NewPages Blog :: Magazine Reviews

If there were a word to define the December issue of Foliate Oak Literary Magazine, it’d have to be “eclectic.” There truly is no other word I could think of that would adequately describe the nature of the pieces here. The writing ranges widely in style and tone from family-drama fantasy “Vengeance is Born” by Ashley Crisler to “Blister,” Eric Obame’s stark and sobering poem about drug addiction. To be as explicit as possible: eclectic is always a welcome thing in my book.

Continue reading “Foliate Oak – December 2017”

The Tishman Review is a literary magazine chock-full of the literary goods. I mean, the thing is stacked with a stunning array of quality writing.

Continue reading “The Tishman Review – October 2017”

Terrain.org exists at the meeting place of natural and manmade, an online magazine on human nature and our place within the natural the world. Work is added to the website on a rolling basis, so there is always a chance for readers to encounter something new upon each visit. So far, this month provides new poetry, fiction, and nonfiction for exploration, as well as a guest editorial: “Letter to America” by Barbara Hurd.

Continue reading “Terrain.org – December 2017”

The art in the latest issue of The Boiler features paintings by Gloria Ceren and photography by Klara Feenstra. Ceren’s work evokes feelings of chaos and smoldering heat with warm colors and layered textures. Feenstra’s photography gives the sense of looking in from the outside, the overlaid image appearing like a reflection on glass as if the photographer took photos from the other side of a window. The writing in this issue of The Boiler echoes this: although we’re taking in the poetry and prose in this issue from the outside, the colors and chaos draw us in to examine it closer.

Continue reading “The Boiler – Fall 2017”

Reading Carve, named for Raymond Carver, is a unique experience. The cover of the Fall 2017 issue is freshly-styled and modern, and the magazine format is a nice contrast to standard lit journal dimensions. This issue features the winners and Editor’s Choices of the 2017 Raymond Carver Short Story Contest, as well as an author interview following each piece. Though the interviews might disrupt the flow of the magazine for some readers, most of them are engaging and reveal important details about writing methods and inspiration. Carver fans will likely be delighted to discover that each interview is titled “What We Talk About.”

Continue reading “Carve – Fall 2017”

Where to start. The fans of Able Muse look forward to each issue’s featured poet and featured artist, and the Summer 2017 issue does not disappoint. The issue notably holds the attention with distinct content that varies from what one usually finds in a multi-genre journal.

Continue reading “Able Muse – Summer 2017”

Volume 38 Number 3 of the New England Review is a multifaceted issue, covering life in the army (Austrian, WWI and American, Iraq) as well as family, identity, and adventure.

Continue reading “New England Review – 2017”

The November 2017 issue of Gravel presents readers with a delicious tapestry of literary treats. The pieces in this issue stood out for the complexity they exhibited and for the strong characterizations they possessed.

Continue reading “Gravel – November 2017”

Issue 33, the latest from online Mud Season Review, promises something unique this month: instead of their usual format of three writers, one in each genre, the editors provide readers with a poetry-only issue. Fourteen poems from twelve poets tackle varying subjects, though it is the poetry that dealt with familial themes which stuck with me the longest.

Continue reading “Mud Season Review – October 2017”

In the “About Us” section of The Slag Review, the editors describe how the journal is “a little off-kilter,” and how the work they “accept will reflect that.” Readers can be thankful that the credo really shines forth in the Fall 2017 issue of the journal. There’s fiction, nonfiction, and poetry and they all, in their own ways, exhibit an off-kilter and unique sensibility.

Continue reading “The Slag Review – Fall 2017”

I was delightfully surprised as I delved into this 2017 Summer issue of Ploughshares, a journal filled with fiction and nonfiction stories and essays from a variety of writers. While I recognized the names of several of the authors here, I was also introduced to other writers that I found very interesting.

Continue reading “Ploughshares – Summer 2017”

Gulf Coast, published out of the University of Houston’s CWP, focuses this issue on transformation. Strangeness slithers through these pages as bodies, ideas, and objects transform. In Gulf Coast, the fluidity highlights what is most stable: the search for human intimacy and connection.

Continue reading “Gulf Coast – Summer/Fall 2017”

The Fall 2017 issue of Prairie Schooner is both slim and muscular, like the wrestlers in Sean Prentiss’s “Pantheon of Loss,” an essay about self-torture (high school athletics), discipline, and the drive to win despite the consequences. Twenty-two years after his wrestling career ended, when family members ask whether the starvation, pain, and risk of death were worth it, Prentiss still says, “Yes.” Wrestlers, he argues, are driven not by health and common sense, but by the desire to be the last man standing. He writes, “We starve to win.”

Continue reading “Prairie Schooner – Fall 2017”

“Cultural Landscape,” the cover image by Jakub Geltner that kicks off Issue Three: Threat, is a special kind of eye-catcher. A slice of pizza hangs precariously over a table’s edge, its cheese replaced by grass, its toppings swapped for uprooted trees and tumbling cars caught up in some unfamiliar landslide, slipping toward an undefined kind of doom.

Continue reading “Bennington Review – Summer 2017”

Looking at the cover of the Fall 2017 issue of Apple Valley Review, I had the chills. A photo by Nicholas A. Tonelli of a town corner in winter, sun setting, and ice lining the road greets readers at the Apple Valley Review website, foreshadowing the Michigan winter waiting for me around the corner.

Continue reading “Apple Valley Review – Fall 2017”

TriQuarterly’s Summer/Fall 2017 issue is rife with writing of a high literary caliber. The pieces in this issue are all exciting in their own way, and I found myself quite taken by a number of them. Many of the fiction pieces in this issue are stellar. Though the stories range in style from straight-up literary realism to magical realism with a touch of the surreal, the one thing they share in common is a strong emotional core.

Continue reading “TriQuarterly – Summer/Fall 2017”

Celebrating their 20^th anniversary, Brevity is a staple in both concise writing, and skillful nonfiction. An assignment in my first creative nonfiction class years ago was to browse the online journal’s website and pick out pieces we admired, and since then, Brevity is a magazine I revisit often, knowing I will never be disappointed by what I find there. As one might expect out of an anniversary issue, the September 2017 edition contains masterful nonfiction, exemplary of the quality work readers have come to expect.

Continue reading “Brevity – September 2017”

When is a treat too rich? The Summer/Fall 2017 issue of The Southampton Review is an overwhelming collection of multi-genre pieces, and it is definitely no exaggeration that it is hard to find a starting point. This tenth anniversary edition is a fine tribute to the vision and efforts of its editors.

Continue reading “The Southampton Review – Summer/Fall 2017”

The second issue of The Arkansas International contains an impressive range of eclectic writing. But what caught my eye first was the collection of six-panel comics excerpt from the Notes Mésopotamiennes by French comic book writer François Ayroles, translated by Edward Gauvin.

Continue reading “The Arkansas International – Spring 2017”

Volume 19 Number 1 is the “True Crime” issue of Tin House, designed, according to Editor Rob Spillman, “as a way to engage our country’s voyeuristic obsession with rogues and outlaws.” While vintage scraps of American morbidity do feature in this issue—the Starkweather murders, the Kansas village made famous by Truman Capote’s In Cold Blood—social justice and the criminal state share equal billing. In the latter poems and stories, black and brown lives are pulled apart by oppressive forces emboldened by a complicit public. The gateway to the issue, Sean Lewis’s portrait of record producer Phil Spector, is dark and almost whimsical, a perfect point of entry. Lewis replaces Spector’s head with tangled tape, evoking a wig worn at his trial, as well as the “confused mind” that would lead him to murder actress Lana Clarkson in 2003. 

Continue reading “Tin House – Fall 2017”

Post Road Number 32 is a complex mix of storytelling that bobs and weaves, delights, and, in some moments, disappoints. The cover piece, a bland, semi-abstract digital drawing by Henry Samelson, is one such low moment, contrasted, incredibly, by the remarkable work of Charles McGill, which sits just inside the issue, seventeen pages away. McGill, who repurposes vintage golf bags to critique class inequality and racial injustice, exhibits a powerful aesthetic that would have made for a much stronger point of entry.

Continue reading “Post Road – 2017”

Still Point Arts Quarterly recently announced their switch from print issues to free, online issues delivered directly to readers’ email inboxes. The Fall 2017 issue is the first readers can access online, the current exhibition feature containing works based on “The Art of Structure.”

Continue reading “Still Point Arts Quarterly – Fall 2017”

Connecticut-based, online Lime Hawk provides readers with “creative works that muse on environment, culture, and sustainability.” Issue 12 contains 15 pieces of poetry, prose, art, and filmography, and the website has a calm and quiet theme, gray text boxes floating over a mountain scene, which further sets the mood for the new work.

Continue reading “Lime Hawk – August 2017”

“Dark-colored, fine-grained,” reads the subtitle to basalt, the Oregonian journal named after the volcanic rock with those same dark, fine properties. Basalt is formed from surface lava cooling, and the poetry and art within the 2017 issue mimics its namesake, rising up as a strong finished product built from an eruption of words.

Continue reading “Basalt – 2017”

Published out of Dublin, Ireland, Into the Void pushes the boundaries of comfort and vulnerability. Nothing is safe or simple. Through fiction, creative nonfiction, poetry, and art, this issue doesn’t try to clean up the rough edges of literature. Into the Void refuses to apologize for the imperfections, and vulnerabilities.

Continue reading “Into the Void – Summer 2017”

BOMB puts artists in conversation with each other. In the Summer 2017 issue, art is broadly defined and equally celebrated: poets and directors and architects, all are welcome at the table to open up the discussion on art, its legacy, history, and future. Particularly through reviews and interviews, BOMB lays bare artists’ inspiration, where creators and their creations speak to each other across time.

Continue reading “BOMB Magazine – Summer 2017”

Some of my favorite literary magazines are those that introduce and connect me to artists and writers I was unfamiliar with prior to reading. While it’s definitely nice to read work by favorites, I am always open to finding something new. The latest issue of Driftwood Press accomplishes this twofold. First, it introduced me to a cover artist I was unfamiliar with. Second, it connected me to writers, each piece accompanied by an interview with its creator.

Continue reading “Driftwood Press – Summer 2017”

Fiction Southeast has a tagline that reads, “An online journal dedicated to short fiction.” The dedication is readily apparent with one look at their site; there are loads of stories stacked as far down as you can scroll. Short fiction almost literally as far as the eye can see! The more recent fiction pieces have a lot to offer in terms of subject matter and character.

Continue reading “Fiction Southeast – 2017”

An online journal devoted to brevity and where genre isn’t important. The work that appears in concīs shows up first on the homepage and then is later compiled into a seasonal issue. One thing is for certain: concīs proves that length matters not when it comes to quality and the Spring 2017 seasonal issue bears this out.

Continue reading “concīs – Spring 2017”

With no offense to anyone, it is refreshing to review a multi-genre collection coming from outside a university. That doesn’t make the contributors any better or worse from either source, but it does provide an added perspective. As a group, the contributors to Mudfish 19, are not aspiring student writers; they are practiced artists providing us with practiced skills that encourage thoughtful reading and reflection. The independence of a private press also gives us a much larger selection of authors, painters, and photographers than we can hope for in any one issue of a university press.

Continue reading “Mudfish – 2017”

Foundry online poetry journal is true to its name in that it ​​views poems as “manufactured objects—the intangible cast into forms.” But unlike the foundries of yore, Foundry magazine is a great deal more flexible in its production, supporting an array of poetic forms and styles. In fact, in searching for a singular descriptor for the type of poetry readers can expect to find here, it was not possible. The editors encourage poems that “feel as much as they think,” and that’s probably the best descriptor I could imagine to draw readers in.

Continue reading “Foundry – June 2017”

In their “about us” section, elsewhere says it cares “only about the line/no line. We want short prose works (flash fiction, prose poetry, nonfiction) that cross, blur, and/or mutilate genre.” And, true to their word, that’s exactly what the work in the latest issue achieves. Filled with evocative language and eerie imagery, the pieces here straddle the lines between prose poetry and flash fiction, sometimes almost seamlessly.

Continue reading “elsewhere – Issue 12”

There’s that famous line in Forrest Gump that many people (even people who haven’t seen the film) will know: “Life is like a box of chocolates, you never know what you’re going to get.” That’s honestly what went on in my mind while reading through the latest issue of Literary Juice. The most current issue has four poems, one fiction piece, and one super-micro story comprised of only 25 words (which is a neat concept unto itself) under a heading labeled “Pulp.”

Continue reading “Literary Juice – June 2017”

Chtenia is a unique publication that focuses on translating, sharing, and re-discovering Russian literature, both classic and modern. Each issue has a special theme and Volume 10 Issue 2 focuses on happiness. It contains a variety of pieces, including plays, poems, short stories, and chapters of books, each one circling around the theme of happiness.

Continue reading “Chtenia – Spring 2017”

A mystical melancholy permeates the summer issue of The Gettysburg Review. In fiction, nonfiction, and poetry, writers have tapped into the underground spring of emotion and pulled up some of the ambivalent detritus that accompanies life. This is not to say that the themes in the works included in this issue are dismal; there is a life-affirming quality in acknowledging human emotion in literary texts where strength can be summoned in what may seem like weakness but is more resolute and evolutionary.

Continue reading “The Gettysburg Review – Summer 2017”

The Briar Cliff Review, a publication of Briar Cliff University in Sioux City Iowa, has published its 29^th issue, and for 29 years it has held to its mission “to discover and support new and mid-career writers and artists, to keep literature and art alive for future generations.” This it has done in a beautiful issue of art, fiction, nonfiction, and poetry that serves readers finely-crafted portions of each genre. The annual publication is worth the wait.

Continue reading “The Briar Cliff Review – 2017”

With prosy poems and poetic prose, Cimarron Review provides fodder for intelligent readers. Founded in 1967 and a member of CLMP, the magazine regularly nominates its writers to “notable contests.” The Winter 2017 issue is a clean, slim volume, the pages almost square and formatted with a lot of white space so the reader can breeze through. Of the 25 writers, 14 are male, and a different 14 had published one or more books, while 8 were either MFA graduates without publications, or had published in fairly-unknown magazines.

Continue reading “Cimarron Review – Winter 2017”

Living in Michigan, it’s hard not to be near water. Surrounded by the Great Lakes and oodles of smaller inland lakes and rivers, residents are never farther than a few miles from fresh water. Whether one enjoys swimming, fishing, kayaking, or tanning on the sidelines, they never need to travel far. The Lake, the online, UK-based, poetry magazine, fulfills a similar function: editor John Murphy provides readers with poetry and book reviews that refresh and entertain. With a new issue arriving every month, readers are never very far away from new poems.

Continue reading “The Lake – July 2017”

Blood Orange Review has existed for eleven years and has continued to stick to their founding mission: “to create a home for the emerging and established writers.” The May 2017 issue gives a home to twelve writers and one interview with Rita Wong.

Continue reading “Blood Orange Review – May 2017”

This issue of Dogwood features winners and finalists of their annual prizes for poetry, fiction, and nonfiction. Opening the publication is nonfiction winner “Sweet Dreams are Made of This” by Anna Leahy, which sets the tone for this issue. Neither the contest nor the issue were themed, but nostalgia would be the single emergent concept from Leahy’s essay that by pure coincidence runs through the rest of the publication. I can honestly say, of all reviewers, this focus fell on the wrong person. The last thing in the world I want to spend my mind space on is waxing stupidly over the past. Fortunately, Leahy’s essay does more than set a tone, it sets a whole new attitude about nostalgia.

Continue reading “Dogwood – 2016”

There is something mesmerizing about a lightning storm; each flash lasts for only a moment, but holds tremendous power that electrifies the air and the imagination. Good flash fiction has the same effect on the senses of the reader, and the online magazine Vestal Review delivers the same power with each story. Ever since its debut in March 2000, Vestal Review has published exclusively flash fiction and is “firmly established as an exciting venue for exceptional flash by both emerging and well-known authors.”

Continue reading “Vestal Review – Spring 2017”

Weber: The Contemporary West, published by Weber State University, highlights literary and artistic talents from its home state of Utah and along the Wasatch mountain range. Among outstanding work included in this season’s issue is David Lee’s lengthy poem, “Postmortem: After the Obsequies,” which blew me away.

Continue reading “Weber – Spring/Summer 2017”

The Hollins Critic is a unique literary magazine focusing on a serious survey of a contemporary writer’s work, while also sharing book reviews and poetry. Each cover features a unique portrait image of the writer made especially for the publication by Susan Avishai.

Continue reading “The Hollins Critic – April 2017”

With so much to do in a day and so much to read in a lifetime, I always appreciate a little magazine that I can read in one sitting or fit into the straining seams of my bag. Word Fountain fulfilled my little lit mag needs, the Spring/Summer 2017 Issue a 50-page companion I carried with me for the past week. Produced by the Osterhout Free Library in Wilkes-Barre, PA, each issue makes sure to feature a portion of regional writers, seven of whom are in this edition.

Continue reading “Word Fountain – Spring/Summer 2017”

At the beginning of each month, Animal: A Beast of a Literary Magazine brings readers one piece each in the categories of fiction, nonfiction, and poetry, all with an animal theme. With only three pieces per issue, readers can fully enjoy each piece at their own pace, strengthening their appreciation for animal inspiration.

Continue reading “Animal – June 2017”

Regular readers of the Alaska Quarterly Review should already know that this journal rarely disappoints. This issue of the review meets the highest of expectations as it has set the bar in so many issues at an altitude that allows the inclusion of veteran writers as well as those writers only just setting out on their professional journeys. This issue contains works that may set the standards for contemporary literature even higher still.

Continue reading “Alaska Quarterly Review – Winter/Spring 2017”

The Spring 2017 issue of the Raleigh Review provides its own summary in the editorial preface: it “captures the harmful attempts of the erasure of lineage, erasures of peoples, of civilizations, of families, of languages, of dialects as it relates the self to history and to place.” The poetry, the fiction, and the art direct us to a thoughtful reflection on our times and to an enriching artistic experience.

Continue reading “Raleigh Review – Spring 2017”