Self-Portrait as Girl Being Led On
By Clare Paniccia
I watched them do it,
their small, fat fingers taking
to the swell of chest a blunt scalpel
and peeling, no, sawing into stomach
their fitful curiosity, the frog’s
glass eye staring outward and empty,
staring toward the very mouths of schoolboys
who entered so brutally the crevice, the abdomen’s
silenced bell. . . .
Read the rest and hear the poem read by the author on TriQuarterly.
Translation Review is a forum for the discussion of the art, practice and theory of literary translation published by UT Dallas Center for Translation Studies and available online via Routledge Taylor & Francis Online. The full issue can be accessed here for individuals/institutions with logins. Without a login, the full preface can be accessed as well as beginning excerpts from each work published.
Artists have tremendous courage, a necessary quality when it comes to expressing personal dreams and emotions so all can see them.
Artists break down barriers of thought, time, custom, and expectation.
Artists make the intangible tangible.
Artists see the trees and the forest.
Artists challenge us to see and understand our world differently than we do now.
Artists are born with open hands and open hearts, courageously willing to accept whatever is given.
Imagine our world without artists, without their ability to see, dream, express, break down barriers, and challenge the rest of us to imagine our world differently.
Excerpted from Christine Brooks Cote, "Imagine Our World Without Artists," from Still Point Arts Quarterly, Summer 2017.
Chen writes: "Gwendolyn Brooks’s literary archives, now in the Rare Book & Manuscript Library at the University of Illinois at Urbana-Champaign, reveal that she clustered and bundled papers as well as life experiences: she tucked notes inside pieces of paper folded into makeshift pockets, slid photographs behind other photographs in albums, and pasted clippings on top of each other in scrapbooks. She added further layers of meaning with her copious annotations, like the detailed notes she wrote on the backs of many of her photographs (given in quotation marks in the accompanying images) in order to preserve the knowledge of the people and events they captured."
Read Chen's full introduction to this feature as well as view a slideshow of the photographs and artifacts here.
In her essay, "Ngato! Ngato! Shoes!" Ugandan Poet Beverley Nambozo Nsengiyunva [pictured] writes, "It's often the most silent shoes that are the strongest. It's the shoes that allow thieves to stalk upon unsuspecting people and the shoes that enable a cheetah to pounce on its prey. The silent shoes do not desire unnecessary attention to detract them from their mission."
Read the full issue here.
Gutkind likens this to our need to review our own practice, weed out bad habits we may have developed over the years, and get back in tune with the basics: "In yoga or writing—or in practicing any art or skill—it does not hurt to start over once in a while just to make sure you know what you think you know. In fact, it occurs to me this is also why teaching can be reinvigorating—I know many writers who make their primary living by teaching and who often find their inspiration in writing prompts given to their students. But maybe there’s also something about focusing on the basics that can inspire innovation and transformation."
Read the full editorial here.
Leckie writes, "No poet I can think of writes as much about dreams as Dubie, and no poet ought to be able to, as dreams are so often adduced as the moment of epiphany, as the encoded truth that underlies all the banality that consumes our daily lives. In Dubie’s work, however, dreams seem as one room in the mind’s library, in which there is also an astonishing array of books and the lives of their authors, and details of plot and character that are not there, but could be. There are landscapes both from memory and from imagination, scenes of history in the grotesquerie of its filth and muck, and assorted friends and family who demand attention, or simply stop by for a chat."
Today, Shanti Arts announced changes coming to Still Point Arts Quarterly.
Art submissions in response to calls will be free. Everything else about the exhibitions stays the same: 30 artists will be featured online and in Still Point Arts Quarterly with five winners awarded. “The Art of Structure” is the current, open call.
The journal is transitioning from a print quarterly, to an interactive digital magazine. Paid subscriptions to the print journal will be honored until they expire.
Because of these changes, subscriptions and single copies of the digital magazine will be free for readers. Subscription sign-ups for the digital magazine are now being taken at the magazine’s website.
Check out what else founder and editor Christine Cote has to say about the changes at the Shanti Arts blog.