Review by Jami Macarty
Jill Hoffman’s Kimono with Young Girl Sleeves features a candid and unfiltered poetics that demystifies the fame surrounding poets and writers. This reflects her long-standing involvement as a poet and editor of Mudfish magazine and Box Turtle Press in New York City. Hoffman’s poems read like “a story streamed forth / like a show on Netflix, seasons of episodes / that hook you into long nights of binge- / watching.” Hoffman’s poetry is confessional in the truest sense, free of pretension and deeply human.
Her poems sometimes take the form of aubades, sonnets, ekphrasis, villanelles, or fairy tales, but they are most often written as epistles, inviting readers to become confidants. Hoffman’s writing is reminiscent of the New York School poets and includes name-drops of figures like John Ashbery, one of the most renowned among them. Her style is vivid, urban, and unafraid, weaving together themes of medical concerns, old age, and death, with relationship desires and editorial responsibilities, featuring kimonos, “clogged toilets,” a “tree wearing mermaid earrings,” and a dog named Vermeer, along with plenty of anecdotes about dog walking and dinner parties.
Through her everything-out-in-the-open poems, readers gain insight into Hoffman as a writer confronting her own biases regarding her “privileged heart” while simultaneously addressing her Jewish heritage. She also reveals her experiences as a mother estranged from her daughter, who she feels has “betrayed” her. Beneath the lively and playful nature of these poems lies the deep pain of their fractured relationship.
As she weighs her life “on the scales,” Hoffman’s humanity shines through her imperfect responses, faux pas, and awkward moments. By sharing her “old funny life / Of heartbreak / And ecstasy” in this sincere manner, she helps dismantle the taboos surrounding artistic, diasporic, and societal expectations, offering a book “to make a reader fall in love.”
Kimono with Young Girl Sleeves by Jill Hoffman. Box Turtle Press, September 2024.
Reviewer bio: Jami Macarty is the author of The Long Now Conditions Permit, winner of the 2023 Test Site Poetry Series Prize (forthcoming University of Nevada Press), and The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona. Jami’s four chapbooks include The Whole Catastrophe (Vallum Chapbook Series, 2024) and Mind of Spring (Vallum Chapbook Series, 2017), winner of the 2017 Vallum Chapbook Award.
