy Flann) and winter 2025 (Final Judge Francine Witte) short-forms contests: Amanda Auchter, Taylor Ebersole, and Al Dixon (summer 2024) and Dawn Dupler, Marika Guthrie, and Kayla Rutledge Page (winter 2025).

The Baltimore Review, founded in 1996, is a literary journal publishing poems, fiction, and creative nonfiction. The journal’s mission is to showcase Baltimore as a literary hub of diverse writing and promote the work of emerging and established writers from the Baltimore area, from across the U.S., and beyond. Visit the journal’s website to read current and past issues, and to submit your own writing.

Meet the editors at the upcoming Baltimore Book Festival (September 13-14), Baltimore Writers’ Conference (November 15), and AWP 2026.

Invisible Hands, Unspoken Stories

In our college creative writing classes, our beloved professor often reminded us: the best fiction we can write is our own truths and observations disguised in the guise of a fictional story. That wisdom has stayed with me. This week’s inspiration prompt was born from that idea—and from nearly twenty years of caretaking in some capacity since graduating, layered on top of my normal work.

✍️ Inspiration Prompt: Caretakers and the Unseen

As lifespans stretch and support systems shrink, more people are stepping into the role of caretaker—often quietly, often without recognition. Whether tending to aging parents, disabled siblings, or chronically ill partners, these caretakers navigate a world of advocacy, sacrifice, and emotional labor. Their work is rarely glamorous, but it is deeply human.

This week, we invite you to explore the lives of those who care for others—not just professionally, but personally, intimately, and imperfectly.

Consider:

  • What does it mean to carry someone else’s needs while suppressing your own?
  • What invisible burdens do caretakers shoulder?
  • What moments of grace, resentment, humor, or heartbreak emerge in the daily grind of care?

Your Challenge:

Tell the story of someone who tends to others—quietly, invisibly, or imperfectly.

Paint the unseen. Reveal the emotional terrain.

Let your work honor the complexity of care.


🔔 Don’t forget to subscribe to our weekly newsletter for early access to inspiration prompts like this one—plus new issues of literary magazines, new and forthcoming titles, book reviews, and more than 100 submission opportunities.

Magazine Stand :: The Main Street Rag – Summer 2025

The Main Street Rag Summer 2025 issue opens with an interview with Chuck Joy, poet and playwright, whose newest book of poetry, White and Blue, is forthcoming later this year from Main Street Rag.

Also included in this summer issue of The Main Street Rag is prose by Jackson Herring, Nathan Rohan, Fiona Sinclair, Scott Bassis, Margaret Benbow, and Dr. John A. Wilde; poetry by Rick Adang, Kenneth Baker, Rachel Barton, Francis Carpentier, Gianna Improta, Sasha Reese, E. Laura Golberg, Patricia L. Hamilton, Jane Hammons, Daniel Edward Moore, Colleen S. Harris, Mark W. Kumming, Craig Kirchner, Donald Levering, Alison Luterman, Daniel Thomas Moran, Will Nixon, Paul Rabinowitz, Anne Rankin, Laura Ann Reed, Timothy Robbins, R. James Sennett, Jr., Robert Sparrow-Downes, Diane Stone, Linda Stryker, Richard Allen Taylor, Jim Tilley, Dan Veach, Eric Weil, and Daniel A. Zehner.

Readers can also find book reviews of Love Sick Century by Elly Bookman, Bus Poems by Michael Franchioni, Midlife Calculus by Britt Kaufmann, and Only Believe by Jennifer Bartell.


Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

New Book Editor’s Choice :: The Queer Allies Bible

The Queer Allies Bible: The Ultimate Guide to Being an Empowering LGBTQIA+ Ally by NV Gay
Ig Publishing, March 2025

While the United States Federal Government continues to add to its growing list of banned/flagged words, including “gay,” “gender identity,” “hate speech,” “LGBTQ,” there are counter efforts to document and respectfully make space for the lives other work to erase. The Queer Allies Bible: The Ultimate Guide to Being an Empowering LGBTQIA+ Ally by author NV Gay offers a means to continue fighting for inclusivity in discussions surrounding gender and sexual identities.

Emphasis is placed on three main pillars: learning and understanding, being respectful, and advocating. The author uses various techniques to educate readers on all aspects of the LGBTQIA+ community, as well as provide personal narratives to help bring the material to life. There are chapters explaining how to apply the techniques of allyship, such as conversation starters, responding to anti-LGBTQIA+ remarks, supporting the coming out process, religion and the LGBTQIA+ community, creating inclusive spaces, and more.

Whether these conversations are happening in workplaces, legislatures, social media platforms, communities, schools, churches, and more; many are taking place without the voices of those within the community. The Queer Allies Bible, cuts through all the noise and provides a much needed guide for how to be an effective affirming ally.

Book Review :: Why Fascists Fear Teachers: Public Education and the Future of Democracy by Randi Weingarten

Review by Eleanor J. Bader

American Federation of Teachers (AFT) president Randi Weingarten takes on authoritarians, autocrats, oligarchs, and fascists — terms she uses interchangeably — in Why Fascists Fear Teachers. The book is a fierce denunciation of the political movement working to destroy democracy, undermine trade unions, subvert multiculturalism, and decimate public education. It’s also a clear and passionate argument in support of teachers and public schools. “We cannot create a truly democratic, inclusive nation committed to opportunity for all without public schools,” she writes. “Fascists fight against public education because they want to control our minds, control our ideas, and control the future. And what do teachers do? They teach. It’s that simple.” 

Conversely, Weingarten writes, fascists support banning books, limiting the free exchange of ideas, and narrowing curricular offerings, all while simultaneously championing white, male, Christian supremacy. Moreover, the Trump administration has made privatizing education through universal vouchers and charter schools an explicit goal —shifts that the AFT and other unions have lambasted as wasteful of taxpayer money and often hurtful to students.  

The dichotomy Weingarten presents could not be clearer, with teachers on one side and fascists on the other.

Weingarten draws on history, from ancient societies to the regimes of Hitler, Mussolini, and Pinochet, to expose the manifold harms caused by authoritarian rule. She also outlines the looming danger of fascist governance here in the U.S. and zeroes in on the harm caused by DOGE and Executive Orders outlawing diversity, equity, and inclusion programs. 

Weingarten sugar-coats nothing; nonetheless, the book is not all doom and gloom. Multiple examples of teachers working with community residents to meet the needs of unhoused, hungry, and disabled students showcase teachers’ largely unheralded and inspiring work. Moreover, Weingarten is optimistic that we can derail the Trump agenda if we organize in the streets, in our union halls, and at the ballot box.


Why Fascists Fear Teachers: Public Education and the Future of Democracy by Randi Weingarten, Penguin Random House, September 2025.

Reviewer bio: Eleanor J. Bader is a Brooklyn, NY-based journalist who writes about books and domestic social issues for Truthout, Rain Taxi, The Progressive, Ms. Magazine, the Los Angeles Review of Books, and The Indypendent. https://www.eleanorjbader.com/

New Books August 2025

If you’re looking to fill out your final lazy days of beach reads and hammock chillin’, check out our monthly round-up of New Books. Each month we post the new and forthcoming titles NewPages selects from small, independent, university, and alternative presses as well as author-published titles and recent reviews.

If you are a follower of our blog or a subscriber to our weekly newsletter, you can see several of the titles we received featured. For publishers or authors looking to be featured on our blog and social media, please visit our FAQ page.

Book Review :: Atavists by Lydia Millet

Review by Kevin Brown

Atavists, Lydia Millet’s latest collection of short stories, continues her preoccupation with the climate crisis, the backdrop (or centerpiece) to most of her recent writing. In these interlocking stories, she follows one family and various people connected to them, giving each character one story titled with something ended in -ist, such as “artist,” “mixologist,” or “optimist.” The “atavist” in the title raises the question of whether Millet means to imply that the characters are rediscovering some genetic characteristic after several generations of absence (perhaps a concern with the climate crisis) or are organisms that have characteristics of a more primitive type of that organism (ignoring the climate crisis, as generations of people have done). Or both, of course.

One of the main characters concerned with the climate crisis is Nick, who has attended Stanford to earn a degree in scriptwriting and who has moved back home to live with his parents and sister while he writes his first screenplay. Through various stories, it becomes clear that he is unable to write his fantasy screenplay, and he’s losing interest in LARPing (Live Action Role Playing), which causes him to lose his girlfriend, Chaya. He doesn’t see the point in most of what people do, given that there’s little chance of a foreseeable future. He does, however, find another girlfriend, Liza, who is taking a gap year from college. When her parents suggest volunteering, she finds purpose in helping residents of an assisted living facility understand their technology, which then morphs into helping them simply manage life.

Millet also shows characters who are not quite who they seem, sometimes through a clear contrast between the title of their story and how they behave, but also sometimes through their use or misuse of technology. For example, “Pastoralist” reveals the main character, Les, to be a predatory user of women, finding those he believe will be insecure because of their weight, then staying with them for no more than a few months until he gets bored and moves on to what he would describe as another sheep that needs to be sheared.

In the final story, “Optimist,” Millet makes it clear that she’s not one when it comes to people’s acknowledging the reality of the environmental destruction they have already caused and that only continues to worsen. She does portray characters who care, though, both about the environment and one another, even if they don’t always know what to do with those emotions, which helps elevate these stories beyond simply drawing attention to the climate crisis to a portrayal of our day-to-day lives.


Atavists by Lydia Millet. W.W. Norton, April 2025.

Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels.

Magazine Stand :: The Missouri Review – Summer 2025

The Missouri Review Summer 2025 issue is themed “Location, Location, Location,” as Speer Morgan comments in the Foreword, “Location is as important in literature and art as it is in real estate. When and where and among whom — setting and milieu — anchor readers and allow them to enter an imagined world.” Referencing the unique perspectives of Honoré de Balzac, Andrew Wyeth, and Syd Mead, Morgan concludes, “The essays, poems, and short stories in this issue of TMR are quite different yet illustrate that location in art matters. These writers all take us somewhere special.”

Additionally, readers will enjoy new fiction from Katherine Cart, Thea Chacamaty, Maria Kuznetsova, and Perry Lopez; new poetry from Andrew Hemmert, J.S. Westbrook, and Emma Winsor Wood; and new nonfiction by Seán Carlson, Zack Ford, and Rose Whitmore. Also included is an art feature about the painter Suzanne Valadon. The publication’s feature ‘Curio Cabinet’ highlights “Alfred Cheney Johnston: Master of the Publicity Photo” and his “contributions to the iconic flapper figure.”


Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Where to Submit Roundup: September 5, 2025

The final week of August was personally very stressful, and that carried over into the first week of September. Hopefully, you’ve been having a better week. Remember not to beat yourself up over those goals and ambitions. Taking a break—or taking it slow and easy for a while—is a necessity to recharge and come back with renewed energy for your writing and submitting goals.

NewPages is always here with our weekly roundup of submission opportunities and an inspiration prompt—ready whenever you are.

Continue reading “Where to Submit Roundup: September 5, 2025”

New Book :: The Thing About My Uncle

The Thing About My Uncle by Peter J. Stavros
Young Adult Thriller, July 2025

Although ten years have passed, Rhett Littlefield has always blamed himself for his father abandoning him and his family. When the troubled fourteen-year-old gets kicked out of school for his latest run-in with the vice principal, his frazzled single mother sends him to the hollers of Eastern Kentucky to stay with his Uncle Theo, a man of few words who leads an isolated existence with his loyal dog, Chekhov.

Resigned to make the best of his situation while still longing for the day when Mama will allow him to return home, Rhett settles into his new life. Rhett barely remembers his uncle, but he’s determined to get to know him. As he does, Rhett discovers that he and Uncle Theo share a connection to the past, one that has altered both of their lives, a past that will soon come calling.

The Thing About My Uncle is an engaging and heartwarming coming-of-age story that explores the cost of family secrets, the strength of family bonds, and the importance of reconciling the two in order to move forward.

For more about Peter J. Stavros, visit his website, www.peterjstavros.com.

Beneath the Glassy Surface: A Prompt to Explore What Lurks Below

Inspiration often strikes in the quietest moments. Over Labor Day weekend, I sat on a bench overlooking the still waters of Lake Huron. The surface was so calm it looked like glass—reflective, serene, deceptive. It reminded me of a line from the movie Deep Blue Sea, where a character, standing above an oceanic research station, remarks:

“Beneath this glassy surface, a world of gliding monsters.”

The line refers to sharks lurking below, but the imagery reaches far beyond the literal. Glass reflects like a mirror, yet it can also distort—warping what we see, hiding truths, creating illusions.

What lies beneath a polished surface? What dangers—or wonders—glide just out of view?

This week, explore the tension between appearance and reality. Use the idea of a “glassy surface” or “gliding monsters” to inspire your work across genres:

  • Fiction: A character peers through the “glass” of a perfect life—only to find something monstrous beneath. Or perhaps a respected figure’s reflection hides a darker truth.
  • Nonfiction: Write about a time when appearances deceived you—or the world. When did calm waters mask dangerous currents?
  • Poetry / Prose Poem: Explore the tension between reflection and distortion. What happens when you break through the surface?
  • Research / Hybrid Work: Investigate the mysteries of the deep—new species, unseen ecosystems, or the science of perception itself.
  • Visual / Experimental: Contrast clarity and illusion, surface and depth, beauty and menace.

What glides in the shadows, waiting to be seen?

Time to plumb the depths.


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Magazine Stand :: The MacGuffin – August 2025

The MacGuffin August 2025 features an expanded (and expandable fold-out) art portfolio of Sculptor Pascal Piermé to celebrate their fortieth volume in print. Returning contributor Max Blue offers a review of an obscure film by French auteur Jacques (“An Appeal to Unreason: On L’essai, the Banned Film of Jacques), and Ron McFarland revisits in poetry what is undoubtedly Vivaldi’s most famous work (“L’inverno”). Go for a ride with Angela Townsend’s nonfiction work, “Out to Dinner,” but do pull off for a pit stop to get the car’s-eye view in Colby Vargas’s fictional “Beast Runs.” Multidisciplinarian Laura Vogt bridges poetry and prose in a two-part mini feature, “Three Words for What We’ve Lost,” and in the poem “When My Kids Start to Speak English,” Kuo Zhang bridges cultures in a bilingual household to close the issue.


Discover loads more great lit mags with our Guide to Literary Magazines, Big List of Literary Magazines, and Big List of Alternative Magazines. If you are a publication looking to be listed in our monthly roundup or featured on our blog and social media, please contact us.

Magazine Stand :: The Fiddlehead – Summer 2025

Welcome to The Fiddlehead’s Summer Creative Nonfiction issue!

Summer is a time to enjoy the great outdoors, but make some time in your schedule to enjoy an extra large helping of the best creative nonfiction The Fiddlehead could find! Inside this collection of 23 pieces, readers will find a diverse series of forms, including flash, hermit crab, lyric, collage, and diptych essays, along with personal narratives, a conversation between two nonfiction writers, and more traditional forms.

The issue features the winner of the Creative Nonfiction Collective’s 2025 contest, Karen E. Moore’s “Our Reflection in Flames.” The contest judge Danny Ramadan describes this piece as “a genre-bending essay on loss, grief, sorrow, and the aftermath of an intense trauma.” Other writers featured include Brian Braganza, Harper Hugo-Darling, Line Dufour, Ariel Gordon, Kevin Kellman, Frances Peck, and many more!

Stay tuned to The Fiddlehead website for details about a hybrid launch in September, as they continue to celebrate 80 years of publication!

Cover art: S’more Please by Terry Price.