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At the NewPages Blog readers and writers can catch up with their favorite literary and alternative magazines, independent and university presses, creative writing programs, and writing and literary events. Find new books, new issue announcements, contest winners, and so much more!

leonard

Leaning out for love. Leonard Cohen returns from the mount with a book of longing about love, life, sex — and more sex. The dark messiah has returned. He’s older, perhaps wiser, definitely cheerier and tumescent as ever.
Leonard Cohen has surfaced with his first book of new poetry in 22 years. Book of Longing will, no doubt, grab aging boomers in all the old, familiar places.

In one poem, Other Writers, Cohen discusses the spirituality of close friends, including Roshi, and compares their sacred pursuits to that of him placing his hand down the front of a woman’s jeans.

I’ve got to tell you, friends
I prefer my stuff to theirs.

Another poem is titled The Lovesick Monk: “It’s dismal here,” he whines. There was a definite lack of sex on Mt. Baldy.

bookselling :: Article by Tyler Cowen

What Are Independent Bookstores Really Good For? Not much. By Tyler Cowen, Slate. NewPages.com does not share the statement made in the title of this article, but I think it’s only fair to read and reflect on it.

“Our attachment to independent bookshops is, in part, affectation—a self-conscious desire to belong a particular community (or to seem to). Patronizing indies helps us think we are more literary or more offbeat than is often the case. “

bookselling :: Cody’s Books Closes

Cody’s Books on Telegraph Ave. in Berkeley to close its doors. In 1989, after a minor firebombing, the store announced that it would continue to sell Salman Rushdie’s controversial “Satanic Verses” — a decision that Ross called “our finest hour.”

“Rushdie came to the store once, a surprise visit when he was still in hiding,” Ross said. The author gave the bookstore 5-minutes notice to announce that he was in the store and would sign books. “There’s a hole above the information desk from the bombing. Someone scribbled ‘Salman Rushdie memorial hole.’ When Rushdie was here, he looked up and said, ‘Some people get statues, others get holes.’ “

writers :: Jhumpa Lahiri

Jhumpa Lahiri on PEN’s World Voices. Interview by Suzanne Dottino, KGBBarLit. SD: One of PEN’s principle missions is to defend free expression, something that’s not only relevant but also crucial in today’s global state of affairs. “Faith and Reason” is a provocative theme for PEN International New Voices Festival. What’s to be learned in its exploration and perhaps more practically speaking, what impact can writers truly have to make inroads in cultures where free speech has never been valued? What can literature do to ensure that that freedom isn’t eroded in others?

JL: The fundamental impact any writer can have on the world is to write honestly and well. And in order to aspire to write in such a way, the writer must be able to express himself or herself in an absolutely uncensored, unhindered environment, and to obey no authority other than what the work demands. This is true in any culture, and for all literary traditions.

publishing

Soft Skull Press According to Richard Nash & Richard Nash According to Susan Chi. By Susan Chi, KGBBarLit. “What we’re trying to do with fiction is kind of a three pronged model, the first of which is obviously to find new writers, and the second of which is to breakout lower mid-list writers. There’s essentially two kinds of mid-list writers, the ones the big publishers want to publish and the ones the big publishers don’t want to publish…There’s a whole cohort of writers, tending to be on the younger end, the 35-50 age group, who have published a few books and despite a far amount of critical appreciation, they’re not selling in numbers that allow the editor to show up at the editorial meeting and say this can sell 15,000 copies, because they’ve only sold 2000 copies each time round.”

Writers :: Rustbelt Roethke

Rustbelt Roethke: A Professional Writers’ Workshop. July 9-15, 2006. “Recharge your batteries, pick up new ideas and techniques, make friends and influence people, write and work with a discerning group of peers at Rustbelt Roethke, a professional-level writers’ workshop with a comfortable, egalitarian atmosphere at a modest cost.”

Media

Hollywood Star Robbins Blasts US Media Ignorance of ‘High Crimes’ in Iraq. By Tim Harper, Common Dreams. Acclaimed American actor/director Tim Robbins blasted the US government’s policy on terrorism — and the US media’s failure to examine it critically — at a news conference in Athens promoting his stage version of George Orwell’s “1984”.

Writers :: George Saunders

Interview with George Saunders. Boldtype 31. BT: You pick up on a sort of campy but unsettling beauty in the way we all agree to talk in conversation, in meetings, on TV. How do you go about making that literary?

GS: I never had a sense of what literary language should be like, and when I tried to do it, it always came out like Thomas Wolfe on quaaludes — where you describe the same thing three times. …Even when I overhear somebody on their cell phone up here on campus. If you forget the phone, and just think of it as a poem, it’s unbelievable: “Mom, I told this fucking guy I was too hungover! What are you talking about, Mom? I was too wasted, I couldn’t call you.” The idea is that you have to listen, and then you purify it a little bit.

Alt Mags – May 3, 2006

Human Rights TribuneSpecial Issue on Migration Introducing the new format and layout for the Human Rights Tribune. This issue of the online publication is a special focus on migration. Each issue of the Tribune features timely articles about important events and issues affecting human rights, as well as the people and organizations involved in the promotion and protection of these rights.

Publishing

Small Publishers Book Big Rewards. Nonmainstream presses generated $14 billion in 2005 — more than half of all book sales — by targeting niche readers. By Stacy Perman, Business Week. …small presses are championing new voices, focusing on niche markets or subjects and genres that have either been ignored by the big houses or simply deemed unprofitable — such as poetry and foreign authors. They are creating whole businesses by reissuing out-of-print classics and maintaining the tradition of printing literary fiction.

Archipelago publishes 8 to 10 titles a year. As a non-profit, the house relies on donations from foundations and individuals. “I knew we couldn’t make it if we relied only on sales,” Schoolman says. That way the house can stick to its mission and plow any profits back into publishing. And that allows Schoolman to bring unknowns such as Croatian writer Miljenko Jergov

Media

Colbert Lampoons Bush at White House Correspondents Dinner — President Not Amused? Editor & Publisher. Addressing the reporters, he said, “Let’s review the rules. Here’s how it works. The president makes decisions, he’s the decider. The press secretary announces those decisions, and you people of the press type those decisions down. Make, announce, type. Put them through a spell check and go home. Get to know your family again. Make love to your wife. Write that novel you got kicking around in your head. You know, the one about the intrepid Washington reporter with the courage to stand up to the administration. You know — fiction.”

Comics

Daniel Clowes Talks Confidential. By Jason Silverman, Wired News. WN: Has there been any progress for literary comics in the 20 years that you’ve been writing?

Clowes: It’s hard to see it objectively. The news articles that have been written about me have changed. It used to always start, “The bang-zoom comics aren’t just for kids anymore.” … The shift came when (journalists) didn’t have to put me in the context of a world that they figured nobody understood.

…WN: Do you read comics online?

Clowes: I don’t read much of anything online. It’s not an enjoyable experience for me to read something with light projected through it. I like to read comics sitting down, looking at this piece of paper that can’t do anything else.

Music

A Sour Note on Modern Times. By Tony Long, Wired News. To listeners weaned on pop tunes running 2:48 (with guitar solo), a 15-minute adagio can be daunting. Some of Bruckner’s stuff, especially when played under a heavy baton, must seem excruciating to modern ears. But that isn’t Bruckner’s fault. His music was geared to his world, not ours.

Life is a sprint these days. So maybe the right solution for the purveyors of the classics is to take a work of 40 minutes and cut it to 10, giving you time to catch a quick listen before moving on to the next big thing in your day.

Lit blogs – May 2, 2006

From Emerging Writers Network, An Independent Book Store Looks for Help. I received a letter yesterday that I’ll pass along here. It comes from the current owners of Burke’s Book Store, Corey and Cheryl Mesler. Burke’s Book Store has been around since 1875 in the Memphis, TN area, and appears to have been run as a family owned store for just over 100 years.

Books :: Faking It: How America Lost Politics

Faking It: How America Lost Politics. Joe Klein explains why politicians think you’re stupid, how the presidency lost character and how we can bring it back. By Onnesha Roychoudhuri, AlterNet.

The dirty little secret about many political reporters and columnists is that we’re romantics. I don’t do it to watch politicians screw up, although that’s sometimes fun. I do it for the moments when they do something inspirational, challenging or give me something new to think about. I realized that during my career, those moments had been rapidly disappearing, particularly over the last 10 years. I wanted to think about why that had happened and write a book about it to make people aware of this in the hopes that things can get better again.

Music

What Neil Young, Springsteen, Pearl Jam and the Dixie Chicks have in common. By Don Hazen. AlterNet. Anti-war albums and songs are topping the charts with sky-rocketing sales. It’s likely never, ever happened — as Randall Wallace pointed out this weekend, four of Amazon’s top-ten selling records on April 30th have real anti-war songs!

Listen to Neil Young’s new music at http://www.neilyoung.com/

Writers :: Lawrence Ferlinghetti

Ferlinghetti’s beat definitely goes on. Legendary poet still draws crowd. By David Abel, Boston.com. One of the last legends of the Beat Generation, Lawrence Ferlinghetti left his enclave in North Beach, San Francisco, last week to accept the New England Poetry Club’s Golden Rose, which club officials say is the nation’s oldest literary prize.

Books :: Death’s Door by Sandra M. Gilbert

Death is the new sex. Sandra M. Gilbert’s new book takes an unflinching look at the last taboo. By Kal Munger, Sacramento News & Review.

Death’s Door is very personal; Gilbert returns again and again to her own loss as she surveys Western attitudes toward death. But her examination–including the institutionalization of the dying and the medical and technological attention given to a passage that once took place in the home–always returns to poetry. “We’re always struggling to control death,” she said. “Poetry reminds us that we can’t.”

…Gilbert believes the study of literature is necessary to understand death “because poets and writers are the ones who refuse to believe that there’s any kind of control over death, and they are not embarrassed by that lack of control.”

Books :: Paul Rockwell on 10 Excellent Reasons Not to Join the Military

One Reason Not to Join The Military. You may be ordered to kill civilians. By Paul Rockwell, Metro Santa Cruz. Article is adapted from the forthcoming book 10 Excellent Reasons Not to Join the Military, edited by Elizabeth Weill-Greenberg, published by New Press.

A Marine who recognizes the humanity of the people whose country is under occupation makes an ineffective killer. Repelled by the indiscriminate carnage, the visible suffering of the Iraqi people, who only deserved to be left alone by outside powers, Jimmy repudiated the war. He refused to participate in apparent war crimes. He defied authority, and his commander called him a coward and put him under a “kind of house arrest.” Jimmy, a real fighter, eventually won his honorable discharge.

Poetry

Some Poet. In the 50 years since his first book was published, John Ashbery has led the avant garde”s poetry coup d”etat. By Andrew Varnon. Valley Advocate.

Today, with formalist poet Dana Gioia as head of the National Endowment for the Arts and Nebraskan poet Ted Kooser the Poet Laureate of the United States, there is again a call for accessible poetry. I asked Ashbery about this. “I myself have always enjoyed things that it seemed to me were inaccessible, that have the promise of giving you something that you have to work hard to find out what it is,” he said. “I like the challenge of, say, Proust or even Gertrude Stein, to use one of the most obvious examples, rather than poetry or literature which is all available at one viewing or reading.”

A Public Space – Spring 2006

The debut issue of A Public Space is probably one of the most highly anticipated magazines in recent history. Brigid Hughes, the former editor of the Paris Review, tops the masthead and the contributors include literary heavyweights like Rick Moody, Kelly Link, Charles D’Ambrosio, recent Pulitzer winner Marilynne Robinson, and John Haskell—not to mention a rare interview with Haruki Murakami, a Japanese author who enjoys a cult-like following. And A Public Space does not disappoint. Continue reading “A Public Space – Spring 2006”

Fence – Winter/Spring 2006

After creating controversy with the (some say) pornographic cover of their summer issue, Fence is back with a fine selection of fiction, poetry, and art. Everything about the magazine radiates “coolness,” from the idiosyncratic (and slightly creepy) art of John Lurie, to the experimental poetry, and quirky fiction. Continue reading “Fence – Winter/Spring 2006”

The Missouri Review – Winter 2005

I know that The Missouri Review changed its look and feel some time ago, so this may be old news to some of you—but The Missouri Review is bigger, more graphic, and strangely personality centered—large bios appear next to the work, complete with author photos, each on its own page—and beginning pages of stories start with shouting, inch-high fonts. Continue reading “The Missouri Review – Winter 2005”

Pleiades – 2006

This issue of Pleiades, with its cover depicting George Washington with his scalp on fire, contains a generous review section (nearly half the issue’s pages are devoted to reviews) and a few features, including multiple poems by Kevin Honold and Jap Hopler, with introductions by Cate Marvin and Louise Gluck, respectively. Kevin Honold had a long sectioned poem about the Iraq war, quite topical and all that, but my favorite of his was the brilliant “The Groves of Baal,” meant to echo the Biblical language of the book of Lamentations with an odd, colloquial voice chiming in the background: Continue reading “Pleiades – 2006”

Rhino – 2006

This year’s bright pink issue of Rhino features, as usual, mostly poetry, with a satisfying section of poetry chapbook and book reviews in the back called “Rhino Reads.” This issue also features a section of poetry in translation. The poetry in Rhino typically flirts with experimentation, drawing in the reader by a thread of emotional energy, lyric power and sometimes, offbeat humor. Continue reading “Rhino – 2006”

the strange fruit – December 2005

This new upstart journal from my hometown of Seattle has already garnered national attention and deservedly so. Newcomers crowd the pages next to the occasional more well-known names like Lyn Lifshin and Joshua Marie Wilkinson, and the mix of poetry and prose, with interspersed black-and-white art work, is intense and surprising. Continue reading “the strange fruit – December 2005”

Witness – 2005

This issue of Witness focuses on “childhood in America,” a theme richly explored in an impressive selection of fiction, poetry, nonfiction, and photography. Much of the work concentrates on transformative moments in childhood—first experiences with death, desire, and discovering the limitations of adult figures—and sketching American landscapes: Maxine Kumin’s Philadelphia corset shop, Lawrence Raab’s nature camp, and the agonizingly familiar territory of high school. Continue reading “Witness – 2005”

ZYZZYVA – Winter 2005

The seventy-fifth issue of the all-West-Coast-all-the-time-journal ZYZZYVA begins with multi-page editor’s note discussing the careers of writers ZYZZYVA published for the first time, a very interesting follow-up attempt that illustrates more concern for new writers than most lit mag editors display. Continue reading “ZYZZYVA – Winter 2005”

Ascent – Spring 2005

If you have ever wondered why so many high school students graduate with an indifference to literature; if you have ever considered the impact of war literature on young people whose heroes are largely provided by electronic media; if you have pondered the best words for the dying and what it means to be profoundly changed by a relative stranger, then, by all means, find a quiet corner and put yourself in the good company of this issue’s authorial minds.  Continue reading “Ascent – Spring 2005”

BackwardsCity Review – Winter 2006

Part comic book, part ironic guidebook for today’s troubled yet repeatedly humorous world, the winter edition of Backwards City Review reveals the more playful side of the more reflective, more meditative literary journal; and yes, this is possible. While its contents won’t dazzle your minister—unless, of course, he’s not put off by a hearty double helping of sarcasm—this issue offers roughly 100 pages of quirky, if, at times, campy, quality writing, complete with a giant, purple, city-crushing, donut-eating robot on its cover. All the world an oddity. Let’s just say you know what you’re in for when you see the cover and your interest continues its meandering inside.  Continue reading “BackwardsCity Review – Winter 2006”

Ballyhoo Stories – Fall 2005

The second issue of Ballyhoo (meaning extravagant publicity—from the American, of course) brings together writers at all levels of their careers on the theme of “Songs and Cacophony.” The 8.5 x 11 black and white journal frames each story with a prominent black or white border. On the third anniversary of his mother’s death, Andrew Bomback’s narrator prank calls his ex to misquote the Beatles’ “I Will.” Continue reading “Ballyhoo Stories – Fall 2005”

The Canary – 2006

I’ll admit it, at first I was intimidated. It was the periwinkle of the front and back covers that mollified my disease. Thing is, my hands aren’t familiar with the heft of a 125 page journal, especially one comprised entirely of poetry, especially one comprised mainly of long poems. On first flip-through they felled me, hard. A substantial journal dedicated entirely to poetry is a sad rarity these days. The Canary is a necessary and matchless one. Continue reading “The Canary – 2006”

Cimarron Review – Winter 2006

You could sit down and read this issue 100-page issue of the Cimarron Review in a single afternoon, but I wouldn’t advise it. The contents of this handsome, deceptively thin journal demand a few long, thought-collecting breaks. The poems and stories here are all packed to bursting with emotion—big, messy, often ugly emotion. Continue reading “Cimarron Review – Winter 2006”

Circumference – 2005

What gets translated? is more of a koan than a question. After all, where does meaning hide if not in words themselves? And what happens to meaning when words are transformed into another language? Something remains—but what, exactly? These are the kinds of questions that this small but important journal sets out to explore. Continue reading “Circumference – 2005”

The Greensboro Review – Fall 2005

Aching for a good, solid story? This issue has four outstanding ones. The voices are resonant, triumphantly free of cell phone repartee and brand-name shorthand. Treat yourself to a giggling weep at the fragile humanity in a story by Michael Poore: ”You can tell Marie’s brother has problems, like his mind is inside out. Continue reading “The Greensboro Review – Fall 2005”

New England Review – Winter 2006

Reminiscent of The Paris Review or, to a lesser extent, Western Humanities Review or The New Yorker, New England Review asserts itself as a dense academic journal that takes itself as seriously as academia tends to take itself. And that’s pretty serious. The journal’s subscription tear-out reads, assuredly, “Look to NER for the challenges your taste requires.” After a billboard like that, false advertising is pretty much out of the question. Continue reading “New England Review – Winter 2006”

Conference :: Postgrad Writers 8.08

Postgraduate Writers’ Conference
August 8-14, 2008
Vermont College of Fine Arts
The annual conference is open to all experienced writers, with or without graduate degrees. The conference emphasizes process and craft through its unique program that includes intimate workshops limited to 5-7 participants, individual consultations with faculty workshop leaders, faculty and participant readings, issues forums and master classes, all in a community of writers who share meals, ideas, and social activities in scenic Vermont. Workshop manuscripts are sent out to all workshop participants in advance.

Borderlands – Fall/Winter 2005

Started in response to the Gulf War and the editors’ dissatisfaction with the self-absorption of much of contemporary poetry, Borderlands calls for work that “shows an awareness of connection—historical, social, political and spiritual.” Many of the poems in this issue do demonstrate this awareness, though never didactically. Continue reading “Borderlands – Fall/Winter 2005”

Crab Creek Review – 2005

Crab Creek Review strikes me as a fun assemblage of the middlebrow to digest: just the right balance of poetry and fiction so that neither genre obscures the other; light in some places, darker in others, but never resorting to noise. Sometimes, you can’t find clear answers. Continue reading “Crab Creek Review – 2005”

The First Line – Fall 2005

Incipit: “Having little to his name when he died, the reading of Henry Fromm’s will went quickly.” I’m willing to overlook the dangling modifier in this issue’s first line (though many outraged “writers” did not, say the editors) because, after all, it’s the end product that counts: seven short stories and even a poem, all beginning with this opening sentence. Continue reading “The First Line – Fall 2005”

North Dakota Quarterly – Fall 2005

North Dakota Quarterly is a sprawling academic journal—it has expanded by 50 pages since I reviewed it last year—but it knows how to put its enormity to good use. Thoughtful essays, reviews, and criticism are givens, but this issue gives opportunity to illuminate the fiction and poetry that tends to get overshadowed. The highlight is three short stories, three, by Robert Day. While two of them are fairly cosmopolitan, the other one, “The One-man Woodcutter Meets His Widowmaker,” decidedly belongs to the rugged West. Continue reading “North Dakota Quarterly – Fall 2005”

Parthenon West Review – Fall 2005

I don’t know if this magazine dropped out of the sky or sprung from the mud, but few have shown what Parthenon West Review has to offer: a fully-formed poetry magazine whose vision is frightening to behold. Coming in at under 200 pages, a weekend is too little time to get through this mammoth. If San Francisco is the city where West meets East, PWR takes advantage of the label, building on its Zen-influenced roots in modernism, imagism and the Beats, approaching the avant-garde without leaving contemporary conventions behind. This excerpt from Rusty Morrison is an exemplar: Continue reading “Parthenon West Review – Fall 2005”

Southwest Review – Fall 2005

Joshua Harmon’s lead-off essay is titled “Live Free (Or Die Trying).” Yes, it’s a skewed reference to New Hampshire, and to the political divide in the U.S. and the secessionist fantasies entertained by blue-staters. Yet Harmon, a self-described “Mass-hole” and shrewd observer of place (see AGNI No. 60), discovers that voting patterns are not so easily explained when he visits a region he knows well, Coos County, NH—an otherwise conservative area in the rural mountains that John Kerry won in 2004. Continue reading “Southwest Review – Fall 2005”

Spoon River Poetry Review – Volume 30 Number 2

When I write a review, I try to organize it around the distinct pillars in the book that define the reading experience for me. With The Spoon River Poetry Review, that doesn’t work so well. There are as many writing styles as there are poets in this volume. Pillars here are like museum artifacts: free-standing, but still awesome to look at. Continue reading “Spoon River Poetry Review – Volume 30 Number 2”