Poetry by Tammy Nguyen
Ugly Duckling Presse, September 2022
From a dentist’s office in San Francisco to the caves of the Phong Nha Karst, Tammy Nguyen’s O sounds the depths of personal, mineral, and geopolitical histories of Vietnam. In this many-threaded narrative, a wind that carved mountains whistles through a young girl’s teeth. The electric green of a plastic forest glints off of glazed porcelain. The shape of a bowl becomes the mouth of a cave. What emerges is a story without a center: an anti-allegory that finds its meaning in echoes and refracted light, a book stitched together by the O woven through the work as its visual spine and sonic refrain. Tammy Nguyen is a multimedia artist and writer whose work spans painting, drawing, printmaking, and publishing. Intersecting geopolitical realities with fiction, her practice addresses lesser-known histories through a blend of myth and visual narrative. She is the founder of Passenger Pigeon Press, an independent press that joins the work of scientists, journalists, creative writers, and artists to create politically nuanced and cross-disciplinary projects. Ngueyn is Assistant Professor of Art at Wesleyan University.