NewPages Blog :: Magazines

The cool thing about THEMA is that prompt thing. Each issue of this cleverly-conceived magazine offers one premise (the prompt) and solicits whatever plots, poems, images and issues writers can come up with from that opening. Now, I don’t mean the opening or beginning of the story. I mean that opening into the imagination, that one key into story or wordplay. THEMA‘s threefold goal is: “to provide a stimulating forum for established and emerging literary artists […] to serve as source material and inspiration for teachers of creative writing [ . . . ] [and] to provide readers with a unique and entertaining collection of stories and poems.” The theme for the summer issue was “About two miles down the road.” What would you come up with for that? Continue reading “THEMA – Summer 2011”

In the seventh issue of upstreet, creative nonfiction shines like an LED sun. Its poignancy encourages the reader to think of his or her own life experiences. The creative nonfiction stands out, to this reviewer anyway, as nothing short of amazing. It is both inspirational and compelling. While the fiction and poetry in this issue were good, the creative nonfiction reminded me, over and over again, of why I love to read. Continue reading “upstreet – 2011”

Ah, Marin, county of my heart. Cross the Golden Gate Bridge north from San Francisco, veer west toward the ocean, and keep driving through oaks, hill country, and sea. Who wouldn’t love its rural beauty, or the loyalty to earth and humanity of the independent souls who choose to live there? The bio of Catherine David, whose delightful short essay “Amateurs are First-Rate Lovers” opens this issue of West Marin Review, identifies her as “an artist, journalist, and pianist living in Paris who visits West Marin whenever she can.” That love of place, that desire to be in this land of “seashore and woodland” infuses every work of word or art in this fine book. Continue reading “West Marin Review – 2010”

The Point is a sophisticated 187-paged Chicago-based literary magazine about contemporary life and culture. The Spring issue’s most frequent theme is sports entertainment and rationale, although its five sections, “Letters from the Editors,” “Essays,” “Art,” “Symposium,” and “Reviews” include other topics. It’s good that it is a biannual, as its many articles require, more often than not, erudite engagement, and certainly more than one sitting. Continue reading “The Point – Spring 2011”

In this issue of Apalachee Review, some of the best writing is about sports. Joe Ponepinto’s boxing story, “The Sting of the Glove,” puts you deep inside a morally compromised manager who pushes his fighter too far, then puts on the gloves again himself. Perhaps he returns to the ring in an effort to recapture his own stolen career. Perhaps he does it to win the comatose fighter’s girlfriend. Perhaps both. Continue reading “Apalachee Review – 2011”

Blueline describes itself as a “literary magazine dedicated to the spirit of the Adirondacks.” Like many regionally-themed publications based in scenic areas, it includes a big helping of traditionally conceived nature poetry, most of it in competently handled free verse. Poets submitting to Blueline obviously find nature to be a source of beauty, interest and anthropomorphic imagery. Kathleen E. Schneider, for example, writes of digging mica fragments from a steep hillside and holding them out “like precious shards of broken glory.” Georganna Millman writes a tongue-in-cheek account of a day in the life of crows, who, in late morning “beat it to the trees / hanging over Elk Creek / henpecking an old owl / where she hides.” Continue reading “Blueline – 2011”

You certainly don’t have to be a woman to enjoy the enticing lines found in CALYX. For thirty-five years, CALYX has been bringing women’s voices to life within their pages. The summer 2011 issue is a compact collection of poetry, fiction, creative nonfiction, art, and book reviews. The writing is smart, remarks witty, and images powerful. In this issue, the reader will encounter a goddess cleaning out her purse, an aging couple who have lost both memory and close friends, and witness the destruction of cancer. Calyx features work from writers that is so poignant and striking, you will be thinking about their words for days. Continue reading “CALYX – Summer 2011”

Loras College, the Catholic liberal arts college in Dubuque, Iowa, has inaugurated what I think is long overdue and should be welcomed with huzzahs from East to West: Catfish Creek, a literary journal “intended as a showcase for undergraduate writers from across the country and around the world.” O ye scads of undergraduate creative writing majors, minors, and hopefuls, and all those who teach and mentor said scads, should unite in praise of the concept—and the execution. Demonstrating the variety and depth of which undergrads are capable, this is a very fine first volume. May there be many more! Continue reading “Catfish Creek – 2011”

Grain, “the journal of eclectic writing,” comes to us from Canada and was a 2011 finalist in Canada’s Western Magazine Awards in the category Magazine of the Year Saskatchewan. Grain is proudly, if not aggressively, Canadian (though it publishes two American poets in this issue). After thirty-eight years of publication, Grain continues to throw a spotlight on Canadian writing in this 101-page issue. Continue reading “Grain – Spring 2011”

From its Facebook page: “An online literary journal devoted to experimentation, humor, and the crossbreeding of the arts, featuring stories and essays by established and emerging writers, interviews with writers, and reviews of just about anything.” Continue reading “Knee-Jerk – 2010”

The latest issue of The Ledge is dense. Not hard to get through, not incomprehensible; I mean actually dense. At just over 300 pages, it’s their longest issue to date. And while it’s certainly understandable (and often enjoyable) that most literary journals break up their included works with artwork, book reviews, etc., sometimes it’s nice to just read pages and pages and pages of fiction and poetry. Especially when the pieces are as stylistically varied and well-written as those in The Ledge. Continue reading “The Ledge – Summer/Fall 2011”

This issue of New England Review has me very conflicted. There is work within that is both inspiring and inspired; however, it was a lot of work to get there as a reader. The versatility of the issue is astounding, considering the many diverse topics and themes covered in the publication. Usually, when I pick up a literary magazine, I expect the fiction and poetry to be the stars, yet in this issue of New England Review, the nonfiction and translations take center stage. Continue reading “New England Review – 2011”

Get past any queasiness at this journal’s title right away and plunge into its rich substance. This five-year anniversary issue has a theme—feasting—and the poetry, nonfiction, book review and artwork appearing in the large-format fifty-six pages are well-chosen by the editors to cohere around this theme. Production values, including full-page four-color reproductions of artwork, are opulent. Only a classicist would object to the background grayscreen flourishes which adorn some of the pages, apparently chosen at random to be thus graced. The enormous pull-quotes, though, in the nonfiction pieces, are so huge that at a glance one might think they signal the beginning of a new story. Although the subtitle of the magazine is “chewing on life, faith and art,” the messages of faith in the various works, including the editor’s column, are generally subtle, causing nary a wince for this reader. Continue reading “Ruminate – Summer 2011”

Still Point Arts Quarterly is the print publication of the virtual Still Point Art Gallery based out of Brunswick, Maine. Their premise: “That art and artistry possess the capability to transform the world.” It is a laudable belief and Still Point’s editor, owner and director Christine Brooks Cote is working admirably to see this premise through, as the art, artist portfolios, feature articles, poetry and exhibition information chosen for this journal are of exceptional quality. Continue reading “Still Point Arts Quarterly – Summer 2011”

Reading The Sun is like spending a few hours with a very smart and environmentally-aware friend who is also a little bit of a goof. The theme of this independent, ad-free journal varies month to month, but the prose, poetry and photography selections tend to create an over-arching narrative like a well-ordered book of poetry. Continue reading “The Sun – September 2011”

It is difficult to determine what kind of writing this journal is looking for since they do not give any directions on their website, but I paused in my incessant trolling of the online lit mags to read a story, and was hooked. Continue reading “Umbrella Factory – June 2011”

Brick is one of those journals that makes you feel a little inadequate, but in a good way. You realize, after reading, the vast amount of interesting and impressive writers who have somehow stayed hidden from you. It’s not only a matter of discovering new, contemporary voices you hadn’t yet had the pleasure of hearing (though that’s certainly part of it), but one of being exposed to established authors as well, those who have been around for years and—apparently—already have a good deal of clout to their names (even though you have no idea who they are). This latest issue of the Canadian-born magazine does a wonderful job of making you want to learn more about these men and women, to run to the library and check out every one of their books. Continue reading “Brick – Summer 2011”

The spring issue of The Fiddlehead delivers stunning work, fiction and poetry thick with new approaches to classic forms. This issue also features the winners of The Fiddlehead’s 20th annual Literary Contest. The honorable mention in poetry caught my eye early in the issue, “At the Edge of Lake Simcoe” by Catherine Owen: Continue reading “The Fiddlehead – Spring 2011”

Fifth Wednesday Journal is a most impressive magazine. Each beautifully-designed issue contains about 200 pages of poetry, prose, and black-and-white art and photography. Its editor, Vern Miller, has advanced degrees in both business and German Language and Literature, and FWJ, as it likes to be called, is the splendid result of these two passions. Guest editors in poetry and fiction oversee each issue. “Impressions,” the photo-and-art center section, is arresting and often brilliant. Interviews with a poet and a fiction writer, along with a number of book reviews, round out the journal. Continue reading “Fifth Wednesday Journal – Spring 2011”

Here are 18 poems by 18 poets, all written at a level of craft that makes them pleasurable to read. Only one is strictly “formal,” a grave and successful rhymed villanelle by John Blair entitled “I Am the Trees Before the Sun.” Two other poems share a similar commitment to make use of repeated lines. Nancy Dougherty’s loosely rhyming “Video or Car,” an ironic poem about two teens killed in a car wreck, picks up the second and fourth lines of each four-line strophe to become the first and third lines of the next. Stephanie Mendel adopts the same pattern of repetition in an unrhymed longer poem about a premature infant, “1965.” In this poem, the repeated lines give a sense of the speaker attempting to gain control of painful thoughts by revisiting them and placing them in new contexts. Continue reading “Hiram Poetry Review – Spring 2011”

The newest issue of the Indiana Review is heavy with pointed, skilled, beautifully subtle writing. The poems sit in the hand, the lines and images spilling through cupped fingers. The prose fills the room and exits without apology. Two outstanding pieces, “When My Father Was in Prison” by Hadley Moore and “Loblolly Pine in a Field of Hollyhocks” by Vievee Francis, demonstrate the withdrawn but commanding presence of the work in this issue. Continue reading “Indiana Review – Summer 2011”

The second issue of Jelly Bucket is diverse, eclectic, and thoughtful. With a variety of poetry, prose, and creative nonfiction, Jelly Bucket does not seem to have specific, exclusive criteria, with the exception that all accepted work should reveal a new truth or way of life. Continue reading “Jelly Bucket – 2010”

The Long Story is, according to its website, “the only literary magazine in America devoted strictly” to stories of between 8000 and 20,000 words. The magazine is “not likely to accept literary experimentation,” editorial taste runs to the deeply human, estranged but involved, and it wants its voices respectful and compassionate. These qualities infuse the nine superb stories in this issue. Somewhere between short story and novella, each of them requires an investment of time and thought on the part of the reader—and each gives a remarkable return. Continue reading “The Long Story – 2011”

My two major complaints about numerous online literary magazines are: 1. They are so confusing and disorganized that finding anything takes diligent detective work; 2. The stories are boring and the poetry is derivative and lacking in creativity. I am happy to say that this young journal manages to avoid these pitfalls. Lowestoft Chronicle’s website is nicely laid out and there is wide variation of reading material. Continue reading “Lowestoft Chronicle – Summer 2011”

In her Editor’s Note, Shanna Miller McNair states that the formation of The New Guard was based upon the need to create “something bold and unusual,” using a strategy of “juxtaposing the narrative with the experimental.” As you pour over the pages of The New Guard, it is quite easy to visualize and pin-point McNair’s original ambition. The New Guard presents a curious mixture of the traditional narrative with the experimental, whether it is intimate fan letters to long-deceased authors, short stories showcasing mythical transformations, or free-verse poems. Continue reading “The New Guard – 2010”

These days we hear a lot about the demise of print publication and the general plight of the publishing world. But many agree that there will always remain an interest in local news and therefore local newspapers. The Newtowner is essentially local literary news for Newtown, Connecticut. For those engaged in the world of Arts and Literature, having a publication like this available to your community is something of a dream come true. After all, who wouldn’t subscribe to a magazine highlighting the local goings-on pertaining to your niche area of interest? Continue reading “The Newtowner – Summer 2011”

I was immediately drawn to Plain Spoke. Poetry in plain language, I thought. Yeah, there we go. The subtitle only made it better: A Literary Speakeasy. Oh yeah. My kind of language in my kind of place. I imagined straight, honest poetry like bourbon served neat in a drinking glass—edgy, not quite legit. I couldn’t wait to get started. Continue reading “Plain Spoke – Spring 2011”

Circles of Hell: think Dante’s ancient classic? This themed issue of River Styx examines, analyzes, and explicates the idea of hell both as a place and metaphor. The writers are creative, funny, and at times undeniably enthralling. Continue reading “River Styx – 2011”

The title intrigued me. As I took my Pandora-esque peek between the pages of Sinister Wisdom, I was caught in a whirlwind of shadows, hope, despair, courage and fire. There is no complacency here, folks, so if that’s what you came for, you’ve come to the wrong place. These essays, poetry and art by lesbians who experienced the “coming out” times of the 60’s and 70’s force the reader’s eyes open, shines a light into them—a light that is sometimes too bright, too painful. You want to look away, but don’t. There is much here that you should not miss. Continue reading “Sinister Wisdom – Spring 2011”

Joan Fox’s Editor’s Note, entitled “Variety and Vision,” states that this inaugural issue “features poems of survival, defiance and hope; images of our Western landscape; and, works offering a world of beings—mountain lions, coyotes, doves, dragonflies, cockroaches, fleas, cats, dogs, pelicans, humans, machines, sunlight.” Indeed, Three Coyotes highlights the beauty of the natural world, whether it is through the medium of prose, poetry, or photography. Continue reading “Three Coyotes – Winter/Spring 2011”

The latest issue of Versal establishes its strong character before you even open it up. Simply styled with Antoinette Nausikaä’s cover art, it states in black handwriting “I AM HAPPY” (followed by the date and location of the statement’s creation). There it is. A negation of the bland and normal, an embracing of the strangeness of human existence. Part of the cover’s beauty comes from its confidence—isn’t it a bit more difficult, a bit more unnerving to say simply, “I am”? It allows for the possibility of any (or no) emotion, any description, and in that sense it is universal. Fitting, since the journal prides itself on its trans locality, based in Amsterdam but spanning across nations. At the same time, however, the statement is personal, almost forceful. Continue reading “Versal – 2011”

When I received my stack of magazines to review this month, Weave felt the best in my hands. It’s a smaller journal, thin and light-weight, but that’s not all that separates it from “the big boys.” Weave opens its sixth issue with a stitched in supplement called The Clothesline. Here’s what founding editor Laura E. Davis has to say about it: Continue reading “Weave Magazine – 2011”

Willow Springs Issue 68 is a meal. Maybe a sandwich. But maybe that metaphor is too old. Let’s say lasagna, poetry stuffed between layers of prose, topped with a melted interview. Willow Springs fills you up with poems by Dexter L. Booth, Beckian Fritz Goldberg, and Nance Van Winckel among many others, prose from Clare Beams, Kirsten Sundberg Lunstrum, Jill Christman, and Sarah Hulse, and a conversation with Richard Russo. Continue reading “Willow Springs – Fall 2011”

The Worcester Review (published and edited out of Worcester, Massachusetts) is a bit of a rare bird, regularly combining a “regional” focus with a “Feature Section” on a particular poet of interest with Worcester area ties. This latest issue is a definite delight for readers interested in the poet Charles Olson. While this is not the only worthwhile aspect, it remains the key element which lifts the whole of The Worcester Review above the fray distinguishing it from similar literary reviews published this last year. Continue reading “The Worcester Review – 2010”

I was filled with both excitement and apprehension when I received my Summer 2011 issue of Lilipoh in the mail. This issue is entitled “When Disaster Strikes,” and the words “Radiation,” “Anxiety,” and “Emergency” jumped off the cover at me. As someone who feels particularly in-tune with many of the natural and man-made disasters that have occurred around the world in recent years, and as someone who feels a bit of trepidation when I ponder the future my generation appears to be leaving for our children, I already have more than my share of anxiety. However, I was reassured by what I found inside this magazine—a common perspective and some tips for helping to change our current course. Continue reading “LILIPOH – Summer 2011”

Admittedly, I was smitten with the idea behind this summer’s issue of Alimentum long before I’d had the opportunity to read it. This biannual literary journal, which dedicates itself to the subject of food, has gathered together work for its twelfth issue with a focus on food memories. Whether they are good—that first icy Bombpop of summer—or perhaps, not so good—think glace fish mold—we all have them. The editors at Alimentum have chosen carefully its ensemble of voices for this issue. Collectively, they offer up a very soulful celebration of first foods. Continue reading “Alimentum – Summer 2011”

The American Poetry Review is an old school classic. Like the New York Review of Books, its large, newspaper sheets enchant readers who nostalgically yearn for the days of yore before Wasteland iPad apps and “liking” poems on Facebook (or the social media engine of your choice). This is not to say that APR is a musty old rag littered with obscure and dank Poundian cantos. Intriguing interviews and poetry grace its pages. Continue reading “The American Poetry Review – May/June 2011”

After twenty-four online issues, apt, in existence since 2005, has done something uncommon in today’s literary scene. At a time when many journals are abandoning print altogether to establish themselves exclusively as online venues, no doubt as a strategic move toward long-term viability, apt has decided the two mediums can and should exist alongside one another. For its 2011 inaugural print issue, apt has brought together the work of Curtis Tompkins, Janelle M. Segarra, Christina Kapp, and David Bartone among others. Continue reading “apt – 2011”

MoMA advertises in Bomb. To be more specific, MoMA advertises on the entire back cover of Bomb. I noticed it immediately, and it wired my expectations for what I would find inside. MoMA doesn’t advertise in just any magazine. Continue reading “Bomb Magazine – Summer 2011”

Come for the literary fiction and enjoy some fine photography while you’re here. This issue is worth the cover price just for Adam Peterson’s award winning story “It Goes Without Saying.” The story follows a travel writer as he navigates a personal crisis while attending a conference abroad where he is the guest of honor. Peterson incorporates apothegms of travel wisdom, without pretension, and avoids the pitfall of didactic lecturing while incorporating just the right amount of comic relief: “The world went on around him, he just wasn’t home to watch it. This was another mistruth of travel writing. The distance one felt when getting away was an illusion. Everything, including the traveler, fell hopelessly forward.” Continue reading “Camera Obscura – Summer/Fall 2011”

Re-reading through Columbia Poetry Review (read first for the pure pleasure of reading, and second for reviewing), I noticed that I had dog-eared a third of the pages of the journal. Why have I marked all of these poems? I wondered. Were they all really that good? Continue reading “Columbia Poetry Review – 2011”

On its homepage, the editors of The Gettysburg Review proclaim an unwavering commitment to literary excellence and “emotionally stimulating” art. This issue of the quarterly journal certainly attests to that commitment, making it easy to see why the editors have earned many awards over the past several years. With so much that is good, choosing which pieces and which writers to highlight is a challenge. Continue reading “The Gettysburg Review – Summer 2011”

This is an attractive, well-organized journal that does something I really like: the stories are presented both in regular script or can be downloaded as a pdf. Their contemporaries often do one or the other, and it is nice to have a choice. The editors describe their interests the following way: “Our tastes tend more toward the offbeat and the absurd, the unclassifiable and the insane, stories most other publishers can’t be bothered with.” Well, they certainly have been successful in finding and publishing work to their taste. I had a great time reading their offbeat and usually humorous tales. Continue reading “Jersey Devil Press – July 2011”

Perhaps of all the poetic forms—sonnet, ghazal, villanelle, sestina— the haiku is the most elegant. A tiny, carefully constructed edifice, its 5-7-5 pattern must contain within some image or message. And of all the poetic forms, perhaps the haiku is the poetic form that is most contemporarily relevant. For those of us who are constantly texting or emailing, brevity is king. It’s not surprising that there is a form of Twitter haikus called Twaikus. Continue reading “Modern Haiku – Summer 2011”

They say that good things come in small packages, and this gritty issue certainly backs up the claim. Neon is a perfect take-along for the train, bus or plane, tucked in a pocket or a bag, and will transport you to a world full of stark visuals, poetry and prose perfectly accompanied by sharp black and white photography. Continue reading “Neon Magazine – 2011”

Imagine a roomy, comfortable venue somewhere in Knoxville, Tennessee. You’re there just in time for a marathon read-in: Fiction writers, memoirists, poets, almost 100 of them, coming up one after the other. There are widely published writers, college writing teachers, and students in MFA programs, and there are other folks who identify themselves as neurologists, gardeners, grandmothers, homebuilders. A couple of young people present their work for the very first time anywhere, and it’s good, and everyone applauds and encourages them: Keep writing, keep it up. Continue reading “New Millennium Writings – 2011”

The population of the Buckeye State is famously diverse, blending urban and rural, conservative and progressive. This diversity of perspectives is reflected in Issue 8 of the New Ohio Review. The editors eschew an opening comment, allowing the poetry, fiction and nonfiction to speak for itself. Continue reading “New Ohio Review – Fall 2010”

I am of the firm belief that all writers should read a lot. The problem with this is, most of us still schlep to “real jobs” and grab our writing time when we can—that hour after the kids go to bed, or early Sunday mornings, in the basement, when everyone else is still asleep. How are we expected to have time to read, for pity’s sake? Continue reading “New South – Fall/Winter 2011”