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Four and Twenty – January 2013

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Volume 6 Issue 1

January 2013

Monthly Image

Kirsten McIlvenna

Archived post: This article was published more than one year ago. External links may have been removed to prevent outdated or broken resources.

I’ve always loved flash fiction for its brevity, its ability to, as they say, “pack a punch” in such a short space. Each sentence bears weight. Well the poems in this magazine close that circle a little tighter; here, each word, nay, each syllable bears tremendous weight. Each poem must be four lines or fewer and cannot contain more than twenty words. Similar to the idea of the six-word story, these poems must convey imagery, idea, insight within a small space. For the most part, all of these pieces accomplish that goal.

I’ve always loved flash fiction for its brevity, its ability to, as they say, “pack a punch” in such a short space. Each sentence bears weight. Well the poems in this magazine close that circle a little tighter; here, each word, nay, each syllable bears tremendous weight. Each poem must be four lines or fewer and cannot contain more than twenty words. Similar to the idea of the six-word story, these poems must convey imagery, idea, insight within a small space. For the most part, all of these pieces accomplish that goal.

The issue starts with Ivo Drury’s “Harvesting Pears,” comparing writing a poem to picking a pear, that it comes when it comes, “allowing one firm yet gentle tug.”

Judith Steele’s two-liner speaks truth, of something sometimes more disturbing to sleep than snoring: “Her husband’s breath.”

John Goodhue’s “Irony” is a quick image of “Jesus Lizard,” face down in the snow, “like he was hung from the moon.”

R. M. Rousseau’s “Gravity” creates a unique perspective on the elderly falling, “the sound of earth calling / come back, come back to me.”

“Holding On,” by Laurie Kolp, relies heavily on drawing connections with the imagery. The narrator finds a glove in the slush, “the one / you slipped your hand from / when I wouldn’t let go.”

Max Merckenschlager’s poem is playful, addressed to the “Inch Ant Sharing My Campsite”: “Respect doesn’t necessarily / make us cosy bed-fellows.”

“Cold Nostalgia,” by Sarah Provonche, is tasty, revealing “tart memories of . . . New England youth,” of the moonlight, bathing “the cranberries nestled in their boggy beds.”

And of course this issue offers several more. It encourages a quick read, but also makes me want to try to write my own. New issues are posted the third Tuesday of every month.
[4and20poetry.com]