The Kenyon Review Nov/Dec 2017 issue features winners of the 2017 Patricia Grodd Poetry Prize for Young Writers. This award "recognizes outstanding young poets and is open to high school sophomores and juniors throughout the world. The contest winner receives a full scholarship to the Kenyon Review Young Writers workshop." Winning entries can also be read online here.
Eileen Huang: “Movie Scene on a Highway Shoulder"
Daniel Blokh: “Family Portrait with Lost Map"
Isabella Victoria: “Clemente Curls"
Publishing since 1967 from the University of Victoria, The Malahat Review is one of Canada's leading literary journals. Editors since its inception have included Robin Skelton, John Peter, Constance Rooke, Derk Wynand, Marlene Cookshaw, and currently John Barton (since 2004).
Originally subtitled "An International Magazine of Life and Letters," The Malahat Review now focuses on Canadian and international poetry, fiction, and creative nonfiction. The publication's website also features book reviews, interviews, contests, podcasts, and publishing tips - a bimontly guest column in which authors share how to improve professionals skills: "from the writing of cover letters, to what house style means, to choosing a rhyming dictionary, to having an author photo (as opposed to a selfie) shot."
Happy Anniversary Malahat! Here's hoping for another great half-century to come!
In her Editor's Notes to Issue 13 of Saranac Review, Elizabeth Cohen begins by quoting Emily Dickinson: "If I read a book [and] it makes my whole body so cold no fire can ever warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry."
Cohen writes, "We are sometimes asked at Saranac Review how we select the work we publish, and I think Dickinson's words are applicable. Of course we seek work that has strong voice, craft and originality, but in the end, it is the visceral response that probably most informs our choices. We choose poetry, fiction, creative non-fiction and plays that make us feel and evoke in us a response that physically affects us, while simultaneously reminding us why we read in the first place. If you could read our notes to one another on Submittable, you would see a lot of this: 'Made me tingle,' 'heart stopping,' 'took my breath away.'"
With such discerning criteria, writers have got to meet that bar, providing readers much to look forward to in each issue of Saranac Review.
Edited and published by Richard Peabody, along with the work of Associate Editor Lucinda Ebersole, Gargoyle celebrates 40 years of publishing with a 'two-sided' issue: Issue 65 - Side 1 and Issue 66 - Side 2. Sadly, Lucinda passed away March 20, 2017, as Peabody notes, "I'm heartbroken that my literary partner in crime has passed away. My plan is to shepherd her short story manuscripts and novel into print over the next few years. She was one of a kind and the funniest human I have ever known."
Gargoyle's impression on the literary landscape is vast, and it's with great hope and support for Richard and his staff that they will continue well into the future. In celebration, from the Gargoyle website:
In our first 40 years, Gargoyle has published work by:
10 Acker Award winners,
6 National Book Award-winning authors,
3 PEN/Faulkner winners,
4 Pulitzer Prize winners,
2 MacArthur Fellows,
2 Nebula Award winners,
2 Yale Younger Poets,
1 Hugo Award winner,
1 Poet Laureate,
6 Iowa Short Fiction Award winners,
6 Flannery O'Connor Award winners,
3 James Laughlin Award winners,
2 Lamont Poetry Selection winners,
2 William Carlos Williams Award winners,
8 National Poetry Series winners,
5 Orange Prize Long List writers,
2 Orange Prize Short List writers,
2 National Book Critics Circle Award winners,
6 Lambda Literary Award winners,
1 Gertrude Stein Award winner, and
3 Firecracker Alternative Book Award winners, among others.
The Indianapolis Review is a new online quarterly of poetry and visual art supporting the growth of new voices in the literary scene in Indianapolis and beyond. Founder and Editor in Chief Natalie Solmer and Associate Editor Rachel Sahaidachny started the publication “to give back to the poetry and art world by curating a platform to showcase poets and artists. We desire to create connections among writers and artists in our community and around the globe. In our own publishing experiences, we've seen there is always a need for venues to publish new work.”
"Twenty years ago," writes Brevity Editor Dinty W. Moore, "I had an idea for a magazine that combined the swift impact of flash fiction with the true storytelling of memoir, and Brevity was born. To be honest, I expected it to last a year."
Instead, Brevity has aged into the most well-known publication of its kind, with a rich history of publishing new authors who have become some of the most respected in the genre, and guiding writers as they learn and practice their craft.
In celebration, Brevity reached out to authors who have appeared multiple times in Brevity over the years and commissioned their submissions for an anniversary issue. Authors includes Lee Martin, Diane Seuss, Brenda Miller, Sue William Silverman, Rebecca McClanahan, and Ira Sukrungruang. Moore notes that readers "may detect a common theme (or at least a common word)" among the works.
BY TED KOOSER, U.S. POET LAUREATE
I was deeply moved by this week's poem, which shows us the courage of a person struggling with a disability, one that threatens the way in which she wishes to present herself. It illustrates the fierce dignity that many of us have observed in elderly people. Wesley McNair served five years as poet laureate of Maine, and his most recent book is The Unfastening, published by David R. Godine.
My Mother's Penmanship Lessons
In her last notes, when her hand began
to tremble, my mother tried to teach it
the penmanship she was known for,
how to make the slanted stems
of the p's and d's, the descending
roundness of the capital m's, the long
loops of the f's crossed at the center,
sending it back again and again
until each message was the same:
a record of her insistence that the hand
return her to the way she was before,
and of all the ways the hand had disobeyed.
We do not accept unsolicited manuscripts. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2016 by Wesley McNair, “My Mother's Penmanship Lessons,” from The Unfastening, (David R. Godine, 2017). Poem reprinted by permission of Wesley McNair and the publisher. Introduction copyright ©2017 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
Glimmer Train has just chosen the winning stories for their July/August Very Short Fiction Award. This competition is held twice a year and is open to all writers for stories with a word count under 3000. The next Very Short Fiction competition will take place in March. Glimmer Train’s monthly submission calendar may be viewed here.
1st place goes to Chase Burke of Tuscaloosa, AL [pictured], who wins $2000 for “That’s That.” His story will be published in Issue 101 of Glimmer Train Stories. This will be his first major print publication.
2nd place goes to Brian Yansky of Austin, TX, for “The Curse.” His story will also be published in an upcoming issue of Glimmer Train Stories, increasing his prize from $500 to $700.
3rd place goes to Ajit Dhillon of Singapore, for “Waiting.” His story will also be published in an upcoming issue of Glimmer Train Stories, increasing his prize from $300 to $700.
A PDF of the Top 25 winners can be found here.
Glimmer Train has just chosen the winning stories for their July/August Fiction Open competition. This competition is held twice a year and is open to all writers. Stories generally range from 3000-6000 words, though up to 20,000 is fine. The next Fiction Open will take place in March. Glimmer Train’s monthly submission calendar may be viewed here.
First place: Arianna Reiche, of London, England, wins $3000 for “Archive Warden." Her story will be published in Issue 101 of Glimmer Train Stories. [Photo Credit: Laura Gallant.]
Second place: Randolph Thomas, of Baton Rouge, LA, wins $1000 for “Heir Apparent.” His story will also be published in an upcoming issue.
Third place: Sharon Solwitz, of Chicago, IL, wins $600 for “We Enter History.”
A PDF of the Top 25 winners can be found here.
Deadline soon approaching! Short Story Award for New Writers: October 31
This competition is held quarterly and is open to all writers whose fiction has not appeared in a print publication with a circulation over 5000. No theme restrictions. Most submissions to this category run 1000-5000 words, but can go up to 12,000. First place prize wins $2500 and publication in Glimmer Train Stories. Second/third: $500/$300 and consideration for publication. Click here for complete guidelines.