Editor's Picks New Book Arrivals (251)
The Happy End/ All Welcome is set in a job fair inspired by the Nature Theater of Oklahoma from Kafka's unfinished novel Amerika: the largest theater company in the world is recruiting all kinds of employees. De la Torre builds, fastens, cuts, pastes, performs, and extrudes a variety of poems to suit this most serious situation comedy: poems as job interviews, poems as postings, poems as questionnaires, reports, speeches, lyrical rants. At its heart, this playful bricolage explores the norms of the workplace and its notions of competence, while tackling office design, performativity, and skilled vs. deskilled creative labor.
Spanning four seasons, ten countries, three teaching jobs, and countless buses, Patagonian Road: A Year Alone Through Latin America chronicles Kate McCahill’s solo journey from Guatemala to Argentina. In her struggles with language, romance, culture, service, and homesickness, she personifies a growing culture of women for whom travel is not a path to love but a route to meaningful work, rare inspiration, and profound self-discovery.
A combat photographer transitions to suburban life. An overcrowded clown car picks up too much speed. A Sara Lane Luxury Cruise takes a vindictive turn. In this series of linked stories, each one ends in fire. Woven between them are descriptions of life after a fiery apocalyptic event, something close to the end of the world.
Frederick Luis Aldama and graphic artists from Mapache Studios give shape to ugly truths in the most honest way, creating new perceptions, thoughts, and feelings about life in the borderlands of the Américas. Each bilingual prose-art fictional snapshot offers an unsentimentally complex glimpse into what it means to exist at the margins of society today. These unflinching and often brutal fictions crisscross spiritual, emotional, and physical borders as they give voice to all those whom society chooses not to see.
In The Estrangement Principle Ariel Goldberg, unravels the problematic label, “queer art” by consistently arguing for a wider range of associations with art made by queer identified people. Goldberg invokes the lives and works of writer Renee Gladman, and artists Jack Waters and Peter Cramer, among many others to bring the complexity of the communities and relationships behind art and literary histories into focus. The Estrangement Principle is an exercise in contradiction with its ultimate goal being to resist the practice of movement naming.
In his new collection, The Cowherd’s Son, winner of the Kundiman Prize, Rajiv Mohabir uses his queer and mixed-caste identities as grace notes to charm alienation into silence. Mohabir’s inheritance of myths, folk tales, and multilingual translations make a palimpsest of histories that bleed into one another. A descendant of dislocations and relocations, linking India, Guyana, Trinidad, New York, Orlando, Toronto, and Honolulu, combining the amplitude of mythology with direct witness and sensual reckoning, all the while seeking joy in testimony.
Rosalie Moffett’s June in Eden gives us a speaker bewildered by and in awe of the world: both the miracles and failures of technology, medicine, and imagination. These darkly humorous poems are works of grief and wonder and give us a landscape that looks, from some angles, like paradise.
With On Broad Sound, Rusty Barnes turns his attention from his rural Appalachian roots to twenty plus years of living in a working class suburb of Boston. Ranging widely in subject matter, On Broad Sound’s poems were inspired by and often titled with locations in and around the author’s adopted home in Revere, Massachusetts. Whether it’s observing planes land at Logan Airport, eating cookies with the city mayor, or watching his children play in a marsh partially sectioned off by yellow crime tape, On Broad Sound is part urban travelogue and part sharp portrayal of modern life.
Foxcatcher meets The Art of Fielding, Stephen Florida follows a college wrestler in his senior season, when every practice, every match, is a step closer to greatness and a step further from sanity. Profane, manic, and tipping into the uncanny, it's a story of loneliness, obsession, and the drive to leave a mark.
In this fourth book in a series of limited-edition collaborative chapbooks by established and emerging women poets, Kim Addonizio and Brittany Perham present nineteen poems followed by a conversation about the poems, the collaboration, and the craft of poetry.
Having lost eight friends in ten years, Cooley retreats to a tiny medieval village in Italy with her husband to recover. There, in this sundrenched paradise, she examines what we all must confront one day, mortality. How do we grieve? How do we go on drinking our morning coffee, loving our life partners, stumbling through a world of such confusing, exquisite beauty? Linking the essays is Cooley’s escalating understanding of another, more painful loss on the way, that of her ailing mother back in the States. Part memoir, part loving goodbye to an unconventional parent, Guesswork transforms a year in a pastoral hill town into a fierce examination of life, love, death, and, ultimately, release.
In Mestizos Come Home! author Robert Con Davis-Undiano documents the great awakening of Mexican American and Latino culture since the 1960s that has challenged this omission in collective memory. He maps a new awareness of the United States as intrinsically connected to the broader context of the Americas. Mestizos Come Home! explores key areas of change that Mexican Americans have brought to the United States. These areas include the recognition of mestizo identity, especially its historical development across the nineteenth and twentieth centuries; the re-emergence of indigenous relationships to land; and the promotion of Mesoamerican conceptions of the human body.
At once an extension of and a departure from his previous explorations of family and art, Craig Morgan Teicher’s The Trembling Answers delves boldly into the tangled realms of fatherhood, marriage, and poetry. Dealing with the day-to-day of family life—including the alert anxiety and remarkable beauty of caring for a child with severe cerebral palsy—these personal narratives brightly illuminate the relationship that exists between poetry and a life fiercely lived.