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Book Review :: Diorama by Sandra Marchetti

Review by Jami Macarty

Sandra Marchetti’s baseball poetry from Aisle 228 (Texas A&M University Press, 2023), “slides / from view” as her third collection, Diorama, “assembles.” Across three sections, Diorama features occasion-driven poems dedicated to loved ones, poetic influences, and the natural world.

Marchetti’s poems skillfully incorporate both overt and subtle metrics, end rhyme, alliteration, and assonance. Most of her poems are short, seldom exceeding a single page, and feature concise lines that are broken for sonic or semantic effect. Primarily observational, the poems use imagery as the foundational element to “hold and release” the reader’s attention.

The poet seems more focused on capturing specific moments and freezing them in time than existing within their flow. Sometimes, this snapshot-capturing approach, combined with the poet’s frequent use of the indicative mood, weakens the poems’ potential for deeper resonance and emotional connection with the reader.

As they accumulate, the subject-object observations create a layered remove within the poems, leaving the reader unsure of how the speaker feels about this distance. This ambiguity may hint at ambivalence. At the very least, it indicates that the poet is willing to describe the experience of distance, but not necessarily attempt to bridge it within herself, her environment, or the relationships represented in the poems. This creates a fascinating “lucid unease” and unsettling effect.

But then in poems such as “Feather,” “Witness,” and “All that I can tell from here,” Marchetti immerses the reader in a multi-sensory experience, evoking emotions through the symbolism of a feather “off the wing,” the “inevitable / disappearance” of a snake, and pins on a map that show “you and I / span 3,000 miles.” Here, the power of Marchetti’s well-executed and felt description “fades… this distance” between poet and the objects of her observation or desire. By the last poem, “A Swim at Europe Bay Beach in July, Deserted,” even though “the ants [are] eating our cherries / at the shoreline,” we are swimming together — language, observation, feeling, and humanity tuned in poetic balance.


Diorama by Sandra Marchetti. Stephen F. Austin University Press, May 2025.

Reviewer bio: Jami Macarty is the author of The Long Now Conditions Permit, winner of the 2023 Test Site Poetry Series Prize (forthcoming University of Nevada Press), and The Minuses (Center for Literary Publishing, 2020), winner of the 2020 New Mexico/Arizona Book Award – Poetry Arizona. Jami’s four chapbooks include The Whole Catastrophe (Vallum Chapbook Series, 2024) and Mind of Spring (Vallum Chapbook Series, 2017), winner of the 2017 Vallum Chapbook Award.

New Book :: The Best Material for the Artist in the World

Best Material for the Artist in the World - Albert Bierstadt: A Biography in Poems by Kenneth Chamlee book cover image

Best Material for the Artist in the World – Albert Bierstadt: A Biography in Poems by Kenneth Chamlee
Stephen F. Austin University Press, March 2023

This poetic biography tracks the life and career of landscape artist Albert Bierstadt, whose 19th-century representations of the American West earned him wealth and international acclaim. These narrative, lyric, and ekphrastic poems touch the momentum of the developing west, the devastation of native tribes and the great buffalo herds, as well as the resiliency of Bierstadt’s art in times of environmental awareness and expansionist reappraisal.

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New Book :: Green Regalia

Green Regalia poetry by Adam Tavel book cover image

Green Regalia
Poetry by Adam Tavel
Stephen F. Austin State University Press, April 2022

Written against the harrowing backdrop of climate change, Green Regalia explores our precarious ecological moment and increasingly fraught relationship with the natural world. In this collection, Adam Tavel chronicles the objectification of landscapes and the species within them, the cultural denial of the body’s transient nature, and the aftermath of an estranged father’s death. These poems of rot and renewal seek a wisdom free of domination, where both wonder and surrender may remind us of our place in the greater tapestry of life. Adam Tavel is the author of five books of poetry, including this collection and Sum Ledger (Measure Press, 2022).