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Denise Hill

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west marin review

There's something both innocent and haunting about this image, Binary Traces Young Girl  by Lia Cook, on the 2019 cover of West Marin Review.

water stone review

"Bodies Worth Defending" is the theme of Water~Stone Review Volume 21, and is clearly expressed in this cover photograph by Kwon Healin.

calyx

“Solo #4” by Leah Kosh is featured on the Winter/Spring 2019 cover of Calyx: A Journal of Art and Literature by Women, which has been running uninterrupted since its inception in 1976. 

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This spring, Witness, published by the Black Mountain Institute at the University of Nevada, Las Vegas, announced the winners of its inaugural Literary Awards in Fiction and Poetry.

sophia stidPoetry Winner
Judge Hanif Abdurraqib
“Apophatic Ghazal” by Sophia Stid [pictured]

Poetry Runner-up
"lump" by Renia White

Fiction Winner
Judge Lesley Nneka Arimah
“The Nine-Tailed Fox Explains” by Jane Pek

Fiction Runner-up
“The Kristian Vang Fan Club” by 
John Tait

For more information on the winning entries as well as a full list of finalists, click here. Winning entries can be read in the Spring 2019 issue.

Submissions for the 2020 contest are open until October 1, as well as general submissions on the theme "Magic."

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chinese literature todayContemporary Chinese Poetry is the special focus of the latest issue of Chinese Literature Today (v8 n1), with several works by each poet. The featured authors and the translators include:

Wang Jiaxin, translated by Diana Shi and George O’Connell
Che Qianzi, translated by Yang Liping and Jeffrey Twitchell-Waas
Li Dewu, translated by Jenny Chen and Jeffrey Twitchell-Waas
Hu Jiujiu, translated by Matt Turner and Haiying Weng
Mi Jialu, translated by Lucas Klein, Michael Day, Matt Turner, and Haiying Weng
Huang Chunming, translated by Tze-lan Sang
Chen Li, translated by Elaine Wong

The publication also includes a feature section on Newman Prize Laureate Xi Xi, with the 2019 Newman Prize Nomination, the 2019 Newman Prize Acceptance Speech, new poems translated by Jennifer Feeley, excerpts from several works, reprints, and an analytical essay of Xi Xi's fiction by Wei Yang Menkus.

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rattleThe Fall 2019 issue of Rattle Tribute to African Poets features seventeen poems "representative of the urgency and excitement that makes the poetry coming out of the continent feel so vital."

Authors whose work make up this tribute include O-Jeremiah Agbaakin, Ifeoluwa Ayandele, Kwame Dawes, Jonathan Endurance, Zaid Gamieldien, Rasaq Malik Gbolahan, Pamilerin Jacob, Temidayo Jacob, Labeja Kodua, Akachi Obijiaku, Anointing Obuh, Chisom Okafor, Ukamaka Olisakwe, Chidinma Opaigbeogu, Olajide Salawu, and Charika Swanepoel.

There is also an interview with Kwame Dawes by Editor Timothy Green.

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The Sept/Oct 2019 issue of Kenyon Review features the 2019 Patricia Grodd Poetry Prize for Young Writers winner and runners up, along with an introduction by Richie Hofmann. Each work can also be found on the Kenyon Review website along with an audio recording by the poet.

kenyon review young writersFirst Prize
Jay Martin: “November Picnic with Louise"

Runners Up
Martha Schaffer: “Stars"
Stephanie Chang: “Post Meridiem"

The Patricia Grodd Poetry Prize for Young Writers is open to high school sophomores and juniors. The winner receives a full scholarship to the Kenyon Review Young Writers workshop in addition to publication with two runners up.

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poetry sept

Armando Veve is the cover artist featured on the September 2019 issue of POETRY magazine. Poetry + tote bag lovers = you can get this same design on a tote bag with your subscription or renewal to POETRY

creative nonfiction

It's actually the tag lines on the cover of Creative Nonfiction #71 that landed it here: "Let's talk about SEX: 5 tips for better sex (writing); Make it last : the art of the long sentence; The eroticism of essaying."

gettysburg review

Catherine Mackey is the featured artists, both on the cover (Alcatraz Sink No. 1, oil and mixed media on wood panel), and with a full-color portfolio inside the Spring 2019 issue of The Gettysburg Review.

 

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slippage litI have a friend who likes to order items on a menu that are sound fun to say when we go out to eat. That’s how I first came to try calamari and bibimbap. It’s also a way to discover great new lit mags, like Slippage Lit, whose co-editors, Jacob Parsons and Admir Šiljak, along with Social Media Editor Semina Pekmezović, admit they chose the name because they just like the way it sounds. But that’s not the only reason.
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qu i10 summer 2019Wrap up your summer and get ready to head back to school with Zac Thompson’s “The Water of Life” a stage/screenplay in Qu #10. The characters, Leah and Carrie, are young, romantic partners at the close of their two-month summer relationship, each preparing to go to college—Carrie away to university and Leah to the local junior college. Leah, a preacher’s daughter, has set up a baptistery so the two can bind their relationship with a ritual. The dialogue is subtly quick and revealing, Leah being the pragmatist and Carrie the comic; Leah the “intense” dramatist and Carrie the lighthearted, “afraid to express [her] feelings.” It’s an intimate scene, full of the love and subsequent gut-churning realism young people face when their paths are on the verge of separation. A memorably bittersweet read.

 

Review by Denise Hill

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ChrisForrestIf you love rules and regulations, following forms and formulas to make something work, gnashing your teeth and pulling out your hair to meet perfection - and you love poetry - then you're going to love this free Prime 53 Summer Challenge Poetry Contest

Press 53 Poetry Editor Christopher Forrest [pictured] and Publisher and Editor in Chief Kevin Morgan Watson devised a new poetic form: the Prime 53 poem.

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thriller magazine v2 i1 july 2019Robb T. White’s lead story “A Civilized Man” is provided as a sample of the July 2019 Thriller Magazine (2.1). White’s narrator opens the story with, “What is a civilized man?” and walks readers through his fiancé’s disappearance and ultimate discovery of her brutalized dead body. The predictable dead-end investigation is offset by the narrator’s unexpected choice of action as he lays down his own justice. “It’s odd that I feel no guilt or shame.” The narrator confesses, “Quite the opposite. I feel . . . pleased, if that’s the right word.” Likewise, in reading the objectively detailed sequence of events, I felt no guilt or shame in his actions either. Pleased ? Maybe that is the right word.

 

Review by Denise Hill

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