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Rattle – Winter 2006

Volume 12 Number 2

Winter 2006

Biannua

Jennifer Gomoll Popolis

I’ve always enjoyed the poetry magazine Rattle for its modernity and humor, its willingness to mix the political, the sublime, and the silly. Each issue, in addition to a selection of poems, reviews, and interviews, contains a special tribute section, and this issue’s theme is The Greatest Generation. I loved the plainspoken-ness, the bald, unbeautified statements made in the poems of these elder writers, who maybe don’t have it all figured out, as Nan Sherman in “Don’t Ask Me Any Questions”:

I’ve always enjoyed the poetry magazine Rattle for its modernity and humor, its willingness to mix the political, the sublime, and the silly. Each issue, in addition to a selection of poems, reviews, and interviews, contains a special tribute section, and this issue’s theme is The Greatest Generation. I loved the plainspoken-ness, the bald, unbeautified statements made in the poems of these elder writers, who maybe don’t have it all figured out, as Nan Sherman in “Don’t Ask Me Any Questions”: “Where is the wisdom / that arrives with age? / Another fairytale for the young”; or who maybe do, like Fred Fox in “Hosanna to Life”: “For years my ego fooled me. / I carried the world on my shoulders. / I now realize how inane that was / Living within a self-imposed island.” Peggy Aylsworth’s “Beyond the Headlines” is an acknowledgement of the pain and ugliness inherent in life, and for which there is often little relief. The poem culminates in a wonderful moment: “In the midst of stings & consolations, / I sing through the window at the dried-out meadow, / stirred by the sudden silver of unpredicted rain.” There are two “conversations” (interviews) here, with Jane Hirshfield and with Jack Kornfield, Zen-trained poets who are introspective and have much to share of other poets, not just themselves. And because I am prone to the occasional wondering about the whole point of art anyway, and daresay others might be too, I can’t help but wrap up with a great answer by Hirshfield: “Art’s example reminds us that it is possible to develop an awakened and courageous and indecorous soul, in the face of a world that mostly asks us to be obedient sheep.”
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