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Publishing

Small Publishers Book Big Rewards. Nonmainstream presses generated $14 billion in 2005 — more than half of all book sales — by targeting niche readers. By Stacy Perman, Business Week. …small presses are championing new voices, focusing on niche markets or subjects and genres that have either been ignored by the big houses or simply deemed unprofitable — such as poetry and foreign authors. They are creating whole businesses by reissuing out-of-print classics and maintaining the tradition of printing literary fiction.

Archipelago publishes 8 to 10 titles a year. As a non-profit, the house relies on donations from foundations and individuals. “I knew we couldn’t make it if we relied only on sales,” Schoolman says. That way the house can stick to its mission and plow any profits back into publishing. And that allows Schoolman to bring unknowns such as Croatian writer Miljenko Jergov

Media

Colbert Lampoons Bush at White House Correspondents Dinner — President Not Amused? Editor & Publisher. Addressing the reporters, he said, “Let’s review the rules. Here’s how it works. The president makes decisions, he’s the decider. The press secretary announces those decisions, and you people of the press type those decisions down. Make, announce, type. Put them through a spell check and go home. Get to know your family again. Make love to your wife. Write that novel you got kicking around in your head. You know, the one about the intrepid Washington reporter with the courage to stand up to the administration. You know — fiction.”

Comics

Daniel Clowes Talks Confidential. By Jason Silverman, Wired News. WN: Has there been any progress for literary comics in the 20 years that you’ve been writing?

Clowes: It’s hard to see it objectively. The news articles that have been written about me have changed. It used to always start, “The bang-zoom comics aren’t just for kids anymore.” … The shift came when (journalists) didn’t have to put me in the context of a world that they figured nobody understood.

…WN: Do you read comics online?

Clowes: I don’t read much of anything online. It’s not an enjoyable experience for me to read something with light projected through it. I like to read comics sitting down, looking at this piece of paper that can’t do anything else.

Music

A Sour Note on Modern Times. By Tony Long, Wired News. To listeners weaned on pop tunes running 2:48 (with guitar solo), a 15-minute adagio can be daunting. Some of Bruckner’s stuff, especially when played under a heavy baton, must seem excruciating to modern ears. But that isn’t Bruckner’s fault. His music was geared to his world, not ours.

Life is a sprint these days. So maybe the right solution for the purveyors of the classics is to take a work of 40 minutes and cut it to 10, giving you time to catch a quick listen before moving on to the next big thing in your day.

Books :: Faking It: How America Lost Politics

Faking It: How America Lost Politics. Joe Klein explains why politicians think you’re stupid, how the presidency lost character and how we can bring it back. By Onnesha Roychoudhuri, AlterNet.

The dirty little secret about many political reporters and columnists is that we’re romantics. I don’t do it to watch politicians screw up, although that’s sometimes fun. I do it for the moments when they do something inspirational, challenging or give me something new to think about. I realized that during my career, those moments had been rapidly disappearing, particularly over the last 10 years. I wanted to think about why that had happened and write a book about it to make people aware of this in the hopes that things can get better again.

Books :: Death’s Door by Sandra M. Gilbert

Death is the new sex. Sandra M. Gilbert’s new book takes an unflinching look at the last taboo. By Kal Munger, Sacramento News & Review.

Death’s Door is very personal; Gilbert returns again and again to her own loss as she surveys Western attitudes toward death. But her examination–including the institutionalization of the dying and the medical and technological attention given to a passage that once took place in the home–always returns to poetry. “We’re always struggling to control death,” she said. “Poetry reminds us that we can’t.”

…Gilbert believes the study of literature is necessary to understand death “because poets and writers are the ones who refuse to believe that there’s any kind of control over death, and they are not embarrassed by that lack of control.”

Books :: Paul Rockwell on 10 Excellent Reasons Not to Join the Military

One Reason Not to Join The Military. You may be ordered to kill civilians. By Paul Rockwell, Metro Santa Cruz. Article is adapted from the forthcoming book 10 Excellent Reasons Not to Join the Military, edited by Elizabeth Weill-Greenberg, published by New Press.

A Marine who recognizes the humanity of the people whose country is under occupation makes an ineffective killer. Repelled by the indiscriminate carnage, the visible suffering of the Iraqi people, who only deserved to be left alone by outside powers, Jimmy repudiated the war. He refused to participate in apparent war crimes. He defied authority, and his commander called him a coward and put him under a “kind of house arrest.” Jimmy, a real fighter, eventually won his honorable discharge.

Poetry

Some Poet. In the 50 years since his first book was published, John Ashbery has led the avant garde”s poetry coup d”etat. By Andrew Varnon. Valley Advocate.

Today, with formalist poet Dana Gioia as head of the National Endowment for the Arts and Nebraskan poet Ted Kooser the Poet Laureate of the United States, there is again a call for accessible poetry. I asked Ashbery about this. “I myself have always enjoyed things that it seemed to me were inaccessible, that have the promise of giving you something that you have to work hard to find out what it is,” he said. “I like the challenge of, say, Proust or even Gertrude Stein, to use one of the most obvious examples, rather than poetry or literature which is all available at one viewing or reading.”

Conference :: Postgrad Writers 8.08

Postgraduate Writers’ Conference
August 8-14, 2008
Vermont College of Fine Arts
The annual conference is open to all experienced writers, with or without graduate degrees. The conference emphasizes process and craft through its unique program that includes intimate workshops limited to 5-7 participants, individual consultations with faculty workshop leaders, faculty and participant readings, issues forums and master classes, all in a community of writers who share meals, ideas, and social activities in scenic Vermont. Workshop manuscripts are sent out to all workshop participants in advance.