The Iowa Review’s new double issue, 52.2/52.3, includes poetry, nonfiction, fiction, and translations by emerging and established writers such as Mark Chiusano, Kwame Dawes, April Freely, Annelyse Gelman, Kimiko Hahn, David Hernandez, Tom Lutz, Leslie Pietrzyk, Craig Thomas, Teresa Veiga (translated by Jeremy Klemin), and more, including the winners of the 2022 Iowa Review Awards: Amanda Barrett, Ruby Hansen Murray, Stephanie Ramlogan, Avia Tadmor, Bret Yamanaka, and Melissa Yancy. In this issue, readers will find pieces that feature a home for girls, the bardo, weddings, a mountain lion, pending Amazon orders, zero, hurricanes, Ree Drummond, and Juan Felipe Herrera.
The Iowa Review Editor Lynne Nugent introduces contributions to this 2022 double issue as diverse, including “an ode to a drag queen, an account of growing up with a Chinese last name in small-town Minnesota, and a meditation on a cane used as a mobility aid.” Nugent emphasizes The Iowa Review‘s evolution while also acknowledging its inheritance: in their first issue, The Iowa Review featured Donald Justice’s poem “ABC”; this issue features his letters, edited by Jerry Harp. Though that first issue was made up entirely of white, cisgender, heterosexual men (“brilliant men, mind you,” Nugent reminds us: “Donald Justice, William Stafford, Robert Coover, Galway Kinnell”) to her, Justice’s “poem reads like a manifesto for TIR. To launch a literary magazine in 1970 meant asserting against larger cultural forces the value of syllables, words, stanzas. Each of the diverse array of writers in this issue takes up the same cause. A, then B, then C, and building a new world from there.” Works in this issue include fiction by Pallavi Wakharkar , Serkan Görkemli, Rajnesh Chakrapani, Ernesto Barbieri, Kenneth Tanemura, Nikki Ervice, Lindsey Drager; nonfiction by Alison C. Rollins, Lisa Argrette Ahmad, Xujun Eberlein, Christopher Kempf, Michael M. Weinstein, Jonathan Wei, Michaela Django Walsh; poetry by Donald Platt, Sarah Heston, Alisha Dietzman, Samyak Shertok, Derek A. Denckla, Alisha Acquaye, Gunnar Wærness, translated by Gabriel Gudding, Meghan Maguire Dahn; and artwork by b. Robert Moore. Some content is available to read free online.
The newest issue of The Iowa Review (Spring 2022) includes a Portfolio on Poetic Black Resiliency. In the Introductory Notes (which can be read in full online here), the editors write to answer the question, Why resiliency?
First, resiliency goes beyond these repeated moments that speak to Black advocacy for justice and reiterates the continued insistence to continue, first (this has not always been a given, unfortunately). Resiliency also persists in making this world better as we are determined to thrive. This selection of poems goes beyond a buttoned-up stoicism and presents a diversity of emotions and approaches to methods of living, resiliency, and resolve. I have been astounded by the breadth of ideas, breath through the lines, and depth of emotion by the poets kind enough to contribute, some of whom are long overdue for their debut in TIR. The introspection and circumspection in this section spans a range of feelings: from the very personal to the sweepingly political reality of African-American lives over the last four hundred years.
A Portfolio on Poetic Black Resiliency features works by Tracie Morris, Joanne V. Gabbin, Lois Elaine Griffith, Yona Harvey, Nathaniel Mackey, Shelagh Wilson Patterson, Douglas Kearney, Steve Cannon, Harryette Mullen, Asiya Wadud, Janice A. Lowe, Yolanda Wisher, Delali Ayivor, Duriel E. Harris, Terrance Hayes, Jo Stewart, and Tracie Morris. Also featured in this issue is Poetry by Maria Zoccola, Brian Simoneau, Sara Elkamel, Susan Leslie Moore, Mariano Zaro, translated by Blas Falconer, Alice Turski, Jared Joseph, Kevin Norwood, Daniel Barnum, and Colin Kostelecky; Nonfiction by Steffan Triplett, Liza Cochran, and Julia LoFaso; Fiction by Dessa, Danica Li, Aleyna Rentz, Marian Crotty, Su Tong, translated by Ting Wang, Daisy Hernández, Kirsten Vail Aguilar, and Jackson Saul; and Artwork by Tim Fielder.
In this issue: a shrinking house, winter ticks, COVID, Burning Man, Alexander Pope, crisis, spies, a plane crash, wars, Sandy Koufax, and more. Poetry by Stella Wong, Gilad Jaffe, Camille Guthrie, Maxine Scates, Steffi Drewes, and more; and nonfiction by Carol Guess & Rochelle Hurt, Ellis Scott, Greg Wrenn, Amy V. Blakemore, and Andrea Truppin. Find fiction contributors at The Iowa Review website.
On July 27, it was officially announced that Lynne Nugent will be officially taking over the editorship of literary magazine The Iowa Review. Nugent is the seventh editor in the journal’s half-century history and is the first nonwhite person to hold this position.
Nugent was the acting editor for the past year before being officially moved into the position. Katie Berta will now be taking Nugent’s vacated managing editor position.
The Iowa Review produces issues three times a year and has been in continuous publication since1970. Don’t forget to support the journal by subscribing or purchasing single issues.
Literary magazine The Iowa Review, whose Fall 2020 issue was released last month after unexpected delays due to the pandemic, offers a web-home for veterans’ writing as well as resources for veteran writers with their Veteran’s Writing Gallery. In it they feature all work in its entirety by veteran writers who were published in the Spring 2013 and Spring 2015 issues.
They also offer a biennial writing contest for veterans, the Jeff Sharlet Memorial Award for Veterans. The winners and runner-ups of the 2020 contest will be published in the Spring 2021 issue. First place was James Janko’s “Fallujah in a Mirror”; second place was Jerri Bell’s “He Said, She Said”; and runners-up were Erik Cederblom, Ashley Hand, and Brian Kerg. Their next contest is slated for a May 2022 deadline.
If you are a veteran writer, do check out their resources page which offers a guide to publishing venues, workshops and classes, and writing contests devoted to veterans and active-duty military and reservists.
The latest issue of The Iowa Review is out. In this issue: birthday cake, auctioneering school, the 2018 Hawaii false missile alert, a male masseuse in Kanagawa Prefecture, a love performance, the winner of the 2019 David Hamilton Prize for Iowa Review Alumni, and tributes to Connie Brothers.
Literary magazine The Iowa Review hosts the Jeff Sharlet Memorial Award for Veterans. This writing contest is open to U.S. military veterans and active duty personnel. Writing can be in any genre and on any subject.
This year’s contest opens on May 1 and will be judged by Reginald McKnight, author of He Sleeps. The deadline to enter is May 31. First place receives $1,000 and publication in a forthcoming issue of Iowa Review. Second place receives $750 and three runners-up receive $500 each. Check out their site for full guidelines.
You can see the winners of the 2018 contest here: iowareview.org/blog/winners-fourth-veterans’-writing-contest. The 2018 winners were featured in the Spring 2019 issue.
This contest is made possible by a gift from the family of Jeff Sharlet (1942-69), a Vietnam veteran and antiwar writer and activist.
The latest issue of The Iowa Review is out. In this issue: toes, 362.28 in the card catalog, a portfolio of fantastical and surreal writing and artwork, a tenure review gone awry, and the winners of the 2019 Iowa Review Awards. Contributors include Julie Gray, Derby Maxwell, Elizabeth Dodd, Andes Hruby, and Laura Crossett in nonfiction; Joyelle McSweeney, Brian Sneeden, Philip Metres, Maggie Millner, and Stephanie Ellis Schlaifer in poetry; and Chloe Wilson, Sherry Kramer, Terrence Holt, Analia Villagra, and Bruce Holbert in fiction.