NewPages Magazine Stand Archive

Number 38 features poetry by Dan Beachy-Quick, Eric McHenry, Marsha Pomerantz, Lesley Wheeler, Steven Cramer, Beth Woodcome Platow, and others; fiction—“DDT” by Alice Elliott Dark, “Miracle at Hawk’s Bay” by Carys Davies, and “Jimmy’s Day Off” by Joe Neal; an essay by TaraShea Nesbit; and reviews: Aviya Kushner’s “Reclaiming the Self: Door of Thin Skins by Shira Dentz,” Jacob Strautmann’s “The Letting Go: Portal by Mary Pinard,” Jacqueline Kolosov’s “In Darkness I Throw Open the Door: Black Stars by Ngo Tu Lap,” tr. by Martha Collins and Ngo Tu Lap; and Anna Ross’s “Sad Gargantuans: Striven, The Bright Treatise by Jeffrey Pethybridge.”

#91/92 contributors include Kim Addonzio, Ellen Bass, Stephen Dunn, Gary Fincke, Stephen Gibson, Albert Goldbarth, Janice N. Harrington, Ted Kooser, Dorianne Laux, Ricardo Pau-Llosa, Alison Pelegrin, Lawrence Raab, A. E. Stallings, J. David Stevens, Robert Wrigley, and many others.

Brick 93 celebrates Mavis Gallant with photos, excerpts from her fiction and criticism, and tributes by Michael Helm, Michael Ondaatje, and Francine Prose, among others. Our Summer 2014 issue also features poetry by Jan Zwicky and Sharon Olds; interviews with Aleksandar Hemon and Obi Nwakanma; and new essays from Damon Galgut, Myrna Kostash, and Grant Buday, to name a few. Zachary Lazar writes about a Passion play in Angola prison, with photographs by Deborah Luster; Richard Sanger says goodbye to Seamus Heaney; and Tara Quinn follows Leonard Woolf to Sri Lanka.

CNF #52 explores the uses of storytelling—our oldest and perhaps most effective art form—in non-literary fields. A special essays section features collaborations between writers and science policy scholars, teaming up to tell stories about topics including a curatorial crisis at the Smithsonian; a pediatric geneticist’s decision to share potentially life-changing information with one of his patients; and one woman’s quest to save the Chesapeake Bay from the dietary supplement industry. Plus, Pulitzer Prize-winning journalist Sheri Fink reflects on the years of careful reporting behind Five Days at Memorial, and we look at the explosion in live storytelling series.

The first line for our Summer 2014 edition is “Please, Sylvia, give me a moment to think.” See how Stacey Greene, Neil James Hudson, Courtney McDermott, Qwen Pinckney, Lori Stansal, Dave Tilton, Eric E. Wallace, Julie Zeppa, and Alvaro Zinos-Amaro end up in places completely different from where they all started.

The Summer 2014 issue continues the celebration of our 75th anniversary year. It features a full-color cover by the mixed-media artist Ellen Priest. Selections include a new KR Credo by George Saunders; A symposium on Emily Dickinson featuring essays by David Baker, Carl Phillips, Stanley Plumly, and Ann Townsend; A new story by Kellie Wells; Poems by Mary Ruefle, John Kinsella, and Allison Hutchcraft; and much more!

Interview by Angela Spires with Claire Vaye Watkins. Non-fiction by Chelsey Clammer. Comics by Janne Karlsson. Fiction by Jordan Hartt , K.D. Alter, & Tim Applegate. Poetry by Jeff Hardin, Joan Presley, June Saraceno, Nathan Graziano, Vincent Moran, Nahom Hagos, Sean Prentiss, Simon Perchik, Jesse DeLong, Jeffrey Alfier, among others.

This Winter 2014 issue features nonfiction by Molly Antopol and Annita Sawyer; fiction by Ajay Vishwanathan, Mindy Friddle, and Mark Jacobs; poetry by Peter Kline, Brittany Perham, KMA Sullivan, Rebecca Morgan Frank, Meg Day, Brian Simoneau, Jay Nebel, John Hoppenthaler, Renee Emerson, Doug Ramspeck, Lisa J. Cihlar, Cutter Streeby, and Todd Balazic; and book reviews by John Perryman, Graham Good, Tyrone Jaeger, and Michelle Pe

Volume 80 number 2 features an interview with poet Janice Harrington, the final judge of the 2013 New Letters poetry contest, and includes work by winners of the 28th-annual New Letters Literary Awards. Amazing new work by Gary Gildner, Brian Doyle, Albert Goldbarth, Linda Pastan, and Carolyne Wright, as well as reviews and commentaries and artwork.

Issue 187 has arrived. The following people are featured: Nancy Eimers, William Wright, Mary Crow, Jorge Rodriguez-Mirralles, Trudy Lewis and Jill Logan. Thank you to our cover artist Kat Eng for her feature excerpts from the comic “Everything is Fine.” Pick up your copy or become a subscriber today.

Cleaver Magazine’s Issue No. 6 features selections by guest Poetry Editor Teresa Leo. Poems by Charlotte Boulay, Susan Charkes, Grant Clauser, Megan Denton, Leonard Gontarek, Kelle Groom, Steve Klepetar, Deirdre O’Connor, and Brooke Schifano. Short stories by Erin Peraza, Geoff Peck, Jenny Wales Steele, Sidney Thompson, Henry Margenau, Erika Price, Grace Connolly, Patrick Dacey, Max Bartlett, and Amy Burns. Flash Fiction by Connor Towne O’Neill, Melissa Sarno, Mercedes Lawry, Joshua Isard, and Devin Kelly. Essays by Rebecca Entel, Elizabeth Mosier, and Tricia Park. Art journalism by art essays by Myra Lotto (Fujiko Nakaya, Fog Artist), Jay Pastelak (On Snapshots), and Ilana Ellis.

The newest issue (Volume 20 Number 2, 2014) features the Stacy Doris Memorial Poetry Award winner Nada Gordon as well as work from Albert Abonado, Dan Alter, Todd Balazic, Phillip Barron, Akira Beard, Marc Berman, Denise Dalhoun, J. R. Carpenter, Tia Clark, Chella Courington, Aran Donovan, Andrea England, Zachary Evans, Bryan Furuness, Nathan Gale, Joshua Dudley Greer, Holly Hendin, Mary Hickman, Paul Hoover, David Imlay, James Jay, Andrew Joron, l. S. Klatt, Sarah Levine, Jodie Liedke, Sara Lupita Olivares, Rebecca Macijeski, K. Silem Mohammad, Harvey Mudd, and more.

The Winter/Spring issue of Fugue centers around the theme of hunger and features new poems by John Nieves, Scott Penney, M. J. Gette, Catherine Champion, Nathan Slinker, Anna Leahy, Nick Flynn, Shivani Mehta, Sam Grenrock, Travis Mossotti, Gina Williams, Jacob Boyd, Danielle Cadena Deulen, Jennifer Givhan, Jacob Newberry, and Mark Wagenaar; new nonfiction by Dustin Parsons, Gina Troisi, and Dionisia Morales; and new fiction by Nate Liederbach, Anne Elliott, and Mark Richardson.

The Summer 2014 issue contains the featured gallery exhibition Still Pint VI; portfolios of Jacqueline Doyle Allison, Bobby Baker, Linda Pearlman Karlsberg, and Susan Pearlman Karlsberg; poetry by Paul Freidinger, Anthony Labriola, William Miller, and Sarah Brown Weitzman; and features from Joe Baumann, Ruth Ann Blynt, Nigel Featherstone, and Larry Smith.

The Summer 2014 issue features art portfolios by Peter Azrak, Holly Friesen, Charlie Savedoff, and David Wells; columns by Azrak, Vincent Louis Carrella, and Theresa Sweeney, poetry by Leonore Wilson, Lisa Rosinsky, and Gary Glauber; features by Eileen M. Cunniffe, Molly Holinger, and Christopher Woods; and an interview with Michael O’Keefe on the artistic process.

What puts the brakes on one’s perception of time? What makes time appear to stand still? The brink of potential disaster, for example, skews time into slow motion. Charlotte Hart’s story, “Ten Minutes of the Dog and the Rabbit,” shows this heightened awareness in a captivating way. David Van Houten, in “Ten ’til Forever,” shows both sides of the time warp, from warp speed slowing to an agonizing crawl Our writers explored the phenomenon in many surprisingly sensitive ways. Take the time to read these stories and poems, but be careful where you step. Louis Gallo’s poem, “Footing,” tells why.

In the Spring 2014 issue of Baltimore Review, read fiction, creative nonfiction, and poetry by Calvin Hennick, Meg Hunter, Matthew Sisson, Matthew Gavin Frank, Kate Peper, Barbara Nishimoto, Jill Storey, Maya Schenwar, Benjamin Goldberg, William Fargason, Janice Ko Luo, Timur Karaca, Brandon Amico, Tim Fitts, and Katherine Carberry.

“Vermont Double Laureate Team-Up,” featuring poetry by Karina Borowiciz, David Dodd Lee, Matthew Lippman, Caitlin Maling, Naomi Mulvihill, Eric Roy, Dianne Seuss, Julia Shipley, Vivian Teter, Charles Harper Webb, Corey Zeller; fiction by Joshua Corey, Grant Faulkner, Duncan Greenlaw, Kathryn Henion, Gina Keicher, Cynthia Larsen, Bobbie Ann Mason, Ryan Meany, Kyle C. Mellen, Pamela Painter, and Meg Pokrass; nonfiction by Christopher Shaw, Tyrone Shaw, and Tony Whedon; and Vermont Laureate Collaboration with Sydney Lea and James Kochalka.

The Spring 2014 issue features fiction by Laura Jean Schneider and Kathi Shannon; nonfiction by Sean Prentiss, Annie Lampman, Jonathan Rovner, and Kate Lebo; and poems—Mary Kay Kneif’s “Here Come the Buffalo,” Jon Davenport’s “Discontinuous Traits,” and Stephen Cloud’s “Desert Mirage.” Plus art by Brad Adkins, Vanessa Renwick, Marc Baseman, Marcy James, and Deborah Ford and a review of Laura Pritchard’s When the Stars Go Blue by Jamie Houghton.

In the Spring 2014 issue: What is an ash tree, or Liberace?, dusting the Buddha, finding you more indispensable than the serial comma, poles materializing in driveways, boys drawing cats, playing Captain Radiation after Chernobyl, a Mennonite auctioneer, and finding love in someone else’s house.