Since there is always a lag time created between contemporary news issues and publications of poetry, Rattle has created a quick-streaming solution.
Poets Respond takes weekly submissions (before midnight on Fridays) for works "written within the last week about a public event that occurred within the last week."
The poems then appear every Sunday on the Rattle homepage. The only criteria for the poem, the editors assert, is quality, "all opinions and reactions are welcome."
Selected poets receive $50, with poems sent before midnight on Sunday and Tuesday considered for a "bonus" mid-week post.
This week's selection is "In Defense of Those Who Harbor Terrible Ideas at Tax Time" by Alison Luterman [pictured], in which, yes, she considers "the young black gay actor who orchestrated / a fake hate crime against himself. / It must have seemed like such a good idea to him / at the time," and later in the poem offers, "I have to forgive this young man his terrible / idea, I have to because, in my own way, I’ve been him."
For more information about Poets Respond and an archive of past works, click here.
The Art of Protest: Art and Scholarship as Political Resistance is the theme for the 2019 Mayapple & Sarah Lawrence Summer Workshop, June 13-22 in Bronxville, New York.
Mayapple Center for the Arts and Humanities will host workshops focused on participants choice of activist art, and the daily schedule will include restorative and affirmative yoga and mediation practices in nature.
- Engaging Civically through Collaborative Art: Developing a Working Aesthetics of Protest Art with Michelle Slater
- Staging the Revolution: Protest, Performance, and Social Change with Dana Edell
- Writing and Exploring Songs that Matter to Us and the World with Dar Williams
- Writing and Social Action: The Power of the Personal Voice in a Polical World with Brian Morton
- Ekphrastic Politics with Mahogany L. Brown [pictured]
- Art and Activism: Creative Collaborations in the Public Sphere with David Birkin
Enrollment is limited and applicants must provide an explanation of their interest as well as a sample of their work. Some financial assistance is avaialable.
"Oh, plastic, scourge of the Anthropocene, shaped into adorable shapes and dyed multifarious colors; plastic, who will be with us forever: it’s easy to forget about you, but when I remember you’re here, I’m annoyed and freaked out all at once."
The opening line of From the Editor: Material Life by Anna Lena Phillips Bell creates a link between the theme for the Fall/Winter 2018 issue of Ecotone: Body and our cultural abuse of plastics. Taking their own use to task, Ecotone announces with this issue they will no longer be shipping the magazines in 'polybags,' and the cover of the publication itself will now be an uncoated stock. Walking the talk!
And the contents of the publication focus on "The Body" including campus-carry laws, Indigenous students, the safety of women's bodies, queer identity, birth and postpartum depression, and much more.
See a full list of contributors and read partial content here.
This lovely cover of The Main Street Rag Winter 2019 just about sums it up for us here in Michigan.
"All of the work in this special Fall issue of Cold Mountain Review about a fair and just relationship between people and their society has great emotional impact," writes Consulting Editor Vivian Shipley in her Editor's Note. And the work strikes upon a variety of justice issues: the opioid crisis; transgender experience; the multitude of experiences of women from different identities, races, and classes; the continued impact of oppression created by colonial occupation; the impact of humans on the environment; ecological aspects; and the role of social media.
From her youth, Shipley shares, "I was taught that anything that had a negative impact on the dignity of life of any person, from their birth to their death, needed to be addressed and eliminated," and concludes, "This timely and very significant issue of Cold Mountain Review explores many ways to achieve social justice in our currently bitterly divided country."
See a complete list of contributors and read the full content online here.
Glimmer Train has just chosen the winning stories for their Family Matters competition. This competition is open to all writers for stories about family of any configuration. Glimmer Train’s monthly submission calendar may be viewed here.
1st place goes to Marian Palaia [pictured] of San Francisco, California, who wins $2500 for “Wild Things.” Her story will be published in Issue 106, the final issue of Glimmer Train Stories.
2nd place goes to Peter Parsons of Riverside, California, who wins $500 for “Elvis, Alive and Limping.” His story will also be published in Issue 106 of Glimmer Train, increasing his prize to $700.
3rd place goes to Emily Lackey of Amherst, Massachusetts, who wins $300 for “Trust.” Her story will also be published in Issue 106 of Glimmer Train, increasing her prize to $700.
Here’s a PDF of the Top 25.
Deadlines soon approaching!
Final Fiction Open: February 28
This is Glimmer Train’s final Fiction Open. First place wins $3000 plus publication in the journal, and 10 copies of that issue. Second/third: $1000/$600 and consideration for publication. This category has been won by both beginning and veteran writers - all are welcome! There are no theme restrictions. Word count generally ranges from 3000 – 6000, though up to 28,000 is fine. Stories may have previously appeared online but not in print. Click here for complete guidelines.
Final Very Short Fiction Award: February 28
This is Glimmer Train’s final Very Short Fiction Award. First place winning $2000 plus publication in the journal, and 10 copies of that issue. Second/third: $500/$300 and consideration for publication. It’s open to all writers, with no theme restrictions, and the word count range is 300 – 3000. Stories may have previously appeared online but not in print. Click here for complete guidelines.
BY TED KOOSER, U.S. POET LAUREATE
Marge Saiser, who lives in Nebraska, is a fine and a very lucky poet. With the passing of each year her poems have gotten stronger and deeper. That's an enviable direction for a writer. This poem was published in The Briar Cliff Review and it looks back wisely and wistfully over a rich life. Saiser's most recent book is The Woman in the Moon from the Backwaters Press.
Weren't We Beautiful
growing into ourselves
earnest and funny we were
angels of some kind, smiling visitors
the light we lived in was gorgeous
we looked up and into the camera
the ordinary things we did with our hands
or how we turned and walked
or looked back we lifted the child
spooned food into his mouth
the camera held it, stayed it
there we are in our lives as if
we had all time
as if we would stand in that room
and wear that shirt those glasses
as if that light
would shine on us
and from us.
We do not accept unsolicited manuscripts. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2018 by Marjorie Saiser, "Weren't We Beautiful," from The Briar Cliff Review (Vol. 30, 2018). Poem reprinted by permission of Marjorie Saiser and the publisher. Introduction copyright ©2019 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
Co-edited by Nicole Oquendo [pictured], Editor Lisa Roney introduces the newest issue of The Florida Review (42.2) in the "Editor's Note: Heritage, Family, Respect: Who Controls the Narrative?"
"It's with great pride and humility that we bring this array of poems, stories, memoirs, and both filmic and visual art to our readers - we believe that it represents a new generation of self-aware and multi-faceted creators who sometimes seek shelter under the umbrella of 'Latinx,' but who refuse to be defined by any label. [. . . ] They are, in fact, quintessentially American, representing the hybridity that makes our literature so strong on this continent, filled with varieties of experience and exhibiting styles that have been learned from an array of cultural sources and then innovated upon."
Selections highlight heritage, family, parent-child relationships, disability, divorce, and grieving. In several contributions, language and representations in history are examined, with all the works asking, "Who controls the narrative? What do words mean? If we know that they are subject to twisting, then how do we trust any story, any poem, any sentence?" Roney comments, "All of use, it seems, are grappling with these questions."
Contributors to this issue include Juan Carlos Reyes, Brooke Champagne, Steve Castro, Chris Campanioni, M. Soledad Caballero, Sara Lupita Olivares, Ariel Francisco, Leslie Sainz, Valorie K. Ruiz, Naomi A. Shuyama Gomez, Alana de Hinojosa, Maria Esquinca, Michael J. Pagán, Lupita Eyde-Tucker, Trinity Tibe, Karl Michael Iglesias, George Choundas, Pedro Ponce, Paul Alfonso Soto, Cindy Pollack, Pascha Sotolongo, Cassandra Martinez, Julia María Schiavone Camacho, Ivonne Lamazares, and Michael Betancourt.
Throughout 2018, Basalt Magazine "committed to publishing a selection of poems from each month of Ian Boyden’s manuscript A Forest of Names. Over the course of a year, Boyden translated the 5,196 names of schoolchildren crushed in the 2008 Sichuan Earthquake. He then began a collection of poems, each written on the day of each child’s birth. An in-depth discussion of these poems can be read in Fault Line: An Introduction to A Forest of Names.”
In his discussion, Boyden explains how, had it not been for Chinese artist Ai Weiwei, the names of these children, and the government being held accountable for the shoddy construction of the schools where these children were killed, would have been lost.
As part of the curation of Ai Weiwei's work related to the earthquake, Ian Boyden papered a wall with the children's names, "a massive work on paper consisting of 21 scrolls, together measuring 10.5' by over 42' long."
Boyden then discusses his work, taking the name of each child, the Chinese characters, and translating these into poetic renderings: "Holding the hopes implicit in each of these names in tension with the tragedy of the children's deaths has also been a translations of one grief to another: perhaps this is the most accurate translation of all."
The Winter 2019 online issue of Baltimore Review includes winners from their annual Winter Contest for fiction, CNF, or poetry, this year's themed "Tools," as well as the "Pop-Up Contest" for flash fiction or CNF in response to the collage art "The Tripwire of a Dream" by Bill Wolak.
Winter Contest Winners selected by Final Judge Geoffrey Becker:
Leslie Carlin [pictured], “Occasionally Good”
Christopher X Ryan, “Day Shapes”
Amanda Newell, “Because I Am Lonely and You Will Not Know My Pain”
Pop-Up Contest Winners selected by BR Editors:
Ian Mahler, "Lapse"
Robert Watkins, "The Little Girl and the Universe Tool"