Review by Kevin Brown
There’s not much of a plot to relate from Yasmin Zaher’s debut novel, The Coin, as the unnamed narrator doesn’t do much. She’s teaching at a school for underprivileged boys, but she’s not invested in their learning, though she likes her students quite a bit. She has a relationship with Sasha, but he’s clearly more in love with her than she is with him. She begins a different relationship with an unhoused man she refers to as Trenchcoat — he picked up a trench coat she left outside of her apartment — as they buy high-end purses that they can then pass on to one of his friends who will sell them at a nice profit.
The plot, though, really isn’t the point of the novel. Instead, it’s more of a character study of a Palestinian woman who is stuck in her life, partly due to the trauma of never feeling like one belongs anywhere and partly due to the death of her parents when she was young. Their death led to her inheriting a great deal of money, so her life is superficially stable, though she goes through her monthly distribution quite quickly, largely due to her obsessive focus on cleanliness. She spends hours scrubbing away what she believes is dead skin, even seeing snakes that come out of her. She clearly sees herself as dirty, and she doesn’t believe anything she can do will ever help her be truly clean. The coin of the title is a reference to a coin she believes she swallowed when she was a child, but it also seems to refer to the part of her back that she cannot reach to clean, thus serving as a metaphor for her displacement, trauma, and survivor’s guilt.
Near the end of the novel she goes in the opposite direction, seemingly trying to recreate Palestine in her New York apartment, after a theft at the school reveals how little she understands her students. The narrator addresses a “you” throughout the novel, becoming more pronounced near the conclusion of the book, though it’s never quite clear whom it might be. There are hints that it could be a person at the beginning of a new relationship, but it also feels like it could be a manifestation of her lack of belonging. If so, she might be on the track to understanding herself a bit better, though the ending is vague, at best. Regardless, Zaher has clearly conveyed a character who is struggling to understand how to live in a world that doesn’t seem to want her and her people to exist at all.
The Coin by Yasmin Zaher. Catapult, July 2024.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. IG, Threads, and BlueSky: @kevinbrownwrites
