Visit The Georgia Review to view silhouette art by Kara Walker, featured both online and in the newest issue (Spring 2010). From the portfolio introduction:
Critics have assigned labels ranging from “provocative” to “exploitative” to Walker’s overall project. At the crux of this controversy is the silhouette itself, which reduces a subject to the least possible amount of information and forces the viewer to rely on stereotypical hints—clothing, hairstyle, exaggerated physical characteristics—leading toward two-dimensional “truths” that make explicit the work’s deep sense of ambiguity. Viewers must become (discomfortingly) reductionist themselves; Walker offers no choice but to understand and then implicitly to accept the stereotypes in order to identify her characters.
