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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

NewPages Book Stand – January 2020

NewPages Book Stand - January 2020A new Book Stand is available at NewPages! Visit for new and forthcoming titles in fiction, nonfiction, poetry, anthologies, and children’s/YA. Our New & Noteworthy section features six titles this month.

Americans Are trump by Randall G. Nichols explores the mindset of Americans who support our current president.

Dispatches from the End of Ice by Beth Peterson “is part science, part lyric essay, and part research reportage.”

In HULL, Xandria Phillips “explores emotional impacts of colonialism and racism on the Black queer body and the present-day emotional impacts of enslavement in urban, rural, and international settings” in their debut collection.

Orison Books has released their fourth anthology, “an annual collection of the finest spiritually engaged writing that appeared in periodicals in the preceding year.”

Someone You Love Is Still Alive by Ephraim Scott Sommers has been called “a gorgeous and dangerous book” by Jericho Brown.

Thirty-six writers share their worst reading experiences in What Could Possibly Go Wrong? edited by Richard Peabody.

You can learn more about each of these featured titles at our website. Interested in placing your book in our New & Noteworthy section? Learn more here.

2019 Writer’s Block Prize in Fiction Winner

The Louisville Review - Fall 2019Winners of Louisville Literary Arts’ annual Writer’s Block Prize are published in The Louisville Review. The Fall 2019 issue includes the winner of the 2019 prize: “The Things We Leave Behind” by Aimée Lehmann.

Lehmann’s fiction was selected by 2019 judge Garth Greenwell. In addition to publication, Lehmann also received a $500 prize for her winning piece. The 2020 Writer’s Block Prize is open during the summer months, so stay tuned for updates on this year’s deadline.

Updated :: 15th Annual Mudfish Poetry Prize

Mudfish 21 coverLiterary magazine Mudfish has announced it is now accepting submissions for its 15th Mudfish Poetry Prize. This year’s judge is Erica Jong, American novelist, satirist, and poet.

Mudfish is accepting both snail mail and email entries to the contest. You can submit up to 3 poems for $20. $3 fee for each additional poem.

Mail entries to Mudfish, 184 Franklin St, Ground Fl., New York, NY 10013 or email to [email protected]. Deadline to enter is March 15. On March 5, Mudfish announced they are extending the contest deadline to May 15, 2020.

Winners of last year’s contest, judged by John Yau, can be read in Issue 21 which is now available for pre-order.

“Owosso” by Mary Birnbaum

Crazyhorse - Fall 2019Magazine Review by Katy Haas

Mary Birnbaum’s nonfiction piece “Owosso” caught my eye in the latest issue of Crazyhorse, not only because it’s the winner of the Crazyhorse Nonfiction Prize, but because it’s a familiar name (though a surprise to see in a national literary journal); the tiny town in Michigan is a mere hour away from where I’ve lived my whole life. It’s also where Birnbaum’s grandfather lived, she learns as she reads his obituary at the gym. This discovery leads her on an exploration of the concept of ghosts and hauntings.

Across the country, Birnbaum writes of the ghostly characters of The Turn of the Screw by Henry James and personal ghost stories shared by two friends. This leads her to look at the ghosts of her own life. These are not supernatural beings haunting the darkness, but are her father and her grandfather, two strangers removed from her life.

Birnbaum’s thoughts about her father and grandfather are complex and complicated. She breaks her ideas apart into small chunks, making them easily digestible as she bounces back and forth between ghost stories, the “what-ifs” of finding and confronting her father, and her discovery at the gym. At one point she wonders, “if it’s worse to be a ghost or to be haunted. I wonder if both are possible in me,” leading me to consider the ways in which I myself am a ghost or am being haunted in my own life.

As the essay wraps up, Birnbaum decides to label Owosso a mythical location. But while the small city is something separated from herself, it did conjure up from the shadows a tiny, welcomed connection between writer and this reader.

“Transcendence: A Schematic” by Alyssa Quinn

Meridian - Summer 2019Magazine Review by Shaun Anderson

Alyssa Quinn’s “Transcendence: A Schematic”—Meridian Editors’ Prize 2019 winner—explores her efforts to process the loss of her brother. Weaving together a pilgrimage to Walden Pond, her memories of her brother, and her own beliefs and doubts, Quinn probes the hollowed out spaces, searching for a truth she can hold in the absence of her brother.

The exploration of emptiness leads Quinn to consider the places others turn to for truth. She explores science, religion, and maps, searching for a space where she can find her brother. Even in form, Quinn demonstrates absence as she creates a schematic, seeking answers from figures that do not exist. As Quinn tries to present an answer to her questions about death, transcendence, and reality she can only state with absolute uncertainty, “Perhaps the center is just as elusive as the beyond; matter as problematic as spirit.” In death, Quinn’s brother has shattered Quinn’s understanding of reality.

While the essay pulses with the agony of living in an emptied reality, Quinn recognizes that even her writing has been reformed by the loss of her brother. Quinn must confront the fact that “Syntax cannot convey true absence—say ‘I miss him’ and there he is again—there is no language for loss, for such awful missing.” Her work plunges into the loss of her brother, and emerges with the knowledge that Quinn must create a space to hold her brother within her own words.

 

About the reviewer: Shaun Anderson is a creative writing student at Utah State University.

2019 SRPR Editor’s Prize Winners

Spoon River Poetry Review - Winter 2019Spoon River Poetry Review’s Winter 2019 issue features the 2019 SRPR Editors’ Prize winner and runners-up.

Winner
“The Mammoth Steppe” by Mirande Bissell

Runners-Up
“I Thought I Was the Scream that Woke Me” by Abigail McFee
“After  weeks apart” by Alex Chertok
“Burning the Field” by Mitchell Untch
“Evolution” by Andrea Deeken
“Hoodoos” by Robin Rosen Chang
“Arizona” by Harry Bauld

Final Judge Rachel Webster introduces Bissell’s work and explains her choice, stating, “And maybe what I appreciate most about this poem is the fact that it introduces me to a speaker, a family and a landscape that are new to me, and piercingly vivid.” This year’s contest is currently open until April 15.

Get the NewPages Winter 2020 LitPak

NewPages will be mailing our annual Winter LitPak the week of February 10. LitPaks are sent to colleges and universities with both graduate and undergraduate programs and classes.

Don’t know what a LitPak is yet?

NewPages LitPak EnvelopeLitPaks are 9×12 envelopes containing fliers from literary magazines, independent and university presses, writing conferences and events, as well as creative writing programs. You can learn about new titles, new issues, calls for submissions, writing and book contests, upcoming application deadlines, new events, and more.

While NewPages won’t be handing out these LitPaks at AWP this year, you can still get your own copy delivered right to your doorstep. The cost for the Winter LitPak is only $5 – the price of shipping ($10 if you live in Canada).

Subscribe here: npofficespace.com/litpak/subscription/.

2019 Kenyon Review Short Fiction Contest Winners

Kenyon Review - January/February 2020Grab the first Kenyon Review issue of the year for the winners of the 2019 Kenyon Review Short Fiction Contest.

Winner
“Brown Girls” by Daphne Palasi Andreades

Runners-up
“Solitaria” by Emily Everett
“You Break It, You Own It” by Susan Falco

Fiction Editor Kirsten Reach introduces the three selections. Be sure to check this intro out for Judge Mia Alvar’s thoughts on her choices. Also not to be missed is the cover art for this issue, a literary illustration by Milan-based illustrator Emiliano Ponzi.

Contest :: The Southern Collective Experience Launches Women of Resilience Chapbook Contest

The Southern Collective 2020 Chapbook ContestThe Southern Collective Experience, home of quarterly literary magazine The Blue Mountain Review, launched a “women only” poetry chapbook contest this past November.

The Women of Resilience Chapbook Contest’s goal is “to highlight not only the struggle, but a way to the light” as “time and again, women have shown tremendous resilience while overcoming hardship, be it personal, marital, financial, parental, medical, addiction, and personal self worth. In fact, the caverns women navigate to ‘find the light’ are often deep, and brutal.”

The deadline to enter the contest is March 31 with winners announced on April 15. First prize is $200 and chapbook publication. The winner will be interviewed in the Summer 2020 issue of The Blue Mountain Review. There is a $25 fee.

The judge of this year’s contest is Melissa Studdard, author of four books including I Ate the Cosmos for Breakfast and Six Weeks to Yehidah.

“Dream Logic: The Art of Ten Contemporary Surrealists” by Kristine Somerville

Missouri Review - Fall 2019

Magazine Review by Katy Haas

The Fall 2019 issue of the Missouri Review invites readers to wander away from the ordinary into a world that’s a little bit “off” in its feature. In “Dream Logic: The Art of Ten Contemporary Surrealists,”Kristine Somerville offers a brief history of the surrealist art movement.

While we learn the history, we also see full-color images of surreal artwork, including embroidered mixed media images by Robin McCarthy, clay sculptures by Ronit Baranga, collages by Rodriguez Calero, and more. Indeed, these all carry dreamlike qualities as they challenge our expectations. Each piece grabs the eye and forces it to take in new, creative perspectives. Baranga’s work features grotesque human features emerging from delicate teacups. Gensis Belanger’s work seems to showcase the ordinary until you blink and realize a stool is supported by four large cigarettes instead of regular legs, and the foot inside the sandal that rests on the stool is actually a hot dog. Whimsy and dream logic reign in this feature. The provided history grounds us, though, giving a clear lens through which we can examine the art.

Somerville closes with the reminder, “surrealism provides an outlet for creativity and spontaneity and an escape from the tyranny of the real.” Allow yourself to escape for a moment and wander into the dreams of the surreal artists found in the Fall 2019 issue.

New Stories from the Midwest 2020

New Stories from the Midwest 2018 coverNew Stories from the Midwest is celebrating its milestone 10th anniversary by presenting selections from previous volumes alongside new stories published in 2018 and 2019. Michael Martone is the guest editor for this volume.

Journals can submit up to six pieces of fiction published in 2018-19 for free. Writers can submit an unlimited amount of stories for $3/story.

A $100 prize is awarded to a story with exceptional power.

The deadline for nominations and submissions is February 1. All contributors receive two copies of the anthology and a discount on additional copies.

New Stories from the Midwest is published by New American Press, publisher of literary magazine Mayday and home to the New American Prizes, to help bring more visibility to “the flourishing crop of Midwestern writers who consistently produce work that is innovative, engaging, finely crafted, and strong in voice.”

2019 SRPR Editors’ Prize Winner

Spoon River Poetry Review - Winter 2019Spoon River Poetry Review’s Winter 2019 issue features the 2019 SRPR Editors’ Prize winner and runners-up.

Winner
“The Mammoth Steppe” by Mirande Bissell

 

Runners-Up
“I Thought I Was the Scream that Woke Me” by Abigail McFee
“After  weeks apart” by Alex Chertok
“Burning the Field” by Mitchell Untch
“Evolution” by Andrea Deeken
“Hoodoos” by Robin Rosen Chang
“Arizona” by Harry Bauld

Final Judge Rachel Webster introduces Bissell’s work and explains her choice, stating, “And maybe what I appreciate most about this poem is the fact that it introduces me to a speaker, a family and a landscape that are new to me, and piercingly vivid.” This year’s contest is currently open until April 15.

Why Book Reviewing Isn’t Going Anywhere

Inside-the-Critics-Circle.jpgA researcher explores the future of a changing practice By Scott Nover, The American Scholar.

Now an assistant professor of sociology at McMaster University in Ontario, Chong researches how fiction book reviews come to fruition, trying to solve the puzzle of why some books get reviewed and why so many more are ignored. Her new book, Inside the Critics’ Circle: Book Reviewing in Uncertain Times makes the case for the persistence of old-guard professional criticism even in the Internet age.

…It’s a really good question. No one said they were giving good reviews to really bad books, or bad reviews to really good books. It’s more a matter of degree: how much am I going to gush about a book I loved before I worry about sounding stupid and pull back, or how much am I really going to tear into a book before I worry about potential fallout and pull back. And those aren’t just questions about honesty or authenticity, it’s also about what’s the right professional tone to strike when producing cultural journalism.

Masters Review: New Writing on the Net

Masters Review: New Writing on the Net January 2020.

“In our first edition of New Writing on the Net for 2020, The Masters Review reader Nicole VanderLinden shares her suggestions for your weekend reading list, all selected from the best new writing published online in the previous month! Happy new year!”

Featured this month is fiction from Grist Online, Lunch Ticket, JuxtaProse, Juked, SmokeLong Quarterly, Hobart, and Crack the Spine.

Promiscuity Is a Virtue: An Interview with Garth Greenwell

Garth-Greenwell

Garth Greenwell interviewed by Ilya Kaminsky in The Paris Review.

I don’t know how much these distinctions exist for me. Certainly I think the conversation of art doesn’t care about them very much. I’ve always been turned off by a kind of assertive Americanism, and the American writers I love best, from Hawthorne and James and Baldwin to Alexander Chee and Yiyun Li, have all been cosmopolitan in their tastes and views. Of course, America is important to my writing—the landscape of the American South, the rhythms of American speech, the expansive, sometimes-redemptive, sometimes-toxic sense of American selfhood.

What it means to be American is one of the subjects of my books, as it is of any book about Americans abroad. Bulgaria is important to the books, too. I was speaking Bulgarian every day as I wrote What Belongs to You. Often enough, I spoke only Bulgarian. The rhythms of Bulgarian—the most beautiful, the most musical language in the world, so far as I’m concerned—are part of those sentences, as is the cityscape of Mladost, the quarter of Sofia where I lived, which I also think is very beautiful, though maybe with a difficult kind of beauty.

Does Reading Really Improve Your Writing?

reading-and-writing.jpgDoes Reading Really Improve Your Writing?

While our literature professors may have embedded this idea in our heads since middle school, the relationship between reading and writing is not as straightforward as it may seem. Yes, they are obviously closely related. But, it does not mean your interaction with one will affect your skill in the other.

As someone who has written for several organizations, newspapers and magazines for a fair amount of time and can barely get through half a book, I never understood the basis of this concept. And so, trying to decipher it was like a roller coaster ride.

Brevity blog: Seven Stages of Submittable

Alison-Lowenstien-at-Brevity-Blog.jpeg“Seven Stages of Submittable” by Alison Lowenstein, Brevity Blog.

Submitting:

After meticulously crafting a brief cover letter and biographical statement, you upload your work of creative genius, along with a twelve-dollar submission fee. You press submit and enter a period of limbo when you see the essay, along with your many other submissions–ranging from haikus to flash fiction, logged as Received.

Dreaming:

Every evening you visit the web page for the literary journal you submitted to and imagine yourself on their homepage. Fantasizing that within minutes of the essay being on the journal’s website you get a book deal or at least an inquiry from a literary agent… [Read full blog post]

Personal stories of the exodus from Christianity

Empty-the-Pews.jpg“Empty the Pews: Stories of Leaving the Church” – Even as the American Christian right maintains its power and influence — despite a recent dust-up with President Trump — its children continue to abandon the fold. A recent survey by the Pew Research Center shows that fewer Americans across the political spectrum are identifying as Christian, and the phenomenon is particularly pronounced among the young.

In “Empty the Pews: Stories of Leaving the Church,” mostly Gen X and millennial writers describe their disillusionment with the faith of their youth and their departure from their religious communities.

…But the collection’s overall framing seems to equate the bigotry and ignorance of some Christians with Christianity itself. As Schaeffer writes in his foreword, “The grim ‘witness’ of how Christians have behaved and voted is too heavy a blow for faith in magical thinking to survive.” Here his critique of the Christian right slides into an implied critique of belief (“magical thinking”). In the book’s final essay, Isaac Marion is even more explicit: “All religious belief is a game of pretend.”

The New Guard 2019 Contest Winners

The New Guard - 2019The New Guard Volume VIII features the winners of the Machigonne Fiction Contest and Knigtville Poetry Contest, as well as the contests’ finalists and semi-finalists.

Machigonne Fiction Contest
Judge Rick Moody
“The View From Beachy Head” by Thos. West

Knigtville Poetry Contest
Judge Patricia Smith
“Once Upon a Time” by Damen O’Brien

In addition to the winners, finalists, and semi-finalists, the issue also features a section of eleven letters to writers’ younger selves.

Larry Kramer Wishes More People Wrote About Gay History

The American People by Larry Kramer“Larry Kramer Wishes More People Wrote About Gay History” – his new book is “The American People: Volume 2.”

Which subjects do you wish more authors would write about?

Gay history. Most historians taken seriously are always straight. They wouldn’t know a gay person if they took him to lunch. A good example is Ron Chernow’s biography of Hamilton, which doesn’t include the fact that he was both gay and in love with George Washington. Gore Vidal pointed this out to me.

Have you ever gotten in trouble for reading a book?

Not for reading one but plenty of times for writing one. Gay writers writing about other gays is not exactly a winning audience. And gays are not the best buyers or readers of their own. In “Faggots,” I used my best friend for one of the leading characters because he told such good jokes that I used. He never spoke to me again after the book came out.

“What You Need to Be Warm” by Neil Gaiman

neil-gaiman

“What You Need to Be Warm” – Neil Gaiman Reads His Humanistic Poem for Refugees, Composed from a Thousand Definitions of Warmth from Around the World

A century and a half after Walt Whitman wrote, in the middle of a civil war, that “every atom belonging to me as good belongs to you,” Neil Gaiman takes up the question of our shared belonging in a project of uncommon originality.

Frost on the ground that stays in the shadows, waiting for us.
Wear a scarf. Wear a coat. Wear a sweater. Wear socks. Wear thick gloves.
An infant as she sleeps between us. A tumble of dogs,
a kindle of cats and kittens. Come inside. You’re safe now.

Missouri could jail librarians for lending ‘age-inappropriate’ books

jail librarians Jail Librarians… You just can’t make this stuff up!

A Missouri bill intended to bar libraries in the US state from stocking “age-inappropriate sexual material” for children has been described by critics as “a shockingly transparent attempt to legalize book banning” that could land librarians who refuse to comply with it in jail.

Under the parental oversight of public libraries bill, which has been proposed by Missouri Republican Ben Baker, panels of parents would be elected to evaluate whether books are appropriate for children. Public hearings would then be held by the boards to ask for suggestions of potentially inappropriate books, with public libraries that allow minors access to such titles to have their funding stripped. Librarians who refuse to comply could be fined and imprisoned for up to one year.

Bennington Review – Fall Winter 2019

bennington-review cover

“The Devotions” issue features fiction by Sabirah Orah Mark, JoAnna Novak, Pablo Piñero Stillmann, Su-Yee Lin, Roger Topp, and more; nonfiction by Jenny Boully, Spencer Reece, Joan Connor, Tyler Mills, D. Gilson, and others; film by Will Stockton; art by Jochern Hendricks; Sabrina Orah Mark in conversation with Vi Khi Nao; and poetry by Peter Cooley, Endi Bogue Hartigan, Matthew Henriksen, Dujie That, Steffi Drewes, G.C. Waldrep, Antonia Pozzi, Owen McLeod, Bronwen Tate, Cary Stough, Sarah Destin, Alisha Dietzman, Christian Wessels, and more.

The Antioch Review – Summer 2019

antioch-review civer

The Antioch Review Summer 2019 issue opens with postmodernist African-American painter and printmaker Emma Amos’ 1957 Antioch College senior paper about her education as an artist whose works are currently scheduled to go to the Smithsonian. Investigative reporter Jay Tuck’s “Mankind’s Greatest Challenge: Artificial Intelligence” is a well-founded call for caution in what has become the wild west of virtual reality. Mika Seifert’s “Old Timers” will send chills up your spine and “Coming in on Time” by Stuart Neville will have you reaching for tissues. Our poetry selection rounds out this issue that once again delivers the best words in the best order.

2019 Rattle Poetry Prize Winner & Finalists

Rattle - Winter 2019Pick up the Winter 2019 issue of Rattle for the Rattle Poetry Prize winner and finalists.

Winner
“Stroke” by Matthew Dickman

Finalists
“Punch Line” by Kathleen Balma
“Bonanza” by Susan Browne
“Mother and Child” by Barbara Lydecker Crane
“Foreign-ness” by Maya Tevet Dayan
“Cathedrals: Ode to a Deported Uncle” by Daniel Arias Gómez
“The Never-Ending Serial” by Red Hawk
“Gender Studies” by Sue Howell
“From Oblivious Waters” by Kimberly Kemler
“Red in Tooth and Claw” by James Davis May
“Self-Portrait, Despite What They Say” by Gabrielle Otero

Along with the winner and finalists, there are twenty-three other poets included in this issue in the “Open Poetry section.”

“How does one not write a depressing book about depression?”

Book cover of The Scar by Mary CreganCaoilinn Hughes talks with Mary Cregan about her new book The Scar. …But this book is far more than a memoir: it is the result of decades of research on the medical history of the diagnosis, as well as the classification and treatment of depression and melancholia. To this rigorous and fascinating scholarship, Cregan has added the work of a variety of artists—from the ancient Greeks to Leonard Cohen. No surprise, then, that she teaches literature at Barnard College.

For a long time I couldn’t figure out how to write the book because the subject is seen by most people as “depressing.” How does one not write a depressing book about depression? Add to that the trigger of the death of an infant, and it seemed a daunting thing to invite readers to enter into. Death, grief, suicide, illness: these are subjects that a lot of people prefer to avoid thinking about.

Two Poems by Bill Snyder

Weber - Fall 2019

Magazine Review by Katy Haas

The Fall 2019 issue of Weber includes two poems by Bill Snyder: “Redundancy” and “Home.”

Snyder travels through time in these poems. In “Home,” he brings us to 1972 as he hitchhikes to his father’s house in Florida to surprise him with his arrival, and in “Redundancy,” he brings us to 1995 while he plays Scrabble with his mother.

Snyder writes with clarity, each poem rich with description that never bogs the message down. Each feels like a tiny short story, grabbing readers and pulling them into the scene. We are sitting at the table with his mother, “sunlight seeping in.” We are standing on the side of the road waiting in the humid air for a car to stop, “the sun behind a Burger King, Kentucky Fried, / all the rest.”

These poems are a pleasure to read, an intimate gaze at the familial bonds of Snyder’s speaker.

Caitlin O’Neil Wins Danahy Fiction Prize

Caitlin O'Neil [cropped headshot]The editors of Tampa Review are pleased to announce that Caitlin O’Neil, of Milton, Massachusetts, has won the thirteenth annual Danahy Fiction Prize for her short story entitled “Mark.”  She will receive an award of $1,000, and the story will be published in the forthcoming Spring/Summer issue of Tampa Review.

O’Neil is a graduate of the MFA program at Columbia University and currently teaches in the English Department at the University of Massachusetts Dartmouth. She says that her winning story came directly from her life experiences as a college professor and as a human being living in America today.

“I watched multiple school shootings unfold on television with sadness and fear,” O’Neil says. “Given the gridlock around gun control, I began to think about what a world that had adjusted to guns and gun violence might look like.”

O’Neil’s story is set in a near-future in which guns become an even more pervasive part of the culture.

Learn more about the winning story and the runners up here: tiny.cc/danahyprize13.

NewPages January 2020 Digital eLitPak

NewPages has sent out our monthly digital eLitPak to current newsletter subscribers this afternoon. Not a subscriber yet? Sign up here: npofficespace.com/newpages-newsletter/.

Besides our monthly eLitPak featuring fliers from literary magazines, independent presses, and creative writing programs and events, we have a weekly newsletter filled with submission opportunities, literary magazines, new titles, reviews, and more.

Check out the current eLitPak below. You can view the original newsletter email here. Continue reading “NewPages January 2020 Digital eLitPak”

2019 Zone 3 Literary Awards Winners

Zone 3 - Fall 2019Find the Fiction and Poetry winners of the 2019 Zone 3 Literary Awards in the Fall 2019 issue. Winners were chosen by the genre editors.

Fiction
“Five Variations on Parnell’s Blues” by Matthew Fiander

Poetry
“Sandy” by Jasmine Dreame Wagner

For more contest winners, readers can pick up the Spring 2019 issue to check out the winner of the nonfiction prize: “In Praise of the Plains” by Sarah Fawn Montgomery. The Literary Awards are currently open until April 1.

Joy Harjo: ” Everyone wants a place where they feel safe”

Joy Harjo An American SunriseYou once said that poetry “directly or inadvertently mirrors the state of the state.” And I wonder what you think the state of the state is right now?

Everyone wants a place where they feel safe, where they feel like they might know what’s going to happen tomorrow and that they could wake up in a universe in which they feel supported. Where we know we can practice our ways and not be jailed or censored or anything. Most people want that. But I think the state of the state is marked by a great insecurity, a great insecurity running through everyone, whatever so-called side you’re on. And so I think people are really looking for connection and trust to build some kind of stability — and for some kind of leadership in which we have leaders who are trusted because they have a history of compassion, of knowledge, and they’re willing to work across any kind of political lines. Those are real leaders. The real leaders care about the people, not about the opinion of those who are going to give them money for their campaigns. Read more…

Let’s All Read More Fiction

Birdie short fiction in The Atlantic magazineOver the centuries, The Atlantic has prized great storytelling. Now we’re setting out to publish fiction with far greater frequency than we’ve managed in the past decade, starting today with “Birdie,” a new story by Lauren Groff.

Contemplative reading might be viewed as a minor act of rebellion in the internet age. At a time when every available surface is saturated in information, it sometimes seems as though facts are absorbed osmotically, even accidentally, just by moving through space and time. And although the internet is not the perfect opposite of the novel, as some people have argued, it makes fairly efficient work of splintering attention and devouring time. Literary reading—of fiction and of poetry, the kind of reading that commands moral and emotional reflection—is far too easily set aside.

Frontier Poetry Partners with Antioch University LA for New Fellowship

Frontier Poetry Antioch MFA Fellowship PrizeOnline literary magazine Frontier Poetry announces a new fellowship in partnership with the creative writing program at Antioch University Los Angeles.

The Antioch-Frontier Fellowship allows the winner to experience one of Antioch University LA’s MFA residencies first-hand. This includes 10 days of intense learning and immersion with mentorship and community opportunities. The fellow can choose between the Summer 2020 residency or the Winter 2021 residency.

The fellowship will cover travel expenses and lodging. Also, it awards a $1,000 cash prize to cover any additional expenses. The Winner will also be published on the Frontier Poetry website. February 15 application deadline. The Editors of Frontier Poetry and staff of Antioch University will select the winner. Learn more about the fellowship at Frontier Poetry‘s website.

Ruminate – Winter 2019/20

Ruminate - Winter 2019/2020Magazine Review by Katy Haas

Each issue of Ruminate opens with “Readers’ Notes,” a response from a variety of readers/writers on the issue’s theme. This is one of my favorite parts of the issue—the little snippets of connection. The Winter 2019/20 theme is “Shelter,” and thirteen readers write in with their thoughts on the subject.

It’s interesting to see the variety of approaches writers take as they cover this topic. A few speak of physical structures that offer shelter. Benjamin Malay writes of an abandoned farmhouse found while hitchhiking; Duane L. Herrmann’s shelter is a screened-in porch during childhood; and Sharon Esterly writes of a DIY Cold War bomb shelter. Moving away from man-made structures, Rebecca Martin observes a child’s own body being their shelter; Liz Degregorio’s shelter is “the kindest lie” her father could tell her as a child; and Sarah Swandell’s shelter is a womb.

Each of these pieces is short and succinct. All grab attention and hold fast as readers unfold the layers that reveal the shelter within. The Readers’ Notes section serves as a great opener for Ruminate, both as a warm-up for the rest of the issue, and as a way to jog one’s own creativity, prompting consideration on how we too might briefly write on the given topic.

A Short History of Presidential Election Crises

Short-History-Presidential-Election-CrisesIn A Short History of Presidential Election Crises (City Lights Publishing), Constitutional scholar Alan Hirsch addresses these issues with urgency and precision. He presents a concise history of presidential elections that resulted in crises and advocates clear, common-sense solutions, including abolishing the Electoral College and the creation of a permanent, non-partisan Presidential Election Review Board to prevent or remedy future crises.

The Massachusetts Review Seeks Native-Authored Work for Special Issue

The Massachusetts Review Issue 60 cover Literary magazine The Massachusetts Review is kicking off the new decade with a special issue, the first of its kind for them. They seek new Native-authored fiction, nonfiction, and poetry for their first-ever issue with a Native focus.

Scheduled for publication in December 2020 to coincide with the 400th anniversary of the Plymouth Landing, guest editors include Tacey Atsitty (Amenorrhea), Laura Furlan (Indigenous Cities: Urban Indian Fiction and the Histories of Relocation), and Toni Jensen (From the Hilltop). Send queries and submissions for this special issue to [email protected].

MR, celebrating 60 years of publication, is a journal committed to social justice and equality and regularly publishes poetry, fiction, artwork, and essays. Check out their current call for submissions as well as their website to learn more about them.

Main Street Rag – Interview with Cathryn Cofell

Main Street Rag - Fall 2019The Fall 2019 Issue of The Main Street Rag includes an interview with Cathryn Cofell. The interview touches upon career, inspiration, and the Cofell’s submission process.

Cofell was named the winner of the 2019 Main Street Rag Poetry Book Award and readers can also find three of her poems in this issue: “Rush Hour,” “What I Learned from My Father,” and “Resignation Notice.”

Stick Figure with Skirt, the winning book, was released in November 2019 and is available at the Main Street Rag bookstore. Readers can also find additional sample poems from the book at the store.

‘We Are Meant to Carry Water’ by Carlson, Reed, and Dibella Seluja

We Are Meant to Carry Water

Guest Post by Kimberly Ann Priest

“Are we only bone, skin, and urge?” asks the speaker in The Great Square That Has No Corners. I am beginning to wonder if the answer to that question is affirmative. Yes. As I write this, I am sitting in my living room on a Tuesday afternoon in October, mid-way through another semester teaching, and realizing that, this autumn, I have over-committed myself . . . again.

As projects begin to pile up and my network grows, while responsibilities increase and my own poetry demands that I give it more of my attention, I have to let some things go. After four years reading and writing about new works by various authors and publishers, this will be my last review for NewPages. It’s time, once again, to listen to my body and check my urges. And, how fitting that I should end my review history with a review of a collaborative manuscript by three clearly very talented women who have written an elegant collection of poems on assaulted womanhood—a topic that continually shows up in my own work. Drawing from mythology, Tina Carlson, Stella Reed, and Katherine Dibella Seluja have woven a modern (though not modernized) conversation between Helen, Leda, and Lilith, and they have done so with such precision, such tastefulness, such raw beauty. Continue reading “‘We Are Meant to Carry Water’ by Carlson, Reed, and Dibella Seluja”

‘Night Sky with Exit Wounds’ by Ocean Vuong

Night Sky with Exit Wounds by Ocean VuongGuest Post by Andrew Romriell

Ocean Vuong’s collection of poetry, Night Sky with Exit Wounds, is a masterpiece that illustrates the most vital and sincere hardships of humanity in astonishingly few words. Leaping from free-verse to prose poetry, from stringent format to broken syntax, Vuong fashions here a collection of inclusion.

We open on “Threshold,” a poem where Vuong introduces his themes of body, parenthood, sexuality, and history. He warns us from the very beginning that “the cost of entering a song—was to lose your way back.” Vuong asks us to enter into his words and lose ourselves there. And we do, poem after poem, until we close on Vuong’s book with the penultimate piece, “Someday I’ll Love Ocean Vuong.” In this poem, we read an assumed message from Vuong to Vuong where he tells himself “don’t be afraid,” and to “get up,” and that the most beautiful part of his body “is where it’s headed.” Before this, we’ve read pages of poetry full of pain, fear, and shattering, but here, Vuong embraces himself—and us alongside him.

“Someday I’ll Love Ocean Vuong,” like all the poems in Night Sky with Exit Wounds, rings with pain, wonder, regret, and history. Yet, there is also hope here, and I would say this is the theme of Vuong’s work: hope, inclusion, and change. Vuong takes us through a journey, shatters our expectations, holds our hearts, tells us to get up, and that, like him, we can survive the voyage.

Night Sky with Exit Wounds by Ocean Vuong. Copper Canyon Press, April 2016.

About the reviewer: Andrew Romriell is a creative writing student at Utah State University.

2019 Nelligan Prize for Short Fiction Winner

Colorado Review - Fall/Winter 2019The featured fiction piece in the Fall 2019 issue of Colorado Review is the winner of this year’s Nelligan Prize for Short Fiction: Bryna Cofrin-Shaw’s “Loss and Damage.”

Joan Silber selected the winner, and says of her selection: “How many writers could turn a conference on climate change into a very smart tale of sexual intrigue? It has ideas (all too rare in fiction), irony so good it’s unexpected, and great characters.”

Pick up a copy of the latest issue of Colorado Review to take in this story and the rest of the quality work inside the issue, or check out the winning piece online.

The Music And Morality Of Beethoven’s Mighty Ninth

Beethoven's Mighty NinthFrom NPR Music Deceptive Cadence. These important adoptions and adaptations of Beethoven’s Ninth inspired me to create a new project, “All Together: A Global Ode to Joy,” marking the 250th anniversary of Beethoven’s birth in 2020.

The fact that this unique composition has inspired the imagination, hopes and aspirations of so many people from such diverse backgrounds led me to imagine a 21st-century rendering of the symphony – one that could bring to life the journey of the entire piece and capture the essence of the specific community where it is performed.

Lynda Barry: Making Comics

Lynda Barry Marking ComicsLynda Barry’s Making Comics is a how-to graphic novel guide for people who gave up on drawing. Lynda Barry says that everybody has an innate ability to draw, which most people abandon in their youth; comics are gestures of the human hand, and the act of writing is likened to the art of drawing. Making Comics explores the process of expanding the life of drawings, and fusing symbols for character building. A term is introduced for reimagining the happenings of one’s life: autobifictiontionalography.

Great interview with Lynda Barry by Michael Silverblatt on Bookworm KCRW.

More here: Lynda Barry’s New Book Offers a Master Class in Making Comics

 

‘Out of Speech’ by Adam Vines

Out of Speech by Adam VinesGuest Post by Adrian Thomson

Adam Vines’s Out of Speech, a poetry collection comprised of ekphrastic poetry based upon famous paintings as well as personal experience, draws on Vines’s travels from southernmost Argentina to the Louvre. Each poem begins by naming the art piece it takes as a subject, then moves toward unpacking their visual elements often through fascinating uses of enjambment.

More than just describing the artwork, Vines peels away surfaces to encounter shavings of shocking humanity lying beneath. In “My View From Here,” a poem responding to Yves Tanguy’s Les Vues, Vines sees an abstract red vista of segmented alien pillars the cancer polyps hidden in a barstool acquaintance he meets by chance outside the gallery. “Holes and Folds,” based on the group portrait The Swing by Jean Honoré Fragonard, finds a narrator focused on the most innocent of the lounging young men in order to question his objectives as a hand slides up a woman’s dress.

Vines’s visual inspection of minutiae leaves his reader questioning the subjects presented in the paintings. Will the awoken businessman in Hopper’s Excursion Into Philosophy leave before his lover stirs? What has made his countenance so dour? What of the open book forgotten on the bed? Is his shoe slipping into, or out of the light? The reader feels unsure even after turning away, and Vines leaves them contemplating in silence.

Out of Speech by Adam Vines. LSU Press, March 2018.

About the reviewer: Adrian Thomson is a creative writing student at Utah State University.

Divine Medicine: A Natural History of Beer

Natural-History-of-Beer.jpgIn the beginning was beer. Well, not quite at the beginning: there was no beer at the Big Bang. Curiously, though, as Rob DeSalle and Ian Tattersall point out in A Natural History of Beer, the main components of beer—ethanol and water—are found in the vast clouds swirling around the center of the Milky Way in sufficient quantity to produce 100 octillion liters of the stuff…

In America, where there was no such tradition, the movement was more heterogenous. It has found its public, though: by now there are 5,000 craft brewers in the United States producing 20,000 brands of beer. It is one of the bright spots in America’s otherwise dismal recent history.

2019 Curt Johnson Prose Award Winners

december‘s Fall/Winter 2019 issue features the winners and honorable mentions of the 2019 Curt Johnson Prose Award in Fiction and Nonfiction.

This year’s Award in Fiction was judged by Rita Mae Brown, and the Award in Nonfiction was judged by Amy Chua. Contest Editor Lauren Lederman introduces the winners, and readers can find a full list of finalists inside the issue.

2019 Curt Johnson Prose Award in Fiction
First Place
“The Land Behind the Fog” by Andrea Eberly
Honorable Mention
“The Augmentation Dilemma” by TN Eyer

2019 Curt Johnson Prose Award in Nonfiction
First Place
“Gumdrop Electric” by Sarah Treschl
Honorable Mention
“The One Who Didn’t Stay” by Samantha Rogers

Ekphrastic Work in Valley Voices

Valley Voices brings readers a special edition on ekphrastic poetry with the Fall 2019 issue. Fifty-seven poems by forty-two poets follow the theme, and John J. Han pens the essay: “A Verbal Response to Visual Art: The popularity, Types, and Composition of Ekphrastic Poetry.”

Opening the issue is a sort of call and response between husband and wife duo Leo Touchet and Elizabeth Burk in “Louisiana: A Duet of Photographs and Poems.” Touchet’s photographs serve as inspiration for Burk’s poetry. After the selection, the two speak with Editor John Zheng about their work, both as individuals and as a creative pair.

Zheng introduces the issue with, “[ . . . ] ekphrastic expressions are not simple interpretations; they are, instead, reinterpretations that experiment with imagination, language, and synesthesia in the creative process of writing poetry.” Check out the creative experimentations in the Fall 2019 issue and let it inspire you to experiment with your own ekphrastic work.

Down Girl by Kate Manne Wins APA Book Prize

Author Kate Manne
Kate Manne

Kate Manne, associate professor of philosophy at Cornell University, has won the 2019 Book Prize from the American Philosophical Association (APA) for her Down Girl: The Logic of Misogyny.

In Down Girl, Kate Manne calls attention to an underappreciated question in the literature: how should we understand misogyny? She advances a new account of it to make sense of some of the most fundamental issues in feminist thought and political philosophy.

Three Questions for Joy Harjo in WLT

World Literature TodayLearn a little more about current U.S. Poet Laureate Joy Harjo in the latest issue of World Literature Today. In addition to a featured poem by Harjo, “Bless This Land,” there is also a mini, three-question interview with the poet.

Harjo answers the questions:
What recent book has captured your interest?
What outside the realm of literature has drawn your attention of late?
What current writing projects do you have underway or have planned in the near future?

The interview is brief but informative and gives readers jumping off points for what to pick up next.

Plume Publishes 100th Issue

Plume lit mag

Plume has hit quite a milestone this month. Their December 2019 issue is their 100th publication. As usual, they bring readers a fine selection of poems (some with audio recordings), a smattering of book reviews, and one essay. However, they stray from their usual format with their featured selection. While readers will normally find one poet interviewed with a selection of their poetry in this section, this month the staff has chosen to feature favorites selected from the past 100 issues.

These selections include: Rasha Abdulhadi (Issue 88), Angie Estes (Issue 46), Stephen Dobyns (Plume Anthology Number 7), Amy Beeder (Issue 67), Tom Sleigh (Issue 17), Justyna Bargielska translated from Polish by Benjamin Paloff (Issue 77), and Stephen Dunn (Issue 2).

If readers are feeling especially ambitious, they can find their own favorite poem among the full archive of all these past issues.