In my admittedly brief career as a reviewer, I’ve not encountered any literary journals that concentrate almost exclusively on the short story. I really like the idea, and obviously so do many other readers. Two differences I noticed about Glimmer Train Stories: this is the only lit mag I’ve read so far that isn’t connected to a college or university; and it’s the only one that includes a bookmarker as a bonus. Continue reading “Glimmer Train Stories – Winter 2014”

I’m honored to review this particular issue of The Antigonish Review because it announces the 2014 poetry and fiction contest winners. I’m glad I wasn’t a judge. It must have been an agonizing process to glean the wheat—the winners—from what couldn’t possibly have been literary chaff. Continue reading “The Antigonish Review – Autumn 2014”

The Main Street Rag has a different vibe from your distantly intellectual, even-tempered literary journal. It’s unpredictable, quirky. At the very beginning, Publisher/Editor M. Scott Douglass writes in The Front Seat column about why the issue is late and about the kerfuffle of the North Carolina governor inserting himself into the selection of state poet laureate. When he’s had his say on these topics, he directs us to The Back Seat (distinguished by cream-colored pages) toward the end of the issue, where he takes on the U.S. Senate race in North Carolina. This is a hands-on, opinionated rag. Continue reading “Main Street Rag – Fall 2014”

If Volume 8 of Enizagam is an accurate measure, age is no indicator of ability. The literary magazine is produced by 9^th-12^th grade students at the School of Literary Arts at Oakland School for the Arts in Oakland, California. The urban public arts charter school students design, edit, and publish the journal, and they do an excellent job. Enizagam is a beautifully designed read, full of the kind of poetry and fiction that not only delights, but sticks with the reader long after putting the publication down. Continue reading “Enizagam – 2014”

The centennial of anything is generally cause for celebration, but when one is an independent gardening magazine with homegrown roots (pun intended) and a lot of heart, reaching Issue 100 is an even more exciting accomplishment. Issue 100 of GreenPrints does not disappoint. It is a celebration of not only the gardening and gardeners GreenPrints regularly embraces, but also the magazine itself and all those whose impassioned writing is surely on par with their artfully tended begonias and apricot trees. Continue reading “GreenPrints – Winter 2015”

Not long after opening Eleven Eleven Issue 17, the reader finds two photographs by Ken Morisawa (“Fishman speed light #4” and “Fishman #18”). The two black and white images ostensibly depict a man diving into dark water, surrounded by chaos and a disturbance of bubbles. One may read this in other ways, but it strikes me as a man diving into the wild, the unknown, a bold and determined move. He may not know what to expect, but he jumps anyway. It is exhilarating. This interpretation fittingly mirrors the experience of opening Eleven Eleven. Continue reading “Eleven Eleven – 2014”

When sitting down to read Burnside Review, I feel you have to be in the right mood: opening to something different with every turn of the page, and craving something that makes you see things in a new way. At my first sit-down, I wasn’t quite prepared, but during my second chance, I got lost in the words, wanting more when I had finished. Continue reading “Burnside Review – Winter 2014”

The second issue of poetry magazine Kettle Blue Review is rich with work by eight talented poets. At the end of the issue, I found myself disappointed to not see a “next poem” prompt and went back to reread my favorites. Continue reading “Kettle Blue Review – October 2014”

The work in this issue (four short stories and eighteen poems) is representative of the highly competent writing that has been the hallmark of The Greensboro Review for some forty years. Most of the works, as is usual with university-sponsored journals, are by writers studying or teaching in MFA programs, or graduates of such programs. Most contributors have solid writing credentials. Continue reading “The Greensboro Review – Fall 2014”

I ended the review I wrote of West Marin Review 3 (2010) by saying I loved everything in it, even the ads, and I still do, so I will spend the first of my 25-or-so sentences here extolling the commercial plugs in Issue 5 as well: “Spirit Matters: [A Store Providing] Oddities and Deities in the Heart of Inverness Park”; the Point Reyes Music Center, where “Your creativity is our business”; “Flower Power Home and Garden,” with its whimsical blossomy heifer logo; Continue reading “West Marin Review – 2014”

Number 27 of Up the Staircase Quarterly exudes colors and bright images through both the art and the writing. With three art features, twelve pieces of poetry paired with art, four reviews, and one interview, this issue is a good way to stay occupied while cooped up on dreary winter days. Continue reading “Up the Staircase Quarterly – November 2014”

Writing is ordinarily a solitary pursuit, but the result of all that lonely work makes us part of a proud community. The Westchester Review takes the concept of community very seriously, collecting the poetry and prose composed by “established and emerging writers living, working, or studying in New York State’s Westchester County area.” Founder JoAnn Duncan Terdiman and managing editor Naomi L. Lipman tap a deep pool of talent, offering us some very good work that manages to transcend the geographic limits of its submissions policy. Continue reading “The Westchester Review – 2013”

The title Skidrow Penthouse evokes images of grit. A cover photo featuring bird heads and faceless, female nudes immediately confronts readers with the promise of grit. The 200+ pages of varied writing paired with black and white art neither disappoint, nor fall short of those gritty suggestions. The entire volume is a pleasure to navigate, but the words are not always nice. Continue reading “Skidrow Penthouse – 2014”

The North Carolina Literary Review is serious business, filled with substantial articles, interviews, poems, and stories that will be cited and remembered beyond the pleasure of reading that so many good literary journals offer. Moreover, there is a welter of photographs and art work, almost too much to take in. This is not an issue to pass on to a friend, but rather to shelve in one’s permanent library. Continue reading “North Carolina Literary Review – 2014”

Speaking in this issue’s long-form interview with upstreet editor Vivian Dorsel, Pulitzer Prize-winning fiction writer Robert Olen Butler had this to say about the special problems the writer’s medium presents: “The medium for a writer is words, and the words make sounds, but those sounds are immediately overwhelmed by meaning. We are the only artists whose medium is not innately and irreducibly sensual, and yet, as artists, we try to create sensual objects from it. Our medium is constantly struggling with us, to drag us into our heads.”

Continue reading “upstreet – 2014”

At the end of the day, aren’t we all looking for the same thing: words on a page that are strong enough to transport us inside a writer’s mind? I’m a picky reader and I’m sure I’m not the only one. It takes a lot to get, much less keep, our attention. That said, the Spring 2014 issue of Arroyo does not disappoint; in fact, it is quite the page turner—transported I wanted, transported I got. Continue reading “Arroyo Literary Review – Spring 2014”

Dysfunctional families, human nature, and the forces of Mother Nature are all prominent topics in this issue of Pembroke Magazine. While stories with happy endings, delivered with bows on top, are often sought after in today’s culture, it is refreshing and entertaining to read essays, stories, and poetry that have no real resolution. Continue reading “Pembroke Magazine – 2014”

Beth Mead, the editor of The Lindenwood Review, asserts that “the pieces we’ve selected this year are fragmented, showing us moments caught and suspended for our study, helping us find some truths about life through an unexpected point of view.” The Lindenwood Review most certainly holds true to Mead’s statement as each work within the magazine not only enticed me to read its content, but drew me to a level of self-reflection that left me wonderstruck.

Continue reading “The Lindenwood Review – 2014”

An out-of-this-country experience, the Atlanta Review introduces a collection of poems that touches on issues of race and bias. In this issue, readers are taken on a tour of Pakistan as they discover a unity in life’s tragedies. Continue reading “Atlanta Review – Spring/Summer 2014”

Pacifica Literary Review embraces stories dealing with concepts that represent the reality of the world in which they are written. This is evident in the poetry, prose, and art of this issue. The things people wish they could say, or experiences that they may have had but never talk about, find their way onto the page in bold, eye-catching print. Individual poems, stories, and images work together to form a collective narrative of the ever-changing world in which we live. Continue reading “Pacifica Literary Review – Summer 2014”

This Spring/Summer 2014 issue of Quiddity is ambrosia to modern writers and readers alike. It values brevity, and wraps life’s enigmas in eloquent vocabulary. Three-quarters of the issue is dedicated exclusively to poetry, but even the prose is concise, and yet all of the pieces are dense with dimension and meaning. This issue is broken into four categories: poetry, prose, interviews, and art. Each section is carefully pieced together like patches to create a beautiful quilt. Continue reading “Quiddity – Spring/Summer 2014”

Never have I felt a literary magazine embody its name more than the current issue of The Meadow. Its contents guide readers through a field of language which sets forth a landscape of natural beauty that’s not without its seasonal allergies. The Meadow amalgamates previously published writers like Keith Dunlap with students, such as Kirsten Jachimiak, who attend Truckee Meadows Community College where the magazine is published. Continue reading “The Meadow – 2014”

I haven’t reviewed many literary journals despite my sixty-something years on earth, since many of those years were spent in the Navy and at sea. I’ve never read a journal cover-to-cover until I perused the Fall 2014 issue of The Common, a relatively new journal, first published in 2011, and headquartered at Amherst College. And I didn’t expect it to make me feel like this was my journal; like I’d selected all of the pieces I want to find in a journal: fiction, poetry, essays, and photography. Continue reading “The Common – Fall 2014”

According to the cover, the Summer 2014 edition of The Carolina Quarterly is said to be full of “fairy tales, and pheromones, pious knives and lullabies, plus dust, dreams and winged messengers,” but it’s also chock full of darkness and hope, especially in the fiction and nonfiction entries. The Summer 2014 edition takes readers on a roller-coaster ride of loss, love, and optimism. Continue reading “The Carolina Quarterly – Summer 2014”

“I like folksy vulgarity. I don’t say that because ‘folksy vulgarity’ is a good way to describe the contents of this issue of Bat City Review. I say it because one of my favorite scenes from a novel takes place in Rabelais’s Gargantua and Pantagruel,” writes Alen Hamza in the editorial preface. And thus begins the Fall 2014 issue of Bat City Review. Continue reading “Bat City Review – 2014”

The Autumn 2014 issue of the Gettysburg Review is utterly absorbing. Its writers are not coy about the heart of the matter; readers know exactly what they’re trying to get across. It is very accessible reading. The most straightforward sentence is also fresh, and the most commonplace sentiments come wrapped in stories that linger. In “The Woods Are Never Burning,” Steven Schwartz weaves together different strands of his childhood and adolescence in Chester, Pennsylvania, anchored by his eternally optimistic furniture salesman father. In the background, there is the quiet hum of racial tension, the strangeness of growing up, and changes to Chester itself. Marian Crotty recounts the beginning of a romance in “Love at a Distance,” where the narrator is in Dubai and her lover, Chicago. The language has a touch as light as a ballerina on pointe: “When we talk, it is almost always on the edges of sleep, one of us newly emerged from the unconscious and the other ready to fall.” Continue reading “The Gettysburg Review – Autumn 2014”

Ordinarily, this interdisciplinary journal (formerly the Kansas Quarterly), focuses on the seven states of the Mississippi Delta. This special issue of Arkansas Review grew out of the 100^th year anniversary of the arrival of the Pfeiffer family in Piggott, Arkansas, as celebrated by the Hemingway-Pfeiffer Museum and Educational Center there. Its director, Adam Long, guests edits this exploration of the Hemingway-Pfeiffer connection. Continue reading “The Arkansas Review – August 2014”

Rust, dust, lust is the three-pronged theme carried in the pages of this year’s Slipstream. Poems start on page 5 of this issue and continue, unrelentingly in all the right ways through page 92. That’s 87 consecutive pages of notable work! Janet Warman and Margo Davis do an absolutely amazing job, separately, in weaving a compelling link between all three themes in a short space. Warman’s poem “Tin Man” uses familiar subject matter for the most part and left me cringing in anticipation. School plays, for their derision among parents, foster a necessity for creative ingenuity and a waypoint for future childhood memories. The lines “She made us rust, / and I was to grab his legs / as he told his Beautiful story.” showcase this perfectly. Continue reading “Slipstream – 2014”

Willow Springs has a thirty-year tradition of publishing fine contemporary fiction, nonfiction, and poetry. With this edition, the tradition continues with an impressive body of work. This is a strategically compiled collection, replete with recurring thematic and structural patterns. A striking feature in the issue is Jeffrey Bean’s series of “Voyeur” poems. The pieces, which comprise this series, are interspersed throughout the issue, presenting the speaker as voyeur. But his voice is not menacing or threatening. Instead, it is a gentle voice of longing and inquiry. Continue reading “Willow Springs – Fall 2014”

Only two stories—but two big stories, longer than short stories and shorter than novels, big in word count and big in quality—is what this beautiful issue of Big Fiction offers. When you read the website, you think: big ambition! When you hold the book, you think: big, admirable taste in design and material! When you dive into the stories you think: big winners! big pleasure! big success! This issue is, to put it in big letters, EXCELLENT. SPECTACULAR. WELL WORTH YOUR TIME. Continue reading “Big Fiction – Summer/Fall 2014”

One thing to be said about Sweet’s publications is the creative “cover” of each online issue, making the issue even more of an experience. With this issue, it’s all about the autumn treats: the table of contents is set up like a tray of blueberry pie, the section titles powdered with sugar. And each slice, each piece of writing, is a delicious treat. Courtney Kersten’s very short essays are easily relatable and allow the metaphors to provide all of the insight. For example, in “My Father in Wisconsin,” her father experiences a tragic event, and as a result of it, he has large scars from the gashes: “When I was younger, I would watch him shirtless and swearing and lugging things around the front yard unable to fathom how such deep gashes were able to heal.” Continue reading “Sweet – Fall 2014”

One thing that sets Driftwood Press apart from the crowd of literary magazines is that following each piece of writing is a quick ‘interview’ with the writer, asking about inspiration for the piece and the writer’s creative process. A few writers get asked what drew them to the magazine, and the resounding answer seems to be the cover art. So go ahead, judge the book by its beautiful cover; the writing inside is just as pleasing. One writer who agrees is Jillian Briglia, who contributes the poem “Insomniac’s Eulogy to the Moon.” With a young girl’s imagination, the narrator keeps a suitcase by her bed, only half asleep as she plans escape routes in case of “fires floods earthquakes pirates.” But later in life, this backfires as insomnia ensues: “alarm blinks red every six and half breaths and the dancing shadows are a folded page I can’t help turning to and I think what if what if what if I could fall . . . ” Continue reading “Driftwood Press – Fall 2014”

Started in April of 2012, Embodied Effigies puts an emphasis on creative nonfiction writers, “and the bonds that hold us together as we explore our pasts, presents, and futures.” A long time coming, the Summer 2014 issue is now out, and it was worth the wait.

In Mark Lewandowski’s piece, he admits to having commitment issues, but not those of the romantic variety—he can’t pick a hairdresser: Continue reading “Embodied Effigies – Summer 2014”

As part of the Texas State University MFA program, Front Porch Journal publishes poetry, fiction, nonfiction, reviews, and interviews. I’ve perhaps come across it too late to enjoy on those final summer afternoons as the editors suggest (especially since I swore I saw snow this morning), but it’s never too late to enjoy the writing. As I do with most journals, I gravitated to the nonfiction section first. The first of the two selections is Wendy C. Ortiz’s “September 1986,” which was first published in issue 10 and republished here to honor the publication of her collection of essays, Excavation: A Memoir. After reading it, I certainly wanted to pick up her book. Set in a junior high classroom, this essay explores a moment in which, despite her desire to come off as disinterested, Ortiz is first recognized for her writing. Continue reading “Front Porch – August 2014”

For their latest issue, the editors of Tin House have gone tribal, calling on some of their “favorite storytellers and poets” to help explain “what life is like in our contemporary tribes.” In creating their “Tribes” issue, they’ve assembled a trenchant and soulful collection of poetry, fiction, and essays that unsettle as they entertain, exploring the consolation and alienation of belonging or wanting to belong. Poetry from Tony Hoagland and Cate Marvin, fiction from Jess Walter and Julia Elliott, essays from Roxanne Gay and Molly Ringwald, as well as the work of many other well-known writers, all share communal space in this lively gathering of the literary tribes.

Continue reading “Tin House – Fall 2014”

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Screen Reading, mini reviews by Kirsten McIlvenna of online and digital literary magazines, was originally published the first Monday of every month. However, in an attempt to gain more readership, they were then published on the 15th of the month along with the regular literary magazine reviews. Here are the archives:

October 2014
The Boiler :: Medical Literary Messenger :: Neutrons Protons

September 2014
Cleaver Magazine :: Drunken Boat :: Out of Print

August 2014
decomP :: Wicked Banshee Press :: Your Impossible Voice

July 2014
Avatar Review :: Devil’s Lake :: Pretty Owl Poetry :: Southern Women’s Review :: Under the Gum Tree

June 2014
Clare :: Communion :: New Purlieu Review :: rawboned :: Red Booth Review

May 2014
Anak Sastra :: Glass :: Olentangy Review :: One Throne Magazine :: 1966

April 2014
Apple Valley Review :: Flyway :: Hamilton Stone Review :: Origami Journal :: Sixth Finch

March 2014
Breakwater Review :: Cider Press Review :: Dragnet :: The Oklahoma Review :: The Ostrich Review

February 2014
Brevity :: East Coast Ink :: Ghost House Review :: Jersey Devil Press :: Really System

January 2014
Agave Magazine :: Alimentum :: Apogee :: FictionNow :: The Monongahela Review

December 2013
Ascent :: Blue Lyra Review :: Chagrin River Review :: Compose :: Lines + Stars

November 2013
Chantarelle’s Notebook :: Fogged Clarity :: foam:e :: Psychopomp Magazine :: Sixfold

October 2013
Gulf Stream :: NAP :: Sassafras Literary Journal :: SpringGun :: Toasted Cheese

September 2013
Crack the Spine :: Gone Lawn :: The Meadowland Review :: Middle Gray Magazine :: Unsplendid

August 2013
Bodega :: The Citron Review :: drafthorse :: Four Ties Lit Review :: Hot Metal Bridge

July 2013
Clarkesworld :: Driftless Review :: The Fiddleback :: Looseleaf Tea :: Niche

June 2013
Apeiron Review :: Bent Ear Review :: Gris-Gris :: ONandOnScreen :: Split Lip

May 2013
Ascent :: Cliterature :: The Drum :: Fiddleblack :: Literal Latte :: Mezzo Cammin

April 2013
Brevity Poetry Review :: Ghost Ocean Magazine :: Spry :: Star 82 Review :: Swamp :: Tongue

March 2013
The Blue Route :: Cactus Heart :: Danse Macabre :: Flycatcher :: Four and Twenty :: The New River :: Shadowbox :: Temenos

February 2013
Cellar Roots :: Cleaver Magazine :: Damazine :: Lingerpost :: SpringGun :: Terrain.org

January 2013
ARDOR Literary Magazine :: Imitation Fruit :: Literary Juice :: Miracle Monocle :: Ontologica :: Redheaded Stepchild :: Rufous City Review :: Scapegoat Review :: The Sim Review :: storySouth :: Thrush :: Valparaiso Fiction Review

December 2012
Atticus Review :: Birdfeast :: Cerise Press :: The Golden Key :: Jellyfish Magazine :: Map Literary :: Mead :: Otis Nebula :: Right Hand Pointing

November 2012
The Bacon Review :: Digital Americana :: The Fib Review :: Five Quarterly :: Fogged Clarity :: Goblin Fruit :: Halfway Down the Stairs :: The Medulla Review :: On the Premises :: Per Contra :: Printer’s Devil Review :: The Writing Disorder

October 2012
Arsenic Lobster :: Fiction Fix :: failbetter.com :: Gemini Magazine :: Lowestoft Chronicle :: Menacing Hedge :: Persimmon Tree :: Pithead Chapel :: Poemeleon :: Quickly :: Revolution House :: The Rusty Toque :: Sleet Magazine :: Sundog Lit :: Umbrella Factory

September 2012
Amarillo Bay :: The Bacon Review :: The Boiler :: Brevity :: DMQ Review :: FRiGG :: Penduline :: Poecology :: Steel Toe Review :: StepAway Magazine :: Swamp Biscuits and Tea :: Sweet

August 2012
The Baltimore Review :: Blue Lake Review :: Contrary :: Fox Chase Review :: La Petite Zine :: New Delta Review :: Plume :: The Puritan :: r.kv.r.y :: Ragazine.cc :: Tampa Review Online :: Wag’s Revue

July 2012
Carve Magazine :: Cigale Literary :: Defunct :: Eclectica Magazine :: elimae :: Hippocampus Magazine :: Memorious :: Mixed Fruit :: pif Magazine :: Sixth Finch :: SmokeLong Quarterly :: SNReview :: Treehouse :: Vine Leaves Literary Journal :: The 2River View

June 2012
Anti- :: Blood Orange Review :: Dragnet Magazine :: inter|rupture :: Jersey Devil Press :: LITnIMAGE :: The Molotov Cocktail :: Short, Fast, and Deadly :: Shot Glass Journal :: Spittoon :: Stirring :: Straight Forward :: The Summerset Review

Tar River Poetry, published by East Carolina University, has featured work of established and emerging poets since 1978. This issue follows tradition and includes a substantial number of engaging poems. These predominantly brief, free verse poems are intellectually challenging yet accessible to a wide variety of readers. While these pieces vary in subject and stylistic mode, imagery remains strong throughout the collection. The best poems convey striking images, the kind that stay with a reader long after the last page of the journal is turned. Continue reading “Tar River Poetry – Spring 2014”

Playing parts both online and in print, Booth chose this year to put out a special short fiction issue, packed with many of the best pieces from the online edition as well as the winners of the 2013 Booth Story Prize. All the stories included in this issue are imaginative and well worth the read. Continue reading “Booth – Issue 2014”

Fall in the Midwest is a time for snuggles, blankets, reading, and a new issue of The Boiler. While the fiction and nonfiction were enjoyable, it was the poetry that warmed me up inside. In “Things I Know,” Megan Collins reminisces about part of her family she never knew—her grandfather. Continue reading “The Boiler – Fall 2014”

There’s much to be grateful for in this issue of Image. Always intellectual, visual, and spiritually beautiful, now in its twenty-fifth year, Image has a well-deserved reputation for hopeful, but realistic, attention to the intersection of “the larger questions of existence. . . [and] what the poet Albert Goldbarth calls the ‘greasy doorknobs and salty tearducts’ of our everyday lives.” Image is more than a journal—it’s also a set of programs to further the cause of such attention. The theme for this silver anniversary is “Making It New.” This issue fulfills this mission with grace; gratitude, as a response, is entirely appropriate. Continue reading “Image – Summer 2014”

The prose and the poetry in this issue of the Colorado Review are in two separate sections. And the issue certainly feels like two different journals, the prose accessible and filled with gripping stories, and the poems experimental and eclectic. Continue reading “Colorado Review – Summer 2014”

Broad Street has created a viable option for literary end table collections. In this issue, several mediums of storytelling are combined, allowing readers both a visual and multifaceted verbal display. Hunt/Gather was the proposed theme, and I do feel it is somewhat of a challenge to the reader. Loose definitions of the terms seem to have been used by the editors in compiling the pieces presented. By getting a little too hung up on wanting traditional definitions, I feel like I missed some of the simple beauty available in the pages that I can easier see in reflection. Continue reading “Broad Street – Summer/Fall 2014”

Medical Literary Messenger is an online/PDF journal aimed to “promote humanism and the healing arts through prose, poetry, and photography.” All work relates in some way to medicine, illness, or the body, and this issue includes reflections from doctors, patients, and family members of those who are sick. But the journal isn’t simply a platform for those to express themselves and heal through words; it’s also an intriguing read and delicate look into the lives of others. Continue reading “Medical Literary Messenger – Spring 2014”

The first thing that caught my eye in this issue of Neutrons Protons was the titling of the included pieces, and I was intrigued to read more, as you will be when you see titles such as “A Social Media Marketer’s Guide to Chronic Illness” and “The House with No Doorknobs” and “It Was All So Pinteresting” and “The Tin Man Addresses the Parole Board.” I urge you to read past the titles that invite you in; you’ll be glad you did. Continue reading “Neutrons Protons – September 2014”

This issue of Poetry East is absolutely a pleasure to physically handle. Every page is of glossy finish, it is roughly the dimension of a medium-size paperback, and it is lightweight enough to pack anywhere without being in the way. No page numbers in this issue make it difficult to reference where to locate some of the poems I found most enjoyable. Linear structure seems to have lent itself to the editor’s preference in selecting which works to include. Most of the poems included follow a very reasonable, almost philosophic arc toward endings that do not surprise so much as fulfill the reader. In response, since it feels good to go against the grain sometimes, I am going to employ reverse linear structure in presenting this review. Continue reading “Poetry East – Spring 2014”