Guest Post by Kevin Brown
In his memoir Stay True, Hua Hsu explores identity through three different lenses: race/ethnicity, friendship, and music. Music is by far the dominant way Hsu defined himself when he was in college, the years he focuses on in this work. He uses his love of music partly to define himself as different than others—as a way to carve out an identity for himself—and to judge others—as a way to keep others at a distance. He becomes friends with Ken, a student unlike Hsu in almost every way, including musical tastes. Despite those differences, Ken becomes a friend who helps Hsu grow and change, slowly moving past his easy judgments about others. Ken and Hsu are both Asian Americans, but Ken is Japanese American. His family has been in the United States for generations, while Hsu is the son of Taiwanese immigrants, leading Hsu to feel less settled in his racial/ethnic identity. All of these strands help Hsu talk about who he was then and how that time has shaped him into who is, but the main concern of the memoir is a specific event in his relationship with Ken, one Hsu is still coming to terms with years afterward.
Stay True by Hua Hsu. Penguin Random House, September 2022.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.