NewPages Blog :: Magazine Reviews

This journal is run by the MFA students at Texas State University and was founded in 2006. Each edition produces some combination of fiction, nonfiction, book reviews, interviews, poetry, and audio/videos. Continue reading “Front Porch – Summer 2010”

This issue is consistent with Main Street’s approach both to the mag and its chapbook series, direct, approachable poems and stories composed of casual diction, conversational tones, and familiar imagery. This issue features an interview with Main Street chapbook author Richard Allen Tyler, along with the work of 28 poets and a half-dozen fiction writers. The work of four photographers rounds out the issue. I liked, in particular, “A Pike’s Peak Spring” from M. Scott Douglass, clouds and snow gathered on and around railroad tracks captured at a moment of altering textures, depicted expertly in the photograph. Continue reading “Main Street Rag – Summer 2010”

Nimrod’s eagerly anticipated annual awards issue features prize winners, finalists, semi-finalists, and honorable mentions in the Pablo Neruda Prize for Poetry and Katherine Anne Porter Prize for Fiction: Terry Blackhawk, Shannon Robinson, Harry Bauld, Lydia Kann, Dan Kelty, Deborah DeNicola, Morris Collins, Sue Pace, Jude Nutter, Francine Marie Tolf, Ed Frankel, William Pitt Root, Laura LeCorgne, Andrea L. Watson, Usha Akella, Mark Wagenaar, Kate Fetherston, and Pamela Davis. Their work is accompanied by poems and stories by several dozen other poets and prose writers, including the amazingly prolific poet Linda Pastan, widely published poet Richard Terrill, and several fine translations of poetry originally published in Turkish and German. Continue reading “Nimrod International Journal – Fall/Winter 2010”

When I received phoebe, I was struck by the name. Phoebe was one of the Titan gods and for some time was in control of the Delphic Oracle. She’s been called Goddess of Wise Counsel, Thoughtful Replies, and Snappy Answers. What a great name for a journal! I though with glee. I began reading with an earnest hopefulness that phoebe would turn out to be wise, intelligent, and quirky. Was she ever! Continue reading “Phoebe – Fall 2010”

This issue of the Santa Monica Review features eleven stories introduced by a brief excerpt from each of the contributors (“Ab Intra”). The journal’s website describes its contents as fiction and nonfiction, though there is no genre classification in the TOC or the pages of the magazine. I’m tempted to refer to every entry simply as a “story” (real or imagined), though some pieces clearly do read more like fictive creations and others like “lived tales,” beginning with the opening piece in the issue, “Expert Opinion,” by Michelle Latiolais, a story about suicide, medical malpractice, and the fatal consequences of “adverse” reactions to commonly prescribed drugs. Continue reading “Santa Monica Review – Fall 2010”

The magazine’s contest winner Dean Rader is joined by two dozen poets and a marvelous “Crossover” feature, “Book Sculptures” by Samantha Y. Huang, photo reproductions of exactly what the title of her work denotes, pages, spines, covers, words/text the stuff of three dimensional “ideas.” Poems in this issue, like Huang’s book sculptures, aim to reshape the way we think about spaces, places, and the capacity of language to capture unique angles. Continue reading “The Sow’s Ear Poetry Review – Number 20”

Amber Albrecht’s intricately composed, enticing drawings, more than two-dozen of which appear in the magazine as well as on the front and back covers, are representative of the work in this issue. You want to look more closely, find out more, figure out why a tree is sprouting from the back of a dress or from the chimney of a house. These images and perspectives are hard to classify. They’re not whimsical or playful so much as intensely of-the-moment, heightened in a familiar, but somewhat mysterious manner. They seduce with a kind of welcoming strangeness, a dress that looks like an egg from which the figure is hatched, a patch of ground that resembles a flying carpet, and titles like “People Who Are Not Like Us,” a short story by Brock Clarke. The opening of the story, too, captures the spirit of magazine as a whole: “Rupert goes first. Rupert’s real name is Shamequa, but we call her Rupert because one of the things we do is give black women the names of white men.” An irresistibly original beginning. Continue reading “Sycamore Review – Summer/Fall 2010”

This is the most beautiful literary journal I’ve read recently, possibly ever. From the text layout to the colored paper stocks behind the illustrations, each detail contributes to a visually striking book.

Continue reading “Annalemma – 2010”

Fourteen Hills spans the spectrum of creative writing, producing an exciting and vivid cross-section of contemporary writing. Alison Doernberg’s rich and textured poem “(Save)” kicks off the issue, with “everything / suspended in ink, and everything that is not” an apt description of the content that follows. Continue reading “Fourteen Hills – 2010”

The Meadow is an annual published at Truckee Meadows Community College in Reno, Nevada with an editorial staff of faculty, an awards program, and a predilection for personal story and narrative-driven writing. The work of two veteran and gifted writers, Adrian C. Louis and Mark Terrill, and accomplished photographer Dana Oldfather, is accompanied by much student writing, including poems, personal essays, and artwork. Continue reading “The Meadow – 2010”

This issue features 7 short stories, four works of nonfiction, and poems by a dozen and a half poets. Best-known writers in the TOC are poets Philip Dacey, Simon Perchik, and Mary Crow. Art Director Keith Demanche contributes a number of captivating black and white photographs of Minnesota nature scenes. They capture with uncanny accuracy the grandeur and drama of the landscape with its massive skies and showy weather. Continue reading “Minnetonka Review – Fall 2010”

Guest editor Nanora Sweet defines this issue’s special section on Writing/Politics/Status/Gender as “driven by gender in a political year…a body politic(s) knit tenuously together by that most gendered set of relationships, of family.” Her selection of family-themed poetry, fiction, and essays is largely of work I would describe as affable without being cloying, sometimes deceptively casual while possessing deeper implications, and eminently readable. Continue reading “Natural Bridge – 2010”

Is Bob Hicok stalking me? His name appears in the TOC of nearly every journal I’ve reviewed for so long now that I no longer remember what is was like to read a magazine without encountering a Hicok poem. Not that I’m complaining. Who would dare complain about an opening like this one to “Perhaps an entry somewhere in a book”: Continue reading “Salt Hill – 2010”

Photographer Carolee J. Friday’s “El Santuario de Chimayo,” at the center of the issue, a beautiful rustic stone church set against shadows that seem almost surreal they are so “hyper-real,” captures beautifully a true New Mexican sensibility. I find the issue’s artwork (photographs, paintings, a graphic story, illustrations), much of which has a decidedly Southwestern feel, especially appealing. Inspired by the region, too, are a short story from Bibi Deitz (“3^rd Person, March”), a poem by Kathryne Lim (“Over the Taos Gorge”), and a poem by Michael G. Smith, who is also interviewed in this issue, “Late Autumn Poem, Winter Coming.” Continue reading “Santa Fe Literary Review – 2010”

With its announced theme “Issues of Death” and its ghoulish cover of skulls, it’s impossible to imagine that inside this issue of Seattle Review, one of the most satisfying features is a graphic story, “Number One,” written by Janice Shapiro and drawn by Jessica Wolk-Stanley, a wonderfully illustrated tale of “the social pyramid of North Hollywood circa 1965.” And, yes, it’s about death. Continue reading “The Seattle Review – 2010”

“The Ancestors We Were Looking for We Have Become: International Queer Indigenous Voices,” is this issue’s special theme, guest edited by Ahimsa Timoteo Bodhrán. An impressive 260+ pages, the issue includes work by writers from numerous tribes and nations, including writers who originate from and/or have lived in the mainland United States, Puerto Rico, Guam, Hawaii, Sweden, Somalia, New Zealand, Palestine, Costa Rica, Croatia, South Australia, Kenya, Tonga, Nicaragua, Lesotho, Nigeria, Tibet, Afghanistan, Guahan, Fiji, and Canada. The majority are “mixed race” (a decidedly problematic term). Most are widely published. Many are activists and/or active in other arts (dance, photography, theater arts, etc.). Some self-identify as queer, others as gay, others as lesbian, others as bisexual, and others as transgender. Continue reading “Yellow Medicine Review – Fall 2010”

A simple, rustic cover – white, the title of the magazine in black, bold font, and a picture of a tilled field, wild tiger lilies framing the pastoral scene. The opening photograph, by Ann W. Olson, like the front cover, is of dilapidated stone steps running up a hill, framed by buttercups. The juxtaposition of decay with new life can be seen in many of Olson’s photographs, throughout the issue. Continue reading “Appalachian Heritage – Summer 2010”

After bracing myself for reviewing journals whose explorations of daily life tended to the abstract, it was high time to read prose and poetry from writers who didn’t emulate Kafka when writing about work, bureaucracy, and class. Blue Collar Review‘s Spring edition serves it up straight – no-nonsense formatting, clear print, solid storytelling over pyrotechnics. Continue reading “Blue Collar Review – Spring 2010”

I was considering giving up this reviewing gig, finding myself a bit weary having written several hundred mag reviews over the last few years. But then this issue of Center landed in my lap and I shudder to think at what I would miss! With its “Symposium: Place in Nonfiction,” this is one terrific issue. One personal essay on a place of sorts (gardens) and 10 short essays for the Symposium, are accompanied by the work of 20 poets (in which, unannounced as part of the place focus, place figures largely in nearly every one), three stories (place again in every one!), and a very, very good “conversation” with Croatian poet Tomaz Salamun, an interview of greater depth than many I’ve encountered that focus narrowly on writing techniques and related topics of limited interest. Continue reading “Center – 2010”

This is a terrific issue of the Chicago Review featuring new translations of work by Stephane Mallarmé by Peter Manson, a long poem by British poet Simon Jarvis, a wonderful essay by poet and critic Stephen Burt on the usefulness and uses (read: need) for non-academic literary criticism and reviews (like this one!), three fine pieces of nonfiction writing (not a personal essay among them), a number of worthwhile poems, book reviews, and three solid short stories. Continue reading “Chicago Review – Spring 2010”

“For a long time we looked at the world and thought not,” begins Suzanne Buffam’s (nonfiction?) story “Trying.” This exceptionally good issue of Denver Quarterly is not merely trying, it succeeds, as does Buffam’s highly original piece on trying to conceive a child, part personal story – part musing on history and biology. Perhaps it does not matter that I do not know if the three prose pieces included among the work of nearly three-dozen poets and an interview with Dawn Lundy Martin, whose newest poetry collection will soon be released, are fiction or nonfiction. Continue reading “Denver Quarterly – 2010”

This is an unusual online journal. Its founder and editor, Andrei Codrescu, can be found opining periodically on National Public Radio, and the journal reflects his attitudes and opinions. Continue reading “The Exquisite Corpse – 2010”

Issue number 71 is a slender volume of poems that act as a slice of American life, with a focus on entertainment. Since entertainment is such a heavy influence in American culture, it seemed fitting, though sometimes oddly juxtaposed to the poems that focus more on rural life in America and to the cover image, the letter and photograph of a Civil War Soldier. Continue reading “Hiram Poetry Review – Spring 2010”

Upon finding Lady Churchill’s Rosebud Wristlet on the review list, there was but one response I could make – SQUEE!!! Continue reading “Lady Churchill’s Rosebud Wristlet – May 2010”

This issue of one of the very best journals published in North America features the magazine’s novella prize-winner “Brains,” by Tony Tulathimutte, the work of 16 poets, an essay by Jessica Kluthe, and a number of smart book reviews. Continue reading “The Malahat Review – Summer 2010”

Published at Pittsburg State University in the other Pittsburg (Kansas), Midwest Quarterly publishes poetry and scholarly articles intended to be “interesting and readable.” Continue reading “The Midwest Quarterly – Summer 2010”

One of the most unusual aspects of The Missouri Review is the treatment of poetry, the presentation of a group of poems (6-7) by a small number of poets, rather than a single poem by dozens of writers. This issue features the work of John W. Evans, Benjamin S. Grossberg, and Jonathan Johnson. Their selections are preceded by a personal statement, a photo, and longer-than-typical-for-literary-mag bios. Continue reading “The Missouri Review – Summer 2010”

Tin House Editor Rob Spillman’s announcement that until 2011 unsolicited submissions will not be considered unless they are accompanied by a receipt for the recent purchase of a new book or literary magazine seems both in keeping with – and in some ways contrary to – the needs, concerns, issues, perspectives, realities, and experiences that surface in the poems, stories, essays, and interview that extrapolate on this issue’s theme, “Class in America.” Continue reading “Tin House – Fall 2010”

Published quarterly by the Western Literature Association at Utah State University, Western American Literature is a small scholarly journal with critical articles on “any aspect of literature of the American West,” book reviews, and artwork (reproduced in black and white) related to the region. This issue is comprised of three essays, Katie O. Arosteguy’s deconstruction of the myth of the cowboy in Annie Proulx’s Wyoming Stories; Kirsten Mollegaard’s analysis of Louis Sachar’s Holes; “Down the Santa Fe Trail to the City Upon a Hill,” by Andrew Menard, a consideration of the city of Santa Fe in American literature; 18 short reviews of works of criticism, fiction, and creative nonfiction; and paintings, photographs, and drawings by 9 artists. Continue reading “Western American Literature – Summer 2010”

Absinthe 13, “Spotlight on Romania,” opens with an essay by Carmen Musat, editor-in-chief of the Romanian cultural weekly Observator Cultural, as translated by Jean Harris. Musat offers a brief overview of Romanian literature in recent decades, reminding us that until fairly recently Romanian writers had little freedom to write what they needed or wanted and expressing optimism about the future of Romanian literature. Continue reading “Absinthe – 2010”

“Not works that simply transport the reader/viewer to another place, but ones that become places in and of themselves – unknown regions of poetic exploration, visual mappings of the unconscious, uncharted terrains of language,” say the editors of this issue’s theme “terra incognita.” Unknown, however, is not the case for many of the issue’s contributors, who include Jim Daniels, Anna Rabinowitz, Tony Trigilio, and Dan Beachy-Quick. And unknown is not the case for the inspiration for Rikki Ducornet’s exquisite, intricate illustrations – the fiction of Jorge Luis Borges. Continue reading “American Letters & Commentary – 2010”

They won’t sell you this issue unless you promise to perform jumping jacks while you’re reading it! This issue’s theme is “Bodies in Motion. Dance, Sport Momentum.” And, wow, does it have momentum. From its tall skinny profile (maybe all that exercise helps the mag keep its shape), to the movement metaphor page numbering system (“ace,” “alley-oop,” “balance,” etc.), to the baseball diamond staff list, to the illustrated contributors’ notes for the issue’s “schematics” (a rollerblader, a juggler, etc.), this is one issue on the go. Continue reading “Conduit – Summer 2010”

My thinking wasn’t foggy – it was just wrong! At first glance, I didn’t expect to like Fogged Clarity, the first print publication from online journal producer Benjamin Evans (despite my pleasure at seeing a publication expand to print from electronic production, instead of the other way around). I didn’t care for the title or the burnt orange cover and its image of a cosmonaut. Even the name of one of my favorite writers, Terese Svoboda, on the cover couldn’t sway me. But, did I have water on the brain? I loved the magazine, beginning with Howie Good’s poem, “Gifts for the End of the Decade.” An excerpt: Continue reading “Fogged Clarity – 2010”

This issue of Granta, subtitled “Going Back,” is a delightful combination of the old and the new, such as a beginning with a stand-out story by Leila Aboulela and ending with the essay, “The Farm,” by literary legend Mark Twain. Continue reading “Granta – Summer 2010”

The quality, skill, and star power you expect from Indiana Review – it’s all here. The range of voices and approaches (Denise Duhamel, Fady Joudah, Joy Katz) – that, too. And Bob Hicok, who is these days (or was it always?), it seems, everywhere. The issue’s special feature is “Blue,” which opens with wonderful paintings by Armando Meriño, one blue in obvious ways, the other less so, which is true as well of the literary works included in the feature. Continue reading “Indiana Review – Summer 2010”

Though death – “the leavings of stories,” say the editors – is the theme of this issue of The Los Angeles Review, the work is quite lively, nevertheless. The relationship to the general theme is expansively considered, beginning with the reprinting of a poem by Judy Grahn (also the subject of a special feature essay) on the infamously dead Marilyn Monroe. Continue reading “The Los Angeles Review – Spring 2010”

Louisiana Literature’s latest publication features two short stories and poems by two dozen poets who all, in one way or another, want to be clearly, directly, and immediately understood. Here, for example, are excerpts from Marguerite Bouvard’s “Human Landscape,” translating a tender painting of a moment: Continue reading “Louisiana Literature – 2010”

Three beautiful postcard inserts on quality uncoated cardstock of artworks by Rachel Burgess, William Gilespie, and Sasha Chavehavadze that appear in the issue extend Marginalia’s theme – ekphrasis – and impact. Ekphrasis is, essentially any work of art based on another. The most cited example, though by no means the earliest, is Auden’s poem on Bruegel’s painting “Musée des Beaux Arts.” Continue reading “Marginalia – 2010”

North Carolina Literary Review is a joint production of East Carolina University and the North Carolina Literary & Historical Society and is quite an elaborate creation. The journal has yearly themes and this year’s theme concerns the Appalachian region of the state. There are numerous book reviews, along with poetry, fiction, creative nonfiction, interviews, literary criticism, plus many illustrating photographs and paintings – 240 pages altogether. Continue reading “North Carolina Literary Review – 2010”

Kerplooey! Brand spanking new, Organs of Vision and Speech’s first issue bangs its way into the literary magazine world with an impressive array of poets and artists. Launched by Stephen and Ivy Page in December 2009 and based out of the White Mountains of New Hampshire, OVS publishes new and established poets. Their only criteria? Great writing. This issue begins with an interview with and re-printed poem by the acclaimed poet Maxine Kumin. Um, fireworks anyone? You can’t help but be impressed with a new lit mag whose very first issue boasts the work of such an important contemporary poet. But there’s more. Known and unknown poets alike, the pages of OVS will blind you with fresh new work. Continue reading “OVS – December 2009”

One of the first pieces in this issue of roger is a lovely poem by Shuntaro Tanikawa, translated by Diane Furtney and Asuka Itaya, entitled “One of the Haniwa.” Haniwas are the clay figurines and statues, mostly used for funerary purposes, of the 3^rd to the 6^th Century, that show the history of Japan. Writes the poet, translated, Continue reading “roger – Spring 2009”

This thin, yet surprisingly full journal is a collection of poems far more diverse than their numbers might suggest. It was a wonder reading all these lovely pieces, and I’m hoping that there are many more issues of Supermachine to follow. Continue reading “Supermachine – 2010”

Think. Think. Think. A bold title, Think Journal’s very name is a promise to its readers. As Editor Christine Yurick says, “I am drawn to work where something happens, something more than a fleeting moment of insignificance, something with depth and importance.” Something that makes you think. It’s a promise that is fulfilled. There’s no lack of action or rumination in this journal, which is certainly something worth applauding. Think Journal publishes pretty much any genre by emerging and established writers. Its writers ask you to think about issues that are both personal and universal – love, desire, grief, etc. Continue reading “Think Journal – Spring 2010”

Produced in Amsterdam, universal in terms of themes, distinctly European in terms of innovation and overall quality, borderless in its aspirations, and utterly accessible to US readers, thanks to its publication in English, this issue of Versal is provocative, inventive, perplexing, and stimulating. Standout contributions include Paul Lisson’s short story “In Progress,” Norman Lock’s prose poem “Alphabet of the Birds,” Stacy Elaine Dacheux’s stroy “The Sociology of Containers,” and sudden fiction by June Melby, “In Soup”: Continue reading “Versal – 2010”

Willow Spring’s Fall issue’s centerpiece is the Fiction Prize winner “Color by Numbers” by Stacia Saint Owens, the tale of parallel lives with divergent destinies, recounted in parallel columns that merge and then separate again. It’s an effective and appropriate form and an emotionally challenging piece. A long interview “conversation” (multiple questioners) with fiction writer and journalist Jess Walter takes up much of the rest of the issue. Walter is adamant that reports of narrative’s demise are dead wrong, everyone yearns for story, and he’s thoughtful and articulate about his own plots, devices, and creative tendencies. Continue reading “Willow Springs – Fall 2010”