Steve Fellner’s collection of poems, The Weary World Rejoices, has much more weariness in it than rejoicing, but that is only because, as he writes in the first of three odes to Matthew Shepard, “Explanation never // satisfies. It / always wants // something / like redemption.” Fellner is not trying to explain what it is like to be a gay man in 21st-century America; instead, he is trying to redeem it by showing the varieties of that life as it actually is. Continue reading “The Weary World Rejoices”
NewPages Blog
At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!
The Weary World Rejoices
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Red Plenty
As a kid growing up in a rural community in central Ohio during the 1960s, I heard the word “Communist” bandied about as if it were the lowest form of life to crawl across the American landscape. I thought for a time they had to be like the ogres in Grimm’s fairytales who kidnapped children and ate them. Surely they lurked behind every corner. They were to be feared and exterminated. Commies were bad. Continue reading “Red Plenty”
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By Word of Mouth
After more than fifty years of James Laughlin’s New Directions publishing the work of William Carlos Williams, to have yet another new collection is a splendid surprise. Although many of these translations already appear in Williams’s Collected Poems, when all are gathered together from these separate sources and placed in company with a few other renegade poems not found there, the continuing necessity of considering the influence of Williams’s biracial heritage upon his work is evident. To not recognize this aspect of Williams’s identity is to risk missing a key component of his poetry. This is a danger editor Jonathan Cohen notes with his assertion that “Pound failed to understand that Williams identified himself as American because of his Hispanic background.” The multi-layered cultural identity of Williams celebrates the rich, fertile brewing ground that the Americas remain. Continue reading “By Word of Mouth”
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Pulp and Paper
Josh Rolnick writes like a storyteller. He places his characters in the middle of complex situations, but doesn’t leave them stranded. Instead, he inhabits their psyches and builds compelling scenes for them to respond to trouble in the best way they know how, by lunging headlong into it. Meanwhile he creates scenes that rivet you to a sliver of time and the gloom of place, sweeping you up in the first sentences of his eight tales and setting you down at the end of each one with greater faith in the human race. Continue reading “Pulp and Paper”
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Thrown into Nature
Novels that focus on contemporary foibles are often flattened in time by the ephemeral. In Thrown into Nature, Bulgarian writer Milen Ruskov sidesteps the obsolescence problem by giving us a picaresque novel set in sixteenth century Spain. Guimarães da Silva, acolyte and student, narrates his adventures with his mentor, Dr. Monardes, a true figure out of history, the “discoverer” and promoter of tobacco as the cure for whatever ails you. Continue reading “Thrown into Nature”
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Death-In-A-Box
“We are nothing but characters in a book” surmises the child narrator forever staring into the window of “Mrs. Q.’s Drugstore.” It is left to the reader to determine the exact relationship among the trio of peepers and if they ever work up the courage to see those “things that she must have at the counter.” But by the end of Death-In-A-Box readers will have a very good idea of Alta Ifland’s writing talent. Continue reading “Death-In-A-Box”
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Power Ballads
Will Boast’s Power Ballads, winner of the Iowa Award for Short Fiction, can at times feel as layered and as over-produced as its moniker. For one, the book, thematically linking the lives of various musicians, unfolds as a short-story cycle, which by the nature of the form allows a freedom and an unevenness to the storytelling on par with, say, Van Halen post-David Lee Roth. Continue reading “Power Ballads”
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The Blood Lie
The Blood Lie is labeled as a Young Adult/Jewish Studies book, but I think the main intention of the writer was to present it as Jewish Studies. The characters, plot, and narration did not seem aimed at appealing to the young adult reader, but at telling a story of Jewish history. A young girl, Daisy, gets lost in the woods and the Jewish people of the town are accused of kidnapping her for a blood sacrifice for Yom Kippur. These people are soon ostracized and forced to band together. Continue reading “The Blood Lie”
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Songs My Mother Never Taught Me
Murray Shugars’s collection of poems, Songs My Mother Never Taught Me, is clearly divided into three sections with distinct differences in approaches to the craft. The first section, which gives the book its title, is the strongest of the three, as Shugars creates a distinct world in this section. These poems are much more narrative than the other two sections and draw mostly on his childhood, though the speaker of the poems moves into adulthood in the poems about war. Continue reading “Songs My Mother Never Taught Me”
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Broadsided “2011 Haiku Year-in-Review”
Poems by Peter Kline, Steve Brightman and Jennifer Jabaily-Blackburn were selected via reader vote for the 2011 Haiku Year-in-Review Broadside, combined with art by Kara Searcy, Caleb Brown, Jennifer Moses and Kevin Morrow. The Broadsided website features writers’ and artists’ responses to this collaborative, innovative project in which four artists were asked to choose a subject that rang out from a season of 2011 as significant. Then, writers were invited to submit haiku on the same subject. Haiku finalists were chosen by the Broadsided editors, then posted online for readers to view alongside the art and vote for which poem/art combinations should represent each season. The full-color broadside includes all four haiku with art and is available for free download and distribution.
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MQR Tribute to Jeanne Leiby
Editor Jonathan Freeman shares a sweet memory and kind words in memoriam of Jeanne Leiby in the Fall 2011 of Michigan Quarterly Review. While not available for online reading, friends of Jeanne will appreciate getting a hold of a copy of the magazine for our own personal collections.
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2011 River Styx Poetry Contest Winners
Winners of the 2011 River Styx International Poetry Contest are included in the newest issue of River Styx.
1st Place: Stephen Kampa, “Small Change”
2nd Place: Tara Taylor, “Sea Glass”
3rd Place: Julie Hall, “Octopus”
This annual contest awards $1500 First Prize plus one case of micro-brewed Schlafly Beer as well as publication of top selections. A complete list of winners and honorable mentions are available on the publication’s website.
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New Lit on the Block :: The Bacon Review
The Bacon Review, edited by the writer/designer Eric Westerlind and philosophy acquisitions editor Jason Barry, was founded in 2011 as a review of fiction, non-fiction, poetry, and intellectual life. After only two issues, Westerlind and Barry have just announced that they would like to shift from a bi-monthly to a monthly publication, but will continue to limit content to four pieces per issue.
The Bacon Review also includes a featured called “Hot Seat” where authors whose works are selected for publication will be asked to participate in a half hour online chat regarding their “piece/writing/bovines/whatever else comes up” in the site’s chatroom (open to members who sign in). As Westerlind and Barry write, “We are interested in our authors as people; we want to know what inspires and motivates our contributors to write their stories, poems, and non-fiction.” The chats will be live with discussions archived on the site. Members will receive advance notice of scheduled chats.
The Bacon Review ontributors to date include Parker Finn, Melanie Braverman, William Doreski, Howie Good, Keith Batter, James Collector, Pablo Armando Fern
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Salamander 2011 Fiction Contest Winners
The newest issue of Salamander (v17 n1) includes the winning story of the 2011 Salamander Fiction Contest, “The Aerialist” by Hester Kaplan, and honorable mention, “The Blue Demon of Ikumi” by Kelly Luce. This year’s contest was judged by Jim Shepherd. A full list of finalists is available on the publication’s website.
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Anderbo Contest Winners
Open City 2011 RRofihe Trophy Short Story Contest
Winning Story “A Pair of Soup” by JL SCHNEIDER
Anderbo 2011 No-Fee Novel Contest / The Mercer Street Books Fiction Prize Winner
DORETTE SNOVER for “THE CITY OF LADIES”
Read the First Chapter here
2011 Anderbo Creative Nonfiction Prize FINALISTS
Judged by Elizabeth Wurtzel (PROZAC NATION)
Winner to be announced soon…
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In Memoriam :: Carol Novack
Editor and publisher of Mad Hatter’s Review – and so much more – Carol Novack passed away December 29. Acting Publisher and Editor-in-Chief Marc Vincenz has posted a piece on Mad Hatter’s Blog and has indicated they will be featuring tributes to Carol from many of her contemporaries, collaborators and closest friends in the weeks to come. An e-mail address is provided for those who wish to contribute.
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New Lit on the Block :: analogpress.net
analogpress.net is a new online biannual literary journal “focused on featuring the vision of today’s writers, poets and artists dedicated to the idea that literature should make universal themes relevant to the generation that the writer belongs to . . . cutting edge, on the fringe, anchored in classic intuitions: poetry, fiction, non-fiction topics, art & photography.”
Contributors to the first two issues include Laurits Haaning, Robert Lietz, Danielle Altic, Jonathan Steffen, J.T. Andrews, Robert Dicarlo, Peter Fernbach, D H Sutherland, Nicholas Petrone, Dylan T. Price, Lee D. Rorman, Richard Stolorow, Hanny Castano, Kellee Rich, Santiago Dominique, Susanna Douglas, Petra Gabriele Dannehl, Jeremy Mayer, Kate Zaliznock, Edward Harsen, Mark Goad, Ryan Palmer, Hanny Castro, Gretchen Meixner, Tom Rowley-Conwy, Mar Trujillo, M.Y. Lermontov translated by Teimuraz Chanturishvili, and Madeleine Swann.
analogpress.net accepts e-mail submissions of fiction, non-fiction, poetry, art and photography. Submissions for 2011 are currently closed but will open again January 31, 2012.
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2011 Kenyon Review Short Fiction Contest Winners
The Winter 2012 issue of The Kenyon Review includes the winners of the 2011 Kenyon Review Short Fiction Contest, previously for writers under the age of thirty. Final judge for the contest was Ron Carlson.
First Prize: Fan Li “Chiasmus”
Runner up: Anna Kovatcheva “September”
Runner up: Nichols Malick “The Boy in the Lake”
In a change from previous years of the contest, submissions will no longer be limited to writers under thirty. Starting in 2012, entries for the Kenyon Review Short Fiction Contest will be limited to writers who have not yet published a book of fiction.
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New Lit on the Block :: Tongue
Tongue: A Journal of Writing & Art is a new biannual literary magazine “devoted to all species of translation and border-crossing”: original poetry, essays and images that “aspires to challenge comfortable gestures and distinctions.” Tongue is an autonomous project of the Pirogue Collective — the arts and culture expression of the Gorée Institute. Editors are Adam Wiedewitsch, Colin Cheney, R.A. Villanueva, and Janine Joseph.
Tongue can be read online using the Issuu format or downloaded in several versions of PDF (suitable for mobile viewing – 1.35MB; high-resolution – 33.6MB; suitable for high-quality CMYK printing – 65.5MB).
Issue One launched in December and features new work from Geoffrey Nutter, Darren Morris, Claudia Rankine, Alfonso D’Aquino & Forrest Gander, Kiwao Nomura & Forrest Gander & Kyoko Yoshida, Cecily Parks, Idra Novey, Sally Wen Mao, Adam Small & Mike Dickman, Venús Khoury-Ghata & Marilyn Hacker, Brian Oliu, Birgitta Trotzig & Rika Lesser, Nathalie Handal, Ewa Chrusciel, Rachel Eliza Griffiths, and photographer Zhang Xiao.
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Glimmer Train Family Matters Winners :: 2011
Glimmer Train has just chosen the winning stories for their October Family Matters competition. This competition is held twice a year and is open to all writers for stories about family. The next Family Matters competition will take place in April. Glimmer Train’s monthly submission calendar may be viewed here.
First place: Joseph Vastano [pictured], of Austin, TX, wins $1500 for “Twinning.” His story will be published in the Spring 2013 issue of Glimmer Train Stories.
Second place: Aisha Gawad, of Ithaca, NY, wins $500 for “My Cousin Luna Sleeps on Super 8 Motel Beds.”
Third place: Nahal Suzanne Jamir of Tallahassee, FL, wins $300 for “My Mother’s Hands in My Mouth.”
A PDF of the Top 25 winners can be found here.
Deadline soon approaching: Fiction Open, January 2.
Glimmer Train hosts this competition quarterly, and first place is $2000 plus publication in the journal. It’s open to all writers and there are no theme restrictions. The word count generally ranges from 3000 – 8000, though up to 20,000 is fine. Click here for complete guidelines.
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New Lit on the Block :: Thrice Fiction
Still in its first year of publication, Thrice Fiction Magazine is published – yes – three times a year and is filled with stories, art, and “a few surprises from a variety of talented contributors.” Readers can download a free PDF or eBook of Thrice Fiction at no charge, or opt to purchase a full-color printed copy from MagCloud.
First-year contributors include Marty Mankins, Jack Foley, Vahid Jimenez, David Simmer II, Michael W. Harkins, John M. Bennett, Ann Bogle, Brandon Rogers, Chris Mansel, Adam Heath Avitable, Matthew Hill, RW Spryszak, Jeff Swanson, Aleathia Drehmer, Robert Kroese, Lisa Vihos, C. Brannon Watts, Echo Chernik, Nathan Garvison, and Kyra Wilson.
Thrice Fiction Editor RW Spryszak accepts e-mail submissions of “standard short stories as well as flash fiction but also various forms that kind-of sort-of look like fiction but may also be poetry. The stated mission of this magazine is to combine standard, more traditional fiction that we like alongside our fearless commitment to the new, unusual and unique.”
Art Director David Simmer II accepts submission queries from artists.
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New Lit on the Block :: Ilk
Editor Caroline Crew and Assistant Editor Chris Emslie bring readers Ilk, an online publication of poetry “of any description…hybrid forms…visual forms…concept & concrete.”
The first issue features works by Amanda Earl, Amy Herschleb, Deirdre Knowles, Michael Koh, Madison Langston, Thomas Patrick Levy, Rob MacDonald, Dearman McKay, M.G. Martin, Molly Prentiss, David Raymond, Daniel Romo, Mathias Svalina & Julia Cohen, Parker Tettleton, and Wendy Xu.
Ilk is open for submissions via Submishmash until January 15.
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Spalding University MFA Celebrates a Decade
Issue 70 (Fall 2011) of The Louisville Review celebrates the tenth annviverary of the Spalding University brief-residency MFA in Writing Program. MFA Program Director and Editor of TLR, Sena Jeter Naslund, and MFA Administrative Director and managing Editor of TLR, Karen Mann, were instrumental in moving The Louisville Review and Fleur-de-Lis Press to Spalding University and undertook to create the first Master of Fine Arts in Writing Program in Kentucky. Congratulations to their great success, and good wishes for a solid future for all endeavors!
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Memoir (and) Prose/Poetry Prize Winners
Chosen from its regular pool of submissions, Memoir (and) has selected the following winners for their biannual prize in prose or poetry:
Grand Prize
Colette Inez for “Mother Country” (prose)
Second Prize
Arthur Bull for “End of the Rope march, February 1996” (poetry)
Third Prize
Jean LeBlanc for “Some Flemish Painters Walk Around My Grandmother’s Yard” (poetry)
In addition to publication, each winner receives a cash prize. Memoir (and) also considers outstanding submissions for Graphic Memoir and Photography.
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Ploughshares Emerging Writer’s Contest Winner
The Winter 2011/12 issue of Ploughshares, guest edited by Alice Hoffman, includes the winner of the 2011 Emerging Writer’s Contest: “The Gospel of Blackbird,” fiction by Thomas Lee, selected by DeWitt Henry. The 2012 Emerging Writer’s Contest will be expanding to include fiction, nonfiction, and poetry.
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PennSound Streaming Radio
PennSound Radio, a 24-hour stream of readings and conversations from the PennSound poetry archive, launched last week. The daily schedule includes rebroadcasts of such series as Live at the Writers House, Charles Bernstein’s Close Listening, and Leonard Schwartz’s Cross-Cultural Poetics, as well as a curated selection of PennSound’s favorite performances. You can play PennSound Radio through iTunes on your computer, or by installing the free TuneIn app on your iPhone, BlackBerry, or Android device.
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Crow Arts Manor Seeks Book Donations
From Crow Arts Manor Director Sid Miller:
Crow Arts Manor, located in a Northeast Portland, is a 501c3 non-profits writing center, that provides lost costs classes and workshop. Over the last 9 months we’ve been hard at work assembling a literary library.
Through donations we’ve been able to obtain a large amount of current literary journals, magazines, books of poetry, short fiction and criticism. But it’s been difficult to obtain the classics, from writers going back to Whitman reaching to the end of last century. So now we’re asking the public for help. We’re looking for folks willing to donate a title or more from their own personal library. Our library will be open to the public and will be a tool for local writers, as well as local schools and non-profit organizations. It will be a place to read, write, and engage with other writers. We will never charge a fee for use of the library. If you are willing to donate, we are happy to send you a present, a past copy of Burnside Review (our partner). Please e-mail me if you are interested in helping: sid-at-crowmanor-dot-org.
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Vote Now: Broadsided Haiku Year-In-Review
Broadsided Press is honoring the year with a Haiku Year-In-Review (henceforth referred to as HYIR). To celebrate, examine, and honor the coming of 2012, Broadsided Press wants to publish haiku addressing the events of 2011 alongside visual work by Broadsided artists. Participants have sent haiku, and Broadsided has selected finalists, now YOU can see the art and choose the winners! The final result will be a published on January 4, 2012. To see the art and vote, visit the 2011 HYIR page at Broadsided Press – and feel free to share this with others.
[Pictured: “Tile Drainage” with writing by Christopher Lee Miles and art by Kara Searcy. Broadsided December 1, 2011.]
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New Lit on the Block :: Under the Gum Tree
Under the Gum Tree is a new online (via MagCloud) publication of photography and creative nonfiction published out of ThinkHouse Collective in Sacramento, California.
The editors write: “Under the Gum Tree is a storytelling project, publishing creative nonfiction in the form of a micro-magazine. We believe in the power of sharing a story without shame. Too much of the human experience gets hidden behind constructed facades based on what we perceive the world expects from us…the authors and contributors featured in our pages own their story, even the ugly parts, and share it with pure, unadulterated, raw, candid vulnerability.”
The first issue of Under the Gum Tree features stories from Peter Grandbois, Kate Washington and Alexa Mergen, and photography from Mazzarello Media & Arts and Jeannine Mengel.
Under the Gum Tree accepts online submissions via Submishmash.
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Editorial Changes at Jersey Devil Press
Eirik Gumeny, Founding Editor/Publisher, is stepping down from the editorial helm at Jersey Devil Press. Mike Sweeney will assume the role and all its responsibilities; Gumney writes of Sweeney: “He has always been one of my favorite writers, and he embraces everything Jersey Devil Press is about. He’s jumped into his new position feet first and guns blazing.”
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Anobium – Summer 2011
Anobium embraces and celebrates the strange and surreal. As a reader, sometimes this works for me and sometimes not. This is the first issue of Anobium, and I think for what they are trying to do, it’s a strong start. I liked the design, for one: the journal is pocket-sized, perfect-bound, and features subtle yet effective graphic design by staff artist Jacob van Loon. Continue reading “Anobium – Summer 2011”
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Bat City Review – 2011
Are you up for a side trip to Bat City? The landscape is compelling and the water’s fine. Compiled and produced by the University of Texas at Austin, the Bat City Review demands, as Editor Caleb Klaces states, “to be read closely.” Jam-packed with wonderfully wrought poetry and provocative prose, this issue is the perfect companion to take along on a weekend trip or for curling up by the fire on a chilly evening. Continue reading “Bat City Review – 2011”
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The Coffin Factory – 2011
On its website, The Coffin Factory states that it “serves as a nexus between readers, writers, and the book publishing industry,” with a mission to “provide great literature and art to people who love books, including those who do not usually read literary magazines.” It strikes me that the debut issue upholds this mission. Continue reading “The Coffin Factory – 2011”
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Ecotone – Spring 2011
I fell in love with this issue of Ecotone at founding editor David Gessner’s first mention of John Hay, one of my favorite nature writers. The issue proceeded to draw me in further and further, as I accompanied Poe Ballantine during his down-and-out struggles in Hope, Arkansas; drifted through former U.S. Poet Laureate Billy Collins’ dreamy poems; mired myself in Stephanie Soileau’s tale of two siblings, each stuck in a different rut; and stared transfixed at Magdalena Solé’s color photos of the Mississippi Delta. Next I floated above a poignant slice of childhood from Nancy Hale and stood by Joe Wilkins as he sent boys still short of manhood into a dark bar, following childish desires and finding much more. From there I traced Peter Trachtenberg’s enchanting map of his cats’ forays into the outside world, saluted Sam Pickering as he said goodbye to teaching, and in the final pages unsettled myself outside a remote cabin spun out of Kevin Wilson’s chilling words. Continue reading “Ecotone – Spring 2011”
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Epiphany – Spring/Summer 2011
Epiphany is “committed to publishing literary work in which form is as valued as content.” This emphasis on craft results in a balanced mix of excellent fiction, memoir, and poetry from both new and familiar authors. Continue reading “Epiphany – Spring/Summer 2011”
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Glimmer Train Stories – Fall 2011
Co-edited by two sisters, Susan Burmeister-Brown and Linda B. Swanson-Davis, Glimmer Train is a well-regarded magazine containing primarily short-stories. While many of GT‘s authors have impressive lists of past publications, other writers earn their first publication here. This issue includes stories by Geoff Wyss, Jenny Zhang, Daniel Torday, Evan Kuhlman, Nona Caspers, Olufunke Grace Bankole, Daniel Wallace, and Ken Barris. There is also an interview with Victoria Barrett by Debra Monroe. Continue reading “Glimmer Train Stories – Fall 2011”
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Hunger Mountain – 2010
Sometimes you need some literary chow. Your brain gets to feeling a bit peckish—in need of a good read. If so, this issue of Hunger Mountain will provide you with a veritable reading buffet. Take care that you don’t stuff yourself too quickly. Continue reading “Hunger Mountain – 2010”
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The Missouri Review – Fall 2011
In this issue’s featured interview, author Dan Choan says, “A big part of my life has been feeling out of place in one world or another and trying to adjust to that sense of being alien all the time.” Displacement is a central theme in the fall issue of The Missouri Review, and the journal’s diverse settings keep readers moving as well. Most pieces at the beginning of the journal place readers abroad, showcasing the magazine’s attention to current political issues. It is about two-thirds of the way through that the stories take a turn toward cityscapes. (Burt Kimmelman’s urban nonfiction, Peter LaSalle’s NYC story and Kristine Somerville’s essay on graffiti art.) The final piece of fiction situates readers in rural Maine in Stephanie DeGhett’s story “Balsam.” We are constantly moving in this issue, but what ultimately unites all the included pieces is a thoughtfulness and quality of writing that make this issue a humbling, excellent read. Continue reading “The Missouri Review – Fall 2011”
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Poetry – November 2011
One is prone to read Poetry expecting not only to find good poems, but also that something will be said about poetry. In this issue, the about reverberates most abundantly in Michael Robbins’s insightful review on three volumes, Clavics by Geoffrey Hills, Moving Day by Ish Klein, and Come and See by Fanny Howe. As Robbins suggests, poetry can be one thing—or that thing’s very contradiction: “where Flarf’s virtue is in its failure to hang together, Klein’s poems exude counterintuitive coherence.” This broad definition seems useful in dealing with a collection of poetry so diverse as in this issue of the journal. Continue reading “Poetry – November 2011”
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Southwest Review – 2011
Christopher Bakken’s skillfully paced essay “Octopus Ear” begins serenely with a dive off the coast of Greece, where he takes students on tours. Before long, though, he’s climbing down Mount Olympus in terrible pain from an ear infection, confronting his grief over his wife’s mental illness, finding unexpected kindness from a young waitress, and simultaneously laughing and weeping in a gust of what the Greek’s call harmolypi—“joyful sadness.” Part observant travel writing, part gripping personal narrative, the essay gets this ninety-six-year-old magazine off to another good start. Continue reading “Southwest Review – 2011”
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Spoon River Poetry Review – Winter/Spring 2011
What in the absence of color will staunch
this dreaming, what without fire will cauterize,
clot? Can nothing—not doubt nor distraction
nor sleep nor dopamine—stopper this seeping
apace? Continue reading “Spoon River Poetry Review – Winter/Spring 2011”
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Strange Horizons – June 2011-November 2011
I am not a fan of science fiction, but I decided to check out Strange Horizons, an online publication of speculative fiction, poetry, articles, reviews, and art. The first two stories bored me but the third was engaging, and I was hooked. I read a bunch of them. Continue reading “Strange Horizons – June 2011-November 2011”
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Voices de la Luna – July 2011
Part community news bulletin, part travel guide, and part literary magazine, Voices de la Luna drops the reader into the vibrant arts community of San Antonio, Texas. The magazine describes itself as “actively promoting poetry and arts in San Antonio by supporting other literary and arts organizations.” Discovering the interdependent community of creative folks represented in Voices de la Luna’s pages makes me want to buy a one-way ticket to this great town. Continue reading “Voices de la Luna – July 2011”
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Iron Horse Review Single Author Issue
It would be impossible to know from the cover that Control Burn, a collection of poems by Hastings Hensel, is the latest issue of the Iron Horse Literary Review. A few years ago, IHR changed its publication cycle to six “slim” volumes a year. While other publications were ‘downsizing’ to less print/more online, IHR shifted to less print/more often. There’s no doubt the idea of ‘slim volumes’ of fiction, poetry, nonfiction and photography fits neatly into our busy lives, and IHR added yet another unique feature to their line-up: an entire volume dedicated to one author. Every year, IHR publishes a chapbook of poetry, fiction, or essays. These issues look like a regular, single-author book, and “help to promote the work of writers in the early stages of their careers.”
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New Lit on the Block :: Revolution House
Revolution House is a new online publication of poetry, flash fiction, short storis, creative nonfiction, graphic stories, and art. A magazine run by writers Revolution House aims to publish both emerging and experienced authors.
Revolution House staff includes Executive Editor Alisha Karabinus, Managing Editors Fati Z. Ahmed, Elaina Smith, Creative Nonfiction Editors Jaime Herndon and Jami Nakamura Linwas, Fiction & Graphic Stories Editors Karen Britten, Carol H. Hood, Sarah Kamlet, Koty Neelis, and Katie Oldaker, and Poetry Editors Jonathan Dubow, Henry W. Leung, Karissa Morton, Susannah Nevison and Staci R. Schoenfeld.
The first two issue feature new work by Brooke Bailey, Myfanwy Collins, Patrick Thomas Henry, Amorak Huey, Deanna Larsen, Jen Marquardt, Thomas Michael McDade, Andrew Payton, Jessica Plante, Jessica Poli, Valerie Rubinaccio, Karin Rosman, Michael Simon, Courtney Thomas Vance, Ashley Wakefield, Tory Adkisson, Matthew Burnside, Alicia Catt, Caroline Crew, Sarah Crossland, Chanel Earl, William Henderson, Kea Marie, Michael Mlekoday, Francis Raven, Chad Redden, Sarah V. Schweig, Claire Shefchik, Caroline Swicegood, and James Valvis.
Submissions are open unless otherwise announced and accepted via Submishmash.
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Anniversary :: Tin House 50th
With the newest Tin House (Winter 2012), the magazine quietly celebrates its 50th issue with a the theme of Beauty. In addition to a full volume of featured writing, novelist and critic Marilynne Robinson explores the notion of beauty and its role in our changing society in her essay, poet Crystal Williams views the subject through the kaleidoscopic lens of race, while Aimee Bender talks with the artist Amy Cutler.
[Cover image by Elissa Schappell.]
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The Louisiana Poetry Project Online Resource
The Louisiana Poetry Project offers a biographical directory of Louisiana poets, sample poems from each, and a poem a day calendar with selected poems from LA poets. Also included on the site is a Lesson Plans area with poems and lesson plans for a variety of subject areas: English, science, math, history, geography, social studies, art, journalism, government, and more. The newly added Poetical Terms Glossary is still under development, but provides additional resources for teachers and readers alike. A calendar of events includes recurring meetings as well as scheduled events. A great resource site and an inspiration for other states to do the same.
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New Lit on the Block :: Vlak Magazine
Vlak Magazine, edited by Louis Armand, Edmund Berrigan, Ali Alizadeh, Stephan Delbos, Jane Lewty & David Vichnar is an international curatorial project with a broad focus on contemporary poetics, art, film, philosophy, music, design, science, politics, performance, ecology, and new media. Vlak is published by Litteraria Pragensia in Prague, London, New York, Paris, Melbourne & Amsterdam.
Issue 2 contributors include David Hayman, Vincent Katz, Philippe Sollers, Niall Lucy, Alice Notley, Emmanuelle Pireyre, Jeroen Nieuwland, Holly Tavel, John Kinsella, Rs Jaeggi, Louis Armand, Adam Trachtman, Leila Sebbar, Dorra Chammam, Moncef Gachem, Jane Lewty, Stephan Delbos, Ali Daghman, Mehdi Mahfoudh, Dawn Fowler, Ken Edwards, Vadim Erent, Carla Harryman, Andre Jahn, Travis Jeppesen, Karel Jerie, Steve McCaffery, Hank Lazer, Phil Coates, Ann Hamilton, Petra Ganglbauer, Marjorie Perloff, David Vichnar, Michal Ajvaz, Lucie Skrivankova, Pavel Novotny, Ondrej Buddeus, Jonas Hajek, Adam Borzic, Mark Melnicove, Adrian Clarke, j/j hastain, Ali Alizadeh, Ania Walwicz, Claire Potter, Felicity Plunkett, Gig Ryan, jeltje, Justin Clemens, Matt Hetherington, Michael Farrell, Nicole Tomlinson, PiO, Pam Brown, Sebastian Gurciullo, Chris Edwards, Matt Hall, Tereza Stejskalova, Charles Bernstein, Steve Benson, Katarzyna Bazarnik, Zenon Fajfer, Michal Sanda, Andrew Nightingale, Amaranth Borsuk, Kate Durbin, Zach Kleyn, Redell Olson, Clody Clevidence, Eleza Jaeger, Megan M. Garr, Sara Nicholson, Amy De’Ath, Larry Sawyer, Amy King, Brendan Lorber, Chris Martin, Corrine Fitzpatrick, Jason Morris, Macgregor Card, Nina Zivancevic, Noah Eli Gordon, Johan De Wit, Damien Ober, Joshua Mensch, Kamil Bouska, Cralan Kelder, Robert Sheppard, Francesco Levato, and Vincent Dachy.
The magazine is published in a square format (8.5 in) with full bleed and page insert photography and graphics in black and white throughout.
Vlak invites contributions that extend our understanding about what is possible; which pose questions about the prevailing attitude of norms; which explore the ramifications of contemporary culture and attempt new critical and creative methods. Annual deadline: January 15
[Cover image by Adam Trachtman.]
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RATTLE Tribute to Buddhist Poets
RATTLE Winter 2011 highlights the work of 30 contemporary Buddhist poets. As Dick Allen writes in his introduction, Buddhism “is not a glimpse or gaze but an immersion. There’s no glass, no other side.” Informed by years of studying human experience from their unique perspectives, these poets have much to offer Buddhists and non-Buddhists alike. Additionally, in the conversations section, Alan Fox speaks with M.L. Liebler and Buddhist poet Chase Twichell.
Authors featured in the tribute include Dick Allen, Li Bai, Pam Herbert Barger, Karen Benke, John Brehm, Toni Cameron, Louisa Diodato, Teresa Chuc Dowell, Jeffrey Franklin, Robert Funge, Gary Gach, Dan Gerber, Sam Hamill, Gail Hanlon, Lola Haskins, Donna Henderson, Yang Jian, Bo Juyi, Alison Luterman, Paul Pedroza, Peg Quinn, Diana M. Raab, Richard Schiffman, Jinen Jason Shulman, Sarah Pemberton Strong, Anne Swannell, Robert Tremmel, Tony Trigilio, Chase Twichell, and Jack Vian.
[Cover art by Toni Cameron.]
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New Lit on the Block :: Valparaiso Fiction Review
Founded in summer of 2011 as a sister publication the Valparaiso Poetry Review (VPR), Valparaiso Fiction Review (VFR) is one of the newest publications of Valparaiso University and its Department of English. VFR publishes two editions a year, usually around the first of December and the first of May, and features fiction from established and emerging authors. Co-Editors are Jonathan Bull and Edward Byrne, both of Valparaiso University, and Assistant Editors Emily Bahr, Ethan Grant, R. James Onofrey, Ellen Orner, and Jeremy Reed.
The first issue includes works by Andrea Dupree, Meg Tuite, Norman Waksler, W.F. Lantry, Dallas Woodburn, and Clifford Garstang. The magazine is available to read online or download in individual PDF format for each story.
VFR accepts submissions of original, unpublished fiction, 1,000 to 9,000 words with possible exceptions. No novels – though stand-alone excepts are acceptble, poetry (see VPR), or children’s fiction unless otherwise noted.
