NewPages Blog :: Magazines

The Ledge, lyrical and relentlessly beautiful, may lead a reader safely away from any kind of cliff or precipice, despite the suggestion of its title. The connotation for this volume does ring true if one reads ‘ledge’ as an embodiment of ‘edgy,’ but not with the metaphor of a natural feature entailing the risk of falling. The work is precise and challenging and invites further consideration; I examine a few especially rich works here. Continue reading “The Ledge – Winter 2013”

I’ve admitted on several different occasions, perhaps even during previous reviews, that I absolutely judge books by their covers. Sure, maybe this is partially because of laziness, but also I believe a journal’s aesthetic comes through not just in its material, but also in its design. It’s not a strategy I swear by, but very often a journal’s look can be telling of the type of material inside. Continue reading “The Louisville Review – Fall 2013”

Published at the University of Michigan, The Michigan Quarterly Review is an attractive journal. At roughly 150 pages, it is fairly slim, with a vibrant glossy cover. More importantly, what’s inside is also interesting: an attractive mix of the creative and academic essays alongside fiction and poetry. Continue reading “Michigan Quarterly Review – Fall 2013”

The cover of this slim volume (nine poems, three short stories, one great interview) depicts an ethereal white horse splashing in, or wading through, or rising up from, blue waves of grass against a stark black background. The spine is the blue of the grass; the title is the white of the horse. The whole effect is classy and dreamlike at the same time, a little like the contents of the journal—an image you want to remember, and yet it doesn’t feel quite like home. Continue reading “Natural Bridge – 2013”

I loved learning that New Madrid (emphasis on “mad”) is named for a seismic zone in Mississippi and Kentucky where, in 1811-12, four earthquakes struck of such magnitude that they changed the course of the Mississippi River. Great power follows the name of such a place! Continue reading “New Madrid – Winter 2014”

One of my favorite things about The Normal School is that the editors are so willing to try something new, but they never leave the reader behind. Managing Editor Sophie Beck and her team begin a new experiment in this issue, adding recurring columns: Joe Bonomo will write about music, William Bradley will take on comics, and Phillip Lopate will submit musings about films. Continue reading “The Normal School – 2013”

Room is Canada’s oldest literary journal that is both by and about women; each issue focuses on women and gives them a space to “speak and connect” with one another. This issue tackles the theme of “A progressive lens,” promising to bring forth and support new ideas in the form of poetry, fiction, and nonfiction along with an interview and a few book reviews. Continue reading “Room – 2013”

Reading Salmagundi is like sitting in a graduate school seminar in the humanities or a panel at the 92nd Street Y. Confidence, and sophistication, big names, and the requisite originality ooze through the page. Fortunately, it never quite tips into snobbishness, and following the writers’ trains of thought was for me a demanding but enjoyable exercise. Depending on your background, though and I use the word “background” broadly to mean cultural, ethnic, class, academic, professional, or simply experience or preference as a reader—it may be hard to miss the milieu in which Salmagundi situates itself: among the cerebral, among those who do not have to or who do not worry about money, those who have already carved out a place for themselves in the world, the arrived. Continue reading “Salmagundi – Fall 2013/Winter 2014”

Eleven writers and four featured artists share space in this 98 page-long issue. The glossy finish on every page, a very artistic layout, and deep thought writings make this issue of Stone Voices a perfect coffee table magazine. It carries a byline of “art-spirituality-mindfulness-creativity,” calling out for readers looking inside to invest some time rather than a distracted flip through. That is not to say the material is not entertaining. Continue reading “Stone Voices – Winter 2013”

Sugar House Review is an independent poetry journal based in Salt Lake City, UT. It is named after one of the oldest and most artistic neighborhoods in the city, Sugar House. The journal aims not only to be rooted in their region and to gain local recognition, but to also appeal to a larger national and international audience. This desire for a global reach ensures that each issue of Sugar House Review is filled with great poetry and thoughtful reviews. As the artwork of this issue suggests the underlying theme is of the honeybee, each poem calls upon the “spirit” of the honeybee in some form of another making issue number nine a delectable issue. Continue reading “Sugar House Review – Fall/Winter 2013”

As the title of the journal suggests, Breakwater Review is the in-between. “We are both the literal space between ocean and shore and the virtual space between reader and writer. And as it turns out, we want to read about other places like us—those liminal spaces in life.” Their tenth and current issue demonstrates this through a number of poems and a couple of prose pieces. Continue reading “Breakwater Review – Winter 2014”

Now in its sixteenth volume, Cider Press Review has not only established itself as a quality journal that publishes excellent poetry, but a quality journal that publishes excellent poems that complement each other. All of the pieces in this issue fit, they go together, not like peanut butter and jelly (because while delicious, not really similar) but like cinnamon and sugar (both delicately sweet, combined to make an even greater flavor). The issue is prepped with the first poem, Lynn Pedersen’s “Begin.” It’s the start of a journey, but “How do you map that? What part of a mountain range, / what river corresponds to fantasy?” And while you cannot be sure what you will need, eventually you have to just go, “Otherwise, / there’s no one to tell the story.” Continue reading “Cider Press Review – January 2014”

Dragnet: always a delight to read. This particular issue features an Ouija board, a calculator museum, a fortuneteller, a twin who loses his virginity with the presence of his conjoined brother, and watermelons that are not for sale. Sadly, Dragnet has announced that they are closed to submissions as they are on an indefinite hiatus. It’s sad to see such a quality digital publication cease—but perhaps one day they’ll be back. Continue reading “Dragnet Magazine – November 2013”

Put forth by the Department of English and Foreign Languages at Cameron University, The Oklahoma Review publishes a mixture of fiction, nonfiction, poetry, and reviews. Although I found a couple of pieces in this issue to be a little too daring (to the point they weren’t successful), there were several pieces that made it worth the read. James Brubaker contributes a whimsical piece titled “Three Television Shows About Familial Love.” Both comedy and social commentary, the fiction piece accurately picks out key elements of television shows and turns the elements in on themselves. Continue reading “The Oklahoma Review – Fall 2013”

The Ostrich Review, founded in 2012 and having put out five issues so far, offers fiction, poetry, and artwork. This issue holds several pieces worth reading. If you read Chris Lowe’s “Kudzu” for face-value and you’re just along for the ride, you may not get much out of it. It’s not just about wrestling, football, and pre-teen sexual desire. The reward comes with a close read, piecing together all the subtle references to the character’s mother… Continue reading “The Ostrich Review – 2014”

Big River Poetry Review publishes lots of poems online—eight in January 2014 and nine in December 2013, for example—then gathers them all annually in this journal. This first volume covers the period between the review’s founding in late May 2012 through the end of the year. Based in Baton Rouge, LA and published in an unwieldy eight and a half by eleven format with a bright red cover, it includes 154 poems by almost as many authors. The magazine is open to a wide range of styles, subject matter, and skill levels, including poems that would benefit from being workshopped. Continue reading “Big River Poetry Review – 2013”

Because of its length (about 133 pages), this issue of The Carolina Quarterly relies heavily on the strength of each of its components. Every sentence must move its alphabetical weight, more so than in one of those torrentially heavy volumes that seek to delight and have enough statistical room to dare to dismay—this collection is systematically frank and urgent. Continue reading “The Carolina Quarterly – Fall 2013”

Through this riveting inaugural volume of China Grove, an editorial team rooted in Mississippi unveils the identity of the last of the great Southern literati, Mark Twain’s intellectual property battles, and love stories real and apocryphal, in one polished collection. Continue reading “China Grove – Fall 2013”

Rather than mar pristine journals with my unkempt scribbles, I’ve taken to flagging particularly insightful or arresting passages in them with sticky notes. Suffice it to say, my copy of Field’s latest issue has more flags in it than the parking lot of a Toby Keith concert. Where other journals can feel bloated with uneven material, the new issue of Field weighs in at a lean one hundred pages. Sporting cover art by British artist Gary Hume, as well as poetry and essays by established and emerging writers, the new issue eloquently makes a case for Field’s place near the top of the poetry heap. Continue reading “Field – Fall 2013”

“Unpredictability” is the word editor Nathaniel Perry chooses to describe what unifies the many poems in this year’s issue of The Hampden-Sydney Poetry Review. And whether you’re reading quatrains about pay phones, a narrative about catching dinner in a water hazard, or an inscrutable ode to the beauty of inscrutability, the narrators encountered in the new issue are an undeniably unpredictable bunch. Boasting over one hundred pages of poetry, poetry reviews, and conversations about poetics, the staff of the review have done their level best to tide readers over until next year’s issue arrives in the mail. The issue’s unpredictability even extends to its individually illustrated covers, a refreshingly communal touch from such an established magazine. Nearly forty years on, the review is still finding new ways to spice things up under its covers as well. Continue reading “The Hampden-Sydney Poetry Review – Winter 2013”

This particular issue of Meat for Tea carries a theme of “Bone.” Visual artists and wordsmiths took every possible definition of that single word, and the editors did a good job weaving together a cohesive, enjoyable 91 total pages of work. A sprinkling of images kept the words from running together, sort of like commercials that I was excited to encounter. Continue reading “Meat for Tea – September 2013”

It would be tempting. Imagine saying,
“Let there be light.” And, poof, there’s light.
The magic word is any word you want it to be—
bucket, for example, or asphalt, and into the world
tumble jet planes, hair dryers, and vegetarian restaurants. Continue reading “Rattle – Winter 2013”

This is one of the most attractive lit mags I’ve viewed. For the astonishing price of five dollars, you can hold in your hands this substantial (eight-inch-by-eight-inch) volume with a technologically progressive cover and an extremely pleasing page design, whose innards are divided between visually striking color art, outstanding poetry, provocative interviews, and stories so good from the first line you want like crazy, but can hardly stand, to reach the ending. Continue reading “Reunion: The Dallas Review – 2013”

A reader who gets a copy of this issue of So to Speak: a feminist journal of language and art will find that it delivers on the promise of its title. A mix of prose, poetry, and images, this print issue from a well-established publication has beauty, intelligence, and provocation. The journal doesn’t insist on any one definition of feminism, preferring instead to take whatever touches women’s lives as its subject. Anyone who cares about women and/or cares about good art will appreciate it. Continue reading “So to Speak – Fall 2013”

If you are a starving artist, take $22 from your last hundred bucks and purchase a subscription to Tampa Review. Every time you behold the volumes, you will feel rich. This journal is one of the most lavish and beautiful publications in the world of literary magazines. Hardcover, with a four-color dust jacket and visual art throughout, the large-format Tampa Review is an instantaneous wow. The dust jacket flaps contain an eloquent orientation to the content, indicating the editorial goal of creating an integrated experience within each single issue. Contributor notes are relatively lavish, providing almost five pages of information about the 55 artists and writers represented in this issue. Continue reading “Tampa Review – 2013”

As a south Texas native who relocated from the state in 1966, I immediately associate the town of Huntsville with its state prison. The Texas State Penitentiary at Huntsville is the oldest of the state’s prisons, having been in operation since 1849. The unit boasts two distinctions: it houses the execution chamber where the largest number of prisoner executions in the United States are carried out, and from 1931 through 1986 it sponsored the Texas State Prison Rodeo. The rodeo arena was razed in early 2012, marking the end of a colorful piece of Texas history. Today, according to the Texas prison inmates’ handbook, the authorized team sports available to prisoners are softball, volleyball, and baseball. Continue reading “The Texas Review – Spring/Summer 2013”

Thema’s distinguishing feature—the prompt that drives every issue—is still and always its delightful strength. Like a well-designed skeleton, each issue’s prompt provides a scaffolding from which to build a full body of coordinated limbs, each of which is, in its imperfect excellence, a strapping member of an unexpectedly vigorous whole. You want to examine every one, especially carefully in this issue, since its theme is perception, seeing well: “Eyeglasses are needed.” Continue reading “THEMA – Autumn 2013”

I’m going to refer to this publication as a “class in a book” for its incredible depth and breadth of content (in only 78 pages); ambitious would be an understatement. Transference is a new journal of poetry in translation published by the Western Michigan University’s Department of World Languages and Literature, which includes Arabic, Chinese, French, Old French, Classical Greek, Latin, Japanese, and Russian. Continue reading “Transference – Summer 2013”

Brevity, the staple for flash nonfiction writing, puts forth another fascinating issue, with authors I couldn’t wait to read. Continue reading “Brevity – Winter 2014”

Jersey Devil Press celebrates their fiftieth issue, and they even made a playlist to accompany it, with a song pairing for each of these intriguing stories. Continue reading “Jersey Devil Press – January 2014”

East Coast Ink’s very first issue is themed “New Again,” perhaps fitting for a first issue, perhaps not. In the editor’s note, Jacqueline Frasca writes, “Every one of us has a moment where we recognize, This isn’t me anymore. It can leave you lost, hopeful, hopeless—but whether you perceive it as a misstep, a leap forward, or a tragic mistake, you are one thing for sure: new, again. All over again.” For Frasca, this magazine is an attempt to move forward. But more importantly, it’s a place to showcase authors’ works: Continue reading “East Coast Ink – Winter 2013”

Really System is a brand new journal that publishes solely poetry, offering up four issues a year and seeking “new, interesting writing that exhibits a keen awareness of the forms, patterns, and channels through which we find ourselves connected with other people, other things, other worlds.” Continue reading “Really System – Winter 2014”

Ghost House Review is a new digital publication that claims to put forth “poetry that haunts the heart.” And while I don’t think that is quite the way I would describe the work in this issue, I would say that it is quality poetry. Continue reading “Ghost House Review – January 2014”

Although, with most magazines, I’m drawn in mostly to the prose (as a personal reading preference), Agave’s first issue held such strong poetry that I couldn’t help moving from one to the next, eager to see what the next poem had to offer. Continue reading “Agave Magazine Summer/Fall 2013”

Apogee, only now in its second issue, looks for “the writing and writers that sit at a distance from the mainstream,” and from what I’ve read, the editors hold up their end of the bargain. Continue reading “Apogee – Spring 2013”

Go to The Monongahela Review’s website, and you won’t find out much about the journal by just browsing. Without much information or submission guidelines, you really have to read the journal to get to know it. Download the PDF or open it in Issuu, and get cozy. Continue reading “The Monongahela Review – Fall 2013”

FictionNow’s Summer 2013 issue boasts the stories of three writers: Henry W. Leung, Sarah McElwain, and Richard Smolev. Continue reading “FictionNow – Summer 2013”

Alimentum, a food journal, transitioned a little more than a year ago from a print biannual publication to an online monthly. Because it is now more frequent, it is unfortunately a bit smaller. There is one piece for each of the sections each month: fiction, nonfiction, poetry, featurettes, book reviews, recipe poems, eat and greet, art gallery, jukebox, food blog favs, and news. Continue reading “Alimentum – December 2013”

The Vietnam War, love affairs, a few ERs, a catastrophic case of acne and its scars: trauma and its aftermath are the subject of this issue of Arcadia, guest-edited by Benjamin Reed. Perhaps because of the nature of trauma, the dramatic and the weird take up a greater-than-usual proportion of the issue, but quieter and more quotidian disruptions are given their places, too. Despite the fragmenting and wounding effects of trauma, the work in this issue is accessible and gripping, at times sad but never depressing. Continue reading “Arcadia Literary Journal – Fall 2013”

In order to commemorate its 40th anniversary, Black Warrior Review decided to focus on “time travel.” The pieces selected for this issue meet the aims of time travel in such interesting and intriguing ways, this is one journal you will want to make sure to read front to back. Continue reading “Black Warrior Review – Fall/Winter 2013”

This magazine hasn’t been reviewed before on NewPages, so remember that you heard it from me: Free State Review is great. It’s a pleasure to look at, hold, and read, and the writing is as fresh and consequential as a sun-drenched, below-zero day. Nobody’s just messing around. Even the contributors’ notes are little works of art. Continue reading “Free State Review – Summer 2013”

One of Glimmer Train’s many claims to fame is its signature black-bordered cover, its distinctive logo title, and the always interesting art—this time, a drawing of curly-tailed pigs making their way home through winter-deadened wheat, erupting in curls from the snow like the animals’ tails. Perhaps the most significant claim to fame, however, is the magazine’s reputation for excellence. Selections from GT have appeared in nearly every annual anthology of “the best.” Its smart look, its dedication to literary fiction, and its consistent attention to the needs of writers reaching for their best, make this always a magazine to watch. This issue is no exception. Continue reading “Glimmer Train Stories – Winter 2014”

As I read this issue of Grain, a quarterly from Saskatoon, Saskatchewan, I kept flipping to the back to find out who the writer is: how was it possible that I had never heard of this person, and that person, and the editors who have eyes for such great, sensitive, and unassuming writing? With one story and poem after another, this issue of Grain made me miss my train stop on the way to work, gasp, and wonder. I’m very, very excited to have discovered it and now to tell you to read it, too. Continue reading “Grain – Fall 2013”

The Greensboro Review has been around now for almost 50 years. Since the journal started up in 1965, it has developed an international reputation, meaning each issue plays host to the best work from both emerging and established writers. This issue is packed with work that seems to gravitate around feelings of longing and desire and the various ways these two emotions shape and impact our life. Every piece reaches out to touch the readers on a different level and engage them. Continue reading “The Greensboro Review – Fall 2013”

This issue of The Idaho Review is a gem; it begins in glory and the energy never sags. From its whimsically sinister cover (Bill Carmen’s fabulist The Earialist), through its parchment endpapers and beautiful inner design, this issue bountifully rewards the reader’s full attention. Continue reading “The Idaho Review – 2013”

You will need a pen and paper for this one. Two columns. Two Nobel laureates. Two radically different approaches to prose. In the first column, we have Faulkner and the Gospel of John. In the second column, we have Hemingway and the architectural concept that form follows function. Many journals published today feature prose that ascribes to one camp more than the other. But Lumina seems to capture the two styles precisely down the middle. The balance is perfect: in the fiction column, we have three of each and two that cross camps. In the nonfiction column, we have twenty-five percent Faulkner, seventy-five percent Hemingway (which makes sense considering he was a journalist with a night job), one excellent satire, and one chiseled memoir of sex and acid in the 1980s. Continue reading “Lumina – 2013”

My heart leapt at the title of this poetry journal, at the thought of one of my favorite Emily Dickinson poems granted prominence in the title, promising readers a connection to this master. The poets granted space in this issue exhibit a level of skill bordering on Dickinson’s inimitable greatness, some stopping just short of poems that endure and take the breath away. Continue reading “A Narrow Fellow – October 2013”

I am enamored of literary magazines devoted solely to poetry. I look forward to immersing myself in metaphor, surrendering to symbolism, and indulging in sensory imagery to my heart’s content. This issue of Southern Poetry Review delivers a compilation of poems of such craft and mastery that leaves me nearly speechless and most assuredly breathless. Continue reading “Southern Poetry Review – 2013”

Compose has a wide variety of writing to enjoy from fiction, to nonfiction, to poetry, to a couple of features. The artists conjure up images of a widow-bearing tequila bottle that sits on the kitchen table, mermaids that “swim the high school pool,” mussels and clams and a bonfire, “Lint from your best-loved old jumper / sprinkled with grains from your childhood / sandbox,” and 26 tea lights in memory of those lost in the Sandy Hook shooting. Continue reading “Compose – Fall 2013”

This issue of Blue Lyra Review has a special theme: “Stories We’d Rather Not Tell.” This, of course, is a little contradictory considering if the authors didn’t want to tell the stories, they wouldn’t submit. But it’s intriguing nonetheless, and I dove right in. I was instantly drawn in to the nonfiction section, eager to hear those stories first, and I wasn’t disappointed. Continue reading “Blue Lyra Review – October 2013”